28:39For years, regulatory agencies and environmental groups have insisted that the increase in whale deaths off the East Coast of the United States has nothing to do with the rapidly-expanding wind industry's high-decibel pile driving, sonar mapping, and boat activities, to install wind-harvesting facilities for electricity generation. Thrown To The Wind travels to parts of the ocean where these activities are underway, to investigate these claims, showing that indeed these industrial activities are impacting critically endangered species in profound ways--which are being systematically ignored, while the climate and ecological crisis rages.
1:50:38The Conservation Game follows the story of Tim Harrison, an Ohio cop who stumbles upon a bombshell discovery while undercover at an exotic animal auction. He starts to suspect that America's top television celebrity conservationists may be secretly connected to the exotic pet trade. As his investigation leads deeper into the secret world of the big cat trade, Tim and his team take their fight to the halls of Congress, pressing lawmakers to pass federal legislation that would end the private breeding and exploitation of these endangered animals. But when opposition comes from an unexpected source, Tim is forced to face the demons of his own past, while wrestling with the consequences of exposing his childhood hero.
53:12Despite decades of environmental impacts and campaigning for bans and other regulations, the plastic industry continues to expand. From 1990 to 2010 alone, production of plastics more than doubled. Fracking has provided cheap natural gas which is also driving down the cost of making plastic. The United States is now one of the world's largest plastic producers, and industry is investing tens of billions of dollars in new plastic plants. By 2050, it's estimated that global production of plastic will triple. Alongside, the industry has pushed a greenwashing image of recycling to fend off negative public opinion, and sell more plastic. Plastic Wars examines how this has come to be, using industry documents and former insiders, and presents the urgency of the need for change, now more than ever.
1:28:09A group of friends become curious about the sustainability of their eating regiments. They instigate a challenge, and send filmmaker Yasi Gerami off on a quest to investigate the sustainability of their eating ideologies. The friends come from different backgrounds and live in Toronto, Canada, but the inquiry takes the story of their food around the globe. As Gerami digs deeper, she realises the inconvenient truths not only about the environmental catastrophes caused by our dependence on mainstream food production methods, but also by the cataclysmic social justice impact of our eating habits in the global south. The film unfolds some popular myths on topics such as plant-based diets, healthy and nutritional foods, ethical eating, food politics, industrial agriculture, and how to attain a sustainable food culture. Sustenance helps the viewer discover these themes, prompting the viewer to question where our food really comes from, and how it genuinely affects the health of other people, other species, and ultimately the entire planet.
1:39:26The central thesis of Planet of the Humans is that various people and organisations in the United States claiming to promote 'green energy' are actually promoting biomass energy--largely a euphemism for cutting down and burning forests--a practice which is not carbon neutral nor renewable nor sustainable. The film reveals the destruction of environments first-hand, and also explores how wind power and solar power don't fare much better than fossil fuels in terms of impacts once all the inputs for construction and maintenance are considered and compared. In most cases, the additional demands for resources and construction simply invoke more environmental degradation and pollution. The film examines this push for more industry through key figures in the modern environmental movement that are funded by entities connected to fossil fuels, or have established profit motives, revealing how the environmental movement has been essentially co-opted into a de-facto lobbying arm of 'green' industries. The film also posits that regardless of energy systems, overpopulation is a central problem of industrial civilisation, and that this current way of life is unsustainable no matter how it is powered or 're-imagined' by technology.
1:52:58This biography documents the life of Rachel Louise Carson who was an American marine biologist, author, and conservationist. Her book Silent Spring, and other writings, are widely recognised to be responsible for advancing the global environmental movement. Carson began her career as an aquatic biologist in the United States Bureau of Fisheries, and became a full-time nature writer in the 1950s, turning her attention to conservation, especially some problems that she believed were caused by synthetic pesticides. The result was Silent Spring, published in 1962, which brought environmental concerns to the public at large. Although the book was met with vicious attacks from chemical companies, Carson spurred a reversal in national pesticide policy, which led to a nationwide ban on DDT and other pesticides, and also inspired a grassroots environmental movement that led to the creation of the Environmental Protection Agency. This film is an intimate portrait of the woman whose groundbreaking work revolutionised our relationship with the natural world.
1:16:59If a crime is committed in order to prevent a greater crime, is it excusable? Is it, in fact, necessary? The Reluctant Radical follows Ken Ward as he confronts his fears and acts on these questions to stop climate change. After twenty years leading some of the most renowned mainstream environmental organisations, Ken witnesses first-hand how ineffective and unthreatening they are. As their efforts fail, and environmental collapse increases in scope and speed, Ken comes to see how direct action civil disobedience is the most effective political tool to deal with catastrophic circumstances. Ken breaks the law, to fulfil his obligation to future generations, to stop the oil economy. By following Ken for a year and a half through a series of direct actions, this film culminates with his participation in the coordinated action that shut down all the tar-sands oil pipelines in the United States on October 11, 2016. The film reveals the personal costs but also the true fulfilment that comes from following one's moral calling, even if that means breaking the law and its consequences. Ken has no regrets.
1:37:43Albatross is a collaborative film project with artist Chris Jordan and photographer Manuel Maqueda. The film is the culmination of many years of research and study of the issue of ocean plastic pollution, with a paricular focus on how it effects species of Albatross on a tiny atoll in the centre of the vast North Pacific Ocean. The resulting film is an experience that is devastating, not only for the plight of suffering birds, but also for what this crisis reflects back about the destructive power of the culture of mass consumption, and its damaged relationship with the living world.
1:28:04The Devil We Know investigates the toxicity of perfluorooctanoic acid--PFOA/PFA, also known as C8--the key ingredient found in non-stick cookware, stain resistant furniture and carpets, wrinkle free and water repellent clothing, cosmetics, lubricants, paint, pizza boxes, popcorn bags, and many other everyday products. The film centres on Parkersburg, West Virginia, in the United States, at the DuPont facility that manufactured Teflon, and dumped at least 1.7 million pounds of PFOA into rivers and streams between 1951 and 2003, knowing that it was a carcinogen. The film follows the personal stories of several people who worked at the facility that experienced cancers and birth defects, and also reveals the detection of PFOA in the blood of more than 98% of the general US population in the low and sub-parts per billion (ppb) range, with levels much higher in chemical plant employees and surrounding subpopulations.
1:34:57RiverBlue shows the toxic effects of textile production and jeans manufacturing on some of the world's largest rivers. Travelling from tanneries along rivers in India, to some of the largest jeans manufacturing factories in China, renowned river advocate Mark Angelo guides the viewer through the declining health of waterways around the world.
1:28:10Young filmmaker Julia Barnes embarks on a journey around the world to investigate the causes and solutions to some of the most pressing threats facing the oceans, such as the decimation of the world's fish populations and ocean acidification. Through interviews with scientists, researchers, and activists, the film reveals the interconnections of all life on earth, positing that the current mass extinction in the oceans will have devastating impacts on terrestrial life too, including humans. Sea of Life becomes a call to action, with the view that once more people know what's happening in the ocean, they'll want to fight for its protection. Barnes then documents some of the largest environmental rallies, including the People's Climate March in New York and protests at COP21 in Paris, but concludes that these actions will not be enough to save our future. Sea of Life calls for a revolution in the way we approach activism.
1:14:24Burned: Are Trees the New Coal? investigates the latest method of providing so-called "green" electricity, as espoused by the renewable energy movement. It's called biomass, which is a euphemism for clear-cutting and burning forests. It is claimed that this is first a sustainable method of electricity creation, but secondly, and more slanderous, is claimed to be carbon-neutral and environmentally friendly. So how did this become the purported saviour for the power-generation industry, and by extension, the modern environmental movement? Burned provides a visceral account of these questions, while documenting the accelerating destruction of forests to fuel this destructive culture.
1:15:45Half of all marine life has been lost in the last 40 years. By 2050 there will be more plastic in the sea than fish. The way the ocean is different to how we thought 100 years ago. We can no longer think of it as a place of resources, a dumping ground, immune to change or decline. Blue takes us on a journey into the ocean realm, witnessing the critical moment of our time when the marine world is on the precipice. Passionate advocates for ocean preservation take us into their world where the story of the changing ocean unfolds. We meet those who are defending habitats, campaigning against exploitative commercial fishing, combating marine pollution, and fighting for the protection of keystone species. Blue comes at a time where decisions made today will pave the legacy for what we leave behind for generations to come.
1:00:58Ten years on from his previous film, Advertising & the End of the World, renowned media scholar Sut Jhally follows up by exploring the since-escalating devastating personal and environmental fallouts of advertising and the near-totalising commercial culture. The film tracks the emergence of the advertising industry in the early 20th century to the full-scale commercialisation of the culture today, identifying the myth running throughout all of advertising: the idea that corporate brands and consumer goods are the keys to human happiness and fulfilment. We see how this powerful narrative, backed by billions of dollars a year and propagated by clever manipulative minds, has blinded us to the catastrophic costs of ever-accelerating rates of consumption. The result is a powerful film that unpacks fundamental issues surrounding commercialism, media culture, social well-being, environmental degradation, and the dichotomy between capitalism and democracy.
2:07:01How to Let Go of the World and Love All the Things Climate Can't Change travels the globe, from New York City to the Marshall Islands and China, to meet with people who are committed to reversing the tide of global warming. The film examines the intricately woven forces that threaten the stability of the climate and the lives of the world's inhabitants.
11:03Adrift is a short film that explores the phenomenon of space junk, where human-made objects launched into space and are now defunct orbit the Earth literally as garbage. The film makes visible some of the immediate impacts and dangers of the technological escalation of this culture, where old satellites, spent rocket stages, and other items orbit the Earth, only to collide with one another at high velocities, generating smaller fragments that collide with other items, and so on. The end point is a cascading complex of junk that engulfs the entire space around the Earth. Adrift aims to make this phenomenon visible, putting a big question mark against the claims made by many futurists and technologists that future space colonisation would even be possible, if only it were a tenable or sensible idea in the first place...
1:07:41The oil industry giant Chevron began operating in Ecuador's Amazon rainforest in 1964, and by the time the corporation fled the area in 1992, their toxic footprint had brought about 1,700 times more damage than the infamous Exxon Valdez oil spill in the United States in 1989. Chevron vs. The Amazon visits the scene of this epic and enduring crime, to uncover the acts that have killed the riches of the world's tropical paradise. The Amazon is home to hundreds of thousands of unique species of plants, animals, insects, landscapes, as well as an equally diverse human population—all under severe and continued stress and threat. Chevron dumped 17 billion gallons of crude oil and 19 billions gallons of contaminated waste water into the Amazon. Prior to fleeing, they attempted to hide this by covering the areas with dirt or setting the toxic dumps on fire. This film shows the totality of these crimes, and how the land and its people have suffered from devastating impacts over the ensuing decades, as the first step to holding corporate criminals to account, for justice and the survival of the Amazon and its peoples.
18:43The microbeads of plastic contained in cosmetics, shower gels, soaps, toothpastes, and many other products, of course directly end up in rivers and oceans, fish and birds, as well as other creatures of the sea and indeed land. But if that isn't problematic enough, these tiny plastics are only part of the bigger problem of plastic prolifically choking the ocean to death. For all plastics, big or small, break down and fail into smaller plastic particles, having cumulative biological and toxicological effects. This short television report takes a quick look into how marine life is effected by all this, and why we should do something about it before it's too late.
52:0290% of the consumer products are manufactured overseas, delivered by ship. Likewise with individual supplies, assembly parts, and even transportation oil itself. The shipping industry is the core of the globalised economy. Yet this industry remains largely obscure and unquestioned. As modern ships are too large to fit in traditional city harbours, they've moved out of the public eye, behind extensive barriers and security check points. Freightened: The Real Price of Shipping aims to open up this hidden world. What pulls the strings in this multi-billion dollar global business? To what extent does it control policy makers? How does it affect the environment above and below the water-line? And what's life like for modern seafarers? Through journeys over many oceans, Freightened is an investigation the hidden machinations of globalised shipping, revealing its ubiquitousness but fragility, consequences and future.
1:20:15In the race towards modernity, amongst the buzz and jitter of technological innovation and the rapid growth of cities, silence is now quickly passing into legend. Beginning with an ode to John Cage's seminal silent composition 4' 33", the sights and sounds of this film delicately interweave with silence to create a contemplative experience that works its way through frantic minds and into the quiet spaces of hearts. As much a work of devotion as it is documentary, In Pursuit of Silence is a meditative exploration of our relationship with silence, sound, and the impact of noise on our lives.
11:22Would any sane person think dumpster diving would have stopped Hitler, or that composting would have ended slavery or brought about the eight-hour workday; or that chopping wood and carrying water would have gotten people out of Tsarist prisons; or that dancing around a fire would have helped put in place the Voting Rights Act of 1957 or the Civil Rights Act of 1964? Then why now, with all the world at stake, do so many people retreat into these entirely personal "solutions"? Why are these "solutions" not sufficient? But most importantly, what can be done instead to actually stop the murder of the planet?
1:35:34Frackman introduces us to Dayne Pratzky, who is looking to build a simple home on his block of land in central Queensland, Australia. But one day the gas company comes and demands access to his land for gas mining. Dayne doesn't want that, but is told he has no right to refuse access to his land, and so begins his transformation into a reluctant activist on a journey that takes him around the world. Through his efforts, we see other people drawn into the battle of fending off rapacious coal-seam gas miners. Frackman presents this story, crossing ideological divides, bringing together an alliance of farmers, conservationists, political conservatives, and a cast of colourful Aussie bush characters, determined in different ways to stop fracking from destroying the land.
41:56Consumer capitalism dominates the economy, politics, and culture of our age, despite a growing trove of research showing that it is a failed system. In this illustrated presentation, media scholar Justin Lewis makes a compelling case that capitalism can no longer deliver on its myth of the dream and its promise to enhance the quality of life. He argues that changing direction will require changing our media system and our cultural environment, as capitalism has become economically and environmentally unsustainable. This presentation explores how the media and information industries make it difficult to envision other forms of life by limiting critical thinking and keeping us locked in a cycle of consumption, and shows us that change will only be possible if we take culture seriously and transform the very way we organise our media and communications systems.
1:26:39In recent years, nature conservation has become a booming business where huge sums of money change hands, and endangered species become exotic financial products. Banking Nature, delves into this hidden world of so-called environmental banking, where huge corporations such as Merrill Lynch and JP Morgan Chase buy up the land and habitat of endangered species, and then sell them in the form of shares. Companies that inevitably harm the environment are then obliged to buy credits to offset the damage that they have caused. In Uganda, we meet men who measure trees to determine how much carbon they store and then a banker from the German firm that sells the resulting carbon credits. In Brazil, the steel giant Vale destroys the rainforest, replaces it with a monocrop tree plantation, and reaps the benefits of environmental credits as if the rainforest was still standing. Banking Nature posits that we disallow the same corporate criminals responsible for the global financial crisis from turning what's left of the natural world into their final corrupt commodities market.
1:10:52Pretty Slick reveals the untold story of BP's coverup following the 2010 Deepwater Horizon oil explosion in the Gulf of Mexico. The explosion is known as one of the largest environmental catastrophes in the history of the United States, but what is not well-known is that BP, along with government approval, used toxic chemicals to sink the oil in the water rather than clean it up, using a controversial chemical dispersant called Corexit. Because of this, it is estimated that approximately 75% of the oil, or over 150 million gallons, is still unaccounted for. When filmmaker James Fox learned of this, he began a three year investigation to find out about the dispersant use and its coverup. Pretty Slick reveals how public safety and environmental health took a backseat to restoring the economy, and along the way exposes the collusion between big oil and the United States government in these happenings.
43:15Following on from previous reports about the numerous threats from industry facing the Great Barrier Reef, investigative journalist Marian Wilkinson returns to Queensland, Australia some years later to not only review the continued declining state of the reef, but to unfortunately investigate a new string of threats. This year, the government agency tasked with protecting the reef has approved a plan to expand the Abbot Point coal port which has serious cumulative effects on the already stressed reef and surrounding ecology. This in conjunction with the realities caused by anthropogenic climate change means the health of the reef has arguably past tipping point. Do we care enough to shift our perception of viewing everything through the lens of the economy? And not only that—do we care enough to act?
57:14On April 20th 2010, a massive oil rig exploded in the Gulf of Mexico. It was called the Deepwater Horizon rig, operated by the BP corporation. The resulting fire claimed the lives of eleven workers, while the exploding oil well spewed over 4.2 million barrels of oil into the sea over 82 straight days, killing the ocean and millions of animals. The disaster is considered the worst environmental catastrophe in the history of the United States. Ecocide profiles the disaster through the residents of Grand Isle, the last inhabited barrier island off the coast of Louisiana, United States, who thought they were living in paradise until the BP oil explosion hit their shores. Through the lived experiences of this island community, we see the devastating repercussions of the explosion, several years later, that continue to this day.
1:29:40Nuclear Nation II is Atsushi Funahashi's sequel, documenting the consequences of the March 2011 nuclear disaster at the Fukushima Daiichi Nuclear Power Plant in Ōkuma, Japan. In this follow-up, we learn that the former mayor--previously a fervent advocate of nuclear energy and now a passionate fighter for the victims of the catastrophe--has now been replaced by someone younger. The single-minded cattle breeder also makes another appearance, originally having resisted the government's orders to evacuate the disaster zone and kill his livestock. Today, a look at his animals lays bare the consequences of radioactive contamination: they all have ulcers and open wounds. It wasn't until late 2014 that the final people left the school building, but they're unlikely ever to be able to return to their homes. The epicentre of the catastrophe has been declared a toxic waste disposal site. The inhabitants of Futaba, to whom nuclear energy once brought affluence, are now paying the high price for it.
