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Nude with fan by A.F. Kales

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Born in the Arizona territory, Arthur Kales received a law degree from the University of California at Berkeley in 1903. While living in the Bay Area, he became interested in the burgeoning Pictorialist movement in photography that flourished there, and his images met with immediate success. Kales moved to Los Angeles to work in advertising but returned to San Francisco in 1917. In the following year, he nevertheless joined the Camera Pictorialists of Los Angeles. For fourteen years beginning in 1922, Kales wrote about Pictorialist photography in western America for the journal Photograms of the Year. [quoted from Getty museum]

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Arthur F. Kales (1881 – 1936) ~ Poster [female nude with big fan]. From Photograms of the Year, mid 1930s | src flickr

Desha by Nickolas Muray, 1922

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Nickolas Muray (1892-1965) :: Desha Delteil, 1922. Toned gelatin silver print. | src Heritage Auctions
Nickolas Muray (1892-1965) :: Desha Delteil, 1922. Toned gelatin silver print. | src Heritage Auctions
Nickolas Muray (1892-1965) :: Desha Delteil, 1922. Toned gelatin silver print. | src Heritage Auctions
Nickolas Muray (1892-1965) :: Desha Delteil, 1922. Toned gelatin silver print. | src Heritage Auctions

Dancer (1922) by Hugo Erfurth

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Hugo Erfurth :: Untitled (dancer, maybe Charlotte Bara), 1922. | src Städel Museum
Hugo Erfurth (1874 – 1948) ~ Untitled (dancer, maybe Charlotte Bara / Bachrach), 1922 | src Städel Museum
Hugo Erfurth :: Untitled (dancer, maybe Charlotte Bara), 1922. | DETAIL
Hugo Erfurth (1874 – 1948) ~ Untitled (dancer, maybe Charlotte Bara), 1922 [detail]
Hugo Erfurth :: Untitled (dancer, maybe Charlotte Bara), 1922. | src Städel Museum
Hugo Erfurth (1874 – 1948) ~ Untitled (dancer, likely Charlotte Bara), 1922 (full size) | src Städel Museum

Kätzchen (1901) by Veritas

Featuredatelier veritas stephanie ludwig katzchen kitten 1901 kunst in der photographie
Stephanie Ludwig ~ Atelier Veritas :: Kätzchen [Kitten], 1901. Photogravure. Published in Die Kunst in der Photographie V-1901; printer: Atelier Meisenbach, Riffarth & Co.
Stephanie Ludwig ~ Atelier Veritas :: Kätzchen [Kitten], 1901. Photogravure. Published in Die Kunst in der Photographie V-1901; printer: Atelier Meisenbach, Riffarth & Co.
Stephanie Ludwig ~ Atelier Veritas :: Kätzchen [Kitten], 1901. Photogravure. Published in Die Kunst in der Photographie V-1901; printer: Atelier Meisenbach, Riffarth & Co.
Stephanie Ludwig ~ Atelier Veritas :: Kätzchen [Kitten], 1901. Photogravure. Published in Die Kunst in der Photographie V-1901; printer: Atelier Meisenbach, Riffarth & Co.
Stephanie Ludwig ~ Atelier Veritas :: Kätzchen [Kitten], 1901. Photogravure. Published in Die Kunst in der Photographie V-1901; printer: Atelier Meisenbach, Riffarth & Co.
Stephanie Ludwig ~ Atelier Veritas :: Kätzchen [Kitten], 1901. Photogravure. Published in Die Kunst in der Photographie V-1901; printer: Atelier Meisenbach, Riffarth & Co. [Full size]
Featured

Liegender Akt VI, 1926

Anton Josef Trčka, Antios (1893–1940) :: ‘Aktstudie VI’, Vienna, 1926. Vintage brome-silver print, brown-toned, double-weight matte paper. Signed and dated by the photographer “ANTIOS 1926” in the negative upper left, handwritten annotation “Foto Ringwerkstaetten” and numbered “VI” in pencil on the reverse.
Anton Josef Trčka, Antios (1893–1940) :: ‘Aktstudie VI’, Vienna, 1926. Vintage brome-silver print, brown-toned, double-weight matte paper. Signed and dated by the photographer “ANTIOS 1926” in the negative upper left, handwritten annotation “Foto Ringwerkstaetten” and numbered “VI” in pencil on the reverse. | src Ostlicht photo auction Spring 2022
Anton Josef Trčka (Antios) :: Liegender Akt VI (Reclining Nude VI), Vienna, 1926. Silver print, contact print, warm toned. Signed with pseudonym 'Antios' and dated 1926.
Anton Josef Trčka (Antios) :: Liegender Akt VI (Reclining Nude VI), Vienna, 1926. Silver print, contact print, warm toned. Signed with pseudonym ‘Antios’ and dated 1926. | src MutualArt
Featured

Tanzaufnahme von Franz Löwy

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Franz Löwy :: Dance scene, from the “Exposition Internationale des Arts Décoratifs et Industriels Modernes” in Paris 1925
Fotografie einer Tanzaufnahme von Franz Löwy auf der “Exposition Internationale des Arts Décoratifs et Industriels Modernes” in Paris 1925 (vom Bearbeiter vergebener Titel) | src MAK – Museum für angewandte Kunst
Featured

«La Deésse Cypris»

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Laure Albin-Guillot :: Female nude, ca. 1932. Photograph from the book «La Deésse Cypris» by Henry de Montherlant, illustrated by Laure Albin-Guillot. Published by Henri Colas et Bordeaux, Rousseau Frères, Paris, 1946. | src Andrew Cahan Bookseller
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«La Deésse Cypris» by Henry de Montherlant, illustrated by Laure Albin-Guillot. Paris: Henri Colas, Éditeur; Bordeaux: Rousseau Frères, [1946]. Albin-Guillot, Laure. First edition. Folio, [42] pp., with 12 hand-pulled photogravures plates. | src Andrew Cahan Bookseller
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Laure Albin-Guillot :: Female nude, ca. 1932. Photograph from the book «La Deésse Cypris» by Henry de Montherlant, illustrated by Laure Albin-Guillot. Published by Henri Colas et Bordeaux, Rousseau Frères, Paris, 1946. | src Andrew Cahan Bookseller
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«La Deésse Cypris» by Henry de Montherlant, illustrated by Laure Albin-Guillot. Paris: Henri Colas, Éditeur; Bordeaux: Rousseau Frères, [1946]. Albin-Guillot, Laure. First edition. Folio, [42] pp., with 12 hand-pulled photogravures plates. | src Andrew Cahan Bookseller
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Laure Albin-Guillot :: Female nude, ca. 1932. Photograph from the book «La Deésse Cypris» by Henry de Montherlant, illustrated by Laure Albin-Guillot. Published by Henri Colas et Bordeaux, Rousseau Frères, Paris, 1946. | src Andrew Cahan Bookseller
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«La Deésse Cypris» by Henry de Montherlant, illustrated by Laure Albin-Guillot. Paris: Henri Colas, Éditeur; Bordeaux: Rousseau Frères, [1946]. Albin-Guillot, Laure. First edition. Folio, [42] pp., with 12 hand-pulled photogravures plates. | src Andrew Cahan Bookseller
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Laure Albin-Guillot :: Female nude, ca. 1932. Photograph from the book «La Deésse Cypris» by Henry de Montherlant, illustrated by Laure Albin-Guillot. Published by Henri Colas et Bordeaux, Rousseau Frères, Paris, 1946. | src Andrew Cahan Bookseller
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«La Deésse Cypris» by Henry de Montherlant, illustrated by Laure Albin-Guillot. Paris: Henri Colas, Éditeur; Bordeaux: Rousseau Frères, [1946]. Albin-Guillot, Laure. First edition. Folio, [42] pp., with 12 hand-pulled photogravures plates. | src Andrew Cahan Bookseller
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Laure Albin-Guillot :: Female nude, ca. 1932. Photograph from the book «La Deésse Cypris» by Henry de Montherlant, illustrated by Laure Albin-Guillot. Published by Henri Colas et Bordeaux, Rousseau Frères, Paris, 1946. | src Andrew Cahan Bookseller
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«La Deésse Cypris» by Henry de Montherlant, illustrated by Laure Albin-Guillot. Paris: Henri Colas, Éditeur; Bordeaux: Rousseau Frères, [1946]. Albin-Guillot, Laure. First edition. Folio, [42] pp., with 12 hand-pulled photogravures plates. | src Andrew Cahan Bookseller
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Laure Albin-Guillot :: Female nude, ca. 1932. Photograph from the book «La Deésse Cypris» by Henry de Montherlant, illustrated by Laure Albin-Guillot. Published by Henri Colas et Bordeaux, Rousseau Frères, Paris, 1946. | src Andrew Cahan Bookseller
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«La Deésse Cypris» by Henry de Montherlant, illustrated by Laure Albin-Guillot. Paris: Henri Colas, Éditeur; Bordeaux: Rousseau Frères, [1946]. Albin-Guillot, Laure. First edition. Folio, [42] pp., with 12 hand-pulled photogravures plates. | src Andrew Cahan Bookseller
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Laure Albin-Guillot :: Female nude, ca. 1932. Photograph from the book «La Deésse Cypris» by Henry de Montherlant, illustrated by Laure Albin-Guillot. Published by Henri Colas et Bordeaux, Rousseau Frères, Paris, 1946. | src Andrew Cahan Bookseller
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«La Deésse Cypris» by Henry de Montherlant, illustrated by Laure Albin-Guillot. Paris: Henri Colas, Éditeur; Bordeaux: Rousseau Frères, [1946]. Albin-Guillot, Laure. First edition. Folio, [42] pp., with 12 hand-pulled photogravures plates. | src Andrew Cahan Bookseller
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«La Deésse Cypris» Front cover
by Henry de Montherlant, illustrated by Laure Albin-Guillot. Paris: Henri Colas, Éditeur; Bordeaux: Rousseau Frères, [1946]. Albin-Guillot, Laure. First edition. Folio, [42] pp., with 12 hand-pulled photogravures plates. | src Andrew Cahan Bookseller
Featured

La buena fama durmiendo (o no)

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Manuel Álvarez Bravo (1902-2002) ~ La buena fama durmiendo, 1938 | src Bellas Artes
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Manuel Álvarez-Bravo (1902-2002) ~ La buena fama durmiendo (Good reputation sleeping), 1938. Toned-gelatin silver print | src Bonhams
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Manuel Álvarez-Bravo (1902-2002) ~ La Buena Fama Durmiendo (The Good Reputation Sleeping), 1938 | src Holden Luntz gallery
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Manuel Álvarez-Bravo ~ Cuando La Buena Fama Despierta (When Good Reputation Awakens), 1938 | src invaluable & mutualart
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Manuel Álvarez Bravo (1902-2002) ~ La desvendada # 2 (The Unbandaged # 2), 1939 | src Getty Museum
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Manuel Álvarez Bravo (1902-2002) ~ La desvendada (The Unbandaged), 1939 | src Getty Museum
Featured

Yayoi Kusama at 10 (1939)

Yayoi Kusama aged 10, 1939 | source stephen ellcock
Yayoi Kusama aged 10, 1939 | source stephen ellcock
Yayoi Kusama at the age of ten, 1939. [Kusama, ca 10 år gammal år 1939] Bild: © Courtesy of Ota Fine Arts, Tokyo/ Singapore; Victoria Miro Gallery, London; David Zwirner, New York, © Yayoi Kusama | src Svenska Yle
Yayoi Kusama at the age of ten, 1939. [Kusama, ca 10 år gammal år 1939] Bild: © Courtesy of Ota Fine Arts, Tokyo/ Singapore; Victoria Miro Gallery, London; David Zwirner, New York, © Yayoi Kusama | src Svenska Yle
Featured

Claire Bauroff, ca. 1925

Trude Fleischmann :: Die Tänzerin | The dancer Claire Bauroff, Vienna, ca. 1925. Vintage silver print. | src liveauctioneers
Trude Fleischmann :: Die Tänzerin | The dancer Claire Bauroff, Vienna, ca. 1925. Vintage silver print. | src liveauctioneers


Dryads, 1913 by Anne Brigman

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Anne W. Brigman :: Dryads, 1913. Photogravure on thin off-white wove paper. Camera Work: A Photographic Quarterly, Volume 44 (1913) | src Harvard Art Museums
Anne W. Brigman :: Dryads, 1913. Photogravure on thin off-white wove paper. Camera Work: A Photographic Quarterly, Volume 44 (1913) | src Harvard Art Museums
Annie W. Brigman :: Dryads, 1913. Camera Work: A Photographic Quarterly, Heft 44 (1913)
Annie W. Brigman :: Dryads, 1913. Camera Work: A Photographic Quarterly, Heft 44 (1913)

Bund für freie Bewegung · 1928

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Bund für angewandte und freie Bewegung in München (Mensendiecksystem). Die schöne Frau, Nr. 8, 1928 | src ÖNB
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Gruppenstudie. Bund für angewandte und freie Bewegung. Die schöne Frau, Nr. 8, 1928 | src ÖNB
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Spannungsstudie. Bund für angewandte und freie Bewegung. Die schöne Frau, Nr. 8, 1928 | src ÖNB
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Bund für angewandte und freie Bewegung. Die schöne Frau, Nr. 8, 1928 | src ÖNB

Leonetto Cappiello · Dancers

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Leonetto Cappiello (1875-1942) ~ A dancer in motion wearing a futuristic headpiece and billowing wide pants, 1928. Watercolor and pencil drawing | src invaluable
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Leonetto Cappiello (1875-1942) ~ Folies Bergere poster, 1900s | src RetroGraphik

Leonetto Cappiello: The Father of Modern Advertising Poster

Leonetto Cappiello (1875 – 1942) was an Italian poster artist who lived much of his life in Paris, France. With no formal training in art, he emerged as one of the leading Italian artist and caricaturist in Paris that eventually succeeded the other famous lithographers such as Henri Toulouse-Lautrec (1864-1901), Jules Cheret (1836-1932) and Alphonse Mucha (1860-1939) as the leading advertising poster designer in Paris.

Talented Cappiello started his arts career as a caricature artist in 1896 illustrating for French journals like Le Rire, Le Cri de Paris, Le Sourire, L’Assiette au Beurre, La Baionnette, Femina, and others. His first album of caricatures, Lanterna Magica, was made in 1896. His early caricature style was seen to be influenced by Henri Toulouse-Lautrec, which was already the most famous artist of the time.

Today, arts historians list him as one of the most influential poster artist in the history of poster art as many would agree that he is also known as the “Father of Modern Advertising Poster”. As advertising posters were the main medium of communication during the time, Paris streets were saturated with many types of advertising posters, all trying hard to engage the increasingly distracted eyes. There was a need to rethink how poster as a medium need to be relevant and engage the faster pace of the 20th century. 

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Leonetto Cappiello (1875-1942) ~ Turbaned dancer in midair wearing a bright yellow outfit, 1928. Watercolor and charcoal drawing | src invaluable
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Leonetto Cappiello (1875-1942) ~ Asti Cinzano poster, 1910s | src RetroGraphik

The Cappiello Style

Cappiello is credited to revolutionize the old thinking of poster illustration during his time. His concept of poster art was simple, to simply engage audience faster by creating unconventional visual impact. He was the first poster artist to boldly experiment and innovate new graphical styles at the time. His presentation was straight forward with use of enlarged bold subjects with unconventional colors,contrasted by the very dark background, which make his art “pop out”. By doing so he moved away from illustrating intricate details in his artworks, which was famous at the time as Art Nouveau movement was popular.

Between 1901 and 1914, he created several hundred posters in a style that revolutionized the art of poster design. Cappiello redesigned the fin-de-siècle pictures into images more relevant to the faster pace of the 20th century.

His new functionalist style of graphic art, in which a single bold image would be used to grab the viewer’s attention. This graphic design proved highly effective, not only in drawing attention to the product but also in building a brand. It made Cappiello the acknowledged master of the advertising poster in his time for almost 20 years. | src RetroGraphik

Riefenstahl by Falkengren

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Uno Falkengren (1889 – 1965) ~ Portrait of Unknown Woman [Leni Riefenstahl (?)], Berlin, 1925 | src Moderna museet
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Uno Falkengren (1889 – 1965) ~ Actress and film director Leni Riefenstahl, Berlin, 1924 | src Moderna museet

Ronny Johansson by Falkengren

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Uno Falkengren (1889 – 1965) ~ Dansösen Ronny Johansson, Stockholm, 1922 | src Moderna museet