A small vintage circus dancer puppet in a leaping pose on a red fringe-covered platform.
A small vintage circus dancer puppet in a leaping pose on a red fringe-covered platform.

Alexander Calder, Calder's Circus (detail), 1926-31 (installation view, High Wire: Calder’s Circus at 100, Whitney Museum of American Art, New York, October 18, 2025–March 9, 2026). Wire, wood, metal, cloth, yarn, paper, cardboard, leather, string, rubber tubing, corks, buttons, rhinestones, pipe cleaners, and bottle caps, dimensions variable. Whitney Museum of American Art, New York; purchase with funds from a public fundraising campaign in May 1982. One half the funds were contributed by the Robert Wood Johnson Jr. Charitable Trust. Additional major donations were given by The Lauder Foundation; the Robert Lehman Foundation, Inc.; the Howard and Jean Lipman Foundation, Inc.; an anonymous donor; The T. M. Evans Foundation, Inc.; MacAndrews & Forbes Group, Incorporated; the DeWitt Wallace Fund, Inc.; Martin and Agneta Gruss; Anne Phillips; Mr. and Mrs. Laurance S. Rockefeller; the Simon Foundation, Inc.; Marylou Whitney; Bankers Trust Company; Mr. and Mrs. Kenneth N. Dayton; Joel and Anne Ehrenkranz; Irvin and Kenneth Feld; Flora Whitney Miller. More than 500 individuals from 26 states and abroad also contributed to the campaign 83.36.1-72. © 2026 Calder Foundation, New York / Artists Rights Society (ARS), New York. Photograph by Gus Powell

Last chance

High Wire: Calder’s Circus at 100
Through Mar 9
Learn more about the exhibition Book Tickets
A large group of people dance together outdoors, raising their arms, while others watch and walk nearby.

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The Whitney Biennial is the longest-running survey of American art, and has been a hallmark of the Museum since 1932. The current format—a survey show of work in all media occurring every two years—has been in place since 1973. Mark your calendars for the next iteration, opening March 2026. 

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artport

Check out art that's created specifically for the web on artport—the Whitney's gallery space for Internet and new-media art.

Dive Into Our Collection

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  • A naked Black man balances on one leg while looking out into the glistening light from a window in a dilapidated room
    A naked Black man balances on one leg while looking out into the glistening light from a window in a dilapidated room

    Alvin Baltrop, Untitled, 1977. Gelatin silver print, sheet: 9 × 6 7/8 in. (22.9 × 17.5 cm). Whitney Museum of American Art, New York; purchase, with funds from the Photography Committee 2009.31. Photographs used courtesy of The Alvin Baltrop Trust, © 2010, The Alvin Baltrop Trust and Galerie Buchholz. All rights reserved.

  • Grid of neatly packed seafoam colored Coca-Cola bottles. A bright red logo of the Coca-Cola brand is placed on the center plane, underneath the grid
    Grid of neatly packed seafoam colored Coca-Cola bottles. A bright red logo of the Coca-Cola brand is placed on the center plane, underneath the grid

    Andy Warhol, Green Coca-Cola Bottles, 1962. Acrylic, screenprint, and graphite pencil on canvas, overall: 82 3/4 × 57 1/8 in. (210.2 × 145.1 cm). Whitney Museum of American Art, New York; purchase, with funds from the Friends of the Whitney Museum of American Art 68.25. © The Andy Warhol Foundation for the Visual Arts, Inc. / Licensed by Artists Rights Society (ARS), New York

  • A woman in a vintage suit and hat walks along a cobblestone street, looking to her right.
    A woman in a vintage suit and hat walks along a cobblestone street, looking to her right.

    Cindy Sherman, Untitled Film Still #23, 1978. Gelatin silver print, sheet: 8 × 9 15/16 in. (20.3 × 25.2 cm) Image: 7 1/2 × 9 7/16 in. (19.1 × 24 cm). Whitney Museum of American Art, New York; gift of Thea Westreich Wagner and Ethan Wagner 2010.221. © Cindy Sherman, courtesy the artist and Metro Pictures

  • A person lies motionless in the middle of a dim, blue-lit street surrounded by red flares.
    A person lies motionless in the middle of a dim, blue-lit street surrounded by red flares.

    Asco, Decoy Gang War Victim, 1974, printed 2011. Chromogenic print, sheet: 16 × 20 in. (40.6 × 50.8 cm) Image: 12 11/16 × 19 in. (32.2 × 48.3 cm). Whitney Museum of American Art, New York; purchase, with funds from the Photography Committee 2014.46. © 1974, Harry Gamboa Jr.

  • Faceless mother and child with yellow halos, mother wearing red dress and pearls.
    Faceless mother and child with yellow halos, mother wearing red dress and pearls.

    Allan D'Arcangelo, Madonna and Child, 1963. Acrylic and gesso on canvas, overall: 68 1/2 × 60 1/8 in. (174 × 152.7 cm). Whitney Museum of American Art, New York; purchase, with funds from the Painting and Sculpture Committee 2013.2. © Estate of Allan D'Arcangelo / Licensed by VAGA at Artists Rights Society (ARS), New York

  • Young girl gauges a boy's flexed arm while bold red text reads "We don't need another hero."
    Young girl gauges a boy's flexed arm while bold red text reads "We don't need another hero."

    Barbara Kruger, Untitled (We Don't Need Another Hero), 1987. Screenprint on vinyl, overall: 108 7/8 × 209 3/16 × 2 1/2 in. (276.5 × 531.3 × 6.4 cm). Whitney Museum of American Art, New York; gift from the Emily Fisher Landau Collection 2012.180. © Barbara Kruger
    Courtesy, Mary Boone Gallery, New York

On the Hour

A 30-second online art project:
Frank WANG Yefeng, The Levitating Perils #2

Learn more about this project

Learn more at whitney.org/artport

On the Hour projects can contain motion and sound. To respect your accessibility settings autoplay is disabled.