on strange angels, snake’s legs, red herrings, and arriving at eighty(one)

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1

eighty orbits of the sun
and now… a time of bemused adjustment,
of disappearing off the radar,
released
to sweet pastures of irrelevance

taking respite in ‘care’ means easing
into unfamiliar practices –
learning to manage external plumbing,
finding ways to avoid malnourishment,
speaking it clear: for me, solitude is oxygen

I bow in respect and gratitude
before strange angels,
scrubbed-up ones recording vitals on screens,
graphing this body’s beingness,
its tenacious aliveness

I’m told that back-to-back surgical encounters 
aren’t trivial (“Please respect your DOB!” scolds my GP)
vintage marbles, morphine and anaesthetic
are surely not good bedfellows
and yet

they gift the luxury of repose, and
somewhat ruefully, I smile, reflecting
upon our fruitless efforts
to tame this inherent wildness;
to paint legs on the snake of suchness

when the knower and the known 
merge into seamless knowing,
notions of attaining some transcendent state
prove to be fishy fantasies,
off they swim, red herrings all

2

I raise my glass to this crone-creature; she
who ceased comparing the craziness of her life
with the norms of mainstream abnormality,
who tirelessly delights in the effervescence 
of rogue questions

who abandoned fickle faith
(which is to say, every imagined story
of meaning and purpose for “humanity”)
and entered the dark temple of devotion
to life’s unimaginable capacity

who has no idea who she is
aside from others’ stories of her;
who doesn’t know where she came from
or what lies ahead; who did a banzai jump
and landed in solid space

who groks the gist of the game, i.e.
no one gets a manual for this voyage, kiddo; 
we fly solo
each finding our own true north,
vagrants all, on a tiny blue planet

3

vast aware aliveness is my true north
my motherground
devoid of anything to transcend, attain, argue, fix,
preach, prove, promote or sell, it knows itself
as sole conjurer of this appearance called world

I cackle at the idea of cracks
where light gets in or out;
no gap separates us from the intimacy
of this life-womb – listen
there’s no greater relief from existential angst!

the hair shirt of ‘shoulds’ gone 
– unravelled
by the quickunpick of inquiry – 
a cloak of quiet
wraps the space that calls itself ml

gratitude, gladness and mercy surge 
from their inexhaustible source
in this garden of the ordinary,
the inescapable,
the wondrous what-is

and so, this geriatric bhakti-babe totters on
impelled to track the questions
that unfold her via creativa
still awash in wonderment
still saying “yes!” to the imperative:

leave no trace, save the telling about it

– mls
Byron Bay, Australia, 2024 – 2025


It’s taken a long time to be ready to write blog posts again. If you’re still receiving notifications and reading my offerings, thank you. You are cherished.

This birthday poem has been slow in emerging. It’s a year late, and I confess there were times when it felt more like a farewell poem, a final missive of gratitude and wonderment.

Yet here we are, still alive, back in our space-slippers, eagerly eyeballing the upcoming orbit…


Netsuke: Japan, Edo (1615–1868) or Meiji period (1868–1912), Ivory, 4.8 cm H, inscribed ‘Hide masa sai’

Collection https://www.metmuseum.org

canto from the lockdown cave

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no longer working to get free

(or fix or heal or please)

no longer needing to understand

how any of this is possible

not to mention

knowable

I rest

entirely wrapped

in wonderment


Photo by ml: 
A recently completed small work, a candle, my mother’s ashes, a daffodil, an apple and a magic arrow  
2021 covid lockdown, Aotearoa New Zealand

wounded, weary, and wideawake

 

The invasion was unexpected and uninvited; it happened
one numinous now
when the minder of memories had her back turned.

In crept wild wideawakeness, sleuthing
through this dormitory of sleeping stories,
slipping from cocoon to cocoon
dubbing each bedded-down memory
with its diamond dagger and pronouncing each one
an esteemed and luminous Member of the Matrix.

It lifted up the wounded and the weary,
the lost and lonesome, the betrayed
and the broken, saying

 

To know this pain, beloved
is to know That which is beyond time
for That alone has the capacity to be aware
and in your naked awareness of your pain
you are naturally ever-enlightened.

You imagine your enlightenment to be
other than this wretchedness –
you take it as proof that you
haven’t yet “made the shift”
yet how could pain (or pleasure) be known
if enlightenment were not fully present?

By what function of cognition
would you aware this knowing?
By both logic and experience it’s found
that the unlit light of awareness
is prior to every sensory perception.

Will you stay tucked up in your cocoon
dreaming of the mirage of your awakening
shimmering in some distant space and time
or will you blink now
and own up to your feral freedom?

 

 

I blinked.

 

– ml, 2012

 

Tantric painting, India, c!800, detail

 

Tantric Painting, India, c1800 or earlier, detail


This post was originally published on my blog this unlit light in October 2012.


 

 

here it is

 
Image

 

I don’t know what it is.

 

I can’t meet it face-to-face.

I can’t turn my back on it.

 

It’s impossible to flee from it.

 

If, by some wild grace

(I don’t know what that is, either)

it turns its all-knowing eye upon itself,

the default idea of duality

(by which I mean the unquestioned compulsion to label, define and separate)

vaporises.

 

Even the concept of ‘one’ is clearly one idea too many.

 

Knowing without a centre, without a knower,

knows

 

It excludes nothing.  It has no preferences.

 

Separation ceases.

 

The old urge to know what it is,

how it is, why it is,

has become irrelevant, obsolete, laughable.

 

I say: here it is.  Show me how you can possibly ignore it.

 

 

– ml

2021

 


 

Painting by Michael Leunig, Desert Song Man

leunig.com.au

 


 

21.12.2020

 

try as I might

to find a then and a when

in this ever-spinning cosmos

the needle of now

stays stuck in its groove

 

Image

.

 


now – this – here:  unpacking the ‘nth dimension’


Art by Fiona Watson, Music of the Spheres
https://www.fionawatson.co.uk/


 

{ pure gold }

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It must have been more than 50 years ago.

I was a newbie meditator and yogini when my teacher threw this curved ball:

“Pray for disappointment.
Disappointment is the highest teacher.”

Gulp.  I thought I was signing up for Transcendence 101, not some advanced course in self-mortification.  

Please explain, I asked, and she did:

Disappointment will unpick your stories.

It will shatter your certitudes.

It will strip you of hope.

It will lead you to the other side of the assumptions you unknowingly live by. 

(It will be a huge shock to realise that the only free and true choice you can ever make is to stop, shut up, listen and open.)

If you can live with its inevitability, it will deliver you to unbreakable peace and equanimity.  You will understand the real meaning of trust and you will make impermanence your touchstone.  

No fatalism or nihilism involved – no ‘isms’ whatsoever.  
No ideology, therapy or frantic god-bothering required.

 

{ pure gold }

 

Well, as it happened, she was right.

Did I ever offer up a prayer of invitation to disappointment?  
Not that I recall, but I’ve always been a bit contrary, and I was definitely curious.

Everyone was hunting for the enlightenment cookie via his or her own tendencies and patterns – I guess I was too.  In hindsight it’s clear that my fierce wild-maned Cincinnati yoga teacher (who was managing my return to mobility after having my right leg severed in an accident) was introducing me to the Via Negativa, to the ancient Vedic Neti Neti inquiry.

And so far as the gods of disappointment were concerned,
my ingenuous curiosity was enough to catch their attention.  

Off I went, from one knee-grazer to the next.

Sometimes they served up the prompt in the midst of the mishap, accident, heartache, bust-up, betrayal, rejection.  Sometimes it would show up in the aftermath.  But it never failed to arrive, scribbled in gold on the back of an increasingly tattered calling card:

 

What knows this,

ceaselessly, inescapably, 

while remaining entirely unaffected?

 

a h h h h h . . .

s y s t e m – r e s t o r e

 

{ pure gold }

 

I bow before disappointment’s wild grace.

 

Speaking personally, mls.


Notes:

Sometimes a poem calls forth an image; sometimes an image elicits a poem.  I’ve been keeping company with this Kintsugi sculpture by Billie Bond for a while, waiting to see if words might line themselves up in response to its powerful eloquence.  What showed up surprised me.  While I have been blessed with untold good fortune, generosity and joy in my life, I confess that it was the unspeakably harrowing experiences that opened up intimacy with the entire field of experience.  So I’m posting this in case it matches the shape of a wound that needs loving attention.  We all have them. And we are the world.

From September 18, 2013: a love letter to disappointment

Sculpture:
Billie Bond, Kintsugi Head 1, 2014
H32 W22 D15
Black stoneware, resin, epoxy, gold leaf
Unique
http://www.billiebondart.com/kintsugi-sculpture.html

Kintsugi – “golden joinery” also known as Kintsukuroi – “golden repair”, is the ancient Japanese art of repairing broken ceramics with lacquer mixed with powdered gold.  As a philosophy it sees beauty in imperfection; it treats breakage and repair as part of the history of an object, rather than something to disguise.


I need to tell you this before it’s too late

 

Jean-Michel Meurice, Urgell 1, 2004

 

The knowing of Knowing

is the sweetest somatic intimacy, the ultimate G[od]-spot.

It’s no wonder poets pen passionate love-notes

to their beloved Beloved.

 

It’s more evident than any revelation,

more obvious than anything observed.

Yet this seamless saturation is neither an experience

nor anything that could be called an attainment.

 

It’s prior to consciousness,

to memory, to perception, to imagination.

(I say “prior to” but I don’t mean a-p-a-r-t from.

Perhaps precursory would be a better word.)

 

How mysterious that it’s completely overlooked, ignored,

while at the same time

hungered for/longed for/searched for/worked for/studied for/meditated for/practiced for/prayed for/paid for, in time, devotion and sacrifice . . .

 

What a joke! 

No GPS can locate it.

Yet it’s inescapable.

 

I don’t need a guru, method, scripture, sledgehammer

to wake up to the fact that whatever I am

is unarguably and precisely whatever I perceive, experience, feel.

I only have to look from a silent mind.

 

To acknowledge this Knowing –

to abide as it, to act as it

restores me to the all-inclusive immensity

I knew all along.

 

All along.

 

Since breath #1 was gasped on a summer’s morning in 1944

and these innocent eyes first opened

onto the mindscape

before

words like suffering and salvation were sown there

sprouting addictive fantasies

about enlightenment, transcendence, escape

before

I was thought-washed to believe that

the embodiment of this Knowing

would erase every discomfort and dysfunction from my experience

before

the dark net of distinctions descended

before

I learned to be clever.

 

– miriam louisa

 


 

Artwork by Jean-Michel Meurice
Urgell 1, 2004
Acrylic on fabric, 215 x 215cm
More info HERE

I love the way this work portrays the richness of our circular existence, the dance of the dreamer around the still, silent core. It’s a wonderful example of contemporary Tantric art.

 


 

It’s been a year of farewells: a brother, an artist comrade, and now another old buddy from my peer-group has gone.
Again I meet the temporality, the impermanence of this experience of being alive.
Again something rises to state the actuality of my experience – not to comfort or console, but to remind myself that everything appearing is a window onto the everlastingly unaffected.
So what?
So that whatever life dishes up has some small chance of being met with honesty and presence. So that I might be sane enough to remember that my wishes – no matter how profound – have nothing to do with what-is. So that I might see directly, act appropriately.
I’m ok with old age. The need to change anything falls away. Candles in the wind.
Yet (occasionally) (rarely these days) I’m moved to share a confession. You never can tell, it might be the last one. And there are things I want to say before I go.
Thank you for reading.