An infrared photo from downtown Boston showing a pink Humvee parked in a cab stand spot.
Show of Force
Portrait of Dana Small at the Modern Diet and Physiology Research Center.  One of many taken as a Boston based portrait photographer.
Editorial Portraits
Image
Modern Miracles
Robert Leverett backs into a tree to get a good angle for measuring a tall tree in Charlemont, Massachusetts. Robert Leverett and his wife Monica Jakuc Leverett walk through the old growth forests in Mohawk Trail State Forest.
The Old Man & The Tree

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Denim Factory for Industrial Photography
Industrial Photography
Commercial portraits for companies, individuals, and institutions like universities.
Commercial Portraits
This is the core component of Nia Therapeutics' memory-restoring neural implant. Engineered to help those with traumatic brain injuries, the device uses artificial intelligence to monitor brain activity and deliver targeted electrical stimulation to improve memory formation.
Innovation & Research Photography
Kenton Cool on the trail to Mt Everest for iFit.
Adventure Photography

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Boston Photography & Motion

From New England to New York

I’m a Boston-based photographer drawn to places where people are building, researching, and figuring things out. I work across New England and New York, spending a lot of time in labs, hospitals, factories, campuses, and on city streets—making images that show how work actually gets done and what it feels like to be there.

My background is in photojournalism, and that documentary approach still anchors everything I do. Whether I’m working with a communications team, a brand agency, or a picture desk, I’m focused on earning trust quickly, moving smoothly around busy schedules, and delivering clear, honest photographs that are easy to use across stories, campaigns, reports, and websites. I like collaborating on ideas, then staying flexible on the day so we can respond to what’s really happening in the space.

Before returning to Boston, I spent nearly a decade based in Cairo as a photojournalist, covering uprisings, religion, and everyday life across the Middle East and North Africa, and editing a photojournalism magazine that mentored local photographers and shaped long-form visual stories. That mix of fieldwork and editing means I think like a storyteller and an editor—paying attention to narrative, pacing, and layout—so clients receive not just strong single images, but coherent sets they can build stories and campaigns around.