Bring your footage, say what you want made, and cut it together with an editor that does the work with you.
This is the editor itself, not a picture of it. Press play, scrub the strip, mute a track.
A rough cut, a supercut, a vertical reel from a two hour shoot. Describe it once and Narrative delivers a finished edit on a timeline you can still open and change.
high quality edit
The transcript, captions, versions, the frame and the models behind it all live in the same editor as the conversation.
Say what you want. The agent reads the footage, makes the cut and tells you what it did.
Anything you would say to an editor, you can say to this one. It works from the words, not a menu.
Each turn is a version. Step back to any of them, or put the project back to how a turn left it.
Fast for small changes, Balanced for most edits, Max for long footage and hard briefs.
Start in 16:9 and ask for 9:16. Both speakers stay in the shot, stacked.
Wedding films, podcasts, match highlights, product demos. Different footage, the same first step: say what you want.
I gave it two hours of wedding footage and basically said, ‘Make me a 10-minute highlight and put the vows in the middle.’ By the time I finished my coffee, there was already a cut on the timeline. I changed maybe two things.
Narrative's AI editor has massively increased our creative output, without the need to hire extra people. This will definitely become an essential part of how we produce content.
The Producer School291K subscribers on YouTubeIt found every goal in a ninety minute match, including the one the camera nearly missed. And with every version kept, nobody on the staff can break the cut.
This is the most exciting editing tool I've seen in 10 years. The AI actually understands what makes a good shot and can find the perfect moments in hours of footage. What used to take my team days now takes minutes.
Bring your footage, say what you want made, and let the editor do the work with you.