‘Taking its name from the influential American “Radical Software”, the exhibition is the first comprehensive survey of digital art to adopt a feminist perspective’.
Marilena Borriello reviews ‘Radical Software: Women, Art & Computing 1960–1991’ @mudamluxcontemporary.burlington.org.uk/reviews/review…
‘Often structured using musical refrains, his vignettes variously elicit shock, disgust, suspense and nervous or sardonic laughter.’
Maria Walsh reviews Diego Marcon’s new film ‘La Gola’ (2024), currently installed at @KunsthalleWien
Read for free at contemporary.burlington.org.uk/reviews/review…
‘It is as though the artist is demonstrably avoiding our current era, in search of another’.
For our final publication of 2024, Chris McCormack reviews Louis Fratino’s solo exhibition ‘Satura’ @CentroPeccicontemporary.burlington.org.uk/reviews/review…