{
    "version": "https://jsonfeed.org/version/1.1",
    "title": "Scott Boms: Documenting",
    "description": "A personal notebook of things on my mind, moments frozen in visual time, and other interesting ideas and media. (link: /feeds text: Subscribe) for updates.",
    "home_page_url": "https://scottboms.com",
    "feed_url": "https://scottboms.com/documenting.json",
    "icon": "https://scottboms.com/assets/img/apple-touch-icon-200x200.png",
    "favicon": "https://scottboms.com/assets/img/favicon-64x64.png",
    "authors": {
        "name": "Scott Boms",
        "url": "https://scottboms.com",
        "avatar": "https://scottboms.com/media/site/ba52019455-1751662462/photo-scott.jpg"
    },
    "language": "en-us",
    "items": [
        {
            "id": "939",
            "url": "https://scottboms.com/documenting/say-hi-at-sf-zine-fest",
            "title": "Say Hi at SF Zine Fest",
            "content_html": "<figure class=\"wide svg-zinefest\" role=\"\">      <svg xmlns=\"http://www.w3.org/2000/svg\" viewbox=\"0 0 2000 1848\" aria-hidden=\"true\" role=\"img\"><title>SF Zine Fest</title><path 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 </figure>\n<p>For a little while I\u2019ve been mulling over how I might dip my toes into the world of zine/art book fairs and festivals, especially now that I\u2019ve amassed a decent <a href=\"https://mattereditions.com\">catalog of original books, zines, prints, and other objects</a>.So when the call went out a couple months back for applications for the annual <a href=\"https://sfzinefest.org\">SF Zine Fest</a>, it seemed like the opportunity I was looking for. Local. One day. A bit more chill than the SF Art Book Fair. Perfect, really.</p>\n<p>Although initially waitlisted, earlier this week I got word that a spot had opened up and am now confirmed to exhibit at the event on Sunday, September 6th at <a href=\"https://thehiberniasf.com\">The Hibernia</a> in San Francisco. I\u2019m equal parts excited and nervous, but as they say \u2014 nothing ventured, nothing gained.</p>\n<p>If you happen to be around the Bay Area that weekend, come on by. I\u2019ll have <a href=\"https://mattereditions.com\">the full shop</a> available \u2014 and, with a little luck, at least one or two new exclusives.</p>\n<p>And of course a big pile of shiny Matter Editions stickers :)</p><hr><p><a href='mailto:rss-feedback@scottboms.com?subject=Response to Say Hi at SF Zine Fest'>Reply via e-mail</a> or follow me at <a href='https://typo.social/@scottboms'>@scottboms@typo.social</a> on Mastodon.</p>",
            "date_published": "2026-08-20T20:40:00+00:00"
        },
        {
            "id": "938",
            "url": "https://scottboms.com/documenting/the-co-production-of-meaning",
            "title": "The Co-Production of Meaning",
            "content_html": "<blockquote class=\"quote\"><p>I\u2019d like to think of printed publications, posters or zines as not necessarily the end product trying to convince anyone of anything, but rather as \u201cworking towards establishing conditions for the co-production of meaning.\u201d</p></blockquote>\n<p><cite class=\"attributed-to-name\">Eva Weinmayr</cite></p>\n<p>I was caught totally off-guard when I encountered this quote from Eva Weinmayr\u2019s brief essay, <cite>One Publishes to Find Comrades</cite><sup><a href=\"#footnotes\" id=\"ref1\">1</a></sup>. It succinctly states the underlying premise that ties together my work from the Analog Lab \u2014 and effectively everything I\u2019ve produced since. It\u2019s right at the heart of what I\u2019m trying to imbue in everything from <a href=\"https://mattereditions.com\">Matter Editions</a>.</p>\n<p>For me, the opportunity in making things is to create conditions for someone else to want to take that thing and reflect on it to find their own meaning and conclusions through it; to become equally involved in the process of creation, assigning their own value to the object or artifact.</p>\n<p>I found a comrade in Eva\u2019s writing. And each time someone connects with something I\u2019ve made, I find yet more.</p><h3>Footnotes</h3>\n<ol>\n<li>Weinmayr, Eva. <a href=\"https://evaweinmayr.com/work/one-publishes-to-find-comrades/\">One Publishes to Find Comrades*</a>, 2014. <a href=\"#ref1\" rel=\"me\">\u21a9</a></li>\n</ol><hr><p><a href='mailto:rss-feedback@scottboms.com?subject=Response to The Co-Production of Meaning'>Reply via e-mail</a> or follow me at <a href='https://typo.social/@scottboms'>@scottboms@typo.social</a> on Mastodon.</p>",
            "date_published": "2026-08-16T16:30:00+00:00"
        },
        {
            "id": "937",
            "url": "https://scottboms.com/documenting/through-lines-291",
            "title": "Through Lines 291",
            "content_html": "<p>Right out of the gate, <a href=\"https://youtube.com/watch?v=nRvgKe__WXQ\">A Matter of Form</a> proves to be an ingenious illustration of colorful and creative wizardry. A single point becomes an endless number of forms.</p>\n<div class=\"player ratio-16-9\"><iframe width=\"560\" height=\"315\" src=\"https://www.youtube-nocookie.com/embed/nRvgKe__WXQ?si=3HernrTJIF8oByhB\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen></iframe></div><h3>Art &amp; Design</h3><ul>\n<li><q>Creating the space and ecosystem for play takes a massive effort and a light touch at the same time. You can\u2019t engineer it. You can only forget about trying to play, and then it happens.</q> It works whether you\u2019re on your own or working with someone else, and boy howdy, when I get them, <a href=\"https://shots.net/news/view/the-highest-level-of-creativity-is-play\">those moments</a> are the always best part of my day.</li>\n<li><q>The Japanese are just \u2014 they\u2019re better at being human.</q> This quote from comedian Jim Gaffigan rings very true for me having just returned from Japan recently. <a href=\"https://nobody-wants-this.ghost.io/japans-design-for-humans/\">Evidence of genuine care</a> is deeply broken in this country, and certainly in how tech companies treat those who keep them afloat.</li>\n<li>I\u2019m surprised to not know of an equivalent place as the <a href=\"https://mediaarchaeologylab.com\">Media Archaeology Lab</a> in the Bay Area since that seems like such a logical fit, but maybe it\u2019s the general lack of self-awareness and introspection in much of tech\u2026</li>\n<li><a href=\"https://colorsym.com\">ColorSym</a> is really quite clever though I\u2019ve so far struggled to figure out where or how I might use a system like this in a real-world situation.</li>\n<li>Kelli Anderson is working on <a href=\"https://kellianderson.com/newsletter/record.html\">a new book</a>. Unsurprisingly it\u2019s a <a href=\"https://www.itsnicethat.com/articles/nicer-tuesdays-new-york-june-kelli-anderson-210726\">paper pop-up book</a>, but one that builds on an old project of hers that is slowly becoming something substantial and deeply impressive.</li>\n<li>I\u2019m patiently waiting for the <a href=\"https://crowdsupply.com/open-tools/open-printer\">Open Printer</a> project to, ahem, open up. I\u2019d love a solution for roll printing in this kind of format.</li>\n<li>I\u2019m losing faith in PRINT between lackluster writing and an uptick in its usage of Dickbars, but Doug Wilson wrote a thing that is absolutely worth your time \u2014 and much more enjoyable in Reader Mode. <a href=\"https://printmag.com/type-tuesday/how-all-caps-lost-its-voice/\">How ALL CAPS Lost It&#039;s Voice</a>.</li>\n<li>On the other hand, I\u2019m pleased there seems to be signs of life in <a href=\"https://flatfile.lubalincenter.com/stories/\">Flat File</a> from the Herb Lubalin Study Center.</li>\n<li>Rob is a (I believe the term is) mensch and the archive he\u2019s built continues to be an <a href=\"https://eamesinstitute.org/stories/inside-letterform-archive-with-rob-saunders/\">immense resource for designers</a> that are both local to its brick and mortar space and able to engage with it remotely.</li>\n<li>I probably need a subscription to <a href=\"https://pencilmagazine.com\">Pencil Magazine</a>.</li>\n</ul><h3>Type of Note</h3><ul>\n<li><a href=\"https://softdrivefoundry.com/typefaces/lingo\">Lingo</a>\u2019s gentle and generous curves embody classical traditions with unexpected idiosyncratic treatments in the simple, unassuming form of a workhorse serif.</li>\n<li>Upon seeing <a href=\"https://outofthedark.swiss/monoform\">Monoform</a>, my mind immediately went to the SF MUNI logo, yet this is something more. Like stackable parts, you can see how the design is built from what came before in the 60s and 70s. A lot of fun to be had.</li>\n<li>Carrying on from Monoform, you can\u2019t go wrong with the psychedellic 70\u2019s vibe captured perfectly in <a href=\"https://manictype.com/fonts/franke\">Franke</a>.</li>\n<li><a href=\"https://fontfabric.com/fonts/rizo/\">Rizo</a> has some hutzpah, and maybe not entirely my cup of tea, I appreciate it\u2019s distinctly contemporary style that no doubt millennials will fall all over.</li>\n<li>Jamie Clarke\u2019s <a href=\"https://jamieclarketype.com/fonts/reel\">Reel</a> mixes its upper- and lower-case characters together, creating a lovely crisp, square-ish, but still human family of sans-serif letterforms that would feel just right in packaging, posters, or expressive editorial layouts.</li>\n<li>The liquid-like strokes throughout <a href=\"https://frerejones.com/families/constrictor\">Constrictor</a> by  Fred Shallcrass is refreshing and elegantly calm. It feels loose yet has purpose and direction.</li>\n<li><a href=\"https://thedesignersfoundry.com/typeface/onica\">Onica</a> cuts like a knife, full of sharp edges, wedges, and extreme calligraphic angles in a tight little 2 style package. I hope we see expansion beyond a single regular weight.</li>\n<li>I can\u2019t say I\u2019ve ever really loved Optima, or at least never found a great use for it myself, but DualType\u2019s take on sign painter Mike Steven\u2019s interpretation called <a href=\"https://futurefonts.com/dualtype/san-jose\">San Jos&eacute;</a>, has me searching for something to use their version in.</li>\n<li>John Downer\u2019s newly released <a href=\"https://emigre.com/Fonts/Franglais\">Franglais</a> somehow feels like the most John Downer typeface possible. I can feel his painterly hand in every little bit of it.</li>\n<li>Look out Trajan, <a href=\"https://foundry.gardedesign.se/typefaces/gd-trio\">GD Trio</a> is coming for the crown.</li>\n</ul><h3>One More Thing</h3><p>I can\u2019t say I ever expected to see <a href=\"https://youtube.com/watch?v=lhHKsgH39XI\">Gillian Anderson do an ad for LEGO</a>, yet here we are in the year 2026 \u2014 and I want to believe. The Truth is (Still) Out There.</p><p>I started assembling this issue over a month ago and have found myself either distracted by other work (I released <a href=\"https://mattereditions.com/catalog/lost-memories\">a new zine</a> recently and have 2 more in the works), or life, or just feeling like I needed a break from so much bad news on the internet. The world is kind of a bummer all around right now so it\u2019s tough to feel like any of this actually matters. But here we are, and maybe I should get started on the next one sooner than later.</p><hr><p><a href='mailto:rss-feedback@scottboms.com?subject=Response to Through Lines 291'>Reply via e-mail</a> or follow me at <a href='https://typo.social/@scottboms'>@scottboms@typo.social</a> on Mastodon.</p>",
            "date_published": "2026-08-15T13:00:00+00:00"
        },
        {
            "id": "936",
            "url": "https://scottboms.com/documenting/dont-shake-a-polaroid-picture",
            "title": "Don't (Shake a Polaroid Picture)",
            "content_html": "<figure class=\"wide\"><img alt=\"A hand holding a thin blue and yellow book in front of a wall of green trees and blue sky\" src=\"https://scottboms.com/media/pages/documenting/dont-shake-a-polaroid-picture/7a5e0f148f-1785517281/lost-memories-cover.jpg\" srcset=\"https://scottboms.com/media/pages/documenting/dont-shake-a-polaroid-picture/7a5e0f148f-1785517281/lost-memories-cover-800x-q75.webp 800w, https://scottboms.com/media/pages/documenting/dont-shake-a-polaroid-picture/7a5e0f148f-1785517281/lost-memories-cover-1200x-q75.webp 1200w, https://scottboms.com/media/pages/documenting/dont-shake-a-polaroid-picture/7a5e0f148f-1785517281/lost-memories-cover-1600x-q75.webp 1600w\"></figure>\n<figure class=\"half-left\"><img alt=\"A hand holding an open spread from a thin blue and yellow book in front of a wall of green trees and blue sky\" src=\"https://scottboms.com/media/pages/documenting/dont-shake-a-polaroid-picture/9a1ef6e91d-1785517281/lost-memories-spread.jpg\" srcset=\"https://scottboms.com/media/pages/documenting/dont-shake-a-polaroid-picture/9a1ef6e91d-1785517281/lost-memories-spread-600x-q75.webp 600w, https://scottboms.com/media/pages/documenting/dont-shake-a-polaroid-picture/9a1ef6e91d-1785517281/lost-memories-spread-900x-q75.webp 900w, https://scottboms.com/media/pages/documenting/dont-shake-a-polaroid-picture/9a1ef6e91d-1785517281/lost-memories-spread-1200x-q75.webp 1200w, https://scottboms.com/media/pages/documenting/dont-shake-a-polaroid-picture/9a1ef6e91d-1785517281/lost-memories-spread-1600x-q75.webp 1600w\"></figure>\n<figure class=\"half-right\"><img alt=\"A tight crop of a hand holding an open book spread showing the base construction of a Polaroid instant photo\" src=\"https://scottboms.com/media/pages/documenting/dont-shake-a-polaroid-picture/65c01f480a-1785517284/lost-memories-illustration.jpg\" srcset=\"https://scottboms.com/media/pages/documenting/dont-shake-a-polaroid-picture/65c01f480a-1785517284/lost-memories-illustration-600x-q75.webp 600w, https://scottboms.com/media/pages/documenting/dont-shake-a-polaroid-picture/65c01f480a-1785517284/lost-memories-illustration-900x-q75.webp 900w, https://scottboms.com/media/pages/documenting/dont-shake-a-polaroid-picture/65c01f480a-1785517284/lost-memories-illustration-1200x-q75.webp 1200w, https://scottboms.com/media/pages/documenting/dont-shake-a-polaroid-picture/65c01f480a-1785517284/lost-memories-illustration-1600x-q75.webp 1600w\"></figure>\n<p>I had an idea for a zine that would capture my collection of failed Polaroids. Failed for numerous reasons \u2014 outright bad film packs (it happens, or rather <em>used to</em> back in the more experimental <a href=\"https://en.wikipedia.org/wiki/Polaroid_B.V.\">Impossible</a> days), expired film, or even mechanical camera issues with my <a href=\"https://scottboms.com/polaroid\">SX-70</a> at the time. It\u2019s taken almost 3 years to find its form after numerous failed attempts and going in circles with approaches that didn\u2019t work or just didn\u2019t make sense. </p>\n<p>Of course, the minimalist approach which I must have subconsciously been avoiding is what clicked, leaving me now in the enviable position<sup><a href=\"#footnotes\" id=\"ref1\">1</a></sup> of having a weekend\u2019s worth of folding, stapling, and cutting ahead of me to wrap up <a href=\"https://mattereditions.com/catalog/lost-memories\">a small edition</a>, and which frees me up to continue with the other two books that are currently in development.</p><h3>Footnotes</h3>\n<ol>\n<li><em>Enviable</em> in my mind because it means time away from a screen and working with my hands. <a href=\"#ref1\" rel=\"me\">\u21a9</a></li>\n</ol><hr><p><a href='mailto:rss-feedback@scottboms.com?subject=Response to Don&#039;t (Shake a Polaroid Picture)'>Reply via e-mail</a> or follow me at <a href='https://typo.social/@scottboms'>@scottboms@typo.social</a> on Mastodon.</p>",
            "date_published": "2026-08-01T11:35:00+00:00"
        },
        {
            "id": "935",
            "url": "https://scottboms.com/documenting/all-senses",
            "title": "All Senses",
            "content_html": "<blockquote class=\"quote long\"><p>Once we have surrendered our senses and nervous systems to the private manipulation of those who would try to benefit from taking a lease on our eyes and ears and nerves, we don\u2019t really have any rights left.</p></blockquote>\n<p><cite class=\"attributed-to-name\">Marshall McLuhan</cite></p>\n<p>Right now, a good number of companies (I don\u2019t need to name them, you know who they are) seem hell-bent on taking this a step further and going straight for the whole package \u2014 eyes, ears, nerves, and ultimately our minds. The real trick will be when these same people come along with the solution to the problems they inflicted on us in the first place. There has to be a way out of this vicious cycle, but if anything feels true, it\u2019s that the cost will increase indefinitely the longer it takes to tell them \u201cenough.\u201d</p><h3>Footnotes</h3>\n<p>McLuhan, Marshall. <a href=\"https://bookshop.org/a/16847/9780262631594\">Understanding Media: The Extensions of Man</a> (Critical Edition). Gingko Press, 1994. p 99.</p><hr><p><a href='mailto:rss-feedback@scottboms.com?subject=Response to All Senses'>Reply via e-mail</a> or follow me at <a href='https://typo.social/@scottboms'>@scottboms@typo.social</a> on Mastodon.</p>",
            "date_published": "2026-07-27T22:00:00+00:00"
        },
        {
            "id": "934",
            "url": "https://scottboms.com/documenting/long-lost-memories",
            "title": "(Long)-Lost Memories",
            "content_html": "<figure class=\"wide\"><img alt=\"A crop of a hand holding a Polaroid photo printed as a duotone in blue and yellow\" src=\"https://scottboms.com/media/pages/documenting/long-lost-memories/21feac4545-1784693299/duotone.jpg\" srcset=\"https://scottboms.com/media/pages/documenting/long-lost-memories/21feac4545-1784693299/duotone-800x-q75.webp 800w, https://scottboms.com/media/pages/documenting/long-lost-memories/21feac4545-1784693299/duotone-1200x-q75.webp 1200w, https://scottboms.com/media/pages/documenting/long-lost-memories/21feac4545-1784693299/duotone-1600x-q75.webp 1600w\"><figcaption>Preview detail of a spread from a forthcoming zine project currently in production</figcaption></figure>\n<p>I\u2019m working on several zine/book projects at the moment, and now have <a href=\"https://mattereditions.com/catalog/lost-memories\">the first in production</a>. It\u2019s only taken about four years of second guessing, losses of momentum, and restarts to get to here, but it\u2019s finally found a form that works. Of course, stripping the idea back to the bare metal is what helped it finally click. The plan, as much as there is one, is to have this and at least one more ready in time for <a href=\"https://www.sfzinefest.org\">SF Zine Fest</a> in September, though whether that means anything is contingent on whether I get past the waitlist for a table.</p>\n<p>I\u2019m also re-considering a second printing of the long-out-of-print <a href=\"https://mattereditions.com/catalog/simple-sabotage-field-manual-1st-edition\">Simple Sabotage Field Manual</a> as well, possibly even the (currently) abandoned redesign and expanded version. The exciting ones (to me at least) are the other two not specifically mentioned.</p><hr><p><a href='mailto:rss-feedback@scottboms.com?subject=Response to (Long)-Lost Memories'>Reply via e-mail</a> or follow me at <a href='https://typo.social/@scottboms'>@scottboms@typo.social</a> on Mastodon.</p>",
            "date_published": "2026-07-21T21:10:00+00:00"
        },
        {
            "id": "933",
            "url": "https://scottboms.com/documenting/art-in-the-wild",
            "title": "Art in the Wild",
            "content_html": "<figure class=\"wide\"><img alt=\"An overhead view of a green, white and brown manhole cover featuring a white-tailed deer and cherry blossoms in Nara, Japan\" src=\"https://scottboms.com/media/pages/documenting/art-in-the-wild/12ef7b4e51-1784001709/nara-park.jpg\" srcset=\"https://scottboms.com/media/pages/documenting/art-in-the-wild/12ef7b4e51-1784001709/nara-park-800x-q75.webp 800w, https://scottboms.com/media/pages/documenting/art-in-the-wild/12ef7b4e51-1784001709/nara-park-1200x-q75.webp 1200w, https://scottboms.com/media/pages/documenting/art-in-the-wild/12ef7b4e51-1784001709/nara-park-1600x-q75.webp 1600w\"></figure>\n<p>I\u2019ve barely had time to look at the hundreds of photos I took while in Japan since we\u2019ve been back, but my eye caught this one today from the <a href=\"https://narapark.org\">deer park</a> in Nara, one of the most naturally charming places I\u2019ve maybe ever visited. It\u2019s a good reminder that there\u2019s beauty to be found in the little, often and easily ignored moments in a day. You just have to slow down and look.</p>\n<p>I needed that today. And come on \u2014 look at how beautiful that manhole cover is!</p><hr><p><a href='mailto:rss-feedback@scottboms.com?subject=Response to Art in the Wild'>Reply via e-mail</a> or follow me at <a href='https://typo.social/@scottboms'>@scottboms@typo.social</a> on Mastodon.</p>",
            "date_published": "2026-07-13T21:00:00+00:00"
        },
        {
            "id": "932",
            "url": "https://scottboms.com/documenting/friction-is-necessary",
            "title": "Friction is Necessary",
            "content_html": "<blockquote class=\"quote\"><p>A tool that shields us from the friction of the work is compelling, but if we don\u2019t experience the friction, we will never change the work.</p></blockquote>\n<p><cite class=\"attributed-to-name\">Rutherford Craze</cite></p>\n<p>In my mind, earlier consideration of disruption from digital tools now seems so quaint and na\u00efve by comparison to the effects of so-called \u201cartificial intelligence\u201d on traditional human-centric creative processes. <a href=\"https://mass-driver.com/article/from-human-hands\">Rutherford</a> makes a clear, cogent case for why keeping humans at the center is critical. He goes on to astutely note, <q>How dare we abandon so many countless traditions and people and ideas and nuances, simply because they are under\u00adrepresented in the training data?</q></p>\n<p>While I\u2019ve seen some value in these tools, I can\u2019t help but feel \u201cthe ick\u201d in how they\u2019re being used to re-shape the nature of how designers and artists create work \u2014 and in who gains the most from the growing entrenchment of these tools. Then there\u2019s the ongoing question of <a href=\"https://tomshardware.com/tech-industry/big-tech/openai-could-reportedly-run-out-of-cash-by-mid-2027-nyt-analyst-paints-grim-picture-after-examining-companys-finances\">when the bottom will fall out</a> from it all.</p><hr><p><a href='mailto:rss-feedback@scottboms.com?subject=Response to Friction is Necessary'>Reply via e-mail</a> or follow me at <a href='https://typo.social/@scottboms'>@scottboms@typo.social</a> on Mastodon.</p>",
            "date_published": "2026-07-11T15:10:00+00:00"
        },
        {
            "id": "931",
            "url": "https://scottboms.com/documenting/specificity",
            "title": "Specificity",
            "content_html": "<blockquote class=\"quote\"><p>Japanese craft is rooted in specificity. Each object and solution is considered in its own context. That mindset often prioritizes appropriateness over efficiency and precision over scale.</p></blockquote>\n<p><cite class=\"attributed-to-name\">Kyosuke Nishida</cite></p>\n<p>Having just returned from 12 days in Japan, immersed in their incredible history and culture, <a href=\"https://commarts.com/columns/nishida\">this quote from creative director Kyosuke Nishida</a> feels both apt and also true. Westerners could learn a lot from how the Japanese approach not just design, but infrastructure, community, and shared responsibilities. It might not come as a surprise, but it was an eye-opening, meaningful, and rewarding trip on many levels \u2014 and made it hard to return to our adopted home.</p>\n<p>It\u2019s a shame that Western companies and governmental priorities are almost entirely driven by efficiency and capitalist ideals, because we all lose out as a result.</p><hr><p><a href='mailto:rss-feedback@scottboms.com?subject=Response to Specificity'>Reply via e-mail</a> or follow me at <a href='https://typo.social/@scottboms'>@scottboms@typo.social</a> on Mastodon.</p>",
            "date_published": "2026-07-05T19:45:00+00:00"
        },
        {
            "id": "930",
            "url": "https://scottboms.com/documenting/storied",
            "title": "Storied",
            "content_html": "<figure class=\"wide\"><img alt=\"Five-storied pagoda at the Senso-ji temple in Tokyo\" src=\"https://scottboms.com/media/pages/documenting/storied/f1ef891854-1782258587/five-storied-pagoda.jpg\" srcset=\"https://scottboms.com/media/pages/documenting/storied/f1ef891854-1782258587/five-storied-pagoda-800x-q75.webp 800w, https://scottboms.com/media/pages/documenting/storied/f1ef891854-1782258587/five-storied-pagoda-1200x-q75.webp 1200w, https://scottboms.com/media/pages/documenting/storied/f1ef891854-1782258587/five-storied-pagoda-1600x-q75.webp 1600w\"></figure>\n<p>I suspect I\u2019m going to return from Japan with a lot of photos of temples and little architecture details since that\u2019s what I find myself gravitating towards when traveling. This trip is already proving to be a good source of photos to (finally) start fiddling with the <a href=\"https://aphera.co\">Aphera</a> beta, which immediately made me want to erase all memory of Lightroom from my archives.</p><h3>Location Info</h3>\n<p><a href=\"https://senso-ji.jp/english/\">Senso-ji Temple</a>, first built in 942 AD before being destroyed in 1945 and rebuilt in 1973.</p><hr><p><a href='mailto:rss-feedback@scottboms.com?subject=Response to Storied'>Reply via e-mail</a> or follow me at <a href='https://typo.social/@scottboms'>@scottboms@typo.social</a> on Mastodon.</p>",
            "date_published": "2026-06-23T16:50:00+00:00"
        }
    ]
}