Scene 01 · Take 01 · Independent API guide
Seedance 2.5 API
You direct. The model shoots.
Seedance 2.5 turns text, images, video and audio references into one continuous take. See real examples, copy a request, and create an EvoLink API key when you're ready to run.
Using a coding agent? Copy the prompt, or view it
You are helping me integrate the Seedance 2.5 API.
Primary context: https://seedance25api.io/llms-full.txt
Planning schema: https://seedance25api.io/openapi.json
Rules:
- Do not invent or hardcode an API key.
- Do not send the planning placeholder as a model ID.
- Ask me to create EVOLINK_API_KEY only for a documented live route: https://evolink.ai/dashboard/keys?utm_source=seedance25api.io&utm_medium=referral&utm_campaign=home&utm_content=hero-agent-prompt
- Keep the model configurable. Seedance 2.5 API access is pending; use Seedance 2.0 for live baseline calls.
- Treat Seedance 2.5 pricing, duration, resolution, reference fields, and billing rules as unconfirmed.
- Use GET /v1/tasks/{task_id} for the current documented EvoLink task-query pattern.
- Build behind a configurable model parameter so the same code can switch only after the 2.5 route is documented and verified. Examples are API recipes, not just a gallery.
Official launch cases with the prompt attached. Master specs are shown per case; the reusable request clamps to the expected 480p/720p launch tiers. Verify provider support before production.
Steampunk clockwork odyssey
A high-end, cinematic 30-second 3D motion graphics sequence, using exquisite steampunk and retro miniature landscape styles, with continuous and smooth surrounding and penetrating camera movements. [0-10 seconds]: Macro close-up of an antique brass clock face, miraculously unfolding into intermeshing rotating gear rings and volumetric fog. The camera penetrates downward through the gears, and a mechanical ornithopter is hovering into the sky from a miniature canyon made of stacks of old ancient books. [10-20 seconds]: The camera follows the trajectory of the ornithopter as it glides forward, seamlessly penetrating into a high-speed rotating ornate brass phantom box (Zoetrope), which projects dynamic light and shadow of a galloping mechanical horse. The light and shadow jumped out of the box, and the scene instantly transformed into a brass-textured suspended cable car, which was traveling through the forest of mechanical gears along the shimmering copper rails, bathed in movie-level golden hour light. [20-30 seconds]: The camera pans gracefully downward, and a beautiful clockwork wooden mechanical sailboat appears below the cable car, cutting through the undulating waves made of dark blue glass. The end of the waves seamlessly evolved into a giant glowing moon, and silhouettes of a group of explorers holding swaying lanterns were trekking along the ridge of the crystal mine under the stars. The camera zooms out in a smooth spiral, through ethereal clouds, and back to the grand, ticking brass clock face. Technical specifications: Hyper-realistic mechanical textures, rich brass and gold tones, and cinematic shallow depth of field. Smooth and coherent seamless shuttle movement, a strong sense of epic and fantasy adventure atmosphere.
Crystal-ball match-cut reel
A fast-paced, cinematic seamless transition (match-cut) short film with dynamic electronic beats. A flawless crystal ball is always fixed in the center of the painting, with the luminous ‘seedance’ logo engraved inside. The crystal ball maintains extreme focus, and with the powerful music drum beat, the background switches seamlessly at high speed: Scene 1: Macro close-up, film-like water splashing around the crystal ball, refracting complex light and shadow. Scene 2: A retro cafe in the morning. The crystal ball is placed on the wooden table. The background is the rising steam of coffee and the blurry flow of commuters outside the window. Scene 3: At the golden hour of the evening, a skateboarding young man throws a crystal ball with one hand. The background is the rapidly regressing street scene and the beautiful sunset backlight. Scene 4: At the Frenzy Music Festival, people hold up crystal balls, reflecting the stage laser with a gorgeous background. Scene 5: A lively family party table, with a crystal ball in the center and blurry figures in the background celebrating a toast and taking food. Scene 6: In a dark cinema, both hands hold a crystal ball, and the dim light of the huge screen flows on its surface. Scene 7: The crystal ball is placed on the strongly vibrating sound diaphragm, and seamlessly switches to the center of the rotating DJ player with the climax of the music. Scene 8: Outdoor camping night, the background changes to a warm bonfire and swaying light spots (Bokeh). Throwing and ending: With the final accent of the music, the crystal ball was thrown high above the screen; it instantly cut to a pure black background, and the minimalist white word "seedance" on a black background appeared in the center of the screen. Closely follow the dynamic BGM rhythm editing (stuck transition), top-notch cinematic color grading (Cinematic Color Grading). Realistic glass refraction and transmission materials, complex ray tracing, and global illumination. The subject is extremely clear, the background has strong dynamic blur, and the visual impact is extremely strong.
High-gloss brand blockbuster
【Overall style setting】 A 30-second high-end brand-level visual blockbuster with a strong cinematic feel and high-end texture. The picture emphasizes dreamy light spots (Bokeh), silky motion blur transitions (Motion blur), volumetric lighting, and ultra-realistic material detail expression. [Storyboard description] [0-5 seconds]: Dream prologue and macro close-up Extremely high quality macro close-ups. A slender hand stretched into the air, and its fingertips touched colorful spots as bright and twinkling as stars. With the flow of light and shadow, the scene seamlessly and smoothly transitions to an elegant woman wearing a pure white tulle skirt, who is playing a vintage piano intoxicatedly. Shallow depth of field, the background blurs into a beautiful blue-green tone. [5-15 seconds]: Then cut to a smooth follow shot: a woman wearing a French wide-brimmed straw hat and a flowing white skirt, running lightly in the dense flower path full of pink-orange roses and blue hydrangeas. The light casts dappled light and shadow through the leaves, perfectly showing the gentle breeze, the realistic physics of the skirt fabric fluttering, and the ultra-realistic texture of the petals. [15-24 seconds]: Quiet aesthetics and light and shadow refraction The rhythm of the camera slows down and enters the ultimate beautiful slow motion (Slow-motion). A girl is sitting at a black wrought iron table next to a European retro golden fountain and reading quietly. There are crystal clear soap bubbles floating in the air, and the surface of the bubbles perfectly reflects the surrounding flowers and warm sunshine. The moment when water droplets splash is clearly visible, demonstrating the model's top-level rendering capabilities for transparent materials, water refraction, and complex lighting.
Peking Opera heritage film
Peking Opera intangible cultural heritage short film, with a cinematic feel, oriental aesthetics, warmth and restraint. In the backstage of traditional theater troupes and handicraft workshops, master craftsmen quietly make Peking opera headdresses, arrange costumes, and outline facial makeup. The details of their hands are delicate, and the silk threads, beads, paints, and embroidery patterns are all of high quality. A young apprentice watched carefully, then carefully took the tools and completed the small steps under the guidance of the master. The old master straightened his head and straightened his clothes, as if gently handing over a craft and emotion into his hands. Finally, the young man was dressed neatly and stood beside the stage where he was about to go on stage. The dim light illuminated his costume and profile, and the old master watched quietly behind him. The overall atmosphere is quiet, affectionate, and has a sense of heritage, with few subtitles and appropriate lines interspersed.
“Oceanic Civilization” game trailer
"Oceanic Civilization" (Epic science fiction / Dune × Interstellar / No real person / Sculpture life form) [0–5 seconds | Cosmic opening·Ocean as planetary memory] The deep blue ocean occupies the entire scene, and the extremely deep water bodies present a layered structure, just like the liquid universe inside the planet. The camera slowly drops vertically from a high altitude, passes through the clouds and sea fog, and enters the sea. The sea surface fluctuates like a metal film, refracting irregular cracks in the sun's rays, creating an epic volumetric light. [5–10 seconds | Entering the deep sea civilization fault] The lens penetrates the sea surface and enters the deep sea. The huge "undersea civilization structure" gradually emerged: Fractured ring-shaped megastructures, sunken stone domes, and floating geometric ruins platforms. The structural style combines ancient temples + alien civilization technology sense (similar to Dune ruins language). There are shimmering particles suspended in the water, like stardust slowly drifting through the water. [10–15 seconds | Sculpture life form appears (non-human)] In the center of the theater, stands a giant sculpture of a life form: A "humanoid statue" made of white stone and translucent minerals, but without life details (no skin, no real human features). Its posture is like an ancient ritual structure, and its body has a segmented geometric structure, similar to the memory carrier of civilization. The surface of the sculpture has been eroded by water for a long time and is covered with seaweed and coral crystal structures. The camera slowly circles the sculpture, creating a "sense of the arrival of the gods." [15–20 seconds｜Civilization is awakened·Optical flow activated] The entire underwater ruins began to "wake up." Faint energy flowing light patterns appear inside the sculpture, lighting up like a neural network. The broken stone pillars slowly rise and reorganize to form an annular theater structure. The water body began to show "orderly flow", as if the space was being recalculated. The camera is surrounded by static → slightly accelerated rotation. [20–24 seconds | Sea surface reversal · rising breakthrough] The camera suddenly accelerates upward and out of the sea. The seawater separated to both sides, forming a giant water curtain. The hull of a giant spaceship/temple from an ancient civilization rises from the bottom of the sea: It looks like a cross between a stone temple and a sci-fi ship, with its surface covered in coral and mineralized structures. The hull of the ship rises like a waterfall with the sea water. [24–27 seconds | Epic rotating shot (visual climax)] The camera rotates around the giant ship at high speed (spiral orbit shot). The sun penetrates through the cracks in the clouds, forming a sacred pillar of light. The water flow is rotated and pulled into a spiral shape, like a galaxy structure. The hull slowly flips over, revealing its massive structure: Similar to "mobile civilization relics" rather than transportation. 【27–30 seconds｜Ultimate vision · Revealing the scale of civilization】 The camera zooms out very quickly to a space-level perspective. The ocean, ruins, rising giant ships, and sculpture temples are arranged vertically on the same screen: Forming the three-section cosmic structure of "undersea civilization-sea surface-sky light layer". The whole world is like an awakened memory system of an ancient planet. In the end, the picture slowly faded into a black screen, with only faint light spots remaining. Epic science fiction aesthetics / Dune wind and sand sea civilization structure / Interstellar level spatial scale / Characterless narrative / Sculpture civilization ruins / Alien temple structure / Volumetric light penetrating sea water / Collapse and reorganization of giant buildings / Sacred ritual shots / Spiral mirror movement / Ocean of stardust particles / High dynamic range movie-level reality
High-tension brand concept spot
A 30-second high-level brand concept short film with great visual tension. The opening adopts a surreal inverted perspective. The camera flips with gravity, showing the model's feet wearing retro suede boots stepping lightly on the undulating red sand dunes. The macro lens closes up the frosted velvet texture of the boots' surface and the rough red sand particles stained on it. Then it cuts to a series of montages full of weightlessness and dreamy colors: young male and female models fall lightly backward amidst the surging amber wind and sand and the cold edge light; the camera quickly cuts to a very sharp close-up of the face - the wind and sand blow through the eyelashes stained with tiny golden sand, and the model wears retro metal frame sunglasses, the scorching sun and storm of the wilderness are clearly reflected in the curved lenses. Then, the fingers wearing old and thick silver rings gently brushed against the rough rock walls and the reeds dancing in the wind. The images make extensive use of highly expressive lens language: through a very low-angle macro lens, through the blurred and clear natural mineral crystals, the deep and vast starry sky and the explorers traveling wantonly are captured from above. The grand scene is densely interspersed with high-quality close-ups: the texture of the slub linen shirt rustling in the wind, the model's tight and cold jawline, and the sheen of sweat on the skin of the neck shining under the backlight. Combining fisheye lenses, fast rotating camera movements and silky visual dislocation transitions, it creates a mysterious dynamic that is avant-garde and full of wild tension. At the climax of the short film, the camera zooms out dramatically, breaking the 'fourth wall', revealing that this is actually an advanced virtual studio with a giant LED star track circular canopy and a real red sand array, perfectly colliding with the vastness of the wilderness and the sense of a pioneering industrial studio. At the end, the pace slows down and returns to a close-up of delicate textures: a woman with disheveled hair leans against a retro off-road vehicle. The camera slowly sweeps across the mottled and peeling heavy metal paint on the vehicle. The woman casually lets the fine sand in her palm slip from her fingers. The cool and bright moonlight side light accurately outlines the rough fabric pores of the distressed leather jacket, the cold light reflected by the heavy metal zipper, and the woman's cold three-dimensional facial contour. The overall design presents a retro film-level color aesthetic, with deep night blue intertwined with fiery mineral orange. The picture is atmospheric, free, and full of high-quality brand tension. Finally, the text "seedance" gracefully appears in the center of the picture.
Build the request before you create the key.
Shape a request, copy the payload or an agent prompt, then create a key only when you're ready for live calls.
Your adapter plan is ready
Use an EvoLink key only with a documented live route. The Seedance 2.5 placeholder in this payload is not runnable.
See it work, copy the request, then get a key.
This path answers API status, launch limits, the request schema, and the fastest way to run a Seedance 2.5 request.
Go to the API -> AI coding agentRead context, load schema, write integration, ask human for key.
This path gives agents llms.txt, OpenAPI, copy-ready instructions, validation rules, and key handoff language.
Open agent mode ->Q.01What is the Seedance 2.5 API?
Q.02How do I prepare for the Seedance 2.5 API?
Q.03Is the Seedance 2.5 API available yet?
Q.04What durations and resolutions does the Seedance 2.5 API support?
Q.05How do AI coding agents prepare for Seedance 2.5?
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