@Blindedbythefloodlights

@Blindedbythefloodlights has been a member of Linktree for 4 years and joined in November 2021. The social media accounts linked to from @Blindedbythefloodlights are: • Instagram • X Besides social media accounts, Blindedbythefloodlights has populated their site with: • Reviews and features • www.blindedbythefloodlights.com • Live Report: TRNSMT Festival 2026 | Live | Clash Magazine Music News, Reviews & Interviews • The Strokes - Reality Awaits (Album Review) - Stereoboard • Westside Cowboy - It Goes On (Album Review) - Stereoboard • Five Glastonbury acts to get excited about • Violet Grohl - Be Sweet To Me (Album Review) - Stereoboard • The Lemon Twigs - Look for Your Mind! (Album Review) - Stereoboard • Lime Garden - Maybe Not Tonight (Album Review) - Stereoboard • The Twilight Sad - It's The Long Goodbye | Reviews | Clash Magazine Music News, Reviews & Interviews • Best Manchester Albums... Of All Time! | Features | Clash Magazine Music News, Reviews & Interviews • Mumford and Sons - Prizefighter (Album Review) - Stereoboard • Review: The Streets at The Corn Exchange • Softcult - When a Flower Doesn't Grow (Album Review) - Stereoboard • Audio Inception: 26 Artists Who Could Define 2026 | Features | Clash Magazine Music News, Reviews & Interviews • The Cribs - Selling A Vibe | Reviews | Clash Magazine Music News, Reviews & Interviews • Music Legends We Lost In 2025 | Features | Clash Magazine Music News, Reviews & Interviews • Blinded by the Floodlights albums of the year 2025 • Blinded by the Floodlights songs of the year 2025 • Songs Of The Year 2025 | Features | Clash Magazine Music News, Reviews & Interviews • White Lies - Night Light (Album Review) - Stereoboard • Wolf Alice - The Clearing (Album Review) - Stereoboard • Pulp: Their 18 Best Songs - The Clash Verdict | Features | Clash Magazine Music News, Reviews & Interviews • Live Report: Oasis - Murrayfield Stadium, Edinburgh | Live | Clash Magazine Music News, Reviews & Interviews • The Black Keys - No Rain, No Flowers | Reviews | Clash Magazine Music News, Reviews & Interviews • Bleach Lab - Close To The Flame EP (Album Review) - Stereoboard • Live Report: TRNSMT 2025 | Live | Clash Magazine Music News, Reviews & Interviews • Stereophonics show their timeless quality at Glasgow’s Summer Sessions • Pulp Return with More | Album Review - HeadStuff • Matt Berninger - Get Sunk (Album Review) - Stereoboard • Live review: Wet Leg prove hype is still necessary at Usher Hall • Review: The Flaming Lips at The Usher Hall • Craig Finn - Always Been (Album Review) - Stereoboard • Live Review: Primal Scream – Usher Hall • Perfume Genius - Glory (Album Review) - Stereoboard • Review: Lola Young – O2 Academy Glasgow • Review: The Wombats - Live at OVO Hydro Glasgow • Brian D’Addario – Till The Morning | Reviews | Clash Magazine Music News, Reviews & Interviews • Live review: Kiss Of Life at the 02 Academy, Glasgow • Architects - The Sky, The Earth & All Between (Album Review) - Stereoboard • Indie review February 2025: The best albums • Sam Fender continues his ascent with ‘People Watching’ • The Murder Capital – Blindness | Reviews | Clash Magazine Music News, Reviews & Interviews • Doves continue to soar in a live setting despite frontman absence • Bloc Party's 'Silent Alarm' At 20 | Features | Clash Magazine Music News, Reviews & Interviews • Indie review January 2025: The best albums • Pastel: Madchester revivalists stun on swaggering debut ‘Souls in Motion’ • Mogwai – The Bad Fire | Reviews | Clash Magazine Music News, Reviews & Interviews • Ringo Starr - Look Up (Album Review) - Stereoboard • Franz Ferdinand have audience eating out palm of their hand at Assai Records show • CLASH Rates: The Most Anticipated Albums Of 2025 | Features | Clash Magazine Music News, Reviews & Interviews • Robbie Williams - His 15 Best Songs | Features | Clash Magazine Music News, Reviews & Interviews • Blinded By The Floodlights best songs of 2024 • Blinded by the Floodlights albums of the year 2024 • White Denim - 12 (Album Review) - Stereoboard • DIY’s Tracks of the Year 2024 • DIY’s Albums of the Year 2024 • Lauren Mayberry - Vicious Creature (Album Review) - Stereoboard • Kim Deal - Nobody Loves You More (Album Review) - Stereoboard • Indie review November 2024: The best albums • We Are Scientists offer night of joyful nostalgia in Glasgow’s West End • IDLES justify Hydro upgrade in storming Glasgow set • Songs Of A Lost World Is The Cure's Late-Career Masterpiece - HeadStuff • Courteeners thrill Glasgow’s OVO Hydro with sensational set of old and new hits • Indie review October 2024: The best albums • Time For Heroes and time for The Libertines to prove they’ve still got it • Amyl and the Sniffers Don't Compromise on Cartoon Darkness - HeadStuff • The Cure - Their 15 Best Songs | Features | Clash Magazine Music News, Reviews & Interviews • Confidence Man - 3AM (LA LA LA) (Album Review) - Stereoboard • Cutouts is The Smile's Groovier, Warmer Third Album - HeadStuff • Wunderhorse show their unrivalled live power at Glasgow’s Barrowlands • Indie review September 2024: The best albums • Max�mo Park - Stream of Life (Album Review) - Stereoboard • The Voidz - Like All Before You (Album Review) - Stereoboard • Indie review August 2024: The best albums • Yannis & The Yaw - Lagos Paris London (Album Review) - Stereoboard • Wunderhorse - Midas (Album Review) - Stereoboard • Fucked Up - Another Day (Album Review) - Stereoboard • Indie review July 2024: The best songs and albums • SOFT PLAY return with typical punk charm on ‘HEAVY JELLY’ • Albums of the year 2024 so far • Cigarettes After Sex - X's | Reviews | Clash Magazine Music News, Reviews & Interviews • Kasabian: ‘Happenings’ review • Bob Dylan’s phone ban proves he’s still not scared of leading a revolution • Live Report: TRNSMT Festival 2024 | Live | Clash Magazine Music News, Reviews & Interviews • The Charlatans: Glasgow Queens Park live review • Indie review June 2024: The best songs and albums • The Mysterines - Afraid of Tomorrows (Album Review) - Stereoboard • Orlando Weeks leaps out of The Maccabees shadow with ‘LOJA’ • DIY’s 20 Best Songs of 2024 (so far) • Pond - Stung! | Reviews | Clash Magazine Music News, Reviews & Interviews • Peggy Gou: ‘I Hear You’ - irresistible ‘90s-inspired dance debut • Disney+ documentary ‘Camden’ is a shallow look at the area’s music history • Indie review May 2024: The best songs and albums • DIIV – Frog In Boiling Water | Reviews | Clash Magazine Music News, Reviews & Interviews • Prep-School Gangsters: Vampire Weekend's Albums Ranked | Features | Clash Magazine Music News, Reviews & Interviews • Kings of Leon - Can We Please Have Fun (Album Review) - Stereoboard • The Lemon Twigs - A Dream Is All We Know (Album Review) - Stereoboard • Indie review April 2024: The best songs and albums • English Teacher - This Could Be Texas | Reviews | Clash Magazine Music News, Reviews & Interviews • The Libertines - All Quiet on the Eastern Esplanade (Album Review) - Stereoboard • Gossip - Real Power (Album Review) - Stereoboard • Indie review March 2024: The best songs and albums • Album review: Kim Gordon - The Collective • Gig review: James Arthur in Nottingham • Yard Act Are At Their Most Eclectic And Fun On Where’s My Utopia? • Liam Gallagher & John Squire: the album verdict • The Essential Guide To Thom Yorke's Solo Work | Features | Clash Magazine Music News, Reviews & Interviews • Holly Humberstone proves just the ticket in Edinburgh’s southside • The Snuts might be Scotland's hardest working band and best • Real Estate - Daniel (Album Review) - Stereoboard • Indie review February 2024: The best songs and albums • How I was won over by The Last Dinner Party • TANGK Sees IDLES Chart Loving And Experimental Terrain - HeadStuff • Declan McKenna - What Happened To The Beach? | Reviews | Clash Magazine Music News, Reviews & Interviews • The Smile: ‘Wall Of Eyes’ review - Radiohead members side project just keeps getting better and better • NewDad - Madra (Album Review) - Stereoboard • Indie review January 2024: The best songs and albums • Most anticipated indie gig tours of 2024 • The Vaccines: ‘Pick-Up Full of Pink Carnations’ is fun and predictable effort from West London indie heroes • Shed Seven: 'A Matter of Time' tops album chart to give Britpop band recognition they deserve • Most anticipated indie albums of 2024 • The best lyrics of the year from indie songs • Blinded By The Floodlights best indie songs of 2023 • Blinded By The Floodlight's indie albums of year 2023 • The Coral hit the perfect balance between new and nostalgia on opening night of UK tour • The Goa Express - The Goa Express (Album Review) - Stereoboard • The seven best indie songs of November 2023 • Friendly Fires thrill Glasgow's SWG3 on 15th anniversary tour • Crystal Fighters - LIGHT+ | Reviews | Clash Magazine Music News, Reviews & Interviews • The seven best indie songs of October 2023 • Bleach Lab Pack Plenty Of Emotion Into Their Dreamy Full Length Debut • Everything Is Alive Is A Reminder Of Slowdive’s Timeless Quality • The seven best indie songs of September 2023 • What we learned from The View's Q&A • HeadStuff | Why AM is Arctic Monkeys’ career defining masterpiece • Maisie Peters shows off her talent at Assai Records in Edinburgh • The seven best indie songs of August 2023 • The seven best indie songs of July 2023 • Albums of the year of 2023...so far • The Scots Do It Best: TRNSMT 2023 | Gigwise • Grian Chatten flies high with excellent solo debut • Interpol deliver a performance worthy of a stadium at Edinburgh's Corn Exchange • The eight best indie songs of June 2023 • Arctic Monkeys redeem their Glastonbury criticism with faultless Glasgow performance • Glastonbury: The five best performances of 2022 • Noel Gallagher: Is 'Council Skies' interesting enough to swot away the Oasis reunion rumours? • Eight of the best: Glastonbury headline moments • CHVRCHES bring the heat to Glasgow • Courteeners prove their greatness at 'St Jude' Edinburgh anniversary show • Live At Leeds In The Park builds on early success • Every Track On AM: Ranked | Gigwise • The eight best indie songs of May 2023 • Album Review: Arlo Parks - My Soft Machine | Gigwise • Album Review | The National Stay Classy On First Two Pages Of Frankenstein • Razorlight raise a finger to the haters with excellent greatest hits Edinburgh performance • The lasting legacy of Frightened Rabbit's 'The Midnight Organ Fight' • Temples prove they’re worth worshipping with 'Exotico' • DMA'S: 'How Many Dreams' wins us over with its ravey bangers and emotion • Album Review: Daughter - Stereo Mind Games | Gigwise • GIGWISE March 2023: Is the thriving UK indie scene being held back by guitar nostalgia? • 7 reasons why you should listen to Slowthai’s new album 'UGLY' • Album Review: The Lathums - From Nothing To A Little Bit More • Album Review: Black Honey - A Fistful Of Peaches | Gigwise • The Lathums celebrate number 1 album success with celebratory Glasgow performance • Shame: 'Food for Worms' will make you fall in love with life all over again • We Are Scientists rock Glasgow with nostalgic tunes, fresh new sounds and comedic fun • Album Review | Young Fathers Deserve Mainstream Success For Heavy Heavy • Art rockers Youth Sector prove they're a new band to keep an eye on • The Best Radiohead Track From Each Album | Gigwise • The Murder Capital: Gigi’s Recovery lacks momentum • We Are Scientists: underrated '00s indie heroes charm with late-night vibes on 'Lobes' • 12 albums we’re looking forward to in 2023 • Blinded By The Floodlights best songs of 2022 • Blinded by the Floodlights best albums of 2022 • 9 Non-Festive Crowdpleasers For Your Office Christmas Party Playlist | Gigwise • Wunderhorse’s hazy debut delivers a late album of the year contender • Marcus Mumford goes back to where it all started with an intimate Edinburgh show • Blinded by the Floodlights best debut albums of all time • Kaiser Chiefs answer their critics with exuberant Glasgow show • Album Review | Skullcrusher Offers Autumnal Beauty On Deceptively Sweet Debut Quiet The Room • Arctic Monkeys: The Car is dramatic, lush and proof of their greatness • Pastel: Manchester's hottest new band whet our appetites with new EP Isaiah • The Snuts live up to the live hype in Edinburgh • Album Review: Alvvays - Blue Rev | Gigwise • The Snuts set fire to the curse of the difficult second album • Album Review: Yeah Yeah Yeahs - Cool It Down | Gigwise • September's snapshot indie review ft. The 1975, Jockstrap & more • It's taken me 30 years to finally appreciate Suede | 'Autofiction' review • Jamie T's intimate Edinburgh show goes down an unlikely storm • Album review: Death For Cutie - Asphalt Meadows • Album review: Two Door Cinema Club - Keep On Smiling • Album review: Julia Jacklin - PRE PLEASURE • Sunstinger deliver another song of the year contender with ‘Only in the Morning’ • 9 great indie albums turning 10 this year • Jamie T: The best lyrics on 'The Theory of Whatever' • The rise of The 1975 & fifth album preview • Blinded by the Floodlights albums of the year so far • Jamie T: South London singer smashes return after six year absence • 10 of the best: A journey through Interpol’s career • Podcast: The impact of The Strokes 'Is This It' on the UK music scene (ft. Gordon Raphael) • Review: Foals reinvent themselves again with 'Life Is Yours' • TRNSMT 2022 review: Poor planning, mad queues and great indie rock • Red Hot Chili Peppers: Mystery surrounds Glasgow cancellation • Interview: THE GOA EXPRESS talk surviving lockdown, new band hype and dream festivals • Music fans are increasingly being priced out of arena gigs • Gigwise: Re-reviewed: Wolf Alice - Blue Weekend • The Charlatans: Edinburgh review • Is it now ok for indie fans to like Harry Styles? • The Black Keys stick to their winning formula on 'Dropout Boogie' • The Smile: Debut album sounds like a terrific Radiohead album • Arcade Fire: New album 'WE' is worth the five-year wait • Alt-J begin UK tour with stunning and intimate Edinburgh set • Fontaines D.C.’s 'Skinty Fia' rights the wrongs of 'A Hero’s Death' • George Ezra: Usher Hall review • Gigwise: Album review | Bloc Party - ‘Alpha Games’ • 'King of the Arts' - a poem in thanks to music • Foals prove three-year wait was worth it during relentless Edinburgh set • Gigwise: ‘Favourite Worst Nightmare’ - 15 years on • Wet Leg: Debut album from 2022's most hyped band is a whole load of fun • Sea Girls - 'Homesick' review • Interview: Mount Famine talk dream festivals, lockdown challenges and new single 'Distance' • The Shed Project: The Curious Mind Of a Common Man (first mix) review • Gigwise | Compilation review: Franz Ferdinand - Hits to the Head • The output of female bands is the best it's ever been • Gang of Youths: ‘Angel In Realtime’ review – Dave Le’aupepe mourns his father’s passing • Gigwise album review: The Skinner Brothers - Soul Boy II • Bastille: ‘Give Me The Future’ review • Wet Leg: Viral singles, quirky songs and BBC Sound of 2022 predictions • Black Country New Road: 'Ants From Up There' is a chaotic masterpiece • Alt-J: Fourth album 'The Dream' sounds like a hopeful nightmare • Cast remind Edinburgh crowd of their Britpop player status at 'All Change' 25 year anniversary • Five hot takes from the BRIT Awards 2022 • Liam Gallagher: 'Everything's Electric' is Oasis singer's best single yet • Yard Act: Leeds band fall short on highly anticipated debut • Miles Kane entertains on 60s-inspired 'Change the Show' • The Sherlocks: Third album has South Yorkshire indie anthem makers finally reach their potential • The Wombats: Noughties indie dancefloor heroes deliver on their fifth studio album • Most anticipated indie albums of 2022 • Review: Fontaines D.C. provide a welcomed shock with new single and album announcement • Blinded by the Floodlights best songs of 2021 • 10 best breakthrough bands of 2021 • Blinded by the Floodlight's best albums of 2021 • November indie review: IDLES, The War on Drugs, Damon Albarn, Oasis, The Reytons and more • The Institutes have delivered one of the best guitar debuts of 2021 • IDLES overcome previous social class controversies with reflective new album CRAWLER • Dictator: The stunning Scottish band with A-list shoutouts, a new record deal and award nominations • The War on Drugs continue their brilliance with ‘I Don’t Live Here Anymore’ • Sam Fender: 'Seventeen Going Under' track by track guide • ‘Seventeen Going Under' has Sam Fender fulfil his potential in an album of the year contender • The appetite for guitar music is as strong as it’s been in years • The Lathums debut proves the cult acclaim can go mainstream