Levi Holloway is a Chicago-based, Olivier Award-nominated playwright. Recent works include Pinocchio, Haven Place, Grey House, and Turret. He is an ensemble member at A Red Orchid Theatre and the co-founder of Neverbird Project, a youth-based Deaf and hearing theatre company. He spent a decade devising theatre with the Sign/Voice theatre program at Chicago’s Bell Elementary, one of the country’s oldest and most prolific Deaf and hearing integrated schools, founded in 1917. He is repped by CAA and Anonymous Content.

Felix Barrett is the founder and Artistic Director of Punchdrunk, a company whose work is recognised internationally as pioneering game-changing ways for audiences to experience culture across theatre, television, digital technology, and gaming. Felix has conceived, directed, and designed all of Punchdrunk’s site-sympathetic shows, including LANDER 23, Viola’s Room, Sleep No More (Seoul), The Burnt City, Sleep No More (Shanghai), The Drowned Man: A Hollywood Fable, Sleep No More (New York), The Crash of the Elysium, The Duchess of Malfi, It Felt Like a Kiss, The Masque of the Red Death, Faust, and The Firebird Ball. Barrett also worked as creative director on Shakira’s The Sun Comes Out World Tour and Mumford & Sons’ Delta Tour. In New York, he directed Luna Luna at The Shed in 2024. For television, Felix created The Third Day, a six-part drama for HBO and Sky Atlantic that included the BAFTA-nominated 12-hour live theatrical broadcast The Third Day: Autumn.

Fly Davis trained at RADA and Motley. Designs include Caroline, or Change (West End and Broadway; nominated for Tony and Olivier Awards for Best Costume Design); Paranormal Activity (West End and U.S. tour); The Ocean at the End of the Lane (nominated for the WhatsOnStage Award for Best Set Design); Beginning, Middle, Pericles, and I Want My Hat Back (National Theatre/West End); Groan Ups (West End and U.K. tour); Henry V and Appropriate (Donmar; nominated for the Evening Standard Award for Best Design); 50 First Dates: The Musical (The Other Palace); Macbeth (RSC, Barbican); Otherland and Vassa (Almeida); Second Best (Riverside Studios); The Battle (Birmingham Rep, Manchester Opera House); The Winter’s Tale (Royal Lyceum); The Enormous Crocodile the Musical (Regent’s Park Open Air Theatre; U.K. and U.S. tour); La Bohème (Gothenburg Opera House); A Streetcar Named Desire and Scuttlers (Royal Exchange Manchester); I’d Rather Goya Robbed Me of My Sleep and Image of an Unknown Young Woman (Gate; winner of the Off West End Award for Best Set Design); Improbable and Philip Glass’s Tao of Glass (world tour); The Prudes (Royal Court); How Do You Lycett? (U.K. tour); Nick Mohammed’s Show Pony (London Palladium and U.K. tour; winner of the Chortle Award for Best Tour); and A Christmas Carol-ish The Musical (Soho Place, West End). As costume designer: The Odyssey (National Theatre); Unreachable (Royal Court); A Midsummer Night’s Dream (Shakespeare’s Globe); and Shipwreck (Almeida).

Chris Fisher received a Special Tony Award in 2025 for his work as Illusions and Visual Effects Designer on Stranger Things: The First Shadow, as well as Drama Desk and Outer Critics Circle Awards. Chris is also a member of The Magic Circle and works worldwide as International Illusions and Magic Associate for Harry Potter and the Cursed Child. Theatre credits as illusion designer and director include Black Swan (American Repertory Theater); The Psychic (York Theatre Royal); Paranormal Activity (Leeds Playhouse/West End/U.S. tour); The Unlikely Pilgrimage of Harold Fry (West End); The BFG (RSC/Singapore); The Hunger Games On Stage (Troubadour Canary Wharf Theatre); Stranger Things: The First Shadow (Marquis Theatre/Phoenix Theatre); Dr. Strangelove (Noël Coward Theatre); The Illusionist (Tokyo); Ballet Shoes, The Witches, Peter Gynt, Here We Go, Treasure Island, and Julie (National Theatre); Back to the Future: The Musical (Winter Garden Theatre/Tokyo/U.S. tour/Germany/Adelphi Theatre); The Ghost and the Lady (Tokyo); Charlie and the Chocolate Factory (Leeds Playhouse/U.K. tour); The Time Traveller’s Wife (Apollo Theatre); The Prince of Egypt and Big the Musical (Dominion Theatre); The Lion, the Witch and the Wardrobe (Gillian Lynne Theatre/U.K. tour); 2:22 A Ghost Story (Noël Coward Theatre/Melbourne/Los Angeles); Angels in America (National Theatre/Neil Simon Theatre); Wicked Das Musical (Hamburg); Company (Gielgud Theatre/Bernard B. Jacobs Theatre/U.S. tour); and Merlin (Northern Ballet).

Anna Watson is an international award-winning lighting designer based in the U.K. She has collaborated extensively on new writing, revivals, and large-scale productions. She trained at the Central School of Speech and Drama in London. Recent projects include Giant (Broadway, West End, and Royal Court); Don Carlo (Grange Park Opera); The Price (Marylebone Theatre); Paranormal Activity (Leeds Playhouse and West End); Merlin (Northern Ballet); Sherlock Holmes and the Twelve Days of Christmas (Birmingham Rep); Anna Karenina (Chichester Festival Theatre); Otherland and Critical Mass (Almeida); Ruddigore (Barbican/Opera North/U.K. tour); The Unseen (Riverside Studios); Imposter 22, Hope Has a Happy Meal, That Is Not Who I Am, Poet in da Corner (and U.K. tour), All of It, Pity, You for Me for You, Plaques & Tangles, and A Time to Reap (Royal Court); The Band’s Visit, Appropriate, and Salt Root & Roe (Donmar); All of Us (National Theatre’s Dorfman Theatre); Three Sisters, Othello, The Winter’s Tale, Hamlet, Henry VI, and Richard III (Sam Wanamaker Playhouse); Orlando (WNO/Scottish Opera/San Francisco); Gaslight (Watford Palace Theatre); A Christmas Carol (Bristol Old Vic); Leave to Remain, The Seagull, and Shopping & Fucking (Lyric Hammersmith); The Fantastic Follies of Mrs. Rich, Snow in Midsummer, and The Roaring Girl (RSC); The Box of Delights (Wilton’s Music Hall); King Lear (Shakespeare’s Globe); Dutchman, The Secret Agent, Fireface, Disco Pigs, and Sus (Young Vic); Bank on It (Theatre-Rites/Barbican); and Paradise and Salt (Ruhrtriennale, Germany).

Shows include Harry Potter and the Cursed Child (Lyric Theatre); The Encounter (Golden Theatre); Shun-kin and The Noise of Time (Complicité); Thikra: Night of Remembering and Jungle Book reimagined (Akram Khan); Black Watch and Let the Right One In (St. Ann’s Warehouse); and Waves (The Duke on 42nd Street). Awards include two Tony Awards, two Drama Desk Awards, and an Outer Critics Circle Award. Gareth is the author of Sound Design for the Stage and Immersive Spatial Sound.

Luke Halls is a London-based video designer recognised by the Drama Desk Awards and BAFTA for his work spanning concerts, opera, ballet, theatre, film, and public art. Halls’ theatre credits include Aida (Circustheater); West Side Story (Broadway Theatre); The Starry Messenger, Everybody’s Talking About Jamie, The Moderate Soprano, Frozen, 2071, The Nether, and The Lehman Trilogy (West End); Shipwreck and Oil (Almeida); Linda and Girls & Boys (Royal Court); Miss Saigon (Austria, Japan, New York, and U.K. tour); Antony and Cleopatra, Man and Superman, Ugly Lies the Bone, and The Great Wave (National Theatre); The Book of Dust: La Belle Sauvage, Talking Heads, A Christmas Carol, My Name Is Lucy Barton, and Alys, Always (Bridge Theatre); Local Hero (Royal Lyceum Theatre); Desire Under the Elms (Crucible Theatre); Elegy for Young Lovers (Theater an der Wien); Mary Poppins (touring); Hamlet and The Master and Margarita (Barbican); and I Can’t Sing! (London Palladium). Halls’ opera credits include Boris Godunov (Teatro alla Scala); Lucia di Lammermoor and Otello (Metropolitan Opera); The Merry Widow (Bergen National Opera); Atlas (LA Philharmonic); Don Giovanni and Król Roger (Royal Opera House); The Hobbit, The Cunning Little Vixen, Don Giovanni, and Der Freischütz (Royal Danish Opera); Zeitgeist (London Coliseum); Das Liebesverbot (Teatro Real); West Side Story (Malmö Opera); Don Giovanni (Barcelona Opera and Houston Grand Opera); Madama Butterfly and Carmen (Bregenzer Festspiele); and Porgy and Bess (Dutch National Opera and Metropolitan Opera). Halls’ ballet credits include Like Water for Chocolate (Royal Opera House, Costa Mesa, and Metropolitan Opera House); Flight by Malgorzata Dzierzon (Ballet Rambert); and Connectome (The Royal Ballet). He has also designed visuals for performing artists including Adele, The Rolling Stones, Elton John, and U2. Halls received three Knight of Illumination Awards in 2014, 2015, and 2016; a BAFTA Award for The Cube; and the 2020 Drama Desk Award for Outstanding Projection Design for West Side Story.

Broadway: Jaja’s African Hair Braiding, Tina – The Tina Turner Musical, Grand Horizons, On the Twentieth Century. Off-Broadway (select): Dark Disabled Stories, american (tele)visions, Our Dear Dead Drug Lord, Hurricane Diane, Wild Goose Dreams, Jersey Boys, Pacific Overtures, Dead Poets Society, Mobile Unit’s Hamlet, Once Upon a Mattress. Regional (select): American Conservatory Theater, Shakespeare Theatre Company, Center Theatre Group, Chicago Shakespeare Theater, La Jolla Playhouse, Berkeley Repertory Theatre, American Repertory Theater, Pig Iron Theatre Company, Crossroads Repertory Theatre. Lisby has worked on numerous high-profile events and now makes her living as a Travel Advisor. Proud Indiana State University alumna. For Dad. @choosejoyadventures

Melting Pot is an independent theatre production company led by Simon Friend and Hanna Osmolska. We develop, produce, and manage all of our own productions, which have won Academy Awards, Tony Awards, BAFTAs, and Olivier Awards. Simon Friend founded the company in 2015 and has been named among The Stage 100’s most influential people in British theatre. London and West End credits include Paranormal Activity (Ambassadors Theatre); The Truth (Apollo Theatre); The Real Thing (The Old Vic); The Crown Jewels (Garrick Theatre); Life of Pi (Wyndham’s Theatre); Bad Jews (Arts Theatre); The Girl on the Train (Duke of York’s Theatre); The Starry Messenger (Wyndham’s Theatre); Admissions (Trafalgar Studios); The Height of the Storm (Wyndham’s Theatre); The Philanthropist (Trafalgar Studios); Million Dollar Quartet (Royal Festival Hall); The Father (Wyndham’s Theatre and Duke of York’s Theatre); Bad Jews (Arts Theatre, again!); Speed-the-Plow (Playhouse Theatre); Relative Values (Harold Pinter Theatre); and Fences (Duchess Theatre). U.K. regional theatre credits include One Day (Royal Lyceum Theatre) and The Battle (Birmingham Rep and Manchester Opera House). U.K. tour credits include The Curious Incident of the Dog in the Night-Time; Paranormal Activity; Inspector Morse: House of Ghosts; The Girl on the Train; Ghost Stories; Here You Come Again; Drop the Dead Donkey; Life of Pi; The Best Exotic Marigold Hotel; The Da Vinci Code; Dial M for Murder; Dr. Seuss’ How the Grinch Stole Christmas! The Musical; The Entertainer; The Messiah; Titanic: The Musical; Around the World in 80 Days; The Wipers Times; and Trial by Laughter. U.S. credits include Life of Pi (Broadway, Gerald Schoenfeld Theatre); The Height of the Storm (Broadway, Samuel J. Friedman Theatre); The Closet, starring Matthew Broderick (Williamstown Theatre Festival); and Around the World in 80 Days (U.S. tour). International credits include Life of Pi (Toronto, Mumbai, China, and South Korea); Million Dollar Quartet (New Zealand and India); and Titanic: The Musical (Germany). Film and television credits include The Father, starring Anthony Hopkins and Olivia Colman, which won two Academy Awards and two BAFTAs, and Dr. Seuss’ The Grinch Musical! (NBC and Sky).

Seaview is a Tony, Olivier, and Peabody Award-winning theater and film company. Recent credits include The Fear of 13, starring Adrien Brody and Tessa Thompson; The Unknown, starring Sean Hayes; TRU, starring Jesse Tyler Ferguson; Every Brilliant Thing, starring Daniel Radcliffe; Kenrex, starring Jack Holden; All Out: Comedy About Ambition; The Queen of Versailles, starring Kristin Chenoweth; Prince Faggot; The Ziegfeld Files, starring Jesse Eisenberg; Dylan Mulvaney’s The Least Problematic Woman in the World; Gruesome Playground Injuries, starring Nicholas Braun and Kara Young; Good Night, and Good Luck, starring George Clooney; The Last Five Years, starring Nick Jonas and Adrienne Warren; Angry Alan, starring John Krasinski; My Master Builder, starring Ewan McGregor and Elizabeth Debicki; Romeo + Juliet, starring Kit Connor and Rachel Zegler; All In: Comedy About Love; and Once Upon a Mattress, starring Sutton Foster. Past credits include Hold On to Me Darling, starring Adam Driver; the Tony Award-winning Stereophonic; Sam Gold’s An Enemy of the People, starring Jeremy Strong; Justin Peck and Jackie Sibblies Drury’s Illinoise; Lempicka, directed by Rachel Chavkin; Danny and the Deep Blue Sea, starring Aubrey Plaza and Christopher Abbott; Michael Arden’s Tony Award-winning revival of Parade; Alex Edelman’s Emmy Award-winning Just for Us; Lorraine Hansberry’s The Sign in Sidney Brustein’s Window; The Old Man and the Pool; POTUS; Slave Play; Sea Wall/A Life; Sweeney Todd at the Barrow Street Theatre; Stress Positions (NEON); and Reality (HBO). @ThisIsSeaview @StudioSeaview

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