Sundry Sunday is our weekly feature of fun gaming culture finds and videos, from across the years and even decades.

Still DragonCon. Still low effort posts. Here’s ProZD on why he doesn’t play fighting games (23 seconds).

Tomorrow is the last day. Back at it then. Richard Garriott is at DragonCon again this year, maybe I’ll be able to make a post about his talk.

We love it when we find weird and unique indie games to tell you all about! Our alien friends to the left herald these occasions.

It’s Saturday and DragonCon is now in Day 3, so here’s another quick post that I prepared ahead of time.

Estimania is a simple web quiz game that asks you five numeric questions every day. It doesn’t expect you to absolutely know any of them, although in the rare chance that happens you’ll get a perfect score of 100 for that question. Most of the time though you’ll have to guess, making a good estimate of the answer, and the closer you are the closer to 100 your score for it will be.

After five questions you’ll be told your total score, and how your answers rank among the others who have taken that quiz for that day.

It’s quick and fun! It also lets you try the previous day’s quiz, although your score won’t be counted in the stats for that day, or its leaderboard.

Some of these services, which actually began off the internet itself, as features on private networks, are MUDs, or “Multi-User Dungeons,” the first form of what are now called MMORPGs. And one type of these is the graphical MUD, where you don’t have just a parser and a text crawl telling you your surroundings and what’s happening, but you can see your character and what lies around them.

To my knowledge the first graphical MUD is not a settled question. Here are a few early MUDs and MUD-like worlds: Habitat, Club Caribe, Isle of Kesmai, Neverwinter Nights (the AOL version). Before all of these though there were the multiplayer dungeons on ancient PLATO systems, which were frequently presented graphically. Some later graphical worlds include Worldsaway, The Palace, Ultima Online, the oft-forgotten Sims Online, Runescape, Legends of Kesmai, Everquest, Second Life, World of Warcraft (of course), Conan Exiles, Glitch, and a slew of other titles. Now I think it’s safe to say there have been more forgotten online graphical worlds than remembered. Some of these forgotten games were even popular. Who remembers Asheron’s Call? Dark Age of Camelot? City of Heroes? The answer: a cadre of former members who retain fond memories of it, even after Capitalism demanded that the world they once lived in sink beneath the cold waves.

One of these worlds was, and still is, called Nexus.tk. While Nexus continues to survive through the years, a while ago a number of players splintered off from it and started a new game along its lines, Chronicles of Samhan, which is now open for a “soft launch.” A friend-of-the-blog, the worthy Statue, is interested is involved in its running, and they care very deeply about it, and if they care, we care too. Here is a screenshot:

It has purposely pixel art-ish graphics, a tile-based game world, monsters to fight, items to earn and levels to gain. Right now there aren’t many players, but that itself is a point of interest, a way to get in early and gain wealth and stature when the competition is low. I know that Chronicles of Samhan is run on a shoestring budget, completely on the backs and out of the wallets of a handful of hobbyists. They are unlikely to go corporate and enshittify it to hell, and these days that’s another point in its favor.

There have been many of these worlds, hundreds of them, and there’ll probably be hundreds more before this Internet grinds to a halt. I think everyone should try a few of them. Joining up is free, so as I often say, why not give it a try?

A few images showing off the fairly large regions to explore:

Here’s the gist. In the Smash Bros. series, Mr. Game & Watch has a move called Judge, where he holds up a sign with a number from 1 to 9, and depending on the number one of nine different effects can happen, with possibilities like dropping food, producing a fire effect, damaging G&W himself, or, if a 9 comes up, executing an extremely powerful attack like a slightly weaker version of the game’s famous Home Run Bat item, that usually KOs an opponent.

The number that appears, and so the effect product, for the most part seems random, and a good thing too with Number 9’s immense power. Judge never executes the same move twice in a row, so if a 9 wasn’t the last result produced, you have a ⅛th chance to get it the next time… usually.

It had been noticed by some that, in certain circumstances, Judge produces a 9 result much more often, like half the time, but the details of the phenomenon were not fully known. Through sheer bloody-minded experimentation, PKBeats found out that the result is largely due to whether Mr. G&W is behind in scoring, and not just behind, but far behind. I’ll let the video give the precise lowdown, but in essence Mr. Game & Watch must have half or less of lives (sorry, “stocks” in Smash lingo) remaining compared to his opponent, and there must be 30 seconds or less left in the match.

So: it’s yet another catch-up mechanic, a way for G&W to clear opponents rapidly if it looks like he’s going to lose. Since it only comes into play at the end of a match, it almost never can make a difference though unless G&W is on his last life, and his opponent has two lives left. In that scenario G&W has a good chance of getting off a 9 and taking off a stock immediately… putting both characters on their last stock, and now G&W has to run up his opponent’s percent in the short remaining time without the increased Judge 9 chances. Doesn’t seem too useful, but then if it were actually useful, someone out there would probably have built a strategy off of it, so I guess it’s for the best that it’s so infrequent.

NeoGamer on Youtube has an entertaining, not to mention loooong, video with short clips from 200 strange games they’ve played in their channel. (1 hour 27 minutes) Right off the bat they start out weird, and they don’t let up. Please consume responsibly.

This is a double review of No Players Online and Blippo+ played with review keys. (Editor’s note: I [John Harris] wrote about Blippo+ some time ago.)

00:00 Intro
00:20 No Players Online
3:35 Blippo+

Sundry Sunday is our weekly feature of fun gaming culture finds and videos, from across the years and even decades.

Ah yes, this is exactly the kind of nonsense that Sundry Sunday was intended to showcase. I’m telling you, quality randomness like this don’t come down the intertubes that often. From TheIridiumic138, it’s just a bunch of clips from NBC television, that’s the National Broadcasting Company, but presented in the form of a WarioWare video game collection (3 minutes). It’s exactly as simple, as stupid, and as brilliant as that. It’s even filled with deep cuts like the old animated NBC peacock segments, which were before even my time! And it ends with a perfect Conan O’Brien bit to cap it off. You really have to see it to believe it, so why not watch/realize now:

That I haven’t played Big Walk, I should say, isn’t entirely for my own fault. The biggest thing that limits Big Walk’s adoption is the fact that you must have at least two players on-hand to play it, at all. There is no solo mode, and it’d largely miss the point of the game to try it. Beyond that it’s an even better experience with more people: Big Walk supports up to 12. Most of my friends don’t usually play video games together, and the one that usually does play with others is a FPS enthusiast, and not too into a game fundamentally about communication, and getting lost in a wilderness. Throw in the fact that it’s a game starring weird gourd people, and I imagine he might actually get ill if he tried playing it.

Matthw Haughey, founder of Metafilter and owner of the newsletter and blog A Whole Lotta Nothing, has a typically fine piece about the joys of Big Walk. He mentions that the greatest challenge of the game is simply starting it, finding a number of friends who are motivated to try such a quirky experience and can all schedule time to play it together. Fortunately it doesn’t all have to be finished in one session.

I’m itching to try it, maybe some time soon. I’ll be at DragonCon in a week. If any of you are there, maybe we could meet up somewhere and go for a Big Walk?

Honestly I don’t know that much about them, but the page says you can play DOS games in your browser there. I know they’re not the only people who offer that (heck, the Internet Archive even does it), but the barest examination of their site doesn’t show any intrusive ads, paywalls or scammy behavior, so I’m happy to give them the link.

Of course, I reserve the right to remove the link later if they suddenly morph into Trantor the Malware Demon. But barring that, please enjoy!

In VCF Southeast a few weeks ago though, there were a number of hopeful indie developers who had their products on display, and were nice enough to show them off and let people play them, and I figure it would be a shame if I forgot to give them a post here. So here are a few things you might want to check out. Many of these games have been unfairly overlooked by the machine hearts of the internet’s various algorithms, may they rapidly rust into ruin, so please give them a few minutes of your time, and just maybe buy some or all of them.

Polyroll (Steam, Switch) from Spicy Gyro games is a Sonic-style platformer with great level design! It’s currently 70% off, selling for a scant $1.79 on Steam. It’s also on sale on Switch for $2.

Venison County (Steam preview, demo) is an upcoming game from Cutter Oyster, a retro-styled FPS survival game. The game is played in a sequence of waves. The door to the cabin that ends a wave only opens once you’ve defeated the zombie enemies. You can pick up sigils that give you special powers, but each rune also increases the number and ferocity of enemy attacks. Between waves you can choose to discard your sigils, losing the powers but reducing the difficulty. You can also buy weapons and ammo between waves. Of special note, reloading is a little minigame, pressing a button while a bar is in a certain range, that you must manage while running from the zombies. It’s due out in full late 2027.

Attack of the PETSCII Robots (sale page) wasn’t among the indie games, but I think it counts as one! It’s been for sale for a few years now.

Casey’s Gold (sale page) from Audacity Games is a terrific Atari 2600 game made in the Activision style, sold on cartridge by classic dev Dan Kitchen, brother of Garry Kitchen. I played through a few levels of this and it’s quite a bit deeper than you’d expect from a 2600 game, with secrets hiding in unexpected places. It rewards players willing to experiment, and with good observational skills.

IsoMetro (itch.io, Steam $20) from Grimesoft is a grid-based city building game that will put many people to mind of the classic SimCity 2000. Electronic Arts bought out originating studio Maxis long ago and seems only to care about their properties so long as they’re about individual Sims instead of a whole city of them. IsoMetro certainly looks terrific, although I didn’t get a chance to play on the floor.

Hoverdrive (Steam preview) is about piloting a car through weird neon landscapes with changeable gravity, pulling off impossible stunts as you go. It’s not out yet, but it looks very cool!

Ad Blocker (Steam $6) is a player-vs-player action-puzzle game that feels a bit like Puzznic. Snogbert (Steam early access $8, free demo) is a platformer with randomized elements. Both are from Justin T. Alexander. I just have photos of the banners here unfortunately.

Nature’s Bidding (itch.io prototype, Steam preview) is a multiplayer battle platformer where you customize your character as you go with good and bad elements. The title comes from a phase before each fight where the players bid money to avoid taking on curses. You lose the money you bid regardless if whether you win or lose; the player with the lowest bid gets the curse. Once cursed, the curse sticks with you throughout the rest of the game, so you can get piled under a whole host of bad effects. And yet you still want to save money after the bidding phase to buy powerups to improve your character. It’s unforgiving, but fun to battle it out with your friends. The fighting feels like some of the minigames in Mario Party.

Business 98 (Steam $5, with a free demo) from Five Foot Games is a “cashier simulator” with an old school Windows look, with elements of roguelike deckbuilders.

Inky in the Alien Aquarium (itch.io, $12) from Pocket Pulp is written for the Gameboy Advance. It’s a challenging block-pushing game where you have to learn the rules as you go, in the spirit of The Witness.

Asta Pool (website, Steam $15) from Cheesy Face Productions has turn-based modes that work like traditional pool, but also real-time levels where you influence the pool balls more directly. It boasts over 40 modes!

Keepsake Country (Steam preview) is billed as “A Midwestern Stealth Game,” and is still in development.

A few more:

Mouseward (Steam preview with demo, itch.io preview) is a “soulslike collectathon” with non-linear levels, hidden passages and cryptic clues.

Godless Avalon (Steam demo, itch.io demo) is a J-styled sci-fi fantasy/comedy RPG with guns. I don’t think it was playable on-site.

Aethelria Cross-Dimensions (Steam preview) is an upcoming sci-fi fantasy arena shooter (that is, an FPS). It has appealing character art, but I didn’t see it playable on the floor.

And Crypt Sweeper (itch.io name your price), from Pocket Pulp who made the above Inky in the Alien Aquarium, is a real standout, a Gameboy Advance remake of the popular DragonSweeper with some new quirks. (The got permission from DragonSweeper’s creator to remake it, but only if they changed some things, which they did!) It was playable at the show but I got so into playing it that I forgot to take pictures!

There we go, that’s everything I managed to take notes on. My apologizes to anyone I’ve left out. Thanks for coming to VCFSE and showing off your work, and I hope this drives a few eyes your way!

I took more pictures than just these, I’ll make another post later with some of the other great exhibits on display and games that were playable at the show.

Access Software made other games, and would eventually begin the Tex Murphy series, but unquestionably their greatest legacy was their line golf sims, which began on the C66 with Leaderboard Golf (16 minutes). They’d move on eventually to making PC golf games, especially the Links series, which were so well-regarded that Microsoft bought the company specifically to make more golf games.

Eventually their work on computer golf would result in the formation of a subsidiary called TruGolf that made golf simulators, consisting of a huge screen and set of sensors that detects how you swing clubs and shows you your ball’s flight afterward, in a kind of deluxe version of Wii Sports Golf. Although Access would be eventually sold to Take-Two and is now no more, TruGolf survives to this day, and now they make simulators for other sports than golf, such as bowling and baseball.

In April we’ll have been doing this for five years, and I am set to continue bringing new things to you into the future even after that. Some days it’s hard to find something new to post; some days I have multiple things that I want to bring to you, and it’s a hard decision which to present first.

But I understand that the sheer variety of things that SSB presents may be bewildering. I mention sometimes that our three watchwords are Retro, Indie and Niche. If you’re interested in just one of these three, to the exclusion of the others, then you probably want to read a specific category. Nearly everything posted here goes into one of the three categories Retro, Indie or Niche, or else on Sundays when we relax the format a bit, into SundaySundry. In this way, Set Side B is really like four blogs in one, five if you count the rarely-used news and blognews categories (this post falls under blognews). You can find all the categories on a post beneath its author box in the left sidebar <-.

Let me break these down:

• By “Retro” I mean older games generally. I am of an age that I consider anything before the N64 era to be Retro, but I am considering updating that to before the Playstation 2 era. I judge that the PS2/Xbox/Nintendo Gamecube/Dreamcast era is around when game graphics reached the point, on casual observation, where you had to stop and look for a sec to notice that it wasn’t photorealistic, where increases in graphical quality hit the point of diminishing returns. I’m not saying that graphics didn’t improve after that point, far from it, but that we reached the point where capabilities increased, but didn’t enable completely new kinds of things. Evolutionary, not revolutionary. So I think the PS1/N64/Saturn age is where we’ll draw the line at what Retro means.
• On to “Indies,” these are the province of my co-blogger Josh Bycer, who runs the Game Wisdom channel on Youtube. Note that, if you go by the raw text of the category name, a spurious decision made early in the blog’s history means that the category name is plural, so, “indies”. These are small-team, or even solo developers, which is where, due to the immense reluctance to rock the boat that most AAA developers have, much of the energy in pushing forward the frontiers of gaming reside now. It’s not solely Josh’s province though, and I also find things to add to this pile from time to time, often, suitably enough, under the gamefinds tag.
• I’ll admit that the “Niche” category is a bit of a cheat, a way to include some things that don’t fall under the other two. Intended to spotlight games that are interesting takes on a genre, especially roguelikes, often it’s the feed that gets all the Nintendo-related stuff. Nintendo is often considered an AAA developer, but they still have the potential to surprise sometimes. If Microsoft or Sony decided to pack it in and leave game publishing then it’d be a blow, sure, but the loss of Nintendo, and their weirdly-persisting toymaker vibe, would be disastrous. In my opinion, of course.
• “SundaySundry” is where our weekly collection of game culture finds, mostly videos, goes. Again, because of a decision made early on, usually this group is presented as Sundry Sunday, with the order of the words reversed from the category.
• There are some other categories too, which overlap with these. Probably the most important of these is @Play, the continuation of my old GameSetWatch columns on roguelikes. This is mostly the same as the roguelike category, and both are subsets of Retro for the most part. You can also find lots of cool stuff in the romhacks category.

In addition to categories, I’m a strong believer in tagging, and all of the categories listed are also tags. Tags are a much more fine-grained system though. Game series, titles, developers, and individual content makers each get their own tags. The way Set Side B’s Mastodon autoposter works, it tries to include as many tags as it can in the body of the post, even to the exclusion of much of its description, but whatchu gonna do? Because of all the tags I add to posts, you can get around pretty well just by using tags! There’s a list of our most common tags in our tag cloud in the right sidebar, but so you won’t have to search for the link it here it is again.

The right sidebar is also where you’ll find the sign-up for our email-based, very non-Signal newsletter. That’s working now right? I should ask the always-wonderful Phil Nelson, who maintains the site and pays the bills, is that’s operational now. We’ve considered adding the odd extra thing exclusively for the newsletter. When it’s working, that is.

So there you have it. If you’re only, only interested in roguelikes, you now have the means to only see material relating to that. If your lifeblood is indie gaming, then you can get that too, and may I congratulate you on your worth as a human being. If you just want to see silly video stuff about games, then away with you to the back alley of Sunday Sundry, where the disreputable sorts who dispense with that kind of stuff lurk, as with that sunglasses-wearing frog who hands out romhacks.

We promise not to judge you. Much.

Sundry Sunday is our weekly feature of fun gaming culture finds and videos, from across the years and even decades.

anothermartz made a couple of Parappa the Rapper videos that look and sound very close to the original, albeit in its remastered Playstation 4 incarnation. Listen these!

Note: anothermartz admits to the use of “AI” to match the texture of his voice to the originals. Even though they say it was an open source model and locally-hosted, this is usually a strike against an item for inclusion here, but I learned about it late. I considered scrapping the whole thing and starting over, but at 2:30 AM one wants to just conclude matters and get to bed.

The first one is more timeless and generally better, it stars the vaguely disreputable flea market denizen Prince Fleaswallow, teaching the young Parappa a bunch of questionable facts, as well as one that is, sadly, true. (2 minutes).

The other, also by anothermartz, is a lot more timely, replacing the put-upon Inspector Mooselini with Nigel Farage (2 minutes), the UK MP being investigated on corruption charges who’s so disliked and disrespected now that he called an election with mere months left to go in his term to stall that investigation, but as a result had to defend his office from a surprisingly credible threat from Count Binface, a joke candidate space overlord who would have been a much better MP than he has been. We only rarely touch upon political topics here, not for lack of interest but because they’re usually a distraction for us, with the whole retro/niche/indie thing, but this nicely aligns with gaming, so here you are.

General Chaos was the product of a couple of ex-Midway developers, and creators of some of their most iconoclastic hits, Brian Colin and Jeff Nauman. They were the creators of Rampage, one of the standouts of the Silver Age of arcades, and the basis of a certain popular movie. They tend to dwell in the shadow of the likes of Ed Boon and John Tobias, creators of Mortal Kombat, and Mark Turmell of NBA Jam and NFL Blitz. Yet there’s a strong argument that could be made that NBA Jam wouldn’t have existed without the similar-in-play Arch Rivals from the same company, which was from Colin and Nauman.

In addition to Arch Rivals and Rampage, Colin and Nauman worked on Spy Hunder, Xenophobe and Pigskin 621 AD, before leaving Midway and striking out on their own under the banner of Game Refuge. And that’s where they made General Chaos for the Genesis, published by Electronic Arts. And hey, Game Refuge still exists, while Midway is currently a locked cabinet full of IP somewhere in a basement of either Warner Bros. Entertainment, or the company currently called “Light & Wonder,” (I don’t know Pete I don’t think I buy it) but contains such multitudes as “Scientific Games,” “Autotote Corporation,” “Shuffle Master,” “WMS Industries,” “Bally,” or even other totemic brands that once saw better days. These days they mostly sell to casinos, may they speedily pass on their way to hell.

General Chaos isn’t one of their best known titles, but it has a certain something. It’s a cartoony, comedic take on deadly warfare. The Kickstarter calls it a predecessor of the real-time strategy genre, and there is some of that there certainly, but truthfully General Chaos is something entirely unique. It’s an intrinsically two-sided battlefield action combat game where the warzone is made of single screens, and where each player controls a team of five soliders with different abilities (with one exception I’ll mention in a bit). In action it feels a bit like Mattel’s classic tank combat games Armor Battle for the Intellivision and Armor Ambush for the Atari 2600, in that a single player must command multiple units, but with much more depth.

There is also quite a bit of General Chaos essence in Team Fortress 2, even though it’s not an FPS, for both its comical, satirical atmosphere and its array of characters which each have substantial differences from each other. There are gunners, rocket launchers, grenadiers, flame throwers and dynamite chuckers. Most of the time characters are controlled indirectly: control a cursor to point at a location and press the B button to send your current character to it. C changes characters, and A tells all your units to fire their weapons. They automatically pick their targets.

When opposing soldiers get near each other the battle pauses and they engage in hand-to-hand battle, in the form of a simple fighting game. Combatants who are knocked down can be revived by pointing at them with the cursor and pressing A to call in one of a limited number of Medics. Characters who fall too often will eventually turn into a pile of bones and vanish. Additional Medic uses can be found on the battlefield, and are also awarded for reaching certain point totals.

As an alternative playstyle, a side can choose to field a pair of Commandos. If one player is using Commandos they must divide their attention between them, but two players can also play co-op with a Commando apiece. Commandos don’t use the indirect method of control, and instead control directly. This can make them much more effective warriors, but comes at the cost of only being two people to a squad, instead of a full team of five. Commandos can call in Medics too, but must reach their teammate in person to do so.

There are lots of worthy games from the 16-bit era that didn’t receive their due, and while I don’t know how well it sold, General Chaos always struck me as a bit of a sleeper hit. Video game genres were already becoming locked-down, and Electronic Arts was already showing signs of abandoning their reputation for nurturing talent and becoming the grotesque behemoth they are today. I’m surprised they don’t outright own the rights to General Chaos, but it appears they do not, or maybe Game Refuge bought it back from them.

The Kickstarter page makes it clear that Colin and Neuman have spent a lot of time thinking about how their classic wargame could be improved. There are more characters planned, more control options, between battle upgrades and most interesting of all, the ability to “go commando” and take direct control of any unit on your side. Home turf battles come with extra units on a given side, “expendables” that have limited abilities but help to give defenders a slight edge. There’s an array of stretch goals, with an especially interesting one at $200k: an arcade version. I think General Chaos was always destined for the arcade, and now it may finally happen.

So if all of this seems interesting to you, please consider supporting their project. Because war is a deadly serious business, so the best thing any of us can do is to laugh at it.

Space Quest Historian showed off some of the changes in a video recording of a stream they did (8 minutes), and it’s worth your while to see, if just to glimpse sights like this:

Youch. Here is the video:

Here’s their playlist of their many item trivia videos, which include the (so far) six videos on Assist Trophies (16 videos, total length, about 6 hours):

Part 1 – Part 2 – Part 3 – Part 4 – Part 5 – Part 6

Just some of interesting facts revealed about Assist Trophies:

• Some Assist Trophy characters have their own HP, and if players deplete it with attacks they can even be KOed with a strong enough attack. This earns the defeating player a point, although it doesn’t cost the player who picked up the trophy a point.
• Usually the owning player can’t attack their own trophys, but if the trophy has started glowing, a state they get into when very low on health, the trophy will actually become vulnerable to attacks even by the player who collected it. This is so they can earn the point before another player earns it.
• The trophy with the highest health is Mother Brain, with a base health of 120 HP.
• “Base health,” what’s that? Assist Trophys that have health get more health the more players are in the game! This goes up to twice their usual health if there’s eight players.
• A good number of trophies have health, and can be attacked, than you’d might think. For example, in the trophy of Color TV Game 15, an early Pong-clone Nintendo made in 1977, the paddles are vulnerable to attack. Each has only 15 HP, but the trophy is defeated if either paddle is defeated.
• The Starman trophy, if it’s defeated, displays the SMAAAAASH!! message from Earthbound!
• Each Assist Trophy has a list of stages is can’t appear on. Very few trophies can appear on absolutely any stage. One of them is Lyn from Fire Emblem.
• There are even trophies that get blocked by Omega or Battlefield versions of certain stages. Usually these are trophies that reside in the background in some way, like Midna or the Moon from Majora’s Mask.
• Each Assist Trophy also has a list of items, and other Assist Trophies, that it disables, that can’t generate while it’s active, and alternatively, if that item or trophy currently exists in the world, that prevent it from appearing.
• Referring to that last point, “existing” can mean many things. Like, an item held in Isabelle’s pocket still exists in the world, and so will block all the items that can’t generate while it’s instantiated almost indefinitely.

They’ve been diversifying a bit since, and their most recent video is on alternative communication in games. (21 minutes) How so alternative? As in, ways to talk to players without talking to them, either via speech or direct text.

They give a few examples. The first is when Blizzard changed the /spit emote so that it couldn’t be used to specify someone to spit on, when players used that means to express disgust over people who bought a $70 paid mount. The second is the piecemeal phrase building system used to leave environment messages for people in Souls games, also known as template messages. And third, canned messages from Smash-style and modded Smash games.

This is the final part of my look at steam next fest October 2025 and the great demos I (Josh Bycer) played.

00:00 Intro
00:23 House 2
2:27 Goblin Sushi
4:06 Saga of Yurina
4:58 Hermit and Pig
6:36 The Remake of the End of the Greatest RPG of All Time
8:20 Idosra: The Electric Renaissance
10:49 Uncle Lee’s Cookbook: Five Recipes of Disaster
11:56 Obelus Manor
13:19 Requiem of Reuinis
16:29 Shadows of the Afterland
18:06 The Fable: Manga Build Roguelike
20:35 Humanica
22:16 Nighthawks

2. Computers don’t have to be electronic (Charles Babbage and Ada Lovelace’s Difference Engines; here’s a video about it [5½ minutes], with some clips of one in operation)

3. Computers don’t have to be electronic (The Digi-Comp 1 kit from 1963, computing with rubber bands; here’s a video about it, 16 minutes)

4. Computers don’t have to be electronic (Turing Tumble, a kit and game you can get that does computations with the action of falling marbles; here’s their Getting Started video [5 minutes])

5. Computers don’t have to be electronic (The 8-Bit computer built of K’NEX parts called the MechaDigit-1, bits posted here twice before; here’s video of it [18 minutes]; and here’s an older project called the K’nuter [10 minutes])

Sundry Sunday is our weekly feature of fun gaming culture finds and videos, from across the years and even decades.

Three more entries from the long-lived Steamed Hams Simpsons meme that has charmed hearts and rotted brains for many years now.

#1: Chalmers is a Robot Running Classic Mac OS (3 minutes), by Dress Up Geek Out. The shortest of the three.

#2: The Graphic Adventure Game (7 minutes). It’s an actual game by neodement, in the classic Lucasarts SCUMM style, on GameJolt, which posting channel MS-DOS Friends credited but didn’t link to.

#3: As a Mobile Game Ad (30 seconds). By Tyrone Deise, it makes me twitch just watching it, so I’m glad it’s so short. I think you will be too.

#4: A last-minute addition, Recreated in Japan-Only N64DD Talent Maker (8 minutes). Prepare for an unforgettable bludgeon! And an unexpected few seconds of Totaka’s Song!

Extra: Another Steamed Hams Game, by MonsterJail on itch.io. No video that I could find for this one.

‘@Play‘ is a frequently-appearing column which discusses the history, present, and future of the roguelike dungeon exploring genre.

I’ve been thinking about classic roguelikes, by which I mean old games from the 80s and 90s. What usually calls themselves roguelikes these days is a debased currency. Some of these games are very good (Spelunky! Balatro!), but they aren’t things that would have been recognized as roguelikes in the age of the coinage of that term, which was probably the naming of the Usenet group rec.games.roguelike. This has resulted in such things as Punished Backlogs’s “Objectively Correct” Ratings of the best roguelikes having, as a requirement, being “stage-based” and to have “great music.” Whether it’s nice to have or not, a true jedi craves not these things.

Every so often I start musing over what the “main” roguelikes, the ones that are most fitting to bear the banner of the genre, should be. When I was writing @Play for GameSetWatch, the games I settled on were Rogue (1980), Moria (1983), Hack (1982), Angband (1990) and NetHack (1987). Soon after I added Dungeon Crawl (1997), Larn (1986), Omega (1988), ADOM (1994) and Brogue (2009). Nowadays I’d add Alphaman (1995), the adventurer mode of Dwarf Fortress (2004) and Caves of Qud (2010). (If you want to see some more recent things I’ve written on roguelikes here, look into the @Play tag.)

There are some more games that deserve inclusion probably. There are some “lost roguelikes,” lost because they were written for ancient Unixes (Unices?) and were hard to preserve or their implementation relied on those old OSes. There have been attempts at preserving these games, like the Roguelike Restoration Project (GitHub), although its last update is from 2011. UltraRogue, infamously, saved games by doing a memory dump of the process space, and loading it back off of disk when time to resume the game. Some other games it lists are Advanced Rogue, XRogue and Super-Rogue.

While clunky, buggy and sometimes glitchy, there is still a strong appeal for these old games, from a time when roguelikes were a hyper-obscure niche mostly of interest to current and former computer science students. In the early days of the web, the worthy Boudewyn Waiyers maintained the first major Roguelike Home Page on the internet (Wayback Machine links: first archived version, last version there, final home).

A few other games that it mentions are:

• Crossfire (which is multiplayer)
• Morgul, a variant of Moria
• IMoria, another variant, the only copy I could find is on the voluminous ArchiveRL on the Internet Archive
• PMoria, also in ArchiveRL and possibly nowhere else
• Ragnarok, a DOS game (download from Wayback Machine but it’s available from abandonware sites)
• Rogue’s Quest (1996, seems to be preserved on the Internet Archive)
• Saladir (see ArchiveRL)
• and URW, or “UnReal World,” which has an interesting story behind it. Unlike the other games in this list, it’s still in active development, and while it’s much changed its focus it still seems to be a roguelike. I think this should be a forthcoming @Play subject

Not mentioned on the dusty archives of the Roguelike Home Page is Elona, a roguelike from Japan. I’ve bounced hard off of this in the past (its got some objectionable content), but hell, I’ve survived the likes of Omega Labyrinth Life. There’s also Castle of the Winds, an early Windows roguelike which is slated to be republished on Steam soon.

I must say, ArchiveRL on the Internet Archive is amazing, a 25-gigabyte collection of hundreds of roguelikes, many of them defunct and otherwise forgotten. If you’re looking for something ancient, esoteric and probably terminal-based, you’ll find lots of things in its murky depths.

I’ve played a fair bit of Caves of Qud recently and I have quite a few notes on it. I think my next subjects should be that, UnReal World and Elona. Are there any suggestions for directions to explore? I mean besides down, deeper into the earth, of course.

Some extra links from the videos, a disassembly of the C64 BASIC ROM from pagetable.com, and the open-sourced by Microsoft code of their generalized BASIC interpreter. It should be noted that the original version of Microsoft BASIC were written for the Altair 8800 kit computer by Bill Gates and Paul Allen themselves.

I’ll distill the basics of the videos for you. Commodore BASIC is a dialect of Microsoft BASIC. It puts the loaded program at the bottom of memory, starting at 2049, or $0801 in hex. (The custom on the C64 is to denote hex numbers with a dollar sign.) When lines are written, the C64’s screen editor start from the beginning looking for a line number, and if it’s found tries to tokenize the rest of the line. Unrecognized keywords are still stored as PETSCII characters (which will cause a syntax error when run).

Commands are matched against a list of keywords stored in ROM. All the keywords are stored as “tokens,” single bytes, to conserve program space and to help with execution speed. At runtime, the tokens are detected by their high bit being set, then run through a lookup table. It pushes the high and low bytes of the command’s address in memory then does an RTS, which then jumps to the routine by acting like it’s returning from a JSR. Notably, the short routine that gets the next byte of BASIC text to act upon, CHRGET, is actually copied into zero page RAM to run, to take advantage of faster zero page versions of some instructions, but also because it’s self-modifying.

But I’d much rather link something interesting that’s basically unknown. Help spread the word about it! The only problem there is, how do you find that stuff in the first place? It’s a bit of a chicken-or-David-Egger. I think that’s what you’d call it, sure.

So when I saw someone I follow on Bluesky wrote out nearly every Nintendo video game property, including those that appeared on niche platforms like Virtual Boy and Satellaview, primarily so they could boldface the ones that have arrived on Nintendo Music, I had to run directly here to link to it.

I don’t vouch for its total accuracy, but it still could be a useful resource. In fact I know there are some things that are missing, like their early arcade games Sheriff or Radar Scope, just for starters. But if the idea is to present things that realistically could present soundtracks included in Nintendo Music, it’s a pretty good list.

It starts out seeming to work okay, but it isn’t long before it becomes obvious that something very wrong is happening. If you ever wondered what a failing graphics chip looks like, well, this will show you one example of it happening. Chips can fail in any number of ways, and there’s no guarantee that another PPU in the process of expiring will expire in the same way, but this is the kind of thing that can happen.

Except. Some people discovered, if you put Link’s Awakening DX onto some flash carts with a rumble motor included, there is a point during the game where the rumble will activate. Skawo on Youtube looked at the game’s code and sought an answer as to why. (10 minutes)

The tl;dw: GBC rumble motors are controlled via a MBC5 chip, a chip not dissimilar to the now-famous MMC line of chips on the NES/Famicom. Writes to ROM space are caught by the chip and used to activate functions. The main purpose for these chips is to switch between memory banks, but one bit in the written byte activates or deactivates the motor. Link’s Awakening DX uses a MBC5 and a miscoded write that activates any included motor. The MBC5 usually ignores these writes because it checks the cartridge header to see if it includes rumble support, a check that fails for this game, but GBA flash carts run will use an emulator to run GBC games, and if the emulator is inaccurate it might trigger rumble motor regardless of any header.

So why is the value written anyway? I’ll leave that for the video to explain, but it has to do with the additional save information added for the Color Dungeon, and an issue in the game when it saves puzzle completion data for areas that aren’t in dungeons.

But there’s a problem with speeding up Star Fox this way. The game wasn’t designed that the frame rate can be separated from the gameplay or animations. If you speed up the chip, you’ll speed up everything else in the game too, rapidly making it unplayable.

Some progress has been made recently towards improving the framerate without making it a twitchy stuttery mess. Tyler Loch made a video of his efforts (3½ minutes), and to people used playing Star Fox’s at its original 15fps it’s a wonder to behold:

Because the code has to be adjusted in many different places, there are parts of the game that are obviously incorrect. Falling pillars, you’ll notice, tilt over much faster, bosses move and fire much more rapidly and are more dangerous as a result, and the engine of the player’s Arwing spaceship flashes at a rate that some people may not appreciate. And the video shows off only the first level, because the full game isn’t finishable yet. But much progress has been made! Let us hope Tyler’s momentum holds up through the rest of the project.

Sundry Sunday is our weekly feature of fun gaming culture finds and videos, from across the years and even decades.

Wario and Waluigi should need no introduction. (Wario shouldn’t anyway; Waluigi has not gotten most attention since the early 2000s.) After establishing them as the Nintendo-flavored version of “Bizarro,” we are informed by Michael McWhertor of Polygon that Camelot, the originator of Waluigi, had brainstormed up a wa-version of Peach too, which was rejected by Nintendo because they hate awesomeness.

It’s been two years since that article came out, and soon after fan material regarding this quasi-evil apparition began to appear. On DeviantArt (that place), user Niko–Neko has made to date 95 images of the princeless-waif, some just artwork, some comics, often involving her partners-in-wa, Wario and Waluigi. (Note: some images slightly NSFW, nothing explicit, but there’s at least one image where she’s wearing her cape and little else.)

I’ll leave you to explore Niko–Neko’s renditions of her hapless adventures on your own, as they’re not the actual point of this post, not directly at least. Instead, I invite you to partake in gawking at GabaLeth’s playlist of eight of those comics with voice-acting. (Total length about 4½ minutes)

I now leave you to dream about lovably incompetent dark princesses and the things they might do to you if they got you in their clutches. “Yow, it hurts so good! How may I serve you, oh Mistress of Darkness….”

Um… forget you read that.