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Greg Howe Masterclass – Triad Superimposition, Extended Triad (A - Santana Latin-Rock) – Part 2

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guitar lesson 17 by marrguth sweep picking lick played fast and slow

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guitar lesson 16 by marrguth blues lick played fast and slow

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SYNYSTER GATES SIGNATURE ELECTRIC GUITAR 7-STRINGS 10-60

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Ernie Ball introduces new custom wound sets of Synyster Gates Signature Electric Guitar Strings. Available as a 6-string or 7-string set, these unique custom strings were co-developed with Synyster Gates of Avenged Sevenfold to his exacting specifications. Highlighting a unique combination of Ernie Ball’s exclusive features, these sets include ultra-high-strength steel used for the plain strings and core wire, along with patented RPS technology. This in conjunction with a stainless steel wrap wire used for the wound strings provides a bright, aggressive sound with added strength and tuning stability for a modern voice that is built to perform. Wound with stainless steel for a bright, aggressive sound Ultra-high strength tin-plated steel plain strings Reinforced plain string construction for better tuning stability Never-before-offered combination of alloys 7 String Gauges - 10, 13, 17, 28, 38, 48, 60
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SYNYSTER GATES SIGNATURE ELECTRIC GUITAR 6-STRINGS 10-52

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Ernie Ball introduces new custom wound sets of Synyster Gates Signature Electric Guitar Strings. Available as a 6-string or 7-string set, these unique custom strings were co-developed with Synyster Gates of Avenged Sevenfold to his exacting specifications. Highlighting a unique combination of Ernie Ball’s exclusive features, these sets include ultra-high-strength steel used for the plain strings and core wire, along with patented RPS technology. This in conjunction with a stainless steel wrap wire used for the wound strings provides a bright, aggressive sound with added strength and tuning stability for a modern voice that is built to perform. Wound with stainless steel for a bright, aggressive sound Ultra-high strength tin-plated steel plain strings Reinforced plain string construction for better tuning stability Never-before-offered combination of alloys 6 String Gauges - 10, 13, 17, 30, 42, 52
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Francesco Rizzo
1 hr. ago

Hey guys! Have you checked out the Greg Howe masterclass video yet? Here’s another clip where he explains how to improve your improvisation and phrasing, with a more rock/fusion-oriented approach. Go check it out!

https://www.youtube.com/watch?v=01ipt9z0-iw&t=30s

2
 
Video15 hr. ago
cover

Hector's Solo lesson commentary

140
 
H
hannahgrace32
3 days ago

We Turned Around a Full CNC Panel Order for a Dubai Retail Launch in Under a Week

Retail fit-outs do not move on comfortable timelines. The lease starts, the contractor finishes late, the visual merchandising team arrives before the acoustic panels do, and suddenly you are eight days from a launch date with a ceiling installation that is not ready and a brand manager who is not interested in explanations.

That was exactly the situation we found ourselves in for a flagship retail launch in Dubai Mall. The acoustic ceiling panels — custom CNC-cut to match the brand’s geometric identity — had been ordered from a supplier in Europe. Shipping delays meant they were not going to arrive in time. We had six days to the soft opening. We needed a full replacement order, cut to the same specifications, produced and delivered in the UAE.

A fitout contractor we had worked with previously recommended desound. We sent the technical files the same evening. By the following morning we had a production confirmation and a delivery date that put the panels on site with two days to spare before the soft opening. That is the story. The detail is in what made it possible.

What the brief actually required

The panels were not simple rectangles. The brand had a specific geometric motif — a repeating hexagonal cut pattern with a recessed border — that ran across the entire ceiling installation. The original European supplier had taken three weeks to produce them. We were asking for the same output in under six days, including delivery to site.

The specifications we sent across:

•       48 panels across four custom dimensions, ranging from 600mm x 600mm to 1200mm x 800mm.

•       CNC-routed geometric pattern consistent across all panel sizes, with tolerances tight enough that the ceiling installation would read as a single continuous surface.

•       Fabric finish in the brand’s specified off-white, stretched and fixed without visible seams at the panel edges.

•       Delivery to site packaged per installation zone so the ceiling team could work panel group by panel group without sorting on the day.

The brief was not unusual in what it asked for. It was unusual in when it asked for it.

How the production timeline actually worked

Day one was file review and material confirmation. The technical team came back with one clarification on the router path depth for the geometric pattern — a detail that would have caused a finish problem if it had been missed. That single exchange on day one saved a remake on day five.

Days two and three were cutting. CNC routing in-house meant no waiting on an external cutting facility and no queue behind other orders. The geometric pattern ran consistently across all four panel sizes because the same CNC file governed every cut — not a manual process that drifts between operators.

Days four and five were fabric stretching and finishing. Each panel was inspected before packaging. The off-white finish was consistent across the full run — no batch variation, which matters when 48 panels are going into a single ceiling installation that will be read as one surface under retail lighting.

Day six, the panels were on site. Two days before the soft opening. The installation team had a full day to work without being compressed against a deadline.

What the ceiling installation looked like on launch day

The brand manager walked the space the morning of the soft opening. His comment was that the ceiling looked exactly as it had in the render. That is the standard we were working to — not “good enough given the circumstances,” but indistinguishable from the original specification.

A few specific things that held up under retail conditions:

•       Fast production, launch-ready finish. The panels arrived site-ready — no remedial work, no touch-ups, no panels pulled from the installation because the finish was inconsistent. Every panel that was delivered went into the ceiling.

•       Pattern consistency across all sizes. The geometric motif read as a single continuous surface across 48 panels of four different dimensions. Under the store’s directed retail lighting, any inconsistency in pattern alignment or depth would have been immediately visible. There was none.

•       Acoustic performance alongside visual finish. The panels were not decorative. The ceiling installation was doing real acoustic work in a hard-surface retail environment — marble floors, glass frontage, high ceilings. The space is noticeably quieter than the surrounding mall concourse, which was the brief.

What this kind of job requires from a supplier

A six-day turnaround on a custom CNC panel order is not something every supplier in the UAE can do. The limiting factors are usually the same: CNC cutting is outsourced, fabric finishing is a separate operation, quality checking is not systematic, and packaging for site delivery is an afterthought.

What made this possible was vertical production — cutting, finishing, and quality checking under one roof, with no hand-offs between facilities that add days and introduce variation. When a file goes in and finished panels come out of the same operation, the timeline compresses and the consistency holds.

If you are managing a retail fit-out, hospitality project, or any installation in Dubai with a hard deadline and a custom panel specification, it is worth knowing what a local production operation can actually turn around. Their CNC Cutting for Acoustic Panels in Dubai covers custom shapes, geometric routing, and fabric finishing — produced in the UAE, not shipped from overseas on a timeline that does not fit a launch date.

106
 
S
Skillful Lavender Alpaca
3 days ago

How to do strumming with fingers ?

4118
 
F
Focused Purple Parrot
3 days ago

Comprehensive Analysis

Comprehensive Analysis of Zoome Casino Reviews: Player Ratings, Software Performance, and Payout Reliability

Evaluating real player feedback, expert ratings, and industry operational standards is essential before committing real funds to any digital gaming platform. Examining aggregated Zoome Casino reviews provides crucial insights into payout speeds, software stability, customer service responsiveness, and overall fairness across global gaming markets.

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Aggregated user ratings and expert reviews position Zoome Casino as a reliable gaming destination. Its vast slot catalog, fast multi-currency withdrawal processing, and low-wager promotional perks establish high satisfaction levels across both casual and high-roller player bases.


100
 
Video3 days ago
cover

Bat Country Outro

3152
 
S
SynGates1201
6 days ago

NEW GUITAR??

GUYS ANY DETAILS ON THE NEW SYN GUITAR THAT HE PLAYED LIVE OR THE ONE IN STATICA VIDEO

2283
 
Video7 days ago
cover

Afterlife Solo

1336
 
P
Plutoniový_Mlok
7 days ago

First guitar

Hey guys, I made this list of things I want to buy with my first guitar. I will be glad if somebody take a look and leave their opinion on that. The total price is 689$ or 599€.

Ibanez GRG121DX Black, Marshall CODE 25, Audio-Technica ATH-M30x, Ibanez IGB541D-BK, Rockstand RS 20800 B, Ibanez GS64-GY, Amumu Strap Lock, Ibanez PU3-BK, Ibanez Instrument Cable 1,52 m Black, Dunlop Variety Pack Medium/Heavy, Elixir Optiweb Light/Heavy.

186
 
E
El_Bestia
9 days ago

The Real Nightmare Tone

Hey everyone, sharing a new capture I put together: a dual-amp NAM A2 model recreating the guitar tone from Avenged Sevenfold's Nightmare album, built from two separate amp captures used together rather than a single blended profile.

Link: https://www.tone3000.com/tones/bogner-uberschall-rev-green-diezel-vh4-nightmare-avenged-sevenfold-78715

Background / how I got here:
Starting from Andy Wallace's breakdown of the mix for "Natural Born Killer," where he specifically mentions that the rhythm tracks were built from four recordings — two through each amp — I got curious and dug further into it. That got me thinking: why not just run one guitar through both captures simultaneously, the same way the record was tracked, instead of trying to fake the blend with a single model.

That approach hit an immediate snag — the A1 capture (Uberschall Rev Green) had noticeably more latency than the A2 capture (Diezel VH4), so I had to add a delay at the start of the Diezel's chain to get them lined up properly.

The other rabbit hole: the actual Bogner used on every A7X record from Waking the Fallen through Nightmare (its last known use being on "Carry On") wasn't a Rev Blue, Rev Green, or even a standard Rev 1 — it was a one-off prototype of the Rev 1. Since that exact unit obviously isn't capturable, the Rev Green was the closest match I could find in terms of circuit architecture.

For IRs, I used Melda's Free Form Equalizer to build cabinet IRs for each amp individually. I'm currently considering splitting this into three separate IRs tuned to different Nightmare-era songs, since the mix treatment isn't identical across the album.

Pairing note: for best results, use this alongside the IR I linked directly on the TONE3000 post — running it with a generic cab IR won't get you the same result.

On the Hellwin side: this feels like a good spot to shout out an older piece of community history — back in April 2023, a user on the old Synner forum, Awex Came, posted a free NAM capture of an actual physical Schecter Hellwin USA Stage 100, capturing the amp's Lead Channel and its proprietary "Focus" switch for those tight, high-gain tones. That post has since been deleted, but for anyone digging into the history of Synyster Gates' tone on this forum, it's worth knowing it existed — similar user-made profiles for the Hellwin can still be found floating around on ToneHunt.org, and pairing them with proper cabinet IRs gets you closer to the real thing. Given how rare and expensive an actual Hellwin unit is to get your hands on, captures like that (and what I'm doing here with the Nightmare tone) are really the only practical way most of us get to explore these amps.

Feedback and A/B comparisons against the original tracks welcome — still refining, especially on the IR side.

138
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