EPK

Dave Schoepke — Hybrid Drum Set Performance

Artist Bio

Dave Schoepke is a percussionist and composer working across hybrid drum set performance, integrating acoustic drums with synthesizers and processing. His work moves between composed material and improvisation, focusing on immersive listening environments rather than traditional drum performance.

Performance Formats: – Solo hybrid performance (30–60 min) – Collaborative/duo format – Installation-performance hybrid (select contexts)

Current Activity: European dates include Dresden (Sept 12) and Berlin (Sept 17 — Djummi Records showcase), with additional routing Sept 13–19.

Selected Release:  Sun Will Follow: A drum-centered work blending percussion and synthesizer into immersive sound environments. Press: “The album offers a series of interconnected chambers to get lost in.” — The Wire

Extended Bio: Dave Schoepke has released 4 solo albums, recorded on over artists 50 albums and led the Blank Radio improvised recording series featuring 100+ artists producing 23 albums. He performs in the experimental duo Felsteg and continues to develop hybrid performance systems.

Press Quotes

“Schoepke appears more concerned with transporting the listener into uncanny situations and leaving them to figure it out… The album offers a series of interconnected chambers to get lost in.” The Wire
“Eight atmospheric pieces for drumkit and synthesizer that call to mind Bowie’s Berlin instrumentals, Ry Cooder’s film scores, and the murky post-punk of Moin.” The Wire
“A deep, atmospheric journey where percussion leads the narrative.” Betreutes Proggen
“Strikingly original and immersive.” Babyblaue Seiten

Contact

Latest Release: Sun Will Follow

Djummi Records – Vinyl / CD / Digital

Sun Will Follow

About the Album

Released on German label Djummi Records, Sun Will Follow is a drum-centered exploration where rhythm drives both structure and atmosphere. Across eight pieces for drum kit and synthesizer, Schoepke builds immersive soundscapes that merge experimental percussion, filmic textures, and progressive sensibilities.

  • Mastered by Chris Muth (Dangerous Music)
  • Artwork by Deborah Sheedy (Tool – Fear Inoculum)
  • 2025 WAMI Awards: Best World/Unique Album, Best Album Artwork

Listen

Past Releases

Drowning In Snow
November 2021

“On his own, Schoepke is daring and unpredictable, but there’s a raw, rock edge to his drumming that’s easy to groove to despite his penchant for challenging conventions”.

-Piet Levy-Milwaukee Journal-Sentinel

Drums On Low
July 2019

“Schoepke displays sensitivity, inventiveness and thoughtful development creating a worthwhile and interesting listen”

-Martin Patmos-Modern Drummer

Tessellated Resonance
October 2020

“If you want to see the various sounds and directions drums can do on it’s own, check out this album!”

-Jazz Weekly

Photos

Image
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Videos

Eleven Three

Somewhere Over the Rainbow

Sound on Low

Four Twenty Six

Martin Barre Hunting Girl

Morning Blend Spotlight

Quotes

On Drums On Low, Schoepke combines composition and improvisation throughout Drums on Low. Played and recorded without overdubs, this percussive music possesses an honesty and immediacy that emphasize the full resonant tones of the drums. Each piece explores its own set of ideas and themes, developing and building a sound world while providing both continuity and diversity.

Martin Patmos – Modern Drummer

On Tessellated Resonance: I was asked what I might well tell you about this atypical album. Was it only for drummers or would it open to a wider audience. Each piece made me realize the multitude emotions that can emerge from this instrument when played with so much finesse. Forget the big solos “Boom Boom” too often played as stopgap in concert. I discovered another way to use the battery and she is magnificent.

Highlands Magazine – France

Often as mysterious as a contemporary classical record that looks to push the boundaries, this just drums along with an amazing amount of variety coming from a solo drum set.

Midwest Record

“Drums On Low is a drums-only affair that runs a spectrum from and hypnotic tribalism to mystique concrete and the avant-garde, with nods to modern jazz, rock, and orchestral moments in between. The album is not just a collection of gratuitous drum solos, many of the tracks have a distinct melodic voice highlighting the harmonic richness and depth of each drum.”

Recording Magazine

Playing out, one after another like eclectic, yet aspiring works of performance art, all the tracks on Drums On Low are a culminative journey for a drummer that fully deserves the new, front of stage spotlight.

Exclusive Magazine

ea “Dave is a wonderful musician, extremely diligent, caring and an amazing team player on and off the road. He is musical, sympathetic to others around him and…he listens!”

Martin Barre (Guitarist Jethro Tull)

Dave Schoepke is the real deal. A multi-talented musician, a respected teacher, but most importantly a truly kind person. I have worked with Dave over the years, in the studio and in live performance and his professionalism, skill, patience and delightful attitude make him undeniable!

MonaTavakoli (Drummer/Percussionist for Jason Mraz, Sara Barellies)

I’ve had the pleasure of playing, writing and recording music with Dave for many years now, He’s one of the most creative, thoughtful and soulful musicians I’ve had the good fortune to work with.

Willy Porter

Having played in bands and using him as a first call session drummer; I highly recommend Dave for any session work or live work. Top notch pro that is versatile and has a killer groove!

Jeff Hamilton – Musician, Producer, Audio Engineer (Violent Femmes, Uriah Heep, Dennis De Young)

Tessellated Resonance is an album that will especially appeal to the drummers among us whom are interested to know how they can use their drums differently than what they are used to and come up with something new and still sound very organic.

Strutter Magazine – Netherlands

Schoepke is exploring repetition, rhythm, and almost tip-tap tribal themes by way of beautifully tuned percussive ponderings that tell stories and reveal moods and emotions. This is no manic exhibition of dexterity, speed, and showmanship, with less often meaning more, and each not struck being allowed to ring out and convey its own true meaning even as the next tom skin is caressed.

Steven Reid – Sea of Tranquility