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Promoting some friends and some clients of my website design business
- Twin Willows T’ai Chi studio in Wilmington DE. Taiji classes with Bryan Davis.
- OldHead Tattoo studio and Art Gallery in Wilmington DE. Tattoos and paintings by Bruce Gulick
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Eye Candy for Today: Edward Seago scene of Rome


Ponte Sant’Angelo, Rome, Edward Seago; 20 x 30 in. (51 x 77), link is to Bonham’s auction from 2019. I assume it’s currently in a private collection.
Edward Seago, a British painter active in the early to mid 20th century, is one of my favorite landscape painters. I particularly love his brushy, painterly application of paint, as is evident in this view of the famous bridge in Rome.
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Emilio Ocón y Rivas


Emilio Ocón y Rivas was a 19th century Spanish artist specializing marine subjects, perhaps unsurprisingly as he lived in Malaga, the bustling port city on Spain’s Medterranean coast. He is considered responsible for founding the School of Marine Artists there.
He had a particular touch for atmosphere and his paintings show the moods of the sea, sunny and tranquil, stormy and dark.
Cautionary note to contemporary painters: Ocón died of lever disease brought on by the ingestion of paint – due to his habit of bringing his brushes to a point in his mouth.
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Eye Candy for Today: Mucha’s The Seasons: Spring


Alphonse Mucha, who is the most widely recognized figure of the style we know as Art Nouveau, at one time called “Le style Mucha”, created three series of posters in which he portrayed the fourseasons as young women surrounded by elements associated with the season.
This is his interpretaion of Spring from the first of these series (and my favorite), published in 1896. This epitomizes all of the grace and decorative flair we associate with the Czech artist.
There is a page devoted to the work in the Mucha Foudaiton website.
Taking that image as my cue for color fidelity, I found an unusually large image of the piece on the French version of Pinterest.
Happy Vernal Equinox!
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Loïc Jouannigot


Loïc Jouannigot is a French illustrator with a charming children’s book style.
The drawing style is both precise and loose, with a pleasantly sketchy quality. There is much attention to detail, and in some cases complex scenes and environments.
Some are cut-aways, always a fun element, and many are populated with multiple animal characters. The color palette id nicely balanced between muted and brighter colors, and the oveerall effect is wonderfully suited to the drawing style and subject matter.
Jouannigot does not appear to have a dedicated website or blog, so I’ll send you to the gallery of his work on Character Design References.
You can find a list of available illustrated book titles on Amazon (affiliate link), some of which are in English, others only in French.
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Eye Candy for Today: Henry Farrer graphite drawing


Landscape by a Stream, Henry Farrer, graphite, 15 x 22 in. ( 36 x 56 cm), in the collection of the Morgan Library and Museum. Downloadable file on their website.
19th century English/American artist Henry Farrer gives us a beautifully delicate graphite landscape.
It looks carefully detailed, but on closer examination, reveals much in the way of apparently casual handling. The tree foliage is basically scribbles, as are the plants by the water, the tones of the distant trees looks roughly penciled in and much of the composition is left open.
Yet the composition, the strong V shape of the dominant tree and the lacy, twisting branches are what we take away. The rest is supporting material, but we encounter the delicacy again in the middlegound saplings, rendered with simple dual lines.
Landscape by a Stream, Morgan Library
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A pair of watercolor portraits by Ernesto Levorati


Two Framed Watercolor Portraits of Children, Ernesto Levorati. Currently in a private collection, images are from Bonham’s past auction from 2024. Bohanam’s gives the sheet size as 12 x 8″ (30 x 20 cm).
I just came across these two delightful watercolor portraits by 19th century Italian artist Ernesto Levorati by chance.
There is a wonderful delicacy to the softly textural applicaiton of watercolor. It appears to me to be in a dry brush technique, of the painstaking kind used for botanical illustration. It’s hard to be sure. It may just be granulating colors.
Whatever the technique, the end result is a soft, visually engaging paint surface that adds to the soft expressions of the subjects.
I don’t know much about Levorati, but I was suprised to see that the pair sold at auction for just a few hundred dollars.
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Charley’s Picks
Bookshop.org
(Bookshop.org affilliate links; sales benefit independent bookshop owners; I get a small percentage to help support my work on Lines and Colors)
John Singer Sargent: Watercolors
Urban Sketching: Understanding Perspective
Charley’s Picks
Amazon
(Amazon.com affiliate links; sales go to a larger yacht for Jeff Bezos; but I get a small percentage to help support my work on Lines and Colors)
John Singer Sargent: Watercolors
Urban Sketching: Understanding Perspective











