@wendyvogel

Pat Oleszko's “Fool Disclosure” - Criticism - e-flux

On Hannah Wilke - Criticism - e-flux

Every Economy Is Also a Relationship: Liv Schulman in Conversation with Wendy Vogel — Mousse Magazine and Publishing

William Chan’s Art Keeps Serving — Veteran Art Movement

Slipperiness Is Important: Whitney Claflin in Conversation with Wendy Vogel | Topical Cream

Laura Owens’s Painted Sugar Rush

A Hundred Percent Risk, A Hundred Percent Trust: RoseLee Goldberg in conversation with Wendy Vogel — Mousse Magazine and Publishing

Feminist Nudes, Evil Flowers, and Musical Notation: Three Critics on What to See in New York this March

Camera Austria 168 | 2024

YAZ Publication Series

2024–2025 A.I.R. Fellowship Welcome Event

Wendy Vogel on Miranda July - Criticism - e-flux

Overflow — Page 18

Overflow launch June 13, 6pm

Captivating creatures and the artists they inspire

Artist Talk: Fawn Krieger and David B. Smith | Brattleboro Museum & Art Center

Droste Effect: Anna Oppermann — Mousse Magazine and Publishing

Paint and Pour and Pain and Poor

Wellness and Self-Preservation: Wendy Vogel on Ilana Harris-Babou — EAI Features

Ilana Harris-Babou: Artist Talk and Screening

LIZ MAGIC LASER

Kaari Upson

Wendy Vogel on Valerie Werder’s Thieves - Criticism - e-flux

Can Images Desensationalise Abortion?

Track Changes: A Handbook for Art Criticism

Wendy Vogel on Noah Purifoy

Wendy Vogel on Sophia Giovannitti - Criticism - e-flux

Fiber Is the New Painting: A Younger Generation of Artists Is Weaving and Sewing Personal Histories

Segue Reading Series: Ksenia M. Soboleva & Wendy Vogel

Bang Geul Han at The 8th Floor

Wendy Vogel on Mary Frank

Andrea Fraser - Criticism - e-flux

Wendy Vogel on Lisa Oppenheim

Wendy Vogel on Portia Munson

Reconsidering Anita Steckel in the Age of Heteropessimism — Mousse Magazine and Publishing

Wendy Vogel on Kiyan Williams

Doreen Lynette Garner at New Museum

The furious comedy of Valerie Solanas

Wendy Vogel on Carlos Motta and Tiamat Legion Medusa

Anaïs Horn: Die Hand voller Stunden, so kamst du zu mir

Energy Potential in Lost Objects: Rose Salane — Mousse Magazine and Publishing

Nothing Independent of Its Circumstances: Rosemary Mayer — Mousse Magazine and Publishing

Wendy Vogel on art and abortion