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Omega the Unknown #1 (March, 1976)

If you’re a regular reader of this blog, you’re probably already aware that this post is the fourth I’ve published this month.  If, in addition, you’re already familiar with its subject, you may also have noted that it’s the third out of that four to be devoted to a comic book featuring the writing of Steve Gerber.

Of course, if you are a regular reader, you may not consider that latter fact to even be all that notable, as your humble blogger has made it pretty clear that Gerber was (and is) one of my two favorite comics writers of this era (the other being his fellow Steve, Englehart).  And it probably wouldn’t have surprised my eighteen-year-old self, either, back in the waning days of 1975, to learn that Steve Gerber’s work would continue to hold my admiration, half a century on.

What did in fact surprise me way back then, however, was that, per the credits given on the first page of his latest project — a new superhero series called Omega the Unknown — Gerber was sharing the authorial byline… and with a woman, at that, at a time when female comics professionals in general were hardly numerous, and female writers even less so:  Read More

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Howard the Duck #2 (March, 1976)

If you were a savvy comics fan scanning the spinner racks in December, 1975, artist Frank Brunner’s cover for the second issue of Howard the Duck would likely suggest that, following his and writer Steve Gerber’s recent skewerings of a couple of popular comic-book genres — namely, horror (in Giant-Size Man-Thing #5) and sword-and-sorcery (in HtD #1) — they were about to turn their satirical sights on the most popular of them all (at least in the American comics of the 1970s); you know, the one that revolves around colorfully costumed people with funny names.

But while that assessment would ultimately prove to be very much on the money, a turn past the cover to the book’s opening splash page would have clued you in that, before taking on the sacrosanct superhero tropes on which Marvel Comics’ hallowed House of Ideas has been built, Gerber and Brunner (joined by Steve Leialoha on inks) had one other genre stop to make first…  Read More

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Astonishing Tales #34 (March, 1976)

As regular readers of this blog might recall, we ended our October post about Astonishing Tales #33 with the observation that with that issue, Marvel Comics seemed to have finally found a solid creative team for “Deathlok the Demolisher”, with the feature’s primary creator, plotter, and artist Rich Buckler now supported by Bill Mantlo as scripter and Klaus Janson as inker and colorist.  Meanwhile, Buckler’s frequently meandering plotline seemed to have found some new forward momentum as well.  Was it possible that this series — which, to be sure, had still generally been entertaining in (mostly) bi-monthly doses, where one might simply enjoy the gritty atmosphere and violent action without being overly concerned with the incoherence of the overall story arc — was finally on the verge of realizing its considerable potential?  Read More

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X-Men #97 (February, 1976)

Re-reading the early issues of the revived, “All-New, All-Different” X-Men title for the first time in decades, your humble blogger has found himself struck not only by how quickly writer Chris Claremont — still a relative neophyte in 1975 — made the book his own, but also by how enduring many of the concepts and characters he introduced in the first half-dozen or so of the stories he wrote on his lonesome (the first two issues under his byline, #94 and #95, had of course been plotted by his predecessor, Len Wein) have ultimately proven to be.  Half a century on, it’s hard to imagine what the X-books — or maybe even the Marvel Universe, period — would look like, had neither Moira MacTaggert nor the Shi’ar (to name two of the most prominent examples), ever existed.  Read More

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Warlock #11 (February, 1976)

As regular readers of this blog may recall from our post on Warlock #10 back in September, that issue ended on a relatively quiet note, with the titular hero grimly preparing to enter his personal timestream for the express purpose of ending his own life — and, thereby, preventing his evil future self, the Magus, from ever coming into existence at all.  Or at least that was what should happen, according to the theory espoused by Adam Warlock’s unexpected new ally, Thanos the Mad Titan — and it’s not like there were any better options for saving the universe on the table, so what was a onetime messiah to do?

But while the beginning of our latest object of discussion, Warlock #11, seems to be taking place a mere moment after the ending of issue #10, it’s clear from auteur Jim Starlin’s opening splash that things are no longer the least bit quiet, and probably won’t be again for some time:  Read More

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Avengers #144 (February, 1976)

As regular readers of this blog may have noticed, I tend not to talk very much about the covers of the half-century-old comics we discuss here; unless they’re really strikingly good, my tendency is simply to note who drew them — to the extent that that’s known, anyway — and then move on.  (And just this week, in writing about Defenders #32, I forgot to do even that much; my thanks to reader Ben Herman for stepping into the breach.)  But I’m going to make an exception this time, simply to express my disappointment with this particular job by Gil Kane and Frank Giacoia.  While there are aspects of the composition that work well, the central figure of Hellcat — a significant new character (OK, technically a new combination of two pre-existing characters) whom readers are seeing here for the very first time — is almost painfully awkward, at least to my eyes.  Kane was a great talent, but among the very many (probably too many) covers he cranked out for Marvel in the 1970s, it stands to reason that there’d be at least a few clunkers; and for me, this is one of them.  (Naturally, your mileage may vary.)  Read More

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Defenders #32 (February, 1976)

Last month, we looked at Defenders #31 — the proper beginning to the multi-part “Headmen/Nebulon” saga which would ultimately prove both the apex and the climax to writer Steve Gerber’s memorable run on this title.  As regular readers of this blog will recall, that issue ended with our favorite non-team faced with a major mystery — namely, that the sinister sorcerer who’d just ambushed them in the guise of their teammate Nighthawk had, once handily defeated by Dr. Strange and then unmasked, turned out to actually be Nighthawk.

Of course, we fans knew one important fact still hidden from our heroes, which was that the brain of Nighthawk (aka Kyle Richmond) had been removed and replaced with that of one of the Headmen, Chondu the Mystic.  But since brain transplants aren’t something you see every day, even in the Marvel Universe, you can’t blame Nighthawk’s fellow Defenders for looking to more mundane solutions first… like, say, demonic possession.  And if that should indeed be the cause for Kyle’s condition, who ya gonna call?  Read More

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Doctor Strange #12 (February, 1976)

ImageFour months ago, we took a look at Doctor Strange #10, which presented the first chapter in writer Steve Englehart and artist Gene Colan’s latest (as of July, 1975) four-part saga of the Sorcerer Supreme — this one involving our hero’s attempt to prevent the awesome cosmic entity Eternity from destroying the Earth.  Naturally, that story had continued in the next bi-monthly issue of the series; but since we didn’t manage to fit a full post about Doctor Strange #11 into our September blogging schedule, we’ll need to cover its main events before moving on to the specific comic whose name and cover you see at the top of this post.  If you’re a regular reader, you already know how this goes… and if you’re not, I’m sure you’ll figure it out as we roll along.  Read More

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Phantom Stranger #41 (Feb.-Mar., 1976)

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Cover to Phantom Stranger #11 (Jan.-Feb., 1971). Art by Neal Adams.

By the time that the 41st issue of Phantom Stranger arrived in spinner racks in November, 1975, I had been buying the title regularly for a full five years — or, to put it another way, for an unbroken run of thirty issues.  That made it unique among the DC Comics offerings I was picking up regularly at the time, as none of the others — Beowulf, Claw the Unconquered, Hercules Unbound, Kong the Untamed, Warlord, and the just-revived All-Star Comics — had even been around just one year before, let alone five.  As for the other DC books that I’d been routinely buying back when I first sampled Phantom Stranger in November, 1970 — these included Green Lantern, House of Mystery, Jimmy Olsen, Justice League of America, Superman, and World’s Finest — while most of them were still going concerns, a couple weren’t; and those that were still being published had become occasional purchases for me, at best.  Phantom Stranger was the only DC comic I’d bought continuously for the last half-decade — the sole survivor of my own personal DC Comics class of ’70.

And after this month, it would be gone, as well… because the 41st issue of Phantom Stranger was also to be the final one.  Read More