They were holding auditions for a show called Lend Me a Tenor, and another theatre had auditions the following night. I decided I would audition for Lake City Playhouse, and if I didn't get a callback, I'd audition for the other the next night. Having never heard of Lend Me a Tenor (yeah, I definitely need to brush up on my theatre knowledge), I started searching out anything I could find, which turned up some really poor quality youtube versions and a few pages of the script.
After a few days of monologuing my heart out to the bookcases, I suddenly found myself driving circles around the playhouse trying to find the entrance to the parking lot. Eventually I did, and since I'd given myself about an extra 40 minutes to make up for my propensity to get lost, I waited in my car for a while and then went in only about 20 minutes early, as confidently as my shaky legs would allow.
Of course, I was the first hopeful to arrive, so I awkwardly introduced myself to the two people I assumed were running the audition, filled out a form, sat down awkwardly, and awkwardly tried to make conversation. Luckily a few other people (all women) showed up, and the audition got started with exactly what I had most dreaded: a group improv. It involved the word "cavalcade," but the end result was more "catastrophe." When that was finally over, we were paired up and given sides to do a cold reading, which was even more entertaining thanks to the lack of a male presence in the auditioning group.
Afterward, I felt like I'd made a couple friends and hadn't embarrassed myself too badly (probably because my memory immediately blocked out most of the cavalcade incident), but really had no idea what to expect. Then a few minutes later, I got a call and an invitation to callbacks the next night. Most of the same women were there for callbacks, along with a few men who'd been begged and probably blackmailed into showing up. In a few days, the director called to offer me a part, and my life decision was made for me, at least for the next two months.
Aaaaaand it was a pretty awesome life decision.
I experienced the amazing process of putting a play together out of a few strangers and some words on a page (which deserves its own post later). At the first rehearsal, everyone was talking about intention and all the thought they'd put into their character, and beats, and motivation, and line-thrus, and all manner of things I didn't understand, and I thought "Oh no. I've made a terrible mistake." So I wiped out the drama section of the local library (which is like three books, so not very impressive) and started watching lots of clips of Katharine Hepburn. But mostly I stood in awe of the incredible talent of the others and tried to remember to actually say my lines instead of just watching my castmates.
Plus I got to wear awesome costumes and run around the stage and slam a LOT of doors.
But the best part by far was actually becoming friends with these people by whom I'd been so intimidated; they are not only some of the most gifted people I've ever met, they are also friendly and open and welcoming and funny and I'm so lucky to have been able to spend so many nights of rehearsal and performance with them.
So to all of the Lend Me a Tenor-ites, thank you. Thanks for the backstage rituals (morta, morta, morta!), for all the advice (eye contact!), the never-ending laughs, the encouragement, the opportunity, and the friendship.Thanks for letting me tag along and welcoming me into the Lake City Playhouse family. It was an honor to work with you, and I can't wait to do it again. So I won't even say goodbye, just... au revoir!
photo by Scott Martinez
SLAM!


























