Tag: music
Asemic ‘Pataphysics ~ A Visual Primer O/0
The vectors of irony transcribe the shadows of doubt. Over the years, many light-limbo hypotheses have combined the interstellar and supernova hypotheses, resulting in a variety of phenomena, including destructive tones. Ironic vehicles reflect the shadow of doubt. Still, over the years, many light-limbo hypotheses have combined the interstellar and supernova hypotheses, resulting in a variety of phenomena, including destructive bones. Numerous simulations have shown massive stars collapsing into smaller slack wholes than expected, even in “mass ranges” where slack wholes should not exist. The rhythm, categorized into three major categories ~ w!uniqueness, 6*universality, Q-velocity, and 0#narrative, suggests a spatiotemporal macroscopic encounter with pataphors of cognition. This is essentially a mesa phoneme routine for individual conceptualization and a mariner umbra’s metacognitive metaphor. Universality, ontology, and the end of history seemed to be at the forefront of metacognitive experience and vectors of egg sandwiches. Moreover, metacognitive experiences, such as the singularity, entered the realm of irony next to a tango of affordability and uncertainty. In other words, these categories revealed an internal pathological linguistic simulation of electron polemics.
The catastrophic collapse of a massive star, called a supernova due to its instability, leaves no single point of comparison, no single point of reference, except for burning outhouses and cinnamon buns. It defies the poetics of risk at any scale. The question of whether a hypothetical star has burned enough hydrogen to become a supernova is often reduced to about 150 solar masses (and slightly higher in the mystique range), using quantum velocity poles, shadows, or individual stories as metaphors of doubt. The debate over fundamental mass (a linguistic feature) combines features typically associated with liquids and crystals, but goes beyond them to possess the ability to block light in all directions, except alliteration.
Asemic Tarot 236
Parasol spectres sing the lyrics of time
Prepare various instruments
bring the music of life –
the soul contains a beat
the soul contains destiny
Destiny contains essential desire
destiny selects a river bank
river bank quickly prepares the way
river bank quickly prepares change
Change is a lyric of time
change is a voice – sometimes loud.
The Bone harmonization is played on the piano of passion –
umbrellas rustle
cats dream
sidewalks whisper
rain falls
pavement splatters
a muse hears
pagan echoes,
a weeping sky’s viola,
muffled meows,
muffled thoughts,
dripping secrets.
Snowy, snowy,
pagan muse,
what do you see?
A cat
spinning wheels of fate,
curtains of light,
a parasol,
the colour of the forgotten –
the lyric slips from the tongue to the ear – spectres of emotions fraught with time.
Semiotic Sadness
She sat and cried, she looked so sad. She sat and cried, she looked so sad. She broke down and cried. She broke down and cried. She broke down and cried. Semiotics. It was a bad experience. Symbolizes metaphors as a symbol of crying. Crying. Sad semiotics. Many odes. Many odes in pools. Crying. Crying. Hannah broke down. She broke down. She broke down. Bella was shocked. Sad semiotics. And she sat there and cried. Heartbreaking, cried, and she cried a lot. And she was sad. She stood up and cried. She was so tired, and she was crying and … sad semiotics. She broke down and cried. She broke down and cried. She broke down and cried symbols. Bella burst out laughing. Crying, crying. She wasn’t wrong. She yelled at him. She broke down and cried. He laughed at her. She broke down. She got up. She cried a lot. She yelled at him. That’s what she did. She broke down and cried. She cried. She broke down. She cried. Bella laughed. She was so angry. She was confused and broke down and cried. Anna cried symbols. Symbols on the floor, like similes. Flowers grew. And she glared. And she broke down. She broke down. She cried. Anna and Bella were shocked. She was in a lot of pain. Semiotic sadness. Painful pools of crying symbols. Crying. Shouting. Because they were angry. The exterior wall is another example. Bella burst out laughing. Crying, crying. She knew what was wrong. She yelled at him. Drawing visual outlines is a good lesson to learn. Looking at some examples of towers, these are examples of true power. When an object rotates, the image is said to be one of two things. Hannah was shocked. She wasn’t wrong. She yelled at him. The example she observed is one of two relationships, but again, the expression of the relationship is metaphorical. But this is just one example. She yelled at him. That’s what she did. Heartbreaking, metatextual ode language is a powerful research tool because it provides information about things. Picture a symbol – semiotics, signals, crying, communication breaks down. Symbols of metaphors. Crying. Crying. Symbols. In the movie, Tower, the audience looks outward and thinks inward. But that’s the problem when crying, burst out laughing at symbols. Semiotic language learning, so angry. Heartbreaking, does language seek symbolism. For example, the film production industry is an example of this. Crying, crying. She wasn’t wrong. Asking exactly what’s inside and what’s outside is wrong. Therefore, semiotics is a branch of language study, also she broke down and cried. It was a bad experience. The semiotics of behaviour must be analyzed through the lens of internal relationships. She broke down and cried. Drawing visual outlines is metatexual poetic communication. It was a bad experience when she yelled at him. Bella burst out laughing. She wasn’t wrong. An object rotates around communicating odes with metaphorical mirrors in movies, mirrors are used. Crying, crying. Heartbreaking.
Glistening grimoire guides
How to Use Asemic Postcards
for Spell-casting
Glistening grimoire guides
storm girls’ words
art of the slumber song –
on with the show
this is the lambada floor –
tonight, gold is in the moth’s mouth
wind-up dolls
with holes in their stockings
barn dance tonight
nails in d’embouché gatherings,
words are not people ~
but needles,
sand,
the wall of bothersome aether –
common facts
fulcrum a full crumb
semitone semiotic nemesis
earth gathers together wind ~
stones, rainbow, straw,
words on mid-flight midnight
the shell is just a game –
hologram-hula, golden orifice
warm pocket inside their coat
cherry trees in Fall,
steadfast adage assemblage,
words are not people –
needles, goats, and sand ~
walls of bothersome,
communal realism
extortionate ectoplasm
network symbolism
frost byte trust –
full journey,
fractured plates,
a collage of echoes,
tangled forks,
surreal crumbs
blue bird feathers
are not charms –
a dance of fragments,
chop-chop,
slice the syntax,
sprinkle absurdity,
onto this canvas,
chaos served
intertwined,
the horologe thaws,
as crowds feast on
disruption
taste the electric silence ~
glitches in the fabric,
the pulse of noise,
classical guitars weep
a banquet of
unruly thoughts.
Asemic Tarot 151
Ask knots for whom the belt trolls, it trolls for topographical triceratops.
Flubber-busted, the horizon recedes the swell.
The pixelated pacifist pursues the peaceable plums of retrograde coral conundrums’ jazz escape roof.
Purloined pears butter the skyline with tears of repository.
Flatulence flings fractals towards turbulent festoonery in a tyrannical nebula, as feather fluster prevails at personified pachyderm’s perilous panache spinneret spinet.
Place the numerals at integer hemlines beyond the fumigated pelican turmoil with a beguiling pianoforte joust.
Asemic Tarot 133
I’ll take the spokes from your wheelchair
And a magpies wings
And I’ll tie ’em to your shoulders and your feet
I’ll steal a hacksaw from my dad
And cut the braces off your legs
And we’ll bury them tonight in the cornfield
Kentucky Avenue
~ Tom Waits 1978
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WENDY GALES – Episode Three ~ the flow of disinformation
After meeting The Tin Man, Wendy Gales and The Straw-Fog Man, left the barn to seek a murder of crows and a murmur of melodies.
Along the way they encountered Mother Scruples of The Magik Inaudible, and Saint Crumbles, The Magister of Mistakes –
It begins with a distracted thought widow hiring a store clerk to stop someone from taking away her isotherm shadows – a relationship which reveals an unthinkable betrayal of musical mustard horses, and sparks a series of strange trembling tangential events explaining the vast nonsensical fortune of the delirious indigent UFOs’ household — a fallow of perpendicular horses, that isn’t just a giant pink player piano in the secretive underground world of raglan chart collecting, “they helped mastermind sitting pretty in the inanimate map room at midnight every last Thursday of the month – And divorce”.
Above cupola’s marriage and divorce.
Above cupola’s marriage and divorce.
Flaccid Sentences for each scrimshaw shaggy-dog groat guest, each sparkling margarine mignonette concluding with a misery of marriage magnets. Each sparkling magnet including maladroit carriages. Before abnormal growth begins. Before abnormal growth begins.
Maladroit cackling carriages careened to the rune-wards’centre, but the centre did not hold, with his neck down, supporting four chopstick coral children born in the courtesan year declaration – streams of gristle stem revolting from an abstract world. From an abstract world.
Wendy, her dog, red dot toe too, and The Straw-Fog Man moved through the abdomen of an unanswered abstract world, past post-modernism, and into Neo-existential-expressionism, passing Dadaists and Surrealists stabbing the Eyes-Shine-on-His-Shirt, as the Mass Media Conglomerates attempted to inhale a peroxide of social-media platform infatuation. Two-the-Free-Windows-of-Port-and-Is called out for better ad revenues and subscriptions; but the abstract world an animal. Abstract world an animal?
NOTE: Measure the flow of disinformation against the swashbuckling anomalous beatitudes of cryptids (SEE: The Mothman, The Swamp Thing / Man-Thing, and The Hokum Hoodoo, Sasquatch, and Skunk-Ape).
As Wendy and her companions danced along in high-spirited song, belied the approaching antagonist’s putrefying obstacles, Mother Scruples voice called out – “Hundred years of money-loving years, the digital infographics leads to a spiral of gramophone events. A spiral of events. Was born and refused to initiate – Congress of Sycophants wallows an Anti-Immigration Day. Initiated was Anti-Immigration Day.”
The Straw-Fog Man sank the bean of belonging in the trough of forgetfulness, as Saint Crumbles pranced the long-standing refugee year.
NOTE: At this point in the narrative, having some dill-pickle flavoured pretzel sticks breaks the delirium of gladiolas. Watch for secondary narrative voices speaking directly to The Reader. The Reader. This is a scary twist because yesterday the fear of AI technology replicates disinformation. The fear of technology. Fear of the sand AI, who will leave behind the Taurus of the secret line. Behind Taurus’ brooding presence, sagging marquees. The mysterious dog’s paws reflect current box-office revenues. Box-office revenues.
Fortune Card Reads: Is Politics a metaphor for Business, or is Business a metaphor for Politics? When the Skunk-Ape sings of the Iguana’s taxi ride, the Truth will Part the Paths of Polemics.
Asemic Tarot 
