“I’d never before seen a score as mind-blowing as the Symphonie concertante …” — Yan Pascal Tortelier, Conductor Emeritus, BBC Philharmonic Orchestra In late October 2025, veteran director Yan Pascal Tortelier, joined by the BBC Philharmonic Orchestra of which he is the conductor emeritus, as well as pianist Peter Donohoe, recorded a program for Chandos […]
Category Archives: Classical Music
In the summer of 1932, the American music critic Leonard Liebling, longtime editor-in-chief of the weekly national publication Musical Courier, sat down with Florent Schmitt in Paris, four months prior to Schmitt’s first (and only) trip to the United States, for a meet-and-greet conversation. Mr. Liebling’s impressions of the French composer were published in the […]
“It is one of the most important recordings of my entire career.” — Yan Pascal Tortelier, French conductor In late October 2025, I had the privilege of being invited to Manchester, UK to observe the recording of a program of mid-career orchestral works by Florent Schmitt (composed between 1929 and 1938), featuring the BBC Philharmonic […]
In a September 2025 interview, the 96-year-old composer shares her recollections of Florent Schmitt and his distinctive personality. In this year of 2025, it is difficult to imagine that there are any musicians alive who’d have had personal interactions with French composer Florent Schmitt. After all, Schmitt passed away in 1958, and nearly seven decades […]
“Florent Schmitt likes our imperfect planet; the planet reciprocates.” — Nicolas Slonimsky, musicologist, composer and conductor In 1932, French composer Florent Schmitt made his first and only journey to the United States. The reason for the trip was to perform as soloist in the composer’s own Symphonie concertante, Op. 82 for orchestra with piano, which […]
When Florent Schmitt died in August 1958, fellow composer Henri Dutilleux wrote a memorable epitaph in honor of his older compatriot: “Florent Schmitt was the last of that great family to which Ravel, Dukas, and Roussel belonged. He remains one of them who, by a happy assimilation of German and Central European influences, recalled the […]
In my years of interfacing with professional classical musicians, I’ve noticed how frequently friendships that had been established during their years of study at music schools and conservatories have continued for decades thereafter, as professional lives intersect and opportunities to collaborate present themselves on a recurring basis. Less common — but in some ways more […]
The French composer played a major role over four decades as both a host and a participant in Paris’ salon culture. We know from history that in addition to being a composer and music critic, Florent Schmitt was a salonnier. From the 1920s on, he and his wife Jeanne hosted regular Thursday afternoon open house […]
In addition to multiple presentations of Schmitt’s best-known composition La Tragédie de Salomé, music-lovers will be treated to several works from the composer’s early and late career. For the upcoming 2024-25 concert season, the popularity of Florent Schmitt’s ballet La Tragédie de Salomé (1907-10) continues on its upward trajectory — a trend that sees no […]
Tout Paris came together 100 years ago to fete the Russian-born conductor upon his election as a Chevalier of the Legion d’honneur. The Russian-born conductor Serge Koussevitzky arrived in Paris in 1920, leaving behind Soviet Russia where he had led the Philharmonic Orchestra of Petrograd since 1917. Maestro Koussevitzky was already a household name in […]
Much has been written about the famous salonnières of Paris — the wealthy and often-flamboyant grandes dames who opened up their drawing rooms to musicians, authors and artists — facilitating not only the camaraderie of “breaking bread” together but also providing a venue for these creatives to socialize with prominent members of Parisian society representing […]
In September and October 2023, American pianist Matthew Bengtson performed three recitals in which he introduced a selection that was new to his repertoire: Florent Schmitt’s Trois danses, Op. 86. Composed in 1934-35, the piece is a relatively late work among the voluminous quantity of piano music that Schmitt created for piano solo, duet and […]
In the latter part of his career as a composer, Florent Schmitt devoted a good portion of his energies to writing vocal music, both for solo voices and for chorus. These projects give him the opportunity to indulge his passion for writing for the human voice — a persistent trait we can see throughout his […]
In addition to multiple presentations of Schmitt’s best-known composition La Tragédie de Salomé, music-lovers will be treated to three works from the composer’s early and late career. Four compositions spanning Florent Schmitt’s seven-decade career as a composer are part of the 2023-24 symphony season. (Portrait: Pierrette Lambert, 1992) For the upcoming 2023-24 concert season, the […]
This past Valentine’s Day (February 14, 2023), the young Japanese pianist Tomoki Sakata presented Florent Schmitt’s complex, über-brilliant Symphonie concertante, Op. 82 with the Tokyo Metropolitan Symphony Orchestra under the direction of veteran French conductor Yan Pascal Tortelier. The concert marked the first time this music had been performed anywhere in the world since the […]
