Armchair rhetoric on extreme metal
Christus VenariOut 12th September on Personal Records Choppy, frantic death metal channels the frenetic energy of early Deicide into an explicitly gothic darkness. Borrowing the aesthetic material accrued from more populist extreme metal strains in the form of early 2000s Behemoth, refocusing what was previously empty fanfare into an efficient, tight, yet no less diverse... Continue Reading →
(There are only four) Metal subgenres don’t exist. I think we’ve imagined them all. I’ve run the numbers, and by my count there’s only ever been four. “How could we have been so wrong about this?” you ask. I don’t know, but I’m going to expend considerable effort wildly speculating regardless. I curse my spare... Continue Reading →
UnwellOut 31st October, self-released Somewhere between jazz, industrial, progressive doom, and ambient comes this concept EP preoccupied with the theme of mental degradation. The narrative follows an elderly dementia patient in a nursing home, “haunted by the spirits of two children who claim he murdered them decades ago”. In keeping with the artist’s moniker, the... Continue Reading →
Poems of SpellcraftOut 24th October on Chaos Records The debut album from this German entity draws on a thread of UK black metal (such as it is) most infamously expressed by Cradle of Filth and Hecate Enthroned, later by Old Corpse Road and A Forest of Stars. Histrionic, gothic, and unconcerned with what the listener... Continue Reading →
Atavistic Passage: Demonstration TwoOut 9th October on MoH Creations Ritualistic dark ambient collides with raw black metal, creating a sense of occasion through simple melodic refrains reduced to drone form, onto which are added basic harmonic development. This gives the music a feeling of opening out, of creating space from a place of restriction, an... Continue Reading →
Pestilential HymnsOut 20th October on Memento Mori Thaumatrugy upgrade themselves from the competent but commonplace chasmic death/doom of the debut into a more holistic statement of extreme metal. Reinvigorating the increasingly murky territory between black and death metal with a clarity that can only come from a rigorous riff discipline. The demo phase of Swedish... Continue Reading →
Words by Jason Kiss Only Death is Real “Only Death is Real” is one of the most endearing slogans of the extreme metalunderground. The phrase was first brought into metal lexicon by Hellhammer, later reformed as Celtic Frost, in the track “Messiah” on their 1983 demo Satanic Rites. Since then, it has become a sacred... Continue Reading →
Victimarum: Seitsemän soihdun valossaOut 11th October on Signal Rex This brighter iteration of melodic black metal manages to achieve a sense of activism and storytelling in a way that pushes back against the empty anthemism rampant in the genre since its 90s heyday. But despite the album starting strong, Victimarum are unable to sustain their... Continue Reading →
Hadopelagyal: HaematophoryktosOut 19th September on Amor Fati If we were to regard this in terms of presentation alone we would come away with the impression that Hadopelagyal are interested in little more than showcasing chaos. The ethos of blackened grind inflicted on dirge ridden black metal riffing to conjure a sense of random, nihilistic violence... Continue Reading →
LoreOut 3rd October on Eleventh Key I often use the term “world building” when writing about music. It’s probably worth clarifying what I mean here. History may remember early 21st Century music not in terms of artistry, but granular developments in technological. Developments that may have seemed small and incremental in isolation, but at the... Continue Reading →
Hate Meditations 