I’ve been a writer since I could hold a pencil and form words. I’ve been a storyteller for longer than that.
I’ve been a published writer (independent) since 2012, when I put together a collection of short stories and a novella that I’d written in college. That’s thirteen years. Thirteen years I’ve been published, and probably six years longer that I’ve been doing this as a targeted fiction writer. I’ve played around with a lot of different tools, and finally hit on the best tools for me. It took a lot of trial and error, but things do shake out as you try them, and hang onto what works.
When I started doing this as more than “hm. I need to turn something in for creative writing,” I was still in college. I had a character march into my head and demand to be written. I used the second-hand desktop that an uncle gave me. It didn’t connect to the internet at all, but it ran a bootleg copy of Office 97 just fine. And that worked. I wrote three books and several short stories on that machine before it died. Then, my junior year, my future husband gave me an old laser printer. A brother. Ancient machine, but damn. I fell in love. I could print my work (one sided, but hey) for editing. And I could edit without anything smearing!
Fast forward to grad school. The college I attended for my BA degree had computer labs in every building; the ratio was 49 students per computer. The ratio that the grad school bragged about…wasn’t nearly so good. It was almost double the number of students per computer, and the computer labs were in the library or the computer sciences building, with a couple of six-computer labs scattered here and there, restricted to grad student use. I bought my first laptop to ensure I’d be able to get my work done (and a tiny, portable inkjet printer that was slow as shit to print, but saved my ass a couple times).
The other thing I discovered in grad school was that I love using fountain pens. Love the silly, finicky things. I can write with them longer without my hands and forearms cramping up. Started with a Sheaffer calligraphy pen with a .5 chisel nib in undergrad, then moved to a Parker Vector with a fine nib in grad school. Went through a cartridge a week, taking notes, but ended up taking more and better notes (and notes on stories and plots) because I could write longer at a given time.
I’ve stuck with a laptop, for the most part, since then. It’s a lot handier to have a laptop, and there’s no need to have a desktop as well. I mean, there may come a time when that changes, but it hasn’t come yet. Behind me, there’s a laser printer for drafts–and it prints double-sided. Yes, there’s also a color printer, but that’s as much for kids’ homework assignments as anything.
I stuck with Word for years. Even bought licenses a couple of times, when it didn’t come free as an employee of a university. But there’s a problem with that, now. I can’t outright buy Word, anymore–I mean, yes, it’s possible, but cost-prohibitive. By cost, I’d have to rent it. I have sincere distaste for that. I mean, it’s one thing when I had to replace a laptop every year or so, but the last one lasted me three years. This one is halfway through year two. I do not want to rent programs for a year at a time. And the office clones work, but not as well for publishing. They’re great for some things, but not for all. So I use LibreOffice Writer for some things, and Atticus for actual formatting and publishing (and some drafting).
Not all the drafting. Second, and then third. First drafts…as the kids have been in school, I’ve found myself doing more and more first draft work by hand, while I wait in the car for them to come out. It’s surprising how much you can get plotted out in ten or twenty minute segments. Yes, I use fountain pens for that. The pens I use, however, have evolved. I was using basic, pull-cap fountain pens, but the ink was horrifically limited in volume, and the pens I used…I couldn’t see my ink levels without disassembling the pens to look at the cartridge. I switched to piston-filled pens…and discovered that the enormous ink capacity came with a different issue: what to do with a cap that you can’t post without risking an ink geyser trying to get it back off.
The paper is also a consideration that most people wouldn’t think of. I mean, generally, people use ballpoint pens. Or rollerballs. Those come with a thicker, viscous type of ink, rather than the liquid inks that fountain pens use. Those write on pretty much any paper without issues. Fountain pens, and liquid ink…not so much.
I’ve tried a lot of different papers. Loose-leaf in three-ring binders (worst paper for fountain pens), Moleskin notebooks (also surprisingly bad paper for the cost), cheap journals (sometimes thicker paper is better, sometimes it’s just thicker). I’ve heard very good things about some European brands of paper and notebooks, but damn. Those are STUPIDLY expensive.
The best paper I’ve found for my purposes? Carrying in my purse and sitting and using while I’m waiting? Walmart’s Pen+Gear composition books and junior composition books. Their mini-comps are fine, too, but too small for much more than lists, notes, and reminders. Their legal pads are pretty good, too, but I’d need a protective cover for purse carry, and those are generally larger than I want to mess with. Their wire-bound notebooks are just as good, but snag.
So, the tools I carry now are capless fountain pens, with extra-fine nibs to extend the ink capacity as much as possible. Clicky pens. Two Pilot Vanishing Points (a blue one with purple ink, and a red one with burgundy), and two Jinhao 10 clones of the Pilots (with Noodler’s x-feather blue in the tan one, and x-feather black in the green one). No, the ink capacity isn’t wonderful, but I can generally tell when they’re starting to need refills by the behavior, and I don’t have to keep track of a loose cap. And if I carry four, I have the same general ink capacity as one piston fill, so I’ll generally have ink in one of them. And I carry at least two full-size composition books (one for novel projects, and the other for short stories), one junior (for if I need something less obtrusive to jot things down when I’m supposed to be doing something else), and a mini-calendar for keeping track of what’s going on in my writing/publishing schedule, and in the kids’ schedules.
The tools I use at home are a basic laptop1, the laser printer (and sometimes inkjet), LibreOffice Writer2, and Atticus. Oh, and my old piston-fill fountain pens, and the snap-cap Plasir pens. And whatever notebook/binder comes to hand.
(Yes, there is a composition book and a TWSBI Eco3 fountain pen on my nightstand. I do not control when/how the characters walk into my head and start talking.)
Preferences, and situations, change. And the tools change with them. It’s taken years of trial and error to optimize the tools for my daily needs. I think I’ve found a good setup for what I need, and for what I do…for now, at least. It may change again as the kids get their licenses and start driving. And working.
1A laptop really is the best option for me: there are days I can work at a desk, with a wireless usb keyboard in my lap…and days I can’t work at a desk (some of those I can’t even work in my recliner).
2OpenOffice is also an option, free, and easily available. I just prefer the user interface of LibreOffice. Your mileage may vary.
3TWSBI Eco fountain pens are awesome. They hold double the ink that the biggest cartridges do, and the barrels are clear, so you can always see how much you have. They can post without engaging the knob that moves the piston, so that makes them specifically good as nightstand pens. HOWEVER. They tend to vomit ink into the cap if they’re dropped, shaken, and generally banged around, which makes them bad as carry-in-your-purse pens. They’re probably fine for shirt pocket carry, but not for how I carry pens.