The Book Of Lost Doors:
A series of four novels inspired by New Wave Science Fiction and Horror.
My first serious writing project, started with a handful of ideas I wanted to mashup together and see how they worked. I spent about a year writing each one and did everything myself, writing, editing, formatting, cover design (my roommate did the original photography for each cover.)
The central metaphysical conceit was taken from William S. Burrough’s Cut Up Trilogy, heavily influenced by C. S. Lewis, Clive Barker, Samuel Delany and Philip Dick.
I set out to blur the distinction between Science Fiction and Fantasy. There are Outsiders, which are non-physical entities who are able to mentally contact and influence human beings. The primary characteristic of the Outsiders is that they lie, claiming to be demons, angels, gods, aliens–whatever a given human being is most likely to believe in and obey.
The Outsiders are cosmic con artists from the outer darkness, feeding off the chaos they sow among the human beings. (This is the most Burroughs inspired element of the books).
My main character, James, is a human who has been psychically linked to an Outsider called Catskinner. James and Catskinner become enmeshed in the plans of another human/Outsider hybrid, Agony, who has a long term plan to save the human race, not through altruism, but because she knows the Outsiders are parasites who will eventually kill all life on Earth.
In this book I created a number of semi-human characters, inspired by a variety of sources. I avoided any direct correspondence to the usual Urban Fantasy tropes of Elves, Vampires, Werewolves. Instead I borrowed from a variety of New Wave sources.
This series has a lot of rather explicit violence and several sexual scenes that are intended to be disturbing. As such, I can’t wholeheartedly recommend it to more conservative reviewers. I do stand by these scenes, however, I think they are vital to the story.
There is much that I now see as clumsy and unsophisticated in the prose, but, all in all?
I did the best I knew how to do. I told the truth and I made it rhyme.
My Story Collections:
Dark Fantasies: My first published collection is now out of print, but this is the first one I published which is still available. When I decided to focus on short fiction rather than novels I set myself a goal of three collections–one Fantasy, one Science Fiction, and one Horror. As the title implies, this is the Fantasy Collection.
Nine stories, grouped into four different settings; The Eldritch Earth of Lovecraft’s Great Race, the Roman occupation of the British Isles, a kind of D&D inspired generic Fantasy world I call the Iron Hills, and my 1960s LA plus magic setting of Dracoheim.
Endless Summer: My Science Fiction collection. Twelve stories, featuring my take on various SF concepts–time travel, first contact with aliens, apocalyptic plagues, future cities, androids, colonizing alien worlds.
I like to compare this collection to Bradbury’s Martian Chronicles, not because I consider myself Bradbury’s peer, but because I follow a similar structure, a series of seemingly unconnected tales that form an overarching structure of the fall and rebirth of humanity. A few of the stories are pretty bleak, but the trajectory of the collection as a whole is an inverted catenary arc, descending and then rising again to end on a hopeful note.
Bad Dreams & Broken Hearts: A group of short stories, or possibly an episodic novel. Seven long stories about Erik Rugar, who is an agent of the Committee for Public Safety, the department that regulates the use of magic in the city of Dracoheim. They are cop stories set in a magical world, Erik himself is just a human being with no magical talents.
I have described it as “Dragnet with Dragons” (well, okay, just one Dragon, the Lord Mayor of the city.) I rather enjoy turning the tropes of Urban Fantasy around and having my hero be a muggle who triumphs not because of great magical ability but rather through solid police work and attention to detail.
An Atlas Of Bad Roads: The Horror collection of my original three book goal. Sixteen stories, most on the short side, paired with sixteen original poems. There’s a real Twilight Zone feel to this collection, I think. I do even less exposition and explanation than usual, I just tell the story and let the reader figure out what is “really” going on. I do aim for disturbing with these stories and I think I hit it more often than not.
Not for the faint of heart or children.
Small Worlds: This is a kind of potpourri collection. Some Fantasy, some Science Fiction, some Horror. I consider it a good sampler of my range, but there is still a general theme that I sum up in the introduction in the phrase “Small Worlds need saving, too.”
I focus on individuals in this collection, not big, epic tales, but ordinary people living ordinary lives and making them extraordinary–simply because they are the only lives they have.
Dracoheim Confidential: A follow-up collection to Bad Dreams & Broken Hearts. This one has eight stories, four Erik Rugar stories and four that introduce a new character, Leonid Vetch, a magus who has retired from private practice to work as an instructor at a community college.
I enjoyed being able to play with the world of Dracoheim and the Realms of Nightmare. I was concerned that Magus Vetch wouldn’t be as popular with readers as Agent Rugar, but the initial reviews have been very supportive of Vetch as a character.
Collaboration:
And Who Shall I Say Is Calling? A while back I put out a call to various authors for help with a few stories I was stuck on. A talented author named David Skinner agreed to work with me on one of them and this is the result. It’s a short novel set in an alternate America divided into regions which are ruled by their own local gods. I’m very happy with how it turned out and recommend David Skinner’s other work (like me, he focuses on short fiction collections.)
I can honestly say that I would not have been able to write this delightful story on my own.














