
I have been fly fishing for over 50 years, but I would have to admit to being a bit of a slow starter. For much of my “career” I have been a one man band, not necessarily out of choice but because in my youth I didn’t have anyone to confer with. I read everything that was available to me in the local library. But didn’t really have any “fishing buddies” or “mentors” who knew anything more about fly fishing than I did. I certainly didn’t have access to a dedicated flyshop, or a plethora of fly tying materials.
These weren’t the days of YouTube video instruction or websites, podcasts and such, you either knew someone who was better at things than you and was prepared to take you out on the water or you didn’t. Pretty much I didn’t, and so I made my own choices, my own experiments and more to the point, in spades, my own mistakes.
If there is a mistake you can make in terms of fly fishing then I assure you I have made it. I have tied poor knots, cast badly, used tippet far too heavy, flies too large, waded poorly and rushed when I should have been more circumspect. Worst of all I have spent far too much time focusing on looking for more realistic fly patterns, mostly because all the evidence about me suggested that this was what was required.
However out of experimentation and error is born conviction. When I suggest that in my opinion this is a better way of doing something, it isn’t out of ego, or blind faith. It is born out of the crucible of failure, of mistakes, of foolish adherence to the rules of the time, basically naivety.
Take fly casting as a case in point. I grew up with the standard UK stiff upper lip and stiffer wrist school, promulgated in EVERY library book I read, and I read all of them. The ‘ol’ Ten O’clock to Two O’clock rubbish which I still hear and see on a regular basis. It is garbage of course and has held back far too many anglers from reaching anything like their potential, but still today there are supposed tutors who use this as a casting style, or at least purport to. Even now, in some circles, you take your life in your hands should you suggest “The Clock System” is rubbish, only to become branded as a heretic and outcast from angling society, labelled as a trouble maker. See A Load of ‘ol Clock on this blog.
Perhaps the issue has been that, from the outset, fly fishing has been dictated from on high with specific rules and conventions which stifle innovation. “The Masters of the Art” dictated from their lofty perches, all manner of foolish convention, from regulation that one should only cast a dry fly upstream to a rising trout, to specific measurements of wing or hackle size on a fly. There is no real basis for any of these “rules” but they have been universally accepted and passed down through generations to the point that they have taken on the apparent authenticity of fact.

All of that means that it is extremely difficult to avoid such notions and to genuinely “think outside of the box”.
Much as this applies to issues such as fly casting it equally, and perhaps more pervasively, applies to fly tying and fly design. Even apparent innovations tend to stay within the lines of commonly held belief.

I didn’t really notice it to start with, but my fly tying was limited, not by lack of enthusiasm, or manual dexterity, but simply by materials. I grew up in rural South West England with limited access to fly shops or fly tying retailers and even more limited funds. Such that the flies that I tied were manufactured out of materials from my mother’s sewing kit. Until my late twenties I hadn’t heard of a “Genetic Hackle” and when I did it finally opened up the reason why my dry flies didn’t look like those in the books.
That bothered me, and continued to bother me for decades. My flies never looked like the perfect Catskill ties in the tomes from the local library. They didn’t seem to float the way described in the angling literature which I was still absorbing like a sponge.
Over time, changes in circumstances and additional financial freedom meant that I could manage (Just) to include some premium materials, genetic hackles and such into my fly tying. I was happier with the patterns, they looked more like those featured in books, articles and now YouTube videos.
I became caught up in the “Match the Hatch”, “Close copy” rhetoric of the time. Briefly, enamored with Goddard and Clarke’s USD paradun, because it seemed to be eminently sensible to remove the bend of the hook from the equation, what insight! What inventiveness! What rubbish. (To be fair, Goddard and Clarke’s book “The Trout and the Fly, a New Approach” was highly advanced for its time, but again the authors, as did so many of us, fell down the rabbit hole of imagining that one could make more and more imitative patterns and thus become more and more successful.)
Fly tying has been filled with “fools errands” for generations, Dunne fiddled with mixed coloured silk swatches, determined that the colour was the big issue. Halford and Gordon pontificated over split wings, cock hackle fibres, and an entirely imaginary dry fly floating on “hackle points” well above the surface. (Something that is all but impossible to achieve, and certainly impossible to recreate cast for cast).
Don’t get me wrong, this is part of fly fishing history, Halford, Gordon, Skues, Dunne were all innovators of their time and innovation generally leads to as much failure as it does success. The point really is that one should be able to move on. It is likely, as I write this, that in the future someone, somewhere, will come up with better understanding and new and improved concepts in terms of fly design. That is progress.
Effectively my fly tying has gone full circle, from scruffy patterns forced upon me for lack of materials or even a decent vice. To scruffy patterns specifically designed to be scruffy. Unkempt straggly flies that don’t in all fairness look very much like anything. It has taken five decades to turn full circle, to recognise that much as it might be fun, (and it still is fun), to lovingly manufacture close (in our eyes) copies of specific insects, the reality is that you don’t need to and more than likely are limiting yourself if you do. Tying and fishing flies which allow for the fish to see what they want to see, rather than imposing my views of what should be a more imitative pattern, seems to work exceptionally well. See Fly Tying and the Man on the Moon on this blog.
So it was with great interest that I came across Bob Wyatt’s book “What trout want” – The educated Trout and other myths. (Stackpole Books ISBN 9780811711791). I am not entirely sure how this tome eluded me for a long as it did. It was originally published in 2013 so I have been a bit slow on the uptake. (What I will say upfront if that if you haven’t read it then you really should)

But as I commenced reading through Wyatt’s engaging chapters I more and more realised that we were very much on the same page. It is something of a revelation, simply because the overwhelming background noise in fly fishing and fly tying circles continues to be based on “finding a better fly” and in general “better” implies a closer copy of the real thing.
Conventions are so pervasive that even innovators tend to revert to type, so caught up are all in the common “wisdom” of our sport.
Fly Fishing Outside the Box, by Peter Hayes (Coch-y-Bonddu Books, 2013, ISBN9781904784562) is one of my favoured publications, not because I agree with everything that Peter Hayes suggests, but simply because I love that he is prepared to publicly challenge common wisdom in exactly the same way that Wyatt does in his book. The trouble is that for all that innovative thinking Hayes falls into the imitative fly trap with a focus on fly patterns and a chapter “Imitation’s Last Frontier”. This isn’t to criticise Hayes, but to rather demonstrate how incredibly difficult it is to escape the long held conventions of various aspects of our sport.
It is perhaps worth noting that Peter has a second book, written together with Don Stazicker, equally well worth the read and equally in many ways as innovative and questioning as the first. It is called “Trout and Flies Getting Closer” (Kindle Edition available on Amazon as an eBook), and for all the innovation there is the focus on imitative fly patterns all over again. It is a tricky monkey to get off one’s back.
I belong to a WhatsApp group dedicated to fly tying which sees literally hundreds of posts every week and most of those, images of the latest creation from one of the participants. In all honestly none vary considerably from the other hundreds of patterns. Few, if any, represent a step forward in terms of fish fooling ability. They are all nice, they represent a level of artistry that can’t be downplayed but do they make any difference out on the water? Personally I don’t think so and now I have “found” a like thinking angler in Bob Wyatt who equally believes that we fly fishers tend to overemphasize the fly pattern and underestimate the importance of almost everything else.
Go to the British Fly Fair, ( A wonderful event to be sure) and there will be rooms full of fly tying materials, fly tying tools, international “stars” demonstrating fly tying techniques. Not that there is anything wrong with any of that, not that I don’t personally enjoy exploring and trying out new things. BUT, and it is a big BUT, what is it that we are trying to achieve? To me I am trying to achieve a result in terms of consistently catching fish. Yes it is nice if the patterns I manufacture look pretty to my eyes, that brings confidence. Yes it is fun to fiddle about with new materials and I have to admit that my patterns tend to evolve a little bit year on year, such that the fly boxes never look exactly the way they did six months back. But I have almost entirely given up on trying to “copy” nature. To my eyes and to Wyatt’s it is a thankless and likely impossible task.
Of course the fly pattern is of critical importance, at least insomuch that without one you are not going to catch many fish. The question really then becomes what makes an effective one? And therein lies the rub. For decades we have been taught to focus on close copies. There are endless book titles pontificating about fly design, thousands of images of upright and delicately fashioned patterns. Dozens of tomes suggesting how to “Match the Hatch” but to my mind there is ample evidence all about us that this view is seriously flawed.

For starters the most famous flies or those in greatest general use are both simple in design and universal in appeal. The Adams, the Hare’s Ear, the Pheasant Tail, the Elk Hair Caddis and others don’t even in their names suggest the imitation of a specific insect. In fact one of the best known “Upwing” imitations The Adams actually started life as a caddis fly imitation apparently and its popularity likely has as much to do with visability as it does imitation.
There have been a number of key innovations since the days of Halford and the standard dry fly, but almost all of those are advances are more in terms of engineering and fishability than considerations of imitation.

The advent of parachute styles, Cauci and Nastasi’s Comparadun, Hans van Klinken’s superb “Klinkhamer” and of course one of the more recent advances The Perdigon. None of these flies claim to be more imitative, at least in terms of their looks. They might well be more imitative in the manner in which they are presented, not least because they are all effectively “emergers”, but that is another matter entirely.
So when you are considering loading up your fly boxes over the winter months I would strongly suggest that you read Bob Wyatt’s “What Trout Want”, Hans Van Klinken’s “Klink”, Peter Hayes’ “Fly Fishing Outside the Box” and MOST importantly, start to think of your fly designs not in terms of close copy imitation but rather in terms of presentability and fishability.
To my mind fly fishing is ALWAYS about presentation and having flies that aid in that presentation is a far better bet than trying for an impossible EXACT copy of any given bug.




















































