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PseudoPod 1009: Christmas Eve at Beach House

Show Notes

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The Oldhammer Fiction Podcast 

Eliza Lynn Linton 

Dr. Frizzle on Bluesky


Christmas Eve In Beach House

By E Lynn Linton


It seemed as if the Mackenzies were under a spell, and that none of the men were ever destined to die in their beds. We sometimes see this strange law of persistent accident run through a family, and generation after generation fulfils what looks like the ordained decree, either of violent death or loss by fire, either of shipwreck or that mysterious and sudden disappearance when a person goes under like a stone in the water, and is never heard of again. I, who write this, know of a family where the law of “running away” has been in force for four generations; one or more lads of each brood having run away from home, school, or legal master as the case might be—some turning up again after a season of wild-oat-sowing, perhaps all the better for the process, but others gone forever, and their ultimate fate a mystery, never cleared up. 

The law of the Mackenzies was, as I have said, a violent end. Old Zachary the grandfather, and Michael the father, of Captain Charles, had both died of their sins or, as the traditional phrase went, “died standing;” and Captain Charles himself had disappeared. He was a married man, but a wild one, according to the way of the Mackenzies; and ten years ago had been serving with his regiment in Cornwall, while his wife and two children left behind in London never knew more of him than that he was reported absent when he should have returned to his quarters at Truro after a week’s leave, and that from that time to this he was missing, and had left no trace behind. Every effort had been made to find him, but without success; and his family had by now almost given up the hope not only of seeing him again but of knowing what his end had been; though indeed his widow, poor soul, who loved him as certain women do love scampish men, handsome, affectionate, generous, and unfaithful, still clung to hope against hope, and refused to wear the conventional weeds, or do more than “provisionally” administer to his effects. Still, there the mystery of his fate remained, and it looked likely enough to remain a mystery to the end of time. Meanwhile the son grew up, and went out into the world; and now the daughter Alice had just married Walter Garwood, a young man of some means and roving habits, and so had begun life on her own account when this story opens. (Continue Reading…)

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PseudoPod 1008: Cyanide Constellations

Show Notes

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Author’s note: This story ended up being the title piece for my debut fiction collection, Cyanide Constellations and Other Stories, out October 21st from Dark Matter INK, because it represented the overlap between nature and horror, with a bit of cosmic chaos sprinkled in. I love the strange dreaminess that can awaken when exploring how nature and the universe surprise us, especially in those moments when the sheer vastness feels so much greater than we will ever know. This collection where flowers whisper and the moon holds dark secrets was such a joy for me to put together.


Andrew Marvell

https://en.wikipedia.org/wiki/Andrew_Marvell

To His Coy Mistress

https://www.poetryfoundation.org/poems/44688/to-his-coy-mistress


Cyanide Constellations

By Sara Tantlinger


In the daylight, I pretend nothing can hurt me, but we both know that has never been true. What hides in shadow or creeps through the night must exist during dewy mornings and August afternoons.

I stretch my limbs beneath the buttery warmth of late summer sun, using the dirt of our never-planted garden as my bed. Heat penetrates defenseless skin, burning flesh with strips of red along my arms and legs where the dress you loved offers no protection. I should go inside, keep the lights off and hide within the cool darkness of air conditioning, but here I remain, glued to the soil as if the sun melted my body into gooey strips, pinned down like butterfly wings mounted on a board, my brittle body to be sold as art. Who would buy the art of me if there is no you? (Continue Reading…)

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PseudoPod 1007: The Children of the Event

Show Notes

To support us during our year-end campaign, go to escapeartists.net/support-ea


Notes from the author:
As long as I can remember, I’ve been a Godzilla fan. My fate was set at the age of six,  when me and a neighborhood boy rented Godzilla vs Monster Zero and Godzilla 1985 from the local video store. As they say, the rest was history. 

To this day, I’m not sure why kaiju movies have followed me through my life. Maybe it’s just because they’re cool. Kaiju are big, they break things; they have colorful energy beams—what kid couldn’t fall in love with that? They’re also fantastical, inhabiting a world of sci-fi imagination where aliens and androids are a constant threat. But maybe it’s because, despite their size, they improbably represent something much bigger. War, nuclear annihilation, bureaucracy—the list goes on. 

“The Children of the Event” is a kaiju story, but as most in that grand tradition, it’s really about something else. It’s about aging; succumbing to hatred; fearing a world that won’t stop changing no matter how much you wish it wouldn’t. It’s about nervously waiting for the day you cease to be young and bright and full of hope, and become another bitter tool of the establishment.


Godzilla Minus One:
en.wikipedia.org/wiki/Godzilla_Minus_One


The first person to see the wave was a fisherman. Like most of his kind, he was strong, fond of water, and a heavy drinker; he wore rubber boots and a yellow coat slicked with salmon guts. It’s important to stress that there was nothing heroic about this fisherman. He was a normal man. He had friends and family. One bar server remembered that he used to show off on Friday nights, after the day’s catch, impressing local women with his trick shots.?* 

 

Footnote:
* Anonymous interview.

(Continue Reading…)

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PseudoPod 1006: Give A Dog A Bone

Show Notes

From author: “Give A Dog A Bone” is the third story in the series of tales following the exploits of a married couple of werewolves whose relationship is under some unusual stresses. Both of the previous stories, “Licking Roadkill” and “Last Supper” also appeared at PseudoPod, and were inspired by a real-life conversation I had in a bar where I saw someone offered a lifeline that was then refused for the most heartbreaking of reasons. This chapter’s a little further along in the story, and i’s largely focused on how relationships don’t grow – or unravel – in straight lines and clean curves. Sometimes, there’s bigger issues you have to face together, and sometimes being at odds with someone doesn’t mean you don’t still love them.  And of course, this being a werewolf story, things just might get a little bloody.

The music “Give A Dog A Bone” was written to:

https://youtu.be/LAW3oBQ-Nsg?si=ccCt26U9yYHdcYwV


Licking Roadkill: https://pseudopod.org/2021/11/26/pseudopod-786-licking-roadkill 

Last Supper: https://pseudopod.org/2024/11/29/pseudopod-951-last-supper 

A World of Hurt, by Drive-By-Truckers 


Give A Dog A Bone

by Richard Dansky


A dog always remembers where he buries a bone.

Wolves, not so much. Wolves aren’t the burying type. They don’t save for later, because they know they can always make another kill. And they don’t bury the evidence of the past, because they damn well want other predators to know they’re there.

Doesn’t mean a wolf can’t sniff out a burial site, though. Doesn’t mean they can’t find what’s dead and buried, even when there’s no more meat on the bone. Just not something wolves like doing, most of the time. But dogs are dogs, and that’s all they’ll ever be. (Continue Reading…)

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PseudoPod 1005: Do It

Show Notes

Note from author: The pizza joint in the story is based on a locally (local to me) famous spot in Boston’s South Shore. Having been raised on the North Shore I take umbrage at this city having ‘shore’ anywhere near it in geographic designation as it’s at least a 30 minute drive from any shore. Anyway, I moved to this city in 1999 and I have dreamed of robbing the place in fiction for years, but I never found the right story until the 120 Murders anthology invite from Nick Mamatas. I finally found a way to, well, do it. Sorry.


Northern Exposure

Midnight Caller

Wheatus and MC Frontalot play Teenage Dirtbag

MC Frontalot

Wheatus


Do It

By Paul Tremblay


It’s early March 1993 and Generation X sorely needs an antihero. Not a folk hero, you fucking hippies. Not a sponsored, manufactured musician in Chuck Taylors and unwashed hair, not even if he’s a morosely self-aware and self-flagellating genius (sorry, Kurt). Certainly not one of those pre-packaged, obnoxiously beautiful sellouts from The Real World. We need one of us. We need someone who is living this shit for real and not someone washing themselves in a corporate spotlight. We need someone like Kelly G. (Continue Reading…)

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PseudoPod 1004: Madame Painte: For Sale


Madame Painte: For Sale

By John Langan


“This?” the man behind the counter says. “Why, this is Madame Painte.”

The figure is short, a foot and a half tall, and squat, about the same dimensions across, composed of what might be porcelain. The face is round, the eyes squeezed shut by the wide smile lifting the cheeks. A pointed hat fails to conceal the pointed tips of the figure’s ears. It wears a long apron dress over a peasant blouse. A somewhat typical garden gnome, you think, except for the colors, from which it obviously derives its name. It’s been painted without regard for the margins of clothing and skin. Black, green, and orange slash down the figure from right to left. The face is mostly dark green, the hat orange mixed with black. A splash of white paint traverses the closed eyes; the effect is less a mask and more a piece of webbing. You saw the figure sitting to the left of the door to the antique shop as you walked up the path to it and were so struck by its remarkable grotesquerie that you lifted and carried it inside, setting it on the front counter. On the way, you read the notecard strung to the top of the hat: MUST BE KEPT OUTSIDE.

“I didn’t mean its name,” you start.

“Of course not,” the man says. He’s on the small side, more wiry than slender. Based on the ratio of salt to pepper in his mustache and hair, he’s somewhere in the deep middle of middle age. He says, “You meant the warning.”

“Must be kept outside,” you read. “Why must?”

“The official reason is, she’s covered in lead paint.”

You step back from the counter, wipe your hands on your jeans. “There’s an unofficial reason?”

“There’s a story,” the man says. “Would you like to hear it? It’s brief.” (Continue Reading…)

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PseudoPod 1003: House Traveler


House Traveler

by Thomas Ha


The five of us were gathered on the floor of one of the last houses, trying to decide which of the group would be the one to go outside. Sitting around an electric camping lantern, our legs crossed like children, it felt like we should have been sharing stories—the way people used to before the end of everything. I sat and listened to the others talking, though I had some trouble comprehending each word individually. My mind felt much like the thin fog curling just outside the dirtied panes. But I understood clearly what it meant, when the man in the tall hat pointed a finger at me.

Yes, of course.

He believed I should be the one to go to the Liar next. And I wasn’t sure why, but it made a certain sense to me.

I should be the one to go.

Yes, of course. (Continue Reading…)

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PseudoPod 1002: The Squatters


The Squatters

by Shawna Yang Ryan


The government begins excavating the bones in late February to coincide with the events planned to commemorate the massacre. It is meant to gesture that they truly do intend to follow through on their promise of “truth and reconciliation” and with the upcoming election, a way to score political points for the candidates of the ruling party. The site is one of a number of mass graves that have been located in the past two decades, and now there is an official governmental department in charge of identifying the victims and honoring them with a proper burial and headstone.

I would like to tell you we were always solemn as we cataloged and analyzed these lost lives, but we made jokes because laughter is what made us human, alive. Dissociation was part of the job.
(Continue Reading…)