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selenak: (Bardolatry by Cheesygirl)
For some Darth Real Life reasons, I had less time than usual during the holidays to delve into the Yuletide archive, but I did have some chances, and here are some early results. ;)



Akhenaten - Glass

The lone and level sands stretch far away: or, Egptian historical fiction. Based on the opera, but can be read without having heard it yet knowing who Akhenaten was. Poetic and intense.


Greek Myths:

Mothers of the Brazen Spear: Andromache and three of her sisters-in-law after the Trojan war. Based on Euripides.

Homophrosyne: Penelope through twenty years.


Born with Teeth:

To Bite the World: in which Will and Kit talk and role play Richard III and Anne Neville. Matches the play really well.



Bride of the Rat God - Hambly :

A closer kinship: the crucial moment from the novel's backstory when Christine shows up in England to whisk Norah away. This is one of my favourite Barbara Hambly novels, and the characterisation of both women is perfect.


Copenhagen - Frayn:

Quantum Game Theory: Four alternate timelines where the Copenhagen meeting never happened, and one where it did. Clever, moving and profound.


Farscape:

Look after the Princess: in which Katralla from s2's Princess trilogy wakes up post- Peacekeeper Wars (there are plot reasons) to find herself in a mad adventure with Aeryn Sun. And Aeryn's baby. And the usual Farscape insanity. Really feels like an episode in the best way, and fleshes out Katralla to boot.


Also, there are still free spots if you want me to ramble on something on the January meme.
selenak: (KircheAuvers - Lefaym)
Christmas Greetings to all with my annual nativity scenes pic spam!

Dom - Blick über Bethlehem


Franconian Bethlehem awaits )

Yuletide!

Dec. 25th, 2025 08:39 am
selenak: (Demerzel and Terminus)
What a great thing to wake up to in my part of the world - the Yuletide archive is open! (Usually here in Germany it's noon before that happens.) Merry Christmas to all who celebrate, and peaceful holidays for everyone. I will do my annual pic spam later, but for now, here are the two lovely Foundation stories I got, both Demerzel-centric, the former from her pov, the second from Cleon XXIV's - last season's Day, in other words - , and both superb in their characterisations.

Remembrance (3416 words) by Anonymous
Chapters: 1/1
Fandom: Foundation (TV 2021)
Rating: Not Rated
Warnings: Creator Chose Not To Use Archive Warnings, Major Character Death
Characters: Demerzel (Foundation TV 2021), Hari Seldon, Cleon XXIV
Additional Tags: Angst, Canon-Typical Violence, mix of book and tv series canon
Summary:

Demerzel wanted to scream back at him, to explain how this was all his fault, Cleon the First damning them all to this nightmare fate that none of them could escape.

But she said nothing, and walked away. Like she always did.





standard deviation (4805 words) by Anonymous
Chapters: 1/1
Fandom: Foundation (TV 2021)
Rating: Teen And Up Audiences
Warnings: No Archive Warnings Apply
Relationships: Cleon XXIV & Demerzel (Foundation TV 2021)
Characters: Cleon XXIV (Foundation TV 2021), Demerzel (Foundation TV 2021)
Additional Tags: Character Study, Artificial Intelligence, Complicated Relationships, Mother-Son Relationship, Loyalty, Yuletide 2025, Yuletide Treat
Summary:

He can’t get a rise out of her, and can never push hard enough that she pushes back. Human mothers eventually raise their voices, yell back, get upset. You can fling hurtful words at a human mother. But as far as he can tell, it never lands with Demerzel; there’s no heart there to twist the knife into.

(Relationship study for what slowly went wrong between Cleon XXIV and Demerzel. Spoilers for all of season 3.)

selenak: (Money by Distempera)
In which Buffy Summers already knew that the hardest thing in this world is how to live in it, Carol.

Spoilers have to choose between the girl and the world )
selenak: (Bayeux)
Aaaaand the first teaser for Nolan's Odyssey is out. In some ways, my "will be the opposite type of adapatation of The Return " expectation came true - i.e. firm emphasis on the adventure on sea part of the story - in some it didn't, because Nolan seems to go for a traumatized war veteran aura around Odysseus (and his men) as well. Also - is that Tom "Spider-Man" Holland as Telemachus? This conjures up a few weird images. Oh, and, to give credit where credit is due: the aesthetics are gorgeous.




Speaking of Greek myths adaptations, I never read a single one of the books, but I am following the tv series adaption of Percy Jackson on Disney + and am charmed. Definitely much closer to the myths than either Disney's past endeavours (*cough* Hercules *cough* or Marvel's relationship to Norse mythology), though am confused to why the second season apparantly (we haven't seen him yet, he just keeps getting mentioned in dialogue) has decided to include Polyphemus as a villain and yet no one has mentioned a major mythological spoiler. )


There are still free spots on the January meme list. Greek (and Roman) myths opinions totally count as a topic. Ditto if you want me to speculate how the Odyssey would have been adapted by: a) Orson Welles, b) JMS (given the Tennyson of it all on B5), c) Ronald D. Moore. Bonus: Charlie Chaplin.
selenak: (Breaking Bad by Wicked Signs)
In which someone becomes Sheherazade, but is it Zosia or is it Carol?

Spoilers go on the charm offensive )
selenak: (Schreiben by Poisoninjest)
Watched completely on Apple +: Down Cemetery Road, a new series (I would have written miniseries, except I hear there'll be a second season), based on an earlier novel by Slow Horses author Mick Heron. Starring Emma Thompson and Ruth Wilson, both cast somewhat against type and having fun with it. Emma Thompson plays Zoe, a cynical private detective right out of the hard boiled age, if that one had female cynical hard drinking PI's, Ruth Wilson plays Sarah, starting out as somewhat naive, idealistic and disorganized. (I have seen Ruth Wilson in roles where she isn't a brilliant sociopath before! I swear I did! But Alice and Marisa Coulter are just so memorable!) Zoe starts out the story married, to another P.I. who is more the benevolent goodshoe type and whom she has feelings for but cheats on and generally argues a lot with, while Sarah is with a guy hiding total jerkness between a placid facade, but before the pilot is over, neither of these relationships are existent anymore. Both women - who live in Oxford, not London, which is a change, but the action doesn't stay there - through different ways find themselves uncovering the central dastardly plot which unsurprising given the author the show is based on involves fuck-ups by awful government agencies and the attempt to cover this up which leads to an ever higher body count. The Zoe and the Sarah storylines after a brief meeting in the pilot stay apart for half the season, and I was about to complain, but then the second half reunites them and gives me these actresses playing superbly against each other. If I have one complaint, it's that there wasn't really a pay-off for the existence of Talia the new defense secretary. But presumably in the second season?

Started to watch and stopped watching: Gunpowder on Amazon Prime. Look, show, two podcasts managed to turn me around on James VI and I and got me interested in Stuarts beyond the Restoration era, I'm in the market for this ! I'm also with you pointing out Catholics got a truly rough deal in the late Elizabethan and in the James era. But Kit Harrington brooding as Robert Catesby isn't going to cut it, and who does Mark Gatiss as Robert Cecil think he's playing, Shakespeare's Richard III?

Started watching, may or may not continue: The Name of the Rose, new tv version on Disney +. I mean, if there is an early 1980s novel begging for the miniseries treatment, it's absolutely that one, the OG Murders at a Monastery story. I would have thought a mniseries could offer the chance to include a lot more from the novel than the movie was able to, but foolish me, the show creators instead thought they needed some adiditional subplots. Adson now starts out as not really a novice, though he wants to be, because his father wants him with the imperial army instead. That's right, he now has Daddy Issues. (This is where you can tell there must be some American money involved.) William of Baskerville, aka the cleverest Holmes avatar in another setting before House, is played by John Turturro, who doesn't look anymore like the (reddish blonde) William of the book than Sean Connery did but does a decent job playing him. Somewhat unsurprisingly, like the movie, the series beefs up the part of Bernard(o) Gui. Who in the book shows up only in the second half and leaves again long before the big showdown, but Jean-Jacques Annoud already decided he didn't want an evil inquistor going to waste, but apparantly so did the creators of this one, so while Gui still doesn't arrive in the monastery before half point, we see him being evil and fanatical en route in every freaking episode. Did I mention there are new subplots? About which Adson, who is our narrator (voiced as an old man by Peter Davison, omg, that was a nice surprise), can't know?

More spoilery observations for the first part of the series )

Incidentally, the excellent podcast History of the Germans (currently in its "Fall and Rise of the House of Habsburg" season where the family with the famous chin and lower lip first seemingly hits rock bottom in three generations before young Maximilian marries Marie of Burgundy) did a great episode last year about the actual political and theological background of the rl events The Name of the Rose touches on, hilariously summarized as "Der Kurverein zu Rhens - starring William of Ockham and the cast of the Name of the Rose". You can listen to it or read the transcript here.
selenak: (Default)
Pick a date below and give me a topic, and I'll ramble on. I'm good at talking. It can be anything from fandom-related (specific characters, actors, storylines, episodes, which Disney Marvel shows are my faves and why, why the world should give the Tudors a rest and make a Stuarts era show or several instead, which 18th century ladies need their own series, etc.) to life-related to favorite tea brands to whatever you want.

They will probably be brief, or not, depending on the subject. Also, I reserve the right to decline prompts that I don't feel equipped to meet.

Topics: you can get an idea from my tags/from the stuff I usually ramble about/from things you maybe wish I talked about more but don't. Also, please feel free to check out the 2025 meme,  the 2024 meme,  the 2023 January meme, the2022 January meme, the 2021 January Meme, the January Meme: 2020 Edition, the 2019 one, the 2018 meme, the 2017 edition , and the 2016 January meme to see which topics I've written about in past years.



January 1 -

January 2 - Five places everyone should visit in Germany ([personal profile] redfiona99)

January 3 - Which incarnations of the Doctor would get on best with which Starfleet Captains of Star Trek? ([personal profile] lightofdaye)

January 4 -

January 5 - Favourite Hiking Spots around Munich ([personal profile] mildred_of_midgard)

January 6 -

January 7 - Six favourite platonic relationships in the MCU ([personal profile] itsnotmymind)

January 8 -

January 9 - Something about the Brontes ([personal profile] sajia_kabir)

January 10 - Charles I. - Man of Blood, Martyr, Idiot or Well-Meaning but Hopeless? ([personal profile] watervole)

January 11 -

January 12 - Favourite tv show to watch in 2025 ([personal profile] aurumcalendula)

January 13 -

January 14 -

January 15 -

January 16 -

January 17 -

January 18 -

January 19 -

January 20 -

January 21 -

January 22 -

January 23 -

January 24 -

January 25 -

January 26 -

January 27 -

January 28 -

January 29 -

January 30 -

January 31 -
selenak: (KircheAuvers - Lefaym)
Aka the third Benoit Blanc mystery plotted and directed by Rian Johnson. Now, each of these movies has a main character who is not Blanc whose fate and/or motivation to solve the mystery is at the heart of the story - Martha in Knives Out and Helen in Glass Onion respectively - and in this case it's Father Jud, played (well and movingly) by Josh O'Connor. In each case, the movie's structure harks back to the classic age of detective mysteries with various twists and turns and a grand denouemonet while also commenting on the here and now in its social satire. If Glass Onion among other things went for the tech bros and the self satisfied "disruptors", Wake up, Dead Man! is very much about the US under the Orange Menace despite his name not mentioned even once. And lo and behold - it even offers hope. And hey, there is even a Star Wars gag. (Just for the record, I still stand by The Last Jedi being the only one of the sequel movies which actually tries to do something new and creative with the franchise. #RianJohnsonwasRight . The gag has nothing to do with that at all, though.)

Vague spoilers have to offer from their own free will in order for it to mean something )
selenak: (Jimmy and Kim)
In which we get a crossover between a Werner Herzog movie and a Robert Altmann one.

Manousos or the Wrath of God… )
selenak: (Livia by Pixelbee)
Yes, about a year after it was released in the English speaking world, The Return finally made it to German cinemas, thus still arriving before Christopher Nolan's big budget take on the Odyssey next year. Like many another person, I assume sight unseen that Nolan's take will be pretty much the opposite, given that The Return focuses exclusively on, well, the story of the suitors harrassing Penelope and Telemachus and Odysseuys' return to Ithaca with ensueing consequences, has thrown out the Gods and any other magical elements entirely from the story and takes place solely on Ithaca within a few days with a small ensemble of characters. (Incidentally, the "Penelope and Telemachus on Ithaca/ The Homecoming" part of the story actually is the main tale of the Homeric epic, which reliably surprises everyone who reads it. The adventures with Sirens, Cyclops and Sea Monsters part is contained in the middle where Odysseus (not the most reliable narrator under the best of circumstances) is narrating it to his hosts and a relatively short portion of the story.) All this being said, having now watched it, I would call The Return a good movie with some stellar performances by our leads - Juliette Binoche and Ralph Fiennes uniting their actory prowess for the third time - , but that it fails in one important regard as an adaptation of the Odyssey, and no, it's not because there are no Gods and other supernatural beings around. But again: as a film, it is great and immensely watchable.

Tell me, Muse, about a PTSD ridden war veteran and an island under occupation )
selenak: (Romans by Kathyh)
More than a decade ago, the tv show Spartacus was a guilty pleasure of mine. I started watching because BtVS and AtS alumnus Steven DeKnight was the showrunner (since then, he's also gathered additional geek cred with the first season of the Netflix Daredevil), and kept watching because as gory and pulpy and trashy as it was, it (after a bad pilot) turned into something compulsively watchable, with interesting characters galore, complicated relationships and good acting. You can read my review of the first season and the prequel season here, of the second season here, and of the third and final season here.

Now a spin-off of said show has just started (in my part of the world, you can watch it on Amazon Prime, but this seems to be different in different countries - like the original show, it gets shown on STARZ in the US) with the first two episodes released. I was alerted to this a few months ago when Steven DeKnight entertainingly shot down the whiny "Woke!" complaints by the usual suspects that started as soon as the first pics were released, showing, OMG, a black woman in a central role among the cast. (Given the original show had several prominent female characters, some of which were poc, and also had canon on screen important m/m relationships, and of course had at its central subject a slave revolt, it beats me why anoyne familiar with said original show should have assumed the show creators being inclined towards the Orance Menace type of entertainment and (lack of) ethos beats me, but there we are. Anyway, the premise of the show per se didn't feel like a must watch to me (more about this later), and I might have hesitated given all the Darth Real Life stuff dodging me, but all the indignation of ignorant fanatics definitely worked as great advertisement. What is the premise? Basically a canon AU, with the title of the spin-off: "Spartacus: House of Ashur" being a giveaway. I.e. it shows what would have happened if one of the original show's villains hadn't spoiler for the original show ) - what would have to Ashur, personally, that is, since everything else that happened in the third season of the original show still did happen in the canon AU which starts in what sounds like not even a year after the original show ended. While Ashur had been a good and entertaining villain, I hadn't exactly yearned for a "What if?" about him, yet, see above, external circumstances plus the fact the show really HAD been compulsive watching for me made me tune in and check out the first two episodes.

Gratitude! )
selenak: (Baltar by Nyuszi)
In which I had to google this week's celebrity cameo because his fame had eluded me in my corner of the world for now, but I was amused by the rest, and felt for Carol.

Spoilers have Zoom-calls twice a week )
selenak: (Royal Reader)
Not being an Alexander the Great fangirl, I had never read the primary sources (which were written centuries later, because all the contemporary sources on AtG were lost) on everyone's favourite Macedon, but now I got around to reading at least Plutarch. And you know, if there is ONE thing not just the late Ms Renault and her trilogy but the entire internet led me to believe, it's that Hephaistion was Alexander's One True Love And Soulmate; even absolute homophobes concede him as the friend of friends, the Patroclos to Alexander's Achilles, etc. So imagine my suprrise when I stumbled upon these few paragraphs by good old Plutarch:

Moreover, when he saw that among his chiefest friends Hephaestion approved his course and joined him in changing his mode of life, while Craterus clung fast to his native ways, he employed the former in his business with the Barbarians, the latter in that with the Greeks and Macedonians. And in general he showed most affection for Hephaestion, but most esteem for Craterus, thinking, and constantly saying, that Hephaestion was a friend of Alexander, but Craterus a friend of the king.

For this reason, too, the men cherished a secret grudge against one another and often came into open collision. And once, on the Indian expedition, they actually drew their swords and closed with one another, and as the friends of each were coming to his aid, Alexander rode up and abused Hephaestion publicly, calling him a fool and a madman for not knowing that without Alexander's favour he was nothing; and in private he also sharply reproved Craterus.

Then he brought them together and reconciled them, taking an oath by Ammon and the rest of the gods that he loved them most of all men; but that if he heard of their quarrelling again, he would kill them both, or at least the one who began the quarrel. Wherefore after this they neither did nor said anything to harm one another, not even in jest.



Craterus? CRATERUS? And he "abused Hephaistion publicly?" Hephaistion - who in fiction shows up eternally chill and calming emo Alex down - was jealous of some guy who wasn't at least Bagoas? Truly, this is not what I expected.

To be fair: Plutarch also later describes the complete breakdown and momentous grief for Hephaistion when Heph dies. (Oh, and he does mention Bagoas as well, to wit: We are told, too, that he was once viewing some contests in singing and dancing, being well heated with wine, and that his favourite, Bagoas, won the prize for song and dance, and then, all in his festal array, passed through the theatre and took his seat by Alexander's side; at sight of which the Macedonians clapped their hands and loudly bade the king kiss the victor, until at last he threw his arms about him and kissed him tenderly. ) Still. I feel let down by the OTPlers.

Not really surprised, though. This kind of thing happens constantly in Frederician fandom.

To celebrate the latest example of research making everyone more complicated, I'm linking this gem, which includes both Alex and Fritz:

selenak: (Jimmy and Kim)
In which the Hive just needs space, okay?

Figures it would use the voice of Howard Hamlin to demand it… )
selenak: (Gwen by Redscharlach)
In which Carol gets pro active, and because this is a Gilligan show, this promptly comes with a moral dilemma.

Spoilers reveal the truth about a couple of things )
selenak: (Breaking Bad by Wicked Signs)
An episode that felt a bit like it was (stylishly) treading water, but in its last ten minutes did make up for it.

Spoilers somehow have never watched a single episode of Golden Girls… )
selenak: (Malcolm and Vanessa)
The short version: visually gorgeous (I expected no less from del Toro), well acted, but alas, it reminds me of nothing as much as a certain type of fanfiction - grovelfic, in lack of a better term - I used to find annoying back in the Highlander days, aka the ones where not only Cassandra is the true villalin but Methos was the fluffiest Horseman of the Apocalypse ever and Duncan profoundly apologizes. I mean, it's not that extreme, because Victor is something of an narcissistic jerk in the novel (though not only), and the Creature, who is my favourite character in it anyway, is very much the product of unearned abuse before he starts dealing out death and horror, but good lord. What Del Torro did in his version is really the type of fanfic that absolves the favored woobie (or do we say blorbo these days?) from any wrongdoing whatsoever, thereby unintentionally taking something crucial from what makes the character away, and shoves it upon the unfavourite. And that's before we get to "hat is the geography of this story anyway?" and "why got spoiler engaged to spoiler in the first place?" Mind you, if I had never ever read the novel, I suspect I might have loved the film, beccause as I said - terrific looks and good acting - but as it is, I have to consider the adaptation aspect, and here I have to say Penny Dreadful remains uncontested champion for best rendition of both the Creature (Caliban, just that there is no misunderstanding) and Victor Frankenstein in both their flaws and virtues and (Mary) Shelleyan themes. Runner up isn't this one, but the Branagh movie, which, yes, Kenneth Branagh in his slightly megalomaniac self indulgent Coppola phase, and he softens Victor's characterisation a bit (though not to the degree Del Toro softens the Creature's), but still, of all the adaptations I've seen, it probably sticks the most to the actual novel. (While Penny Dreadful's versions of the Creature and Frankenstein stick most the the spirit and characterisation.) (James Whale's two Frankenstein movies are their own artistic creations which while founding the pop culture idea of both the scientist and the creature are really their own independent things, sharing little but names and not even those at parts.)

The spoilery version wonders whether everyone is telelporting at different plot points )

In conclusion: maybe do an original script the next time, del Toro? I really wonder whether the crazy geography and all the other technical issues would have mattered to me if I hadn't been comparing book and film, or whether I would allowed myself being swept away by the spectacle, and the characters as presented in the movie. But I do suspect some of the characterisation questions would still have remained.

Pluribus

Nov. 9th, 2025 01:03 pm
selenak: (Jimmy and Kim)
Pluribus is the new show Vince Gilligan created, and whose first two episodes premiered on Apple TV, with Rhea Seahorn as the main character. After her stunning performance as Kim Wexler in Better Call Saul, it seems Gilligan felt inspired, and no wonder. I still think her not winning any awards of what she did with Kim is one of the great injustices of tv world. Anyway: While the show is set in Albuquerque like Breaking Bad and Better Call Saul, it belongs to a quite different genre and in a way has Gilligan go back to his X-Files roots. With the stunning cinematography of BB/BCS, and some (based on those first two eps) great twists on the whole invasion/hive mind/zombie tropes and genre. Also, Gilligan's and his fellow artists ability to quickly create three dimensional feeling side characters with just a few minutes of screen time shines, and the way he can connect visceral emotion and horror on the one hand and black humour otoh.

Spoilers are wondering just what saving humanity really means )

I'm really looking forward to seeing more of how the show continues to deal with those questions. Well done, Gilligan, I'm hooked!


****

In other news, having recently made a trip to Vienna, I posted a gigantic historically themed pic spam here!

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