After successful previous events in New England and around the country, Writing Day Workshops is excited to announce The 2026 New England Writing Workshop — an online “How to Get Published” writing event on July 24-25, 2026. (Writers are welcome to attend virtually from everywhere and anywhere.)

This writing event is a wonderful opportunity to get intense instruction over the course of one day, pitch a literary agent or editor (optional), get your questions answered, and more. Note that there are limited online “seats” at the event (200 total). All questions about the event regarding schedule, details and registration are answered below. Thank you for your interest in the 2026 New England Writing Workshop!

(ONLINE: Writing Day Workshops plans both in-person and virtual/online conferences. The 2026 NEWW is an Online Conference, on July 24-25. Online events are easy and awesome, and the virtual events we’ve done thus far have received wonderful feedback. You do not have to be tech-savvy to do this, and understand we are keeping all aspects of a traditional in-person event, including one-on-one agent & editor pitching, which will now be done by Zoom or phone. Learn all details about what it means to have a writers conference online.)

To register, click the button above, or email Brian at [email protected] and tell him you’re interested in the New England event.

WHAT IS IT?

This is a special two-day “How to Get Published” writing workshop on July 24-25, 2026. In other words, it’s two days full of classes and advice designed to give you the best instruction concerning how to get your writing & books published. We’ll discuss your publishing opportunities today, how to write queries & pitches, how to market yourself and your books, what makes an agent/editor stop reading your manuscript, and more. No matter what you’re writing — fiction or nonfiction — the day’s classes will help point you in the right direction. Writers of all genres are welcome. And even though this is the “New England” Writing Workshop, make no mistake — writers from everywhere are welcome to attend virtually. Our WDW writers conferences have helped dozens of writers find literary agent representation — see our growing list of success stories here.

This event is designed to squeeze as much into two days of learning as possible. You can ask any questions you like during the online classes, and get your specific concerns addressed. We will have literary agents online to give feedback and take pitches from writers, as well. This year’s 2026 NEWW agent & editor faculty so far includes:

• literary agent Frannie Dove (Caldwell Literary)
• literary agent Shannon Lechon (Azantian Literary)
• literary agent Ritu Anand (D4E0 Literary)
• literary agent Emily Keyes (Keyes Agency)
• literary agent Kara Grajkowski (3 Seas Literary)
• literary agent Tina Schwartz (Purcell Agency)
• literary agent Nicole Payne (Copps Literary)
• literary agent Arizona Bell (Rosecliff Literary)
• literary agent Geffen Semach (Westwood Creative Artists)
• literary agent Amy Giuffrida (Belcastro Agency)
• literary agent Grace Demyan (Harvey Klinger)
• literary agent Nour Sallam (Caldwell Literary)
• literary agent Thais Afonso (Azantian Literary)
• literary agent Nikki Carrero (The Rights Factory)
• literary agent Hailey Stephens (Rosecliff Literary)
• literary agent Shania Soler (Metamorphosis Literary)
• literary agent Renee Runge (Spencerhill Associates)
• literary agent Brandy Vallance (Barbara Bova Literary)
• literary agent Elisa Saphier (MacGregor & Luedeke)
• literary agent Katie Monson (SBR Media)
• literary agent Eric Smith (Neighborhood Literary)
• literary agent Shelly Romero (Azantian Literary)
• editor Leticia Gomez (Kensington & Dafina)
• literary agent Victoria Harris (Caldwell Literary)
• literary agent Maggie Sadler (Corvisiero Agency)
• and possibly more agents to come.

By the end of the day, you will have all the tools you need to move forward on your writing journey. This independent event is organized by coordinator Brian Klems of Writing Day Workshops.

To register, click the button above, or email Brian at [email protected] and tell him you’re interested in the New England event.

EVENT LOCATION & DETAILS:

(ONLINE: Writing Day Workshops plans both in-person and virtual/online conferences. The 2026 NEWW is an Online Conference, on July 24-25. Online events are easy and awesome, and the virtual events we’ve done thus far have received wonderful feedback. You do not have to be tech-savvy to do this, and understand we are keeping all aspects of a traditional in-person event, including one-on-one agent & editor pitching, which will now be done by Zoom or phone. Learn all details about what it means to have a writers conference online.)

THIS YEAR’S SESSIONS & WORKSHOPS (JULY 24-25, 2026):

What you see below is a quick layout of the day’s events. See a full layout of the day’s sessions, with detailed descriptions, on the official Schedule Page here.

Agent pitches and critique consultations overlap with Saturday sessions. The schedule of presentation topics below is subject to change and updates:

FRIDAY, JULY 24, 2026

9:30 – 10:30: How to Write a Query Letter That Gets Agent Attention. If you want an agent to represent your work, it all starts with a compelling query letter.

10:45 – 11:45: Beyond the Book Deal: How to Navigate Social Media and Build an Effective Brand. This workshop will discuss the importance of an author’s platform. This class will help you understand the very basics of marketing yourself and your book(s) online, whether you’re traditionally published or self-published.

11:45 – 1:15: Break

1:15 – 2:30: Conquering the Novel. This workshop helps writers develop a plan for organizing, writing, re-writing, and finishing their novel.

2:45 – 3:45: Plotting Arcs and Compelling Narratives. A great work of fiction requires excellent pacing to move the reader past those first pages and to propel them to the very end.

4:00 – 5:00: Getting Published in Today’s World: 10 Tips to Make You the Writer Agents and Publishers Want. If you want to land an agent and a book deal in today’s market, you’re going to have to do a lot more than just write a great book (though that’s a good start).

* * * * *

SATURDAY, JULY 25, 2026

9:30 – 10:30: Lost In Revisions—How to Self-Edit Your Manuscript. This session will teach the foundations of self-editing, focusing on high level plot and and continuing down into the nitty gritty of grammar.

10:45 – 11:45: Make Your First Five Pages Amazing. You have five pages to impress an agent–make them count.

11:45 – 1:15: Break

1:15 – 2:30: “Writers Got Talent”—a Page 1 Critique Fest, with participating literary agents and editors. In the vein of “American Idol” or “America’s Got Talent,” this is a chance to get your first page read (anonymously — no bylines given) with attending agents commenting on what was liked or not liked about the submission.

2:45 – 3:45: Open Agent Q&A Panel. Several attending literary agents will open themselves up to open Q&A from NEWW attendees. Bring your questions and get them answered in this popular session.

4:00 – 5:00: Story Lessons from Hollywood. How lessons from screenwriting, acting, directing, producing, and video editing can help prose writers craft more compelling stories and keep readers turning those pages.

Agent pitches and critique consultations overlap with Saturday sessions. The schedule of presentation topics below is subject to change and updates:

(What you see here is a quick layout of the day’s events. See a full layout of the day’s sessions, with detailed descriptions, on the official Schedule Page here.)

Agent & Editor Pitching: All throughout the day.

PITCH AN AGENT OR EDITOR:

Frannie Dove is a literary agent at The Caldwell Agency. “I love books that change and challenge the way we interact with the world, especially stories that explore the margins of the history books. I’m eager to champion stories that stir book club conversation, inspire readers to engage with their local communities, and bring people together around the dinner table. Genres I seek: historical fiction, narrative history, historical fantasy, comedic mystery, book club fiction, genre bended and blended fiction (especially with some history), science for the non-scientist, essays with wisdom to share, and memoir with a strong narrative arc.” Learn more about Frannie here.

Emily S. Keyes is a literary agent with Keyes Literary. Genres Represented: Middle Grade Fiction, Young Adult Fiction, Graphic Novels, Picture Books, Fantasy, Horror, Women’s Fiction, Science Fiction, Pop Culture and Humor. In general, Emily is looking for all types of books for young readers and the young at heart. In particular, she wants to foster the joy of reading in kids (so if your goal is to “teach kids stuff,” then she might not be the right fit for you). In nonfiction, she is looking for nonfiction picture books (though only biographies of individuals who do not already have a book about them), interesting non-fiction for middle grade and young adult readers (particularly from podcasters, YouTubers and those who already have a platform), and select adult nonfiction. Learn more about Emily here.

Geffen Semach is a literary agent with Westwood Creative Artists. Fiction: I am looking for general upmarket fiction; horror, thriller and suspense; sci fi, speculative, fantasy and romantasy; as well as select concept-driven romance and literary novels. I am drawn to genre-blending novels that tackle human complexity, thoughtful world-building, strong emotional resonance, and bold voices and concepts. I love novels with teeth that make me feel viscerally—either grounded or unsettled—and nuanced characters that feel both fresh and challenging.  Nonfiction: I am interested in journalism in the vein of social commentary, pop culture, politics, art and media; expert-driven writing relating to medicine and mental health, sex and relationships, and money; as well as exceptional memoir. For me it is the balance of an authoritative voice with accessibility. Particularly books that explore complex, often systemic issues—from politics to psychology to culture—told from a personal or human-centered lens. Please connect with me if you are an expert with a strong voice and an idea to share. I am happy to chat with writers who are at the beginning stages of forming an idea to craft a proposal together. I encourage submissions from underrepresented writers including 2SLGBTQI+, BIPOC, and/or disabled. Learn more about Geffen here.

Elisa Saphier is a literary agent at MacGregor & Luedeke. She is open to most fiction and memoir except for high fantasy & science fiction, series writing (she likes standalones), picture books, and probably chapter books “I am always most excited to find great writing and full characters, regardless of genre.” In adult fiction, she seeks: literary psychological thrillers/mystery; queer romance (especially but not exclusively friends to lovers and forced proximity); literary fiction; literary memoir; stories of marginalized people where the marginalization isn’t the story; dark academia; suburban malaise. In young adult fiction, she loves: found family; queer coming of age; emerging awareness of identity; amateur theater In middle grade, she enjoys: true to life fiction; questioning of self and belonging; amateur theater. Learn more about Elisa here.

Eric Smith is a literary agent at Neighborhood Literary, with a love for young adult books, literary fiction, science fiction, fantasy, and nonfiction. Eric is eagerly acquiring fiction and nonfiction projects. He’s actively seeking out new, diverse voices in young adult (particularly sci-fi and fantasy), middle grade, and literary and commercial fiction (again, loves sci-fi and fantasy, but also thrillers and mysteries). In terms of nonfiction, he’s interested in cookbooks, pop culture, humor, middle grade, essay collections, and blog-to-book ideas. Learn more about Eric here.

Amy Giuffrida is a literary agent with The Belcastro Literary Agency. “I am especially seeking stories written by diverse creators—BIPOC, LGBTQ+, neurodiverse, and disabled creators are encouraged to query me. Send me your stories of joy, where your characters and their worlds can be celebrated by the reader.” In nonfiction, she seeks: business, social media, tech, cookbooks, and also anything by an author with a strong platform and a love for their subject. She seeks upper middle grade fiction. In young fiction, she seeks fantasy, horror, sci-fi, contemporary, contemporary romance, mystery, thriller, historical, and novels-in-verse. In adult fiction, she seeks women’s fiction, book club / commercial fiction, non-political thriller, horror, contemporary romance, and rom-com. Learn more about Amy here.

Thais Afonso is a literary agent with Azantian Literary Agency. She intends to represent marginalized authors, and she’s especially seeking to uplift indigenous voices and voices from the Global South. In adult and young adult fiction, Thais is looking to represent Fantasy, Sci-Fi, Horror, Contemporary Romance, and Suspense/Thrillers. She’s particularly keen on growing her contemporary and horror list right now, so if you have a project that doesn’t have any of her triggers and hard ‘no’s, pitch her! Even if it doesn’t a match an item in the wish list, she very much welcomes surprises here (as long as there are no elements from her anti-MSWL). Learn more about Thais here. 

Tina P. Schwartz is a literary agent with The Purcell Agency. She seeks adult fiction, young adult fiction, new adult fiction, and middle grade fiction. Within those age categories, she enjoys women’s fiction, realistic/contemporary fiction, coming of age, sports, romance, friendship, family. BIPOC, LGBTQ, as well as some memoir and narrative nonfiction. Schwartz is an active member of the Society of Children’s Book Writers & Illustrators (SCBWI), Chicago Writer’s Association, Author’s Guild, and the American Association of Literary Agents. Learn more about Tina here.

Victoria Harris (they/them/theirs) is a literary agent with The Caldwell Agency. “I’m primarily seeking adult literary and upmarket fiction, particularly stories that feature LGBTQ+ and BIPOC characters. I’m also open to literary-leaning queer romance, soft sci-fi, and historical fiction set in the recent past. When it comes to nonfiction, I’m interested in memoirs.” She is drawn to: LGBTQ+ characters, BIPOC characters, mentally ill characters, neurodivergent characters, chronically ill and physically disabled characters, characters who’ve had difficult childhoods, characters who are repressed, characters who’ve felt like an outsider for their whole life, chosen family, friends to lovers, pining, late-stage coming of age stories, and dysfunctional family dynamics. Learn more about Victoria here.

Shelly Romero is a literary agent with Azantian Literary Agency. She is seeking: science fiction; speculative fiction; horror (almost all subgenres & especially for all age categories); Honduran authors; stories by Latine/x authors from Central America and the Caribbean (including Afro-Latine & Indigenous Latine stories); playing with formatting such as mixed-media & epistolary novels that give the story a “found footage” type of vibe; anything comped to Guillermo del Toro, David Cronenberg, Clive Barker, John Carpenter, or Wes Craven; Catholic horror; gothic romance; grounded fantasy; midwestern gothic; southern gothic; vampires; Jewish stories especially if they are intersectional with BIPOC and/or queer characters; thrillers/mysteries (with non-cop protagonists); commercial fiction; slice-of-life a la One Tree Hill, OG Gossip Girl, The Sandlot, Real Women Have Curves, What We Do in the Shadows; historical fiction set during: Regency, Edwardian, & Victorian eras; post-WWII; 80s – 00s…but featuring BIPOC and/or queer characters; adult erotic fiction, especially featuring BIPOC and/or LGBTQIA characters in kink spaces; set during college and non-college bound post-high school. Learn more about Shelly here.

Leticia Gomez is the editorial director for Kensington Books and Dafina. Leticia is the Editorial Director for Dafina Books, an imprint of Kensington Publishing Corp., which focuses on high-quality fiction and nonfiction that centers on race, identity, and its impact on our experiences. Launched in 2000 as the first African-American imprint, Dafina has led the market for more than twenty years in highlighting voices of color. Leticia is actively seeking to acquire multicultural fiction and nonfiction of all genres, including literary fiction, commercial fiction, historical fiction, romance, mystery, and narrative nonfiction of all genres with a focus on authors of color (BIPOC) hailing from all walks of life, as well as specific nonfiction projects for marginalized communities. As a literary agent, Savvy Literary is now an industry leader specializing in Self-help, Narrative Non-fiction, Memoir, True Crime, Spiritual/Inspirational, Political/Current Affairs, Suspense/Thriller, Family Drama, and the Young Adult market. Championing the work of minority writers continues to be a top priority for the agency. Blending her experience as an author, literary/film/television agent and acquisition editor, she is truly excited to spearhead her very own Hispanic book imprint Café con Leche Books. Learn more about Leticia here.

Ritu Anand is a literary agent with D4E0 Literary. In Kidlit, she seeks: Picture books, Middle Grade and Young Adult Novels. In Literary Fiction, she seeks: Drama, Fairy Tales and Fiction in Verse. In General Fiction, she seeks: Women’s Fiction, Drama, Humor, Realistic Fiction, Satire and Tragedy. In Historical Fiction, she seeks: Women’s Historical Fiction, Historical Romantic Fiction and Historical Fantasy. Diverse and underrepresented Voices are encouraged to submit. Learn more about Ritu here.

Maggie Sadler is a literary agent with Corvisiero Literary. She is seeking: literary fiction written in lyrical, artful prose with carefully crafted tension; iterary fiction with speculative flavors—let’s get weird; upmarket fiction, especially with emotionally complex characters who explore evocative settings; untold and/or underrepresented historical fiction (pre-twentieth century, please); urban fantasy/magical realism rooted in our reality; folk and fairy tale retellings—the more stunning the twist, the better; work from Indigenous/First Nations authors, as well as other historically marginalized and underrepresented voices; narratives that interrogate themes of cultural identity, femininity, family legacy, rebellion against tradition, and self-discovery from a fresh, unorthodox perspective. An experienced traveler, Maggie also welcomes nonfiction travel narratives depicting remote locations and thought-provoking encounters in a raw, authentic, and intentional narrative voice. Learn more about Maggie here.

Nour Sallam is a literary agent with The Caldwell Agency. In terms of fiction, I am seeking voice-driven commercial and upmarket titles, contemporary fiction with fabulist elements, speculative fiction, edgy psychological thrillers, as well as mysteries, horror and rom-coms featuring underrepresented characters of any background. I am always drawn to characters who are haunted by something, whether figuratively (a secret, a past, an obsession) or literally (a ghost, a demon, etc.). I am also actively seeking character-driven stories featuring women in power, unhinged women, and female rage. I have a soft spot for unreliable narrators, family sagas with dysfunctional families silently navigating trauma, protagonists in their 20s-30s navigating adulthood, protagonists on the cusp of major life changes, and stories that focus on friendship dynamics. Nonfiction interests: I welcome fresh and accessible perspectives on big ideas or industry deep dives as well as narrative nonfiction on pop culture, art, and nature. I also appreciate books that offer incisive commentary on culture, socio-economic structures, corporate underbellies, health and wellness, and lifestyle. My taste in nonfiction gravitates towards books that generally challenge what we know or explain what we might not know. Learn more about Nour here.

Brandy Vallance is a literary agent with Barbara Bova Literary Agency. “I represent these genres but I am also not limited to these genres: historical fiction, historical romance, historical mystery, romance, literary, women’s fiction, Southern fiction, science fiction, fantasy, young adult, adventure, speculative, inspirational, thriller. I’m a fan of: atmospheric writing; stories set in the British Isles, Europe, or exotic locations; Regency, Victorian, and Edwardian romance; Victorian time period in general (other centuries are welcome too); archaeology / artifacts / history’s mysteries; stories that explore Biblical themes without being preachy (ex. Charles Martin books); Appalachian stories / mountain culture; fantasy & sci-fi in almost every sub-category; characters who are writers, artists, or have a unique profession; and more.” Learn more about Brandy here.

Katie Monson is a literary agent with SBR Media. In kidlit, she seeks: hilarious, offbeat picture books (looking for something new that hasn’t been done before); books that want to be read over and over again by all ages; books that include penguins; middle grade that is hilarious (I’m in dire search of MG). In adult fiction, she seeks hilarious rom-coms with a 90’s feel; epic love stories (I want to swoon along with the FMC); women’s fiction with a romantic subplot that does not end happily; jaw-dropping psychological thrillers; and book club fiction. She is not seeking speculative sci-fi / fantasy in any way. Learn more about Katie here.

Grace Demyan is a literary agent with Harvey Klinger Literary. She is interested in a wide range of fiction and always on the lookout for underrepresented authors. She seeks adult and young adult fiction in the following genres: fantasy, science fiction, horror, historical, mystery, thriller, and suspense. “The key to my heart is fast-paced plotting, complex characters, and an interesting setting. In all genres, my tastes lean toward the dark, macabre, outlandish, violent, and shocking. Get to know more about Grace here.

Shania Soler is a literary agent with Metamorphosis Literary. She is seeking: novels in the fantasy genre or romance WITH SPICE; for fantasy, I’m interested in more than just the romance that two characters have (intricate political and/or magic systems and complex character backstories); for contemporary romance, I’m looking for things that take me off the beaten path (think Butcher & Blackbird or Haunting Adeline); horror (young adult, new adult, & adult); mythology (young adult, new adult, & adult); magical realism (young adult, new adult, & adult); and historical fiction. Learn more about Shania here.

Nicole Payne is a literary agent with Copps Literary. “In general, I represent young adult and adult fiction novels, preferably in romance, women’s fiction, literary fiction, mystery, suspense, thriller, and speculative fiction. They hold a special place in my heart. As I slowly delve into nonfiction, I would love to see more science-based books, especially biology and forensic, as well as medicine, travel, and cookbooks in my queue. I’m also actively seeking diverse voices and stories across the board. Give me all the books!” Learn more about Nicole here.

Hailey Stephens is a literary agent with Rosecliff Literary. In general, Hailey is only looking for Adult novels, but she will selectively take on Middle Grade books if the manuscript will inspire a passion for reading. She would also love to champion authors from rural areas, especially authors from BIPOC, LGBTQ+, neurodivergent, and/or any other community that tends to be overlooked in rural areas. (This doesn’t mean the manuscript itself has to be based in a rural setting, although she always appreciates a good rural horror.) For Literary, Upmarket, and Contemporary fiction, Hailey wants vivid stories that pull the reader in right away, immersing them in the work the author has created. For thriller and horror, she wants stories that linger in the corners of the mind, with characters that feel like they’re in the room with the reader (for better or worse). Hailey will also selectively take on Adult Romance, and is hopeful there are still love story tropes out there that can be discovered or re-explored in a way that redefines the genre. In nonfiction, she is looking for both trade and literary proposals. She is especially interested in memoirs that play with the concept of time and structure. Learn more about Hailey here.

Renee Runge is a literary agent at Spencerhill Associates. She is actively building her list in all genres of middle grade and young adult fiction. Her taste can be summed up as “eclectic,” and she is drawn to high-concept commercial projects with a literary aura, unexpected hooks, strong A/B plots, and distinct voices. She’s especially passionate about supporting diverse and underrepresented creators from all backgrounds, with the hope that every child can one day see themselves in the pages of a book. A lover of anthropomorphic characters, she dreams of repping the next blockbuster animal novel or series. Her favorite feeling is being moved to tears by a book’s last chapter. Learn more about Renee here.

Nikki Carrero is a literary agent with The Rights Factory. At the moment, I only represent: Adult, New Adult, and YA Romance, Romcom, Romantic Suspense, Paranormal Romance; Adult, New Adult, and YA Contemporary Fiction, Women’s Fiction, Chicklit; Adult, New Adult, and YA Thrillers, Suspense, Mystery, Domestic, Psychological, Paranormal. I have a passion for reading and representing books with characters that have disabilities, chronic illnesses, mental illnesses, are neurodivergent, LGBTQIA++, or are a part of other marginalized communities. Learn more about Nikki here.

Kara Grajkowski is a literary agent with 3 Seas Literary Agency. “As an elementary classroom teacher turned elementary behavioral interventionist, I am always looking to expand my classroom library with high-interest, low-readability books. If I can see my students and their interests in the project, it is a good fit for my classroom and a better fit for my query box. Please send me #OwnVoices stories!” She seeks all types of middle grade and young adult books (with the exception of fantasy and time travel). She represents picture books, especially funny titles or those that highlight the beauty in diversity, community, and childhood. “I (very selectively) take new adult rom coms. Fresh takes on traditional narratives are a plus for me, but I really look for sharp, witty storytelling. In nonfiction, I would love any nonfiction about education/issues in schools or mental health/trauma. No memoirs, please!” Learn more about Kara here.

Arizona Bell is a literary agent with Rosecliff Literary. She’s seeking daring nonfiction that pushes boundaries and changes conversations. Arizona’s list centers on voice-driven narrative and creative nonfiction, big-idea books, high-stakes journalism with receipts, fresh slants on culture and creativity, and meaningful explorations of spirituality, religion, or philosophy. And yes—she’s also a sucker for anything astrology! At the core, she’s hunting for writing that tackles resilience, belief, and the human spirit under pressure, and does so with literary pizazz. Whether it’s a survival memoir that doubles as cultural critique, a narrative that blows open an underground world hiding in plain sight, or a political exposé that keeps you turning pages like a thriller—she wants true stories that refuse to look away. Learn more about Arizona here.

Shannon Lechon is a literary agent with Azantian Literary Agency. In middle grade, I’m looking for horror, thrillers, mysteries, and action-packed adventure. I’m happy to receive both speculative stories with fantastical or sci-fi elements, or grounded ones set entirely in our world. In young adult, I am looking for fantasy, science fiction, horror, and mystery/thrillers. In adult fiction, I am looking for fantasy, science fiction, horror, and mystery/thrillers. In graphic novels, I am looking for young adult and adult fiction, fantasy, sci-fi, and horror. For graphic novels, I am only interested in taking on author/illustrators or author/illustrator duos. Please do not submit graphic novel proposals or scripts without either being an artist or having an artist attached. In nonfiction, I am looking for select adult nonfiction proposals. I’m very interested in memoirs about specialized careers like the beekeepers of Honey and Venom, as well as proposals (both memoir or entirely research-centric) on health and the medical industry, such as The Sleeping Beauties and What My Bones Know. Mental health, illness, and trauma recovery narratives like In the Dream House are also welcome. Learn more about Shannon here.

            More 2026 agents to be announced as they are confirmed. You can sign up for pitches at any time, or switch pitches at any time, so long as the agent in question still has appointments open. Unless otherwise specified, all agent pitches at WDW online events happen on Saturday — in this case, July 25, 2026.

These one-on-one meetings are an amazing chance to pitch your book face-to-face with an agent, and get personal, individual feedback on your pitch/concept. If the agent likes your pitch, they’ll request to see part/all of your book — sending you straight past the slush pile. It also gives you an intimate chance to meet with an agent and pick their brain with any questions on your mind.

(Please note that Agent/Editor Pitching is an add-on, separate aspect of the day, for only those who sign up. Spaces are limited for these premium meetings, and pricing/detail is explained below.)

———

PRICING:

$189 — EARLY BIRD base price for registration to the 2026 NEWW and access to all workshops, all days. (You also get 10+ additional free pre-recorded webinars on writing and publishing.) As of fall 2025, registration is now OPEN.

To register, click the button above, or email Brian at [email protected] and tell him you’re interested in the New England event.

Add $29 — to secure a 10-minute one-on-one meeting with any of our literary agents or editors in attendance. Use this special meeting as a chance to pitch your work and get professional feedback on your pitch. (Spaces limited.) If they wish, attendees are free to sign up for multiple 10-minute pitch sessions at $29/session — pitching multiple individuals. There is no limit. Here are quick testimonials regarding writers who have signed with literary agents after pitching them at prior Writing Day Workshops events. Our bigger, growing list of success stories can be seen here.

“I met Mai Nguyen at the Toronto Writing Workshop
and sold her manuscript to Simon & Schuster for six figures.”
– literary agent Carly Watters of P.S. Literary Agency

“I signed Sarah G. Pierce from the Seattle Writing Workshop,
and we recently sold her book to Orbit/Redhook.”
– literary agent Pam Gruber of Highline Literary Collective

“I met Amber Cowie at a Writing Day Workshops conference. We sold
her best-selling crime novel to Lake Union / Amazon.”
– literary agent Gordon Warnock of Fuse Literary

“I met my client, Dana Corbit Nussio, at the Michigan Writing Workshop.
Dana signed a new three-book contract with Harlequin Romantic Suspense.”
– literary agent Rachel Beck of Liza Dawson Associates

“I signed Nedda Lewers from a Writing Day Workshops event. Her debut
novel from Putnam Children’s was an Indie’s Introduce Best Book of 2024.”
– literary agent Kelly Dyksterhouse of Tobias Literary Agency

Add $69 — for an in-depth, personal critique of your one-page query letter from Brian Klems, one of the workshop’s coordinators. (This rate is a special event value for New England Writing Workshop attendees only.) Registrants are encouraged to take advantage of the specially-priced critique, so they can send out their query letter with confidence following the workshop. Also, if you are meeting with an agent at the event, you’re essentially speaking your query letter aloud to them. Wouldn’t it be wise to give that query letter (i.e., your pitch) one great edit before that meeting?

Add $89 — for an in-depth personal critique of the first 10 pages of your novel. Spaces with faculty for these critiques are very limited, and participating attendees will either 1) get an in-person meeting at the workshop, if the faculty member is attending the live event, or 2) get a 15-minute phone call with the faculty member, and have notes passed along via email, if the critiquer is not attending the live event. Options:

• All adult fiction genres and categories (except for sci-fi) (virtual critiques): Faculty member Tayler Hill, an author and publishing house assistant, will get your work in advance, critique the first 10 double-spaced pages of your book, meet with you online (Zoom, etc.) or by phone for 15 minutes sometime before the workshop to discuss her thoughts, and pass along written critique notes before or after the meeting.
• Romance, women’s fiction, domestic suspense, and young adult fiction (virtual critiques): Faculty member Swati Hegde, an author and freelance editor, will get your work in advance, critique the first 10 double-spaced pages of your book, meet with you online (Zoom, etc.) or by phone for 15 minutes sometime before the workshop to discuss her thoughts, and pass along written critique notes before or after the meeting.
• Memoir, as well as children’s picture books (virtual critiques): Faculty member Eve Porinchak, a published author and former agent, will get your work in advance, critique your picture book (or 10 pages if memoir), meet with you online (Zoom, etc.) or by phone for 15 minutes sometime around the workshop to discuss her thoughts, and pass along written critique notes before or after the meeting. If you submit a picture book, it must be 1,000 words or fewer (can have illustrations or not).
• All types of adult fiction (except erotica); all types of young adult fiction and middle grade; Christian fiction; screenplays and TV scripts (virtual critiques): Faculty member Jaimie Engle, a screenwriter, will get your work in advance, critique the first 10 double-spaced pages of your book, talk with you virtually (Zoom/phone) for 15 minutes workshop to discuss her thoughts, and pass along written critique notes before or after the meeting.
• Science fiction, fantasy, romance, horror, young adult SFF, urban fantasy (virtual critiques): Faculty member Wesley Chu, a published novelist, will get your work in advance, critique the first 10 double-spaced pages of your book, meet with you online (Zoom, etc.) or by phone for 15 minutes sometime before the workshop to discuss his thoughts, and pass along written critique notes before or after the meeting.
• More critique options possibly forthcoming.

How to pay/register — Registration is now open.

To register, click the button above. Or reach out to workshop organizer Brian Klems via email: [email protected]. He will pass along registration information to you, and give instructions on how to pay by credit card, PayPal, or check. Once payment is complete, you will have a reserved seat at the event. The NEWW will send out periodic e-mail updates to all registered attendees with any & all news about the event. Because Brian plans different workshops, make sure you note that you’re inquiring about the New England workshop specifically.

REGISTRATION:

(ONLINE: Writing Day Workshops plans both in-person and virtual/online conferences. The 2026 NEWW is an Online Conference, on July 24-25. Online events are easy and awesome, and the virtual events we’ve done thus far have received wonderful feedback. You do not have to be tech-savvy to do this, and understand we are keeping all aspects of a traditional in-person event, including one-on-one agent & editor pitching, which will now be done by Zoom or phone. Learn all details about what it means to have a writers conference online.)

Are spaces still available? Yes, we still have spaces available. We will announce RIGHT HERE, at this point on this web page, when all spaces are taken. If you do not see a note right here saying how all spaces are booked, then yes, we still have room, and you are encouraged to register.

How to Register:

To register, click the button above. Or reach out to workshop organizer Brian Klems via email: [email protected]. He will pass along registration information to you, and give instructions on how to pay by credit card, PayPal, or check. Once payment is complete, you will have a reserved seat at the event. The NEWW will send out periodic e-mail updates to all registered attendees with any & all news about the event. Because Brian plans different workshops, make sure you note that you’re inquiring about the New England workshop specifically.

Refunds: If you sign up for the event and have to cancel for any reason at any time, you will receive 50% of your total payment back [sent by check or PayPal or CC refund]. The other 50% is nonrefundable and will not be returned, and helps the workshop ensure that only those truly interested in the limited spacing sign up for the event. (Please note that query editing payments and manuscript editing payments are completely non-refundable if the instructor has already started edited your work.)

Thank you for your interest in the 2026 New England Writing Workshop.