Your smile is like a breath of spring, your voice is soft like summer rain.
2 months later and I’m back.
Where have I been? Lots of place. I’ve just moved back home from university and I’ve been caught in a bit of whirlwind of seeing my boyfriend, and sorting out stuff for my house next year, and hayfever induced hour-long showers. It’s been a great deal of fun. Minus the last point.

This isn’t me. Don’t know why you’d go out in the middle of a field like this with hayfever. Foolish move there.
Also, big issue to consider as to where I’ve been is that on the 14th of June, Animal Crossing: New Leaf was released (blog about that coming VERY soon), three years after it had previously been announced. All I’ll say is that Animal Crossing is one of my favourite video game series of all time and three years has been a very long time to wait. So that’s happened.

If you haven’t got this game yet, you’re seriously missing out.
But, why, dear readers, have I chosen now to return to your lives? Like Jesus appearing from a cave of… did the cave have a name? I… I don’t care. Heavens, a gay guy just compared himself to Jesus. All across America’s Bible belt, idiots are punching the air. What ever shall we do. Well, let me be smitten if the big man is offended! No offence intended, sir, just a harmless metaphor!
Anyway, to answer the question which started that long, and debatably blasphemous paragraph, I am back on WordPress for the simple reason that I have just thought of something which seems too long to write one of my infamously hilarious tweets about, and too dry to get enough likes on Facebook to feed my ego. A subject, if you will, that is perfect for a blog.

Ya gots to love that 140 character limit!
I am going to be talking about the prickly subject of men writing about women. As a writer myself, it’s an issue that I will no doubt have to confront at some stage and late at night on the twenty second of June, 2013 seems as good a time as any.
Let me start by saying that I don’t identify as a feminist. I believe in equality for everyone, but those hardcore feminists who would take every joke as an anti-women slur put me off. I suppose that believing in equality for all kind of makes me a feminist. But if I was to start identifying as a feminist, then I’d probably also have to start calling myself a gay rights activist, and an anti-racist and a big pile of political correctness. Which maybe I am. But I can take a joke. Which political correctness doesn’t ever seem capable of.

IT’S POLITICAL CORRECTNESS GONE MAD!!!!! Sorry… I had to get that in somewhere.
And now that that tangent has bubbled away, let’s talk about the matter in hand. How do male writers write female characters? I do try to read up on interviews with talented, well-respected writers as much as I can. You never know when you’ll get a handy hint! The subject of men writing women (I was gonna say ‘men on women’ then, but that put disgusting thoughts in my head and made me a bit queasy) comes up quite a lot, and there’s a lot of conflicting opinions out there.
Y’all know how much ol’ Jack loves a good list (’twas not always so, feel free to check past blogs when I claimed time and again ‘I hate lists!’ (What you may not know is that I have always loved lists (I feel they are very organized) but I do also love Doctor Who and in one episode (The Waters of Mars) The Doctor noted how much he hated lists, and lo and behold, so did I!))* so let’s go through a big-ass list of things that men should or maybe shouldn’t avoid doing when writing about women.

Forgot how awesome Daphne was. Fred’s still my favourite though.
- DON’T MAKE HER THE DAMSEL IN DISTRESS/DON’T MAKE HER THE HEROIC SAVIOUR EITHER: Ok, so it’s kind of taken for granted that it’s inherently sexist to cast women in the role of ‘damsel in distress’. Yes, we all loved Daphne in Scooby Doo, but those days, like the days of teenagers driving around in VW Minivans and solving mysteries are long gone. Women kick butt, let’s be honest. Look at female politicians. They give their male counterparts what for every day of the bloody week. Also, as I was told back in my karate days, what ladies lack in physical strength, they make up in speed and flexibility, so really casting female characters as damsels in distress is just basically factually unstable. On the other hand though, apparently, according to an interview I read a while back, turning the tables and giving the traditionally male part to a female character is equally as bad. Apparently it’s seen as a very weak writing technique, designed only to showcase how politically correct the writer is, with minimal character development necessary. So what is the answer to this mystery? Well, ummm… I guess you can kind of allow women to be in distress sometimes, but don’t have them give up and wait for a man to come rescue them! Or maybe switch up the roles as the plot demands it, rather than based on the gender of your characters. Let the women do the rescuing AND let the men do the rescuing. Give everyone a turn. That’s what equality is all about!

Yeah, I love the Fable series too. AND I enjoyed Fable 3. So, yeah. Deal with THAT.
- WRITE IN A NON-GENDER SPECIFIC WAY/DON’T YOU DARE WRITE HER AS A MAN THEN CHANGE THE NAME!!: Kind of similar to the last point in many ways. You can see the benefits of writing a character as whatever gender comes into your head, and then deciding that character’s gender later, it avoids anyone being sexist, but then equally it’s just a weak, lazy technique. The fact of the matter is that men and women are fundamentally different. They talk in different ways, about different subjects, with different people. Ever heard the phrase ‘men are from Mars, women are from Venus’? Well, so far science is yet to get a conclusive answer as to whether that’s true, but it’s certainly true that men and women think differently. That’s basic biology. So to write a non-gender specific character is not only lazy, but just not possible. Even most sexually androgynous people identify as one or the other. So there’s that mystery solved. Write female parts as women and write male parts as men. There’ll be a bit of overlap, no doubt, but it certainly doesn’t mean that the two should be handled in the same way. Otherwise we’re never get the Olympic rings. It’d just be one big fat ass circle. Probably not even multi-coloured either because marketing wouldn’t likely see the point in paying for all the different colours.

Obviously SOMEONE never read ‘The Picture of Dorian Grey’.
- HAVE TWO WOMEN ALONE IN A ROOM DISCUSSING THINGS OTHER THAN MEN: I read an interview on BBC Writers Room that said this was a gauge of how much you can consider a work to have represented women well or not. If you have a few scenes of women talking about stuff other than men, then apparently you’ve got yourself a cheeky little feminist work on your hands. Except if that’s the case then Jane Austen was frightfully anti-men since her novels never once contain a scene of two men talking without there being a woman in the room. How can men be expected to write a believable dialogue between two women alone in the room when they don’t, and probably never will experience that situation? Not only that, but the whole ‘they shouldn’t talk about men’ thing doesn’t really work either. As the sassy gay best friend to a whole host of people of varying genders I have experienced both ‘man talk’ and ‘girl talk’, and both always seem to end up talking about the other anyway.

According to Google, this is what women talk about when men aren’t around…
- DON’T WRITE HER AS ‘HARPIE’ OR A ‘PRIZE’: I got this one off a blog by a person called ‘Amy Suto’ about men writing women (you can check it out here, some good advice, some less so: http://amysuto.com/2013/02/for-men-how-to-write-female-characters/) Amy says that women shouldn’t be put on a pedestal or be evil just because they’re women. Which is fair enough. But then, it’s all about angles, ain’t it? A woman in her personal life, might not be put on a pedestal, but if you view the same woman through the lense of, say, a man who has an enormous crush on her, then of course she’ll seem to be on a pedestal. Equally, if a woman is seen as an evil bitch-cow by, for example, her ex-husband then of course she’s gonna be portrayed as a total harpy. I think the trick is knowing your angles and sticking to them. Everyone has shades of grey, and you need to show those shades of grey, even if only slightly, but obviously you’ll show them less from some angles and more from others. Like the dark side of the moon. (Weird simile. Ignore me, it’s late.)

Could have given you a picture of a harpy, but harpies are mean. So have a picture of a Rito from The Legend of Zelda: The Wind Waker instead!
And just like that, my train of thought is tired. The fever of hay is making my eyes itch. Dunno why, it’s quarter to three, those plants can’t still be pollinating can they?! I’m gonna end it here.
I have to be honest, I haven’t reached a satisfying conclusion of how to write female characters, because as a man, I lack the in depth knowledge of the female psyche necessary. However, one lesson I have learned is that to write well, you have to be prepared to give parts of yourself away, and that includes parts of the people you know. Perhaps the best way to learn how to write female characters is to base them on real women, to stop trying to prove how feminist you are or to stop having those childish fantasies about women (not like that, sit down ya filthy hetros!) and just write real women who you really know.
Do you have any handy hints on female characters? Or any ideas on writing characters in general? Or tips for writing in general? What are your least favourite literary tropes on character portrayal? I’m always looking for nuggets of literary gold so if you’ve got one, throw me a comment!
As ever, it’s been a pleasure!
Jack out.
PS. You may be wondering why I chose a lyric from Dolly Parton’s ‘Jolene’ for this blog’s title. Because I could, as simple as that. If you take issue with that, pull yourself together.
*(By the way, did you like how many brackets in brackets I put in there? Just to be a cheeky little minx!)














