Who knows where the time goes?

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So sang Sandy Denny in one of her best-known Fairport Convention numbers. And there I go again – showing my age… ☹ (Even if I only found that song a decade later.)

I can’t quite believe even how long it is since I last up-dated this blog, so what follows is a round-up of the Bryandale Railway happenings in the 2 ½ years since I last posted any news.

I suppose the best thing to say is that the BR is still in existence, and 2025 represents twenty years since the first tentative construction took place. I’m not sure whether I really thought I’d still be doing this two decades on or not, but garden railways have proved to be an enduring interest, even if there have been long periods of inactivity. From what I can tell, I’m not alone in that.

The back-story is not of major importance here, but suffice it to say that some of those periods have been as much a product of circumstance as choice. But as life moves on, I am thinking about what retirement will involve – which could happen as soon as this summer, but certainly in the next year or two. I think garden railways do have a role in that, though I need to consider the fact that the knees and everything else are now considerably older than they were when I first built my ground-level line.

Older yes – but perhaps a bit wiser too (well, maybe not the knees). While I still adhere to my original philosophy of keeping it close to the prototype, I suppose I have yielded to some of the compromises that more seasoned modelers knew all those year ago.

So there has been work going into the BR since last summer – I just haven’t got round to updating the blog until now. Some of this was prompted by the feeling that battery power might provide an acceptable compromise when time and energy was too short for steam raising. Much like the real thing, I guess. The line has had a battery railcar for some years now – but I began to think a diesel loco might not be out of order. Initial plans for a scratch-build were advancing slowly – then Locoworks announced their Upnor Catle model, which more or less hit the bullseye for what I had in mind. What’s more, the sound-fitted option removed one of my earlier objections to battery power. So an order was duly placed, though it had to be postponed on one occasion due to income constraints. However UC eventually arrived last summer, and has been a success, even if its haulage powers on my steep grades limit it to light trains.

In advance of UC arriving, I felt it necessary to get the line back into running order. To be honest, it had been rapidly disappearing under a rainforest for some time, and was increasingly an embarassment in the street. So plans were hatched for a major re-think that would deal with a number of increasingly pressing issues all at one time.

Rather indulgenty (if not hubristically), I whipped up my enthusiasm by re-reading my own book, written when enthusiasm still outweighed experience – but it did the job. Quite a lot of work was achieved last summer, though the wet autumn and winter put a premature stop to things. I am now starting to address some of the remaining issues, so hopefully by the spring, the BR will be in a stronger operational position.

The rest of this post consists of a photo-commentary on the various things that have been happening.

July 2024 saw the start of vegetation clearance. Some of the original plants were life-expired, while the rosemary bushes had grown to unmagageable proportions, and it was decided to remove them. Likewise the large New Zealand flax that had self-seeded next to the line. Not only was it obstructing trains, but it was starting to push over the adjacent brick gate pillar. Heavy work, completed with much assistance of John, our building maintenance guy.

The desolation after major deforestation.

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Around the same time, experiments were conducted with replacement track, I didn’t want to lose the bullhead rail, but while many of the late Zoe Topper’s wooden sleepers were sound, the chairs were increasingly pulling out of their holes and de-gauging the track. I purchased some more of Cliff Barker’s sleeper units, and discovered that the existing Tenmille Code 200 rail will go through the chairs given some judicious trimming of the latter. So a gradual process of track reconstruction was instigated – though I must say that trimming several thousand chairs by hand (three or four actions per chair) rapidly paled. Nonetheless, the job was completed over a number of weeks.

Track bed improvements were also made in areas where vegetation had previously prevented – easing one or two steep grades where the initial track bed had subsided – and also raising further The Pit – the bottom end of the loop where it passes underneath the line to Queen’s Forest Road. The gradients in and out had long defeated trains in damp conditions, and raising the line a couple centimetres has eased this considerably.

Track-relaying underway in August 2024.

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Fortunately, the hand-made scissors crossover at Minffordd has stood up well, needing only minor repairs to a crossing V and a check rail. The opportunity was also taken to add an extra siding at Minfordd – something else that had been in mind for quite some time. It has added operational scope and being out of reach of little hands on the adjacent public pavement, has also allowed a couple of non-functional items of rolling stock to sit there giving a permanent ‘train’ presence.

Here is Upnor Castle, on its first morning in operation.

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I have decided to keep future planting rather smaller and a little more ornamental, hopefully without having too damaging effect on the railway ‘landscape’. Experiments are under way with ornamental grasses to provide some height without running away like the rosemary did. More plans are afoot for the spring.

I am in the process of building a rather more weatherproof gravel path the length of the line hopefully to extend the season. I am not keen on running trains standing in heavy Essex mud. I had always put this off, feeling that it would look too twee – but I think that using a dark grey gravel will make it recede into the terrain.

The station building at Queen’s Forest Road is at least 15 years old, though it had one make-over in that time. I brought it inside with the intention of cleaning it down and replacing the roof – but the decay is worse than expected and I think a replacement is going to be in order, as happened at Minffordd a couple of years ago. I think I can cope with remaking these things on a once-a-decade basis.

One end of the overall roof at Castle Bryan has completely collapsed, as a result of being perpetually deluged by rain from an overflowing gutter 30 feet up. Annoying because the other part is still in good condition. Any repairs or replacement will need to wait until the gutter is attended to.

It is late January. Yet again it is grey and raining heavily. Weather for being indoors. But hopefully we will get a better summer this year, and there will be more progress to report in due course.

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Post-trad

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In the last year, I have rejoiced in being able to go and see (and make) great live music again. I get the sense that the traditional music scene is on a huge rebound after Covid; community music was, after all, almost exterminated for several years by the restrictions – and of course this kind of minority activity received neither media coverage nor (much?) government support in the U.K. during those hard times.

It could be argued that the relatively small pond that is traditional Irish (and Scottish) music has never been in better health. The numbers of people playing it are vibrant; many are in their twenties and thirties. Child players are coming through with musical standards that risk putting the old masters in the shade. This year’s fleadh in Mullingar was attended by nearly 600,000 people from all over the world. It is possible to take a degree in traditional music at several universities across Britain and Ireland, and now even to follow formal grades in it, as per classical music in way inconceivable when I started playing in the early 1980s.

It would be churlish to claim that none of the effects of all this have been good: one can hear traditional music of exemplary quality relatively easily, and the influx of young people has surely secured the persistence of the genre at least for the immediate future.

But I find myself increasingly wondering whether all this activity is not having some unintended effects, that in the somewhat longer term may do more harm than good.

Of the acts I have seen or considered seeing this year, only a small minority have been genuine traditional music. An increasing number seem to be describing themselves as players of ‘progressive’ folk music. In fact, the only thing they have in common with genuine trad is the instruments they use. The band I saw this week were described as the “epitome of the post trad-generation”; now there is a term that I hadn’t heard before, but I think it will stick. We went on the strength of a few YouTube videos and the conviction that we should occasionally take musical risks. We came away disappointed.

All the music played that evening was self-composed; nothing wrong with that – traditional players have been composing new tunes for decades. But these tunes bore no resemblance to the forms or sounds of the traditions they aped; while the terms ‘jig’, ‘hornpipe’ etc were used, even my relatively trained ear could distinguish no element of such forms whatsoever in what followed. I think they gave the game away when they said one tune had been “composed while we were jamming together”. In other words, what we have is a set of controlled riffs, that bear more resemblance to the jamming of wannabe rock bands than the playing of traditional music. These ‘tunes’ have no discernible melody or structure beyond that of a repeatedly played riff, and it is all instantly forgettable. While competent, we judged the playing to be technically unremarkable too. After a while it all sounded the same and – tragically – I found myself sitting there in our lovely arts centre, bored.

The other such band we saw earlier this year at least had the virtues of high-quality musicianship, a very ‘tight’ act, and of being entertaining. And their tunes, while new, bore recognisable descent from true traditional music. They were a good evening out.

What both bands had in common was a strong brand image, with merchandise extending well beyond the obligatory CDs to boot. Both clearly hold themselves in high regard, in marked contrast to the self-effacing profile of older traditional musicians.

What is going on here?

I suggest that trad may be becoming a victim of its own success. The sheer numbers of players coming through is making it more and more necessary to find a way of diifferentiating oneself from the crowd. What is more, those university courses are churning out far more highly-skilled players than were ever able to make a living from this music in the past, and they are all jostling for position in a still-small market place. I can hardly blame them for being sharp on their marketing skills – they will need them to survive in a commercialised world – but I still wonder if this professionalisation of traditional music is not fundamentally reshaping it away from the things that made it what it is, not least its relative ease of access to all and sundry.

I think the trend for increasingly divergent, self-written material is part of this too: another way of differentiation from those who simply play the “same old trad”. Let’s face it, trad is a relatively limited musical form, and I’m not sure I would want to play it at the frequency, intensity and duration needed for life as a career-pro. And in any case, perhaps it has ‘all been done already’? So it may not be surprising if those highly trained musical minds tire of the limited form that they were trained in, and go looking for pastures new. As one contributor to The Session pointed out, what we may be seeing is what happens when you divorce the music-form from the discipline of the dancing for which is was conventionally made; freed from the need for strict rhythm and form, anything becomes possible…

What I find less forgivable is what may be the unwillingness of younger artists to accept the fact that tradition, by definition, means accepting and acquiring the knowledge and skills of those who went before. It does not mean tearing it all up all and replacing it with a pale pastiche. It is undoubtedly true that many of these younger groups are perfectly capable of playing true trad, but it bothers me that they then go on to reject it and replace it with something more ego-enhancing.

I suspect another element at play here is simply the fact that no genre is an island anymore – even one that developed on one. Somewhere between the 1960s and now, the concept of melody in music more widely seems to have been lost; I think it finally died with the arrival of rap and its derivatives which did not even make the pretence of having a ‘tune’. How can young musicians today not be influenced by what they hear more widely, quite apart from the efforts of the ‘music industry’ to commercialise (and mould) anyone from whom they think they can make a quick buck?

I’m aware I may sound like any number of musical dinosaurs of old. It may be inevitable that the old(er) do not understand the music of the young. In the 70’s, Planxty and The Bothy Band had a similar effect – but there was one difference: fundamentally, they remained true to the old music, and it was just what they put around it that was new. This time, that doesn’t hold.

None of this may matter. There are plenty of voices who believe that traditional music is robust and elastic enough to accommodate an infinitely wide range of interpretations. That is, indeed, one of its glories. However, I think there is a risk that, aided by commercialisation and the need for mass-media profile, these new, manufactured sounds may out-evolve and edge out the true traditions – that is certainly what seems to be happening on the folk club and festival circuit. The term “post-trad” speaks volumes in that respect.

It is certainly also true that there are plenty of other people coming through who have not been diverted down this route. Last month, we were also at the Return to London Town festival, where we encountered a large number of younger people both performing and more widely playing genuine trad. Those coming up through the fleadh competitions are also mostly young, and submitting to the (suffocating?) strictures of that experience. Earlier this year, when sessioning in Co Mayo, Ireland, we met a fair number of younger players. So trad is not dead yet.

I would be quite happy to be reassured that plurality is indeed a sustainable future, and that the playing and listening needs of many gradations of acoustic music can be catered for. However, it worries me that the pressures of the outside commercial world may yet be the death-knell for such esoteric art forms as traditional music. As is all too evident when it comes to the culture of food, mass-commerce has the habit of grabbing marketable assets, then destroying them and replacing with manipulable, plastic facsimiles of themselves, for the ease of marketing. The products of Pizza Express and the Neapolitan original are not the same thing, by a long way – but how many diners know or care? At the point where people believe that these new riffs are ‘real’ traditional music, something will have been lost.

For me, the old tunes still have often-indefinable qualities that relatively few of the newer ones can emulate. It would be a tragedy if the drive to improve standards in traditional music actually ended up killing the very thing it grew from.

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Silence in the cloisters

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Much silence here on the modelling front, as a combination of new activity in both the professional and musical spheres occupies my time. Another post on the latter coming up soon… The Bryandale Railway is showing signs of spring awakening, but while the weather remains cold and wet, there is little to be done.

In the meantime, I was asked by the local museum to construct a model of the 12th Century Abbey that used to exist in these parts. The challenging part was that all but a couple of buildings were demolished nearly 500 years ago! I spent a good month at the end of last year rapidly genning up on Cistercian monasteries, and was pleased to find that they all followed a very similar ground plan. Coupled with the archive from the museum, records of previous excavations, and what remains above and just below the ground (via parch markings in summer grass) I was able to establish the likely plan of the buildings.

Three months of intensive construction have just concluded; not a high-detail model (which would have taken years) but sufficient to show what used to be there. It was built to 2mm scale, which reminded just why I took the decision to move back up to 4mm for regualr activities some years ago….

I used a lot of surface treatments from Spanish company Redutex, and was able to match the remaining buildings fairly closely. An old school friend, J-P Attwood volunteered to 3D-print some of the finer parts, including the roof ventilators and the cloister arches. He did a superb job, only complicated byt he fact that he now lives in Finland.

The model is now housed in a glass case at the museum, along with various artefacts from the original, including what is believed to be the skull of one of the original abbots! I hope he is pleased with the model.

Is this the first and last time any of my work will end up in a glass case?

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Trains again

After several months of work on various track issues, including relaying several stretches, re-building a bridge and a lot of reballasting, the first service trains for nearly three years finally ran on the Bryandale Railway today.

A few more issues were revealed (and some fixed) but generally everything behaved well. There is still quite a lot of repair and maintenance to be done, though.

The new storage box and extended railing line really came into their own today, removing the need for a major unpacking/packing session at the start and end of the afternoon – and also providing a useful raised surface on which to prepare the locos for their runs.

The station cat had actually forgotten what trains are, and got something of a rude reminder. He was not amused…

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Long live Minffordd station..

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The replacement for the collapsed heap that was Minffordd station building is now almost complete. It has been a slow and lazy build, but that is the way I seem to operate railway-wise these days. The first incarnation surivied nearly fifteen years outside, and I have taken extra steps to weatherproof its replacement, particularly around the roof – so I hope this one will last at least as long.

Just minor details remain to be added, such as guttering, notice boards, the station clock etc. In a sense, we have wound back time to 2007, with a spruce-looking station – and continuity has been maintained as the chimney pot is that used on the original.

More developments have been taking place too, namely some track replacement in the area that doubles as a cat landing pad, where the P.W. had taken a bit of a beating. I have also bought a large outdoor storage crate, so that most of the rolling stock is living closer at hand, which I hope will encourage more regular running. Some track layout alterations at Castle Bryan are being considered in conjunction with this. And yesterday, the first steam train for some two years finally ran…

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Sic Transit Gloria Mundi…

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Today marked the end for Minffordd’s station building. It had been in poor condition for some time, and today an attempt was made to move it to a position where measurements could be taken for its replacement. The plan had been to return the original to its site until the new one is ready. However, the building turned out to be in such a state that half of it collapsed as it was being moved.

The building was constructed in 2008, based closely on the original station building at Tanybwlch on the Festiniog Railway. It has been outside ever since through whatever the British weather could throw at it – though it did have a major rebuild a few years ago. It has also seen two versions of Minffordd station in its time. Quite an innings.

The roof slates, lead flashing and a few other small details have been recovered and will be used on the new build. The pictures show the old building being used as a template for marking out sections of its successor.

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I had considered using a different design, perhaps in slate, and I even considered resin moulding, but in the end opted to replace like more or less with like. The main adaptations to the new building will come with roof materials to prevent water ingress from delaminating the plywood used for the walls. Watch this space!

In other news, another bullet was finally bitten today with a deposit placed on one of the new Locoworks Planet diesels, Upnor Castle, which should arrive in the summer and promises do to motive power availability precisely what the originals did on the prototype…

Meanwhile, here is a picture of the station building as it was at the original Minffordd station, shortly after construction in 2008.

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Back in the Garden…

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Railway activity has been in short supply here these past months. Partly, I have been taking a break from the intensive work on Port Deveron, and partly the rest of life has once again intervened.

It has been a disappointing summer, weather-wise, but I did manage to get my annual meet-up with Andrew Crookell. His new 16mm scale line is several years into construction, and is starting to look like a worthy successor to its very atmospheric predecessor.

Andrew always takes admirable care over everything he does, and rather puts my outdoor efforts in the shade. He is very mindful of how easy it is to under-scale garden railways – and the size of his buildings and the proportions of his stations show this well. One platform is going to be a good half-metre wide… He is also avoiding tight curves wherever possible.

The clip below shows progress to date – most track is now in place, and the plants are starting to mature, though there is still a lot to do.

I think Andrew has come close to the ‘sweet spot’ between authentic end-to-end running and the wish for a continuous run with this plan, which is basically a folded loop, with trains making almost two circuits of the garden between termini.

The prospect of the visit, and the easing of outdoor restrictions prompted me to tackle the thicket that the Bryandale Railway had become. Luckily having new gardeners for our building meant that they could do the heavy work, leaving me the final clearance to deal with.

Two sections of track have been re-laid – one where (yet again) ivy had grown through and lifted the rails off the sleepers, and the second where the section of embankment built rather hastily two years ago had subsided. The line is now just about open along its length, and predictably has already been attracting local attention.

I am pondering the construction of a small battery locomotive which might prompt me to run trains more often, when the full steam experience feels a bit like hard work… More updates to come.

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The Late Shift

My film of the rest of the day at Port Deveron, August 1965.

My copyright for Trad as well as Trains 😉

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Train watching

I have been out early filming the first part of the day’s timetable operations at Port Deveron. Yes, we really did witness the sunrise….

No whizzy high-speed model trains here, just the ebb and flow of activity at a quiet provincial town station. Get the Thermos out, and settle in for the morning…

Sound levels are a bit hit-or-miss. It seems that my newly quiet locomotives don’t register well in on the recording, and it was not helped by the need to use two different tablets to record this, after the first one packed up. On the other hand, maybe this is closer to an appropriate level than is sometimes the case…

More instalments to follow in good time…

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Towards a timetable: 2

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The class 20 has just arrived from Cairnie Junction with a brake van, to collect the evening fish train to Aberdeen, which can be seen on the quay in the background. Once the 6.40pm to Elgin has departed, it will run round, leave the brake van near the goods shed and go looking for blue spot vans.

Work has continued on developing the timetable. In the previous post I outlined the assumptions made about likely traffic levels on the Port Deveron line. In the interim, I have been busy trying to place the required trains on the taktfahrplan. As suspected, it quickly gets out of hand: both in terms of ending up with too many trains, and with the general brain capacity required to hold all the necessary logistical issues and positions at one time.

Some of the key constraints are:

  • The general capacity at Port Deveron. The station is not large and will quickly become congested. Although there are in total seven sidings (including the bay platform), I don’t want to lose the uncrowded feel of the model, quite apart from the practical difficulties it will throw up.
  • Line capacity out of the station. PD is served by a single line, which notionally splits about 2 ¼ miles out of the station at Boyndie Junction, with one single line going to Portsoy and the other to Tillynaught. Both are about six miles from PD. The real journey from Banff to Tillynaught took about 15 minutes. This constrains arrival and departure intervals, since outbound trains need to clear Boyndie Junction before another can arrive from the other direction, while two trains working the same line have an absolute minimum interval at PD of 30 minutes between departure and the next arrival.
  • Attempting to mesh the timetable with the known moves along the Coast Line at Tillynaught, and in some cases the Glen Line at Cairnie Junction, so as to give connections to and from Aberdeen in particular. There is the possibility of an early departure for Elgin too, by changing onto a Glen Line train at Cairnie.
  • Wanting to incorporate a reasonable selection of interesting moves at the station without losing the overall realism dictated by the schedule.

Some decisions were made, and the proposed through Aberdeen service was an early casualty: the connections provided would already give PD a generous service as it is. I also decided it was permissible to shift the timings of some of the known trains along the coast line to make more space at PD when it came to connecting with them. It’s not unrealistic for timetable to be tweaked over the years, and I was starting with a composite in any case.

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The end version of the taktfahrplan

So we have arrived at a service of five return trains to Tillynaught Junction as per the original Banff line service, which give connections to/from Aberdeen; the early morning one is extended to Cairnie to give the aforementioned Glen Line connection to Elgin. These will normally be formed of a dmu, though it is possible for substitution with a loco and one or two coaches, or even in the fullness of time, a railbus.

There are also three return trains from Elgin to PD, which are deemed to be extensions of the Buckie local service; these will usually be a type 2 on hauled stock. These travel by way of Portsoy.

In addition, there is one daily goods train from and to Elgin serving all stations en route, which arrives late morning and departs mid-afternoon. Scope is created for this to trip distillery wagons to/from Whyntie as a separate run if traffic warrants it.

Finally, we have the arrival of empty fish vans mid-morning which were detached from a coast line fish train at Tillynaught, and the return train departs mid-evening, having spent the day being loaded on the fish quay. I have yet to find out much about fishing fleet routines – though I suspect that loads were configured to travel overnight to reach the big city markets further south in the very early morning.

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The sequence schedule that emerged. Some tweaks still needed.

I haven’t yet quite dealt with the options for low-catch days, though this could involve a few vans being attached to the afternoon Elgin passenger train as far as Portsoy, whence they could make their way to Aberdeen on a coast line train. There are light loco moves associated with the fish train, and one of these has the option of tripping earlier-arrived parcels vans up to the main line for their forwarding to Aberdeen.

Also to be resolved is what happens when the dmu needs to return to base for fuelling; it stables overnight at PD, but there is no accommodation for it at what is left of the local shed.

I have yet to figure out when PW trains might run – but it is likely they would run as required, or on days of timetable suspension in any case.

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No doubting the location…

So PD has a service of eight passenger trains a day; over a fourteen hour period, that is perhaps a little generous, but not stretching the bounds of credibility too far. It might have been possible to cut some of the shuttle runs and rely on connections at Portsoy instead, but the effect of that would have been the dmu spending quite a lot of the day sitting at the terminus, which is pretty much what the real service did.

This exercise has certainly created scope for some more rigorous thinking about how to run trains on PD – but as I write I have yet to run the result to see if it works. Working backwards from plausible wider reality is interesting – we now need to see what real-time operational headaches it throws up.

I’m not intending to work to the clock, so this will be more of a sequence than a strict timetable. Judging by  my habitual operating sessions, it will probably take more than one day to cover the fourteen hours. I also have yet to decide whether to go the next step and employ some kind of chance card system to dictate loadings, motive power, special circumstances and so on. On the other hand, I don’t want to end up playing a board game here.


Update:

I’ve now run the sequence once; it mostly works, though there were a couple of occasions where I ended up in a spot, for example with a passenger loco that needed to run round and depart with its train, but unable to do so because the daily goods was standing in the loop with nowhere else long enough to recess it.

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The 20 creeps across Station Road to the quay, to a chorus of squealing wheel flanges…

It has taken two sessions to work through the entire thing, though it did lead to extended running compared with my usual random dallying. That has to be good. I think it does give a much stronger sense of purpose to operations, not least because one knows what each train is supposed to be doing.

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Waiting to head to Aberdeen to catch the overnight departure south.
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The other benefit of working backwards from traffic needs is that one is in effect presented with an operational puzzle: the specific station moves are not specified – there is just a set of arrivals, departures and other requirements, and one can solve the puzzle in any number of ways. Building in optional moves, such as the trip working to the distillery and parcels van moves gives more permutations in this respect.

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A little later, the last shuttle of the day from Tillynaught Junction arrived. It will shortly move across to the other road in the train shed to stable for the night.

All in all, a useful development, and one which is probably capable of more refinement yet.

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