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chantal nguyen has been a member of Linktree for 2 years and joined in August 2023. Besides social media accounts, chantaldn has populated their site with Matilda Devine ran away to join the circus. Her parents couldn’t be prouder, Mackenzie - Bell Shakespeare review, Engine - SDC review, 'We dance better together’: How this couple’s marriage lets them ‘push a little bit further’ - How former Leipzig colleagues Piran Scott, Naiara de Matos and Fran DÃaz are reuniting for The Mass Ornament, U>N>I>T>E>D - Chunky Move review, Sheltering - Bangarra review, Flora - Bangarra x Australian Ballet review, Eugene Onegin - Opera Australia review, Julius Caesar - Bell Shakespeare review, Boxing Day tsunami - SISA-SISA feature, SISA-SISA review, 'Save the last dance for me' review, Duck Pond - Circa review, My Syd Fest reviews! Scroll for Garabari, Post-Orientalist Express, Garrigarrang Badu, SDC continuum review, The Bogong's Song review, ‘Absolute nightmare’: The physical toll endured by violinists, A prodigy who skipped school for symphonies: John Painter’s unforgettable story, Dracula (the ballet!) review, The Face of Jizo review, SDC InDance 2025 review, Opera Australia’s Carmen, Bell Shakespeare’s Coriolanus strikes at the core of humanity, Kayah was bullied and ignored but people took notice when he danced, Somos review - SDC, Guys and Dolls review, MJ The Musical, A Hymn to Life: Dorcy Rugamba feature article, Folk-rock and ironic jokes make for a tonally disjointed Wuthering Heights adaptation, Syd Fest: Siegfried & Roy review, Syd Fest: AFTERWORLD review, Piran Scott interview: Award-winning dancer took Europe by storm – but something was missing, New Breed - Sydney Dance Company review, Nutcracker - Forget Love Actually – this is the ultimate Christmas feelgood show, Oscar Wilde ballet review, Rabab for the soul: Qais Essar, Gilgamesh showcases a powerful combination of Australian creative talent, This double bill from Sydney Dance Company is unmissable, Aged just five, violin virtuoso Karen Gomyo knew her path, Bell Shakespeare’s The Poetry of Violence is a deadly delight, Sunset Boulevard & MAUI review, Gothic Sublime: Pinchgut Opera’s Eternal Light opens the doors to sacred music, Hamilton’s return is spectacular – and exactly what we need right now, Feel the love: Sublime music and dance combine, Stage Direction: In the Heights, An imaginary world that is a delight for fans of Japanese playfulness, Fools and Madmen: Bell Shakespeare’s King Lear in the round, Torture, murder, lust and lies: Don’t miss this thrilling Tosca, Bangarra Horizon review, Bangarra prepares to cross the ditch with bold new project, Making ‘clouds’ onstage and other strange challenges solved by this design supremo, From the footy field to the stage for this Indigenous dancer, This charming performance feels like a catch-up with an honest and witty friend, SMH What's On - feat. Circle Electric review, SMH What's On - feat. Carmen review, Opera Australia's West Side Story, Peter Evans's A Midsummer Night's Dream, What it takes to go from tin shed dance classes to performing for 3000 people, Love ballet? See this. New to ballet? See this., A very important date: Australian Ballet’s biggest ever production is back, Opera Australia’s new production of The Magic Flute, Skid & SAABA, Hello cello: I'll be Bach, Fashion week meets naked pillow fight in this colourful spectacle, Pinchgut Opera’s Rinaldo, Cowboy Barbie dolls, riots and an alien invasion: Welcome to the future of dance, Sublime beauty: The ‘sacred flame’ of Swan Lake burns more brightly than ever, Deaf, Indigenous and proud: The performers taking the dance world by storm, Ballet’s ‘dark horse’ Amy Harris bows out; career full, bucket list ignored, Gorgeous to look at and very funny: Australian Ballet at its finest, Should we laugh in the face of climate catastrophe?, Behind the scenes: Opera Australia’s vast, digital Ring cycle, Surrender to Fate: Artist William Kentridge, Conflict of Interest: Miss Saigon, INDance review ★★★★ Neilson Studio, How a ‘humiliating’ experience with police inspired this director’s next move, How four giant teddy bears are helping start a difficult conversation, ‘We have something to say’: Cast of Miss Saigon respond to controversy, ATI: A Dance Reckoning of Truth, Place and Belonging, Bell Shakespeare’s Romeo and Juliet, How Sydney Dance Company helped bring a Hollywood movie to life, Trans-Pacific space-age Wagner: Chen Shi-Zheng’s hybrid Ring cycle.