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Emmanuel ‘Waziri’ Okoro | Music/Pop-Culture Journalist | Writer | Arsenal Fanboy
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“Testimony of Grace” Review: Ice Prince Returns Wiser, Quieter, and More Purposeful - Afrocritik
“Testimony of Grace” Review: Ice Prince Returns Wiser, Quieter, and More Purposeful - Afrocritik
Testimony of Grace is compelling because it reveals Ice Prince planting his flag firmly in the present, a present defined by sobriety, faith, gratitude...
oSHAMO Talks Fuji, Self-Discovery, and What’s Next
oSHAMO Talks Fuji, Self-Discovery, and What’s Next
“My job now is to put my culture on the map, and that is exactly where I have been ever since”. – oSHAMO
Nasty C’s “Free (Deluxe)” Album Review
Nasty C’s “Free (Deluxe)” Album Review
At its best, Free (Deluxe) finds Nasty C operating at a level of emotional candour that few rappers on the continent are willing to reach for.
Afrocritik’s Top 50 African Music Projects of 2025 - Afrocritik
Afrocritik’s Top 50 African Music Projects of 2025 - Afrocritik
Explore the definitive ranking of the Top 50 African Music Projects of 2025 from across the continent.
Afrocritik’s Top 100 African Songs of 2025 - Afrocritik
Afrocritik’s Top 100 African Songs of 2025 - Afrocritik
The year bore witness to historic triumphs that reaffirmed Africa’s place at the apex of global music culture. By Afrocritik’s Music Board African music has always been an ecosystem of infinite dimensions, a cultural phenomenon where creativity knows no bounds and innovation flows as naturally as the rhythms that have defined the continent for generations.
“No Excuses” Review: Blaqbonez Reaffirms His Status With Swagger, Skill, and Clarity - Afrocritik
“No Excuses” Review: Blaqbonez Reaffirms His Status With Swagger, Skill, and Clarity - Afrocritik
“Industry Machine” Review: Odumodublvck’s Album Is Loud, Bold, and Loosely Bolted Together - Afrocritik
“Industry Machine” Review: Odumodublvck’s Album Is Loud, Bold, and Loosely Bolted Together - Afrocritik
As a rap album, Industry Machine invites scrutiny of its lyricism. Odumodublvck’s chest-thumping is a defining trait, but in a genre that prizes sharp wordplay, some moments fall short. For an album positioned as a manifesto of dominance, a few verses feel underwhelming. By Emmanuel ‘Waziri’ Okoro Tochukwu Gbubemi Ojogwu, known to most as Odumodublvck,
“No Sign of Weakness” Review: Burna Boy’s LP Is Technical, Polished, Yet Safely Played - Afrocritik
“No Sign of Weakness” Review: Burna Boy’s LP Is Technical, Polished, Yet Safely Played - Afrocritik
“GE3 (The Beginning)” Review: A-Q Closes His Trilogy With Precision and Purpose - Afrocritik
“GE3 (The Beginning)” Review: A-Q Closes His Trilogy With Precision and Purpose - Afrocritik
With GE3, A‑Q does more than complete a trilogy; he cements a legacy. This final chapter is a carefully curated collection of themes and reflections that speak to an artiste at the height of his powers. By Emmanuel ‘Waziri’ Okoro One of the biggest music conversations in Nigeria’s digital media space at the moment–beyond the
Billboard-Honoured Lawyer, Akinyemi Ayinoluwa, Talks Music Law, African Excellence, and Creative Rights - Afrocritik
Billboard-Honoured Lawyer, Akinyemi Ayinoluwa, Talks Music Law, African Excellence, and Creative Rights - Afrocritik
“I came into the Nigerian music industry at a time when people did not appreciate songwriters and record producers…I’m happy that we stuck to our guns, and people started adopting a model of doing business properly” – Akinyemi Ayinoluwa. By Emmanuel ‘Waziri’ Okoro More often than not, when conversations about music take place, the spotlight
“CKay The Second” Review: CKay Explores Intimacy and Vulnerability on Polished EP - Afrocritik
“CKay The Second” Review: CKay Explores Intimacy and Vulnerability on Polished EP - Afrocritik
CKay The Second is not just a reanimation of past sounds, but a confident offering that reaffirms CKay’s role in pushing the boundaries of what Afrobeats can sound and feel like. By Emmanuel ‘Waziri’ Okoro One of the beauties of the ‘Afrobeats to the World’ movement is that it not only provided global inroads for
The Manifesto of M.anifest: New Roads, Same Genius
The Manifesto of M.anifest: New Roads, Same Genius
The Manifesto of M.anifest: New Roads, Same Genius
“Starters” Review: Ice Prince and Chopstix’s Joint EP Leans On Legacy With Mixed Results - Afrocritik
“Starters” Review: Ice Prince and Chopstix’s Joint EP Leans On Legacy With Mixed Results - Afrocritik
“Uncle K: Lemon Chase” Review: Kizz Daniel’s EP Is Refreshingly Potent - Afrocritik
“Uncle K: Lemon Chase” Review: Kizz Daniel’s EP Is Refreshingly Potent - Afrocritik
Tolani Is Creating Music on Her Own Terms - Afrocritik
Tolani Is Creating Music on Her Own Terms - Afrocritik
“I find that authenticity is something that perfectionism robs you of”. – Tolani By Emmanuel ‘Waziri’ Okoro I What does perfection look like, and who decides when you’ve reached it? I’ve wrestled with this question perhaps more times than I care to admit. Each time I wrap up a project and move on to the
“Journey Through Life” Review: Femi Kuti’s Album Confronts Nigeria’s Political Realities - Afrocritik
“Journey Through Life” Review: Femi Kuti’s Album Confronts Nigeria’s Political Realities - Afrocritik
Journey Through Life demands to be heard, understood, and, perhaps more importantly, acted upon. By Emmanuel ‘Waziri’ Okoro Nigerian—and by extension, West African music—cannot be examined from a thorough historical standpoint without mentioning one of its most prolific progenitors and pioneers, Fela Anikulapo Kuti. Widely known as the father of Afrobeat, Kuti has, over the
“The Machine Is Coming” Review: Odumodublvck’s New Project Is a Statement and a Warning - Afrocritik
“The Machine Is Coming” Review: Odumodublvck’s New Project Is a Statement and a Warning - Afrocritik
The Machine Is Coming is quite a satisfactory output from a rapper who has set his sight on domination. With scintillating production and satisfying sequencing, the project does not only strengthen Odumodublvck’s growing discography but elevates it with purpose. By Emmanuel ‘Waziri’ Okoro The Nigerian Hip-Hop scene, in recent years, has been in the forefront
In Conversation: OluwaMillar Talks “Agbalagbi”, Creativity, and Breaking Barriers - Afrocritik
In Conversation: OluwaMillar Talks “Agbalagbi”, Creativity, and Breaking Barriers - Afrocritik
“One thing I’ve understood over time is that relatability is very important when making a music project”. – OluwaMillar By Emmanuel ‘Waziri’ Okoro As Afrobeats continues to make significant inroads into global music frameworks, it has also enhanced the recognition of other genres native to West Africa. While there are ongoing conversations about the seeming
Top Predictions for Africa’s Music Landscape in 2025 - Afrocritik
Top Predictions for Africa’s Music Landscape in 2025 - Afrocritik
In uncovering what 2025 might hold for the African music landscape, we explored the trends of the years past, searching for patterns that could illuminate the new year’s music. By Afrocritik’s Music Board African music soared far beyond even the most optimistic projections and predictions in 2024, marking another definitive chapter in its continued ascent
Afrocritik’s 25 Emerging African Artistes Worth Listening To in 2025 - Afrocritik
Afrocritik’s 25 Emerging African Artistes Worth Listening To in 2025 - Afrocritik
In curating the list of 25 emerging African artistes to watch in 2025, we—as always—scoured every corner of the continent’s sonic landscape, uncovering voices that are shaping the present and daring to redefine the future. By Afrocritik’s Music Board One of the enduring backbones of African music’s ascent is its endless capacity for renewal. Year
Afrocritik’s 2024 Top 50 African Music Projects - Afrocritik
Afrocritik’s 2024 Top 50 African Music Projects - Afrocritik
Pat Uwaje-King’s brilliance on full display at ‘Maxlife Worship Night’
Pat Uwaje-King’s brilliance on full display at ‘Maxlife Worship Night’
Afrocritik’s 2024 Top 100 African Songs - Afrocritik
Afrocritik’s 2024 Top 100 African Songs - Afrocritik
Fransax Reanimates Christmas Fervour With “Silent Night” Sax Cover – THISDAYLIVE
Fransax Reanimates Christmas Fervour With “Silent Night” Sax Cover – THISDAYLIVE
Afrobeats’ Most Iconic Feuds Over the Years - Afrocritik
Afrobeats’ Most Iconic Feuds Over the Years - Afrocritik
Yemi Alade: The Rebel Queen of Afro-Pop - Afrocritik
Yemi Alade: The Rebel Queen of Afro-Pop - Afrocritik
Damola Akinwumi delivers heritage into the present with ‘Èjìré’
Damola Akinwumi delivers heritage into the present with ‘Èjìré’
“Stubborn” Review: Victony’s Impressive Debut LP Explores Life’s Highs and Lows - Afrocritik
“Stubborn” Review: Victony’s Impressive Debut LP Explores Life’s Highs and Lows - Afrocritik
Annabel Joseph Ojoboh Explores the Intricacies of the Heart on “Time” – THISDAYLIVE
Annabel Joseph Ojoboh Explores the Intricacies of the Heart on “Time” – THISDAYLIVE
“Born in the Wild” Review: Tems’ Debut Album Is a Masterclass on Self-Discovery - Afrocritik
“Born in the Wild” Review: Tems’ Debut Album Is a Masterclass on Self-Discovery - Afrocritik
All the Fuss About Afrobeats, Its “Way-Pavers” and Frontliners - Afrocritik
All the Fuss About Afrobeats, Its “Way-Pavers” and Frontliners - Afrocritik
“Hexagon” Review: Love and Devotion Shine Through Anendlessocean’s New EP - Afrocritik
“Hexagon” Review: Love and Devotion Shine Through Anendlessocean’s New EP - Afrocritik
In Conversation: Aisosa is Nigeria’s Newest Lover Boy and R&B Champion - Afrocritik
In Conversation: Aisosa is Nigeria’s Newest Lover Boy and R&B Champion - Afrocritik
Afrobeats Royalty: Tekno, On Growth, Abundance, and New Opportunities - Afrocritik
Afrobeats Royalty: Tekno, On Growth, Abundance, and New Opportunities - Afrocritik
The Ingenuity of Mr Eazi: An Exclusive Interview with a New Era Connoisseur for Art and Talent - Afrocritik
The Ingenuity of Mr Eazi: An Exclusive Interview with a New Era Connoisseur for Art and Talent - Afrocritik
“Shakespopi” Review: Shallipopi’s Album Fails to Justify Its Existence - Afrocritik
“Shakespopi” Review: Shallipopi’s Album Fails to Justify Its Existence - Afrocritik
“Love Lust” Review: Funbi Journeys Through Love and Longing on New EP - Afrocritik
“Love Lust” Review: Funbi Journeys Through Love and Longing on New EP - Afrocritik
What Will Shape Africa’s Music Landscape in 2024? - Afrocritik
What Will Shape Africa’s Music Landscape in 2024? - Afrocritik
Africa’s Iconic Pop Culture Moments of 2023 - Afrocritik
Africa’s Iconic Pop Culture Moments of 2023 - Afrocritik
“The Chorus Leader” Review: Timi Dakolo is Bold and Bare on New Album - Afrocritik
“The Chorus Leader” Review: Timi Dakolo is Bold and Bare on New Album - Afrocritik
“Once Upon A Cat” Review: Iyanya Struggles for Artistic Control on New LP - Afrocritik
“Once Upon A Cat” Review: Iyanya Struggles for Artistic Control on New LP - Afrocritik
“New Year, New Blessings”, and the Obsession With New Year Prophecies and Declarations - Afrocritik
“New Year, New Blessings”, and the Obsession With New Year Prophecies and Declarations - Afrocritik
Top 50 African Songs of 2023 - Afrocritik
Top 50 African Songs of 2023 - Afrocritik
“Overwhelming Victory” Review: Mercy Chinwo Leans Into Her Strengths on New Album - Afrocritik
“Overwhelming Victory” Review: Mercy Chinwo Leans Into Her Strengths on New Album - Afrocritik
Nigeria’s “Peak Foolery” and Quirky Pop Culture Moments of 2023 - Afrocritik
Nigeria’s “Peak Foolery” and Quirky Pop Culture Moments of 2023 - Afrocritik
World Scrabble Champion, Wellington Jighere, is Putting Nigeria on the Global Sports Stage - Afrocritik
World Scrabble Champion, Wellington Jighere, is Putting Nigeria on the Global Sports Stage - Afrocritik
Afrocritik’s 2023 Top 25 African Music Projects - Afrocritik
Afrocritik’s 2023 Top 25 African Music Projects - Afrocritik
“The Fun Projects Are the Most Challenging”: Femi Dapson, on Securing a Spot as a Top Music Video Producer in Nigeria - Afrocritik
“The Fun Projects Are the Most Challenging”: Femi Dapson, on Securing a Spot as a Top Music Video Producer in Nigeria - Afrocritik
Can “The Experience” Become the Blueprint for Hosting Live Events in Nigeria? - Afrocritik
Can “The Experience” Become the Blueprint for Hosting Live Events in Nigeria? - Afrocritik
Six Sub-Genres Expanding the Diversity of Afrobeats - Afrocritik
Six Sub-Genres Expanding the Diversity of Afrobeats - Afrocritik
“When It Comes to Lovesongs, Nobody Can Touch Me”: Joeboy, in Conversation with Afrocritik - Afrocritik
“When It Comes to Lovesongs, Nobody Can Touch Me”: Joeboy, in Conversation with Afrocritik - Afrocritik
“Every Day Presents Another Angle to Approach My Music”: DumomiTheJig, the Artiste in His Debut Year in the Music Scene - Afrocritik
“Every Day Presents Another Angle to Approach My Music”: DumomiTheJig, the Artiste in His Debut Year in the Music Scene - Afrocritik
“The Evil Genius” Review: Mr Eazi Gets Up Close and Personal On Debut LP - Afrocritik
“The Evil Genius” Review: Mr Eazi Gets Up Close and Personal On Debut LP - Afrocritik
“Area Boyz” Review: NSG Explores Rhythms From the Streets on New Album - Afrocritik
“Area Boyz” Review: NSG Explores Rhythms From the Streets on New Album - Afrocritik
“Sankofa” Review: Azawi Unpacks Layers of Love and Heritage on New Album - Afrocritik
“Sankofa” Review: Azawi Unpacks Layers of Love and Heritage on New Album - Afrocritik
“Eziokwu” Review: Odumodublvck’s Enjoyable Project Is Marred By Repetitive Narratives - Afrocritik
“Eziokwu” Review: Odumodublvck’s Enjoyable Project Is Marred By Repetitive Narratives - Afrocritik
“Masta” Review: Tim Lyre’s New EP Chronicles His Artistic Evolution - Afrocritik
“Masta” Review: Tim Lyre’s New EP Chronicles His Artistic Evolution - Afrocritik
“Sincerely, Benson” Review: Bnxn Makes a Bold, Brazen Debut as One of Afrobeats’ Finest Artistes - Afrocritik
“Sincerely, Benson” Review: Bnxn Makes a Bold, Brazen Debut as One of Afrobeats’ Finest Artistes - Afrocritik
Tems is Confident in Her Sensuality in Her Latest Single, “Me & U” - Afrocritik
Tems is Confident in Her Sensuality in Her Latest Single, “Me & U” - Afrocritik
“Decagon” Review: Spiritual Depth Meets Sonic Brilliance on Anendlessocean’s Album - Afrocritik
“Decagon” Review: Spiritual Depth Meets Sonic Brilliance on Anendlessocean’s Album - Afrocritik
“I Love It Here” Review: Nasty C Revels in His Growth on New Album - Afrocritik
“I Love It Here” Review: Nasty C Revels in His Growth on New Album - Afrocritik
“To Cry & Bounce” Review: Bouff Explores Resilience and Desire on New EP - Afrocritik
“To Cry & Bounce” Review: Bouff Explores Resilience and Desire on New EP - Afrocritik
“Son of the Soil” Review: Not3s Embraces His Cultural Roots and Rhythms on New EP - Afrocritik
“Son of the Soil” Review: Not3s Embraces His Cultural Roots and Rhythms on New EP - Afrocritik
“Trench to Triumph” Review: Crayon’s Musical Odyssey is on Display in Debut LP - Afrocritik
“Trench to Triumph” Review: Crayon’s Musical Odyssey is on Display in Debut LP - Afrocritik
“Life Is Better Now” Review: Nana Fofie Tells an Emotive Story With Her EP - Afrocritik
“Life Is Better Now” Review: Nana Fofie Tells an Emotive Story With Her EP - Afrocritik
In Memory of Imole: A 10-Track Mohbad Playlist You Should Listen To - Afrocritik
In Memory of Imole: A 10-Track Mohbad Playlist You Should Listen To - Afrocritik
“Emotions” Review: Khaid’s Growth is Evident on Sophomore EP - Afrocritik
“Emotions” Review: Khaid’s Growth is Evident on Sophomore EP - Afrocritik
Fridayy Explores Soulful Narratives and Musical Triumphs on Self-Titled Debut LP - Afrocritik
Fridayy Explores Soulful Narratives and Musical Triumphs on Self-Titled Debut LP - Afrocritik
“Level Up” Review: Tha Boy Myles Sets a New Bar With Sophomore EP - Afrocritik
“Level Up” Review: Tha Boy Myles Sets a New Bar With Sophomore EP - Afrocritik
“THREEE” Review: KLY’s Album Reflects on Love, Lust, and Internal Conflicts - Afrocritik
“THREEE” Review: KLY’s Album Reflects on Love, Lust, and Internal Conflicts - Afrocritik
Afrocritik’s Top 30 Songs in the First Half of 2023 - Afrocritik
Afrocritik’s Top 30 Songs in the First Half of 2023 - Afrocritik
“Blessed” Review: With Sophomore Extended Play, Mohbad Marks Triumphant Comeback - Afrocritik
“Blessed” Review: With Sophomore Extended Play, Mohbad Marks Triumphant Comeback - Afrocritik
“That Uzere Boy” Review: Savage Unleashes a Sensory Feast with Sophomore Effort - Afrocritik
“That Uzere Boy” Review: Savage Unleashes a Sensory Feast with Sophomore Effort - Afrocritik
“Dues” Review: Sean Tizzle's Work Is a Triumph of Talent and Growth - Afrocritik
“Dues” Review: Sean Tizzle's Work Is a Triumph of Talent and Growth - Afrocritik
Davido’s ‘Timeless’ Cover Art Explained
Davido’s ‘Timeless’ Cover Art Explained
Ajebutter22’s Soundtrack To The Good Life Album Review
Ajebutter22’s Soundtrack To The Good Life Album Review
Wande Coal’s ‘Legend or No Legend’ Isn’t Bad…But It Isn’t Good Either.
Wande Coal’s ‘Legend or No Legend’ Isn’t Bad…But It Isn’t Good Either.
Mavin’s Chapter X Is the Album We Never Knew We Needed
Mavin’s Chapter X Is the Album We Never Knew We Needed
The Wedding Scene in Blaqbonez’s ‘Back In Uni’ Music Video Explained
The Wedding Scene in Blaqbonez’s ‘Back In Uni’ Music Video Explained
Davido’s Timeless Album Review
Davido’s Timeless Album Review
Nas’ King’s Disease III Is a Classic Waiting To Happen
Nas’ King’s Disease III Is a Classic Waiting To Happen
Nigerian Music Projections for 2023
Nigerian Music Projections for 2023
Blaqbonez — Young Preacher Album Review
Blaqbonez — Young Preacher Album Review
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