ChiShon Lee·Jul 25, 2025Unfolding the Folded PageAn Interview with Artists Hsiao Yu-Chieh (蕭宇倢) and Fu Sheng-Ya (傅聖雅)
ChiShon Lee·Jul 25, 2025Showdown! Pixels VS BrushstrokesA Close Look at Yu Chih-Han (游智涵)’s Low-key Planar Experimentation
ChiShon Lee·Jul 24, 2025Chen Cheng-po’s Return to Nature and a New Curatorial PathLast year (2024) celebrated the 130th birth anniversary of Taiwanese painter Chen Cheng-po (陳澄波). To commemorate this, Chen Cheng-po…
ChiShon Lee·Jul 23, 2025The Sandbox and its Metaphor of CurationTaking Taipei Nuit Blanche 2023 as a case study, this essay argues that even when art exhibitions move outdoors, they often remain…
ChiShon Lee·Dec 14, 2024沙盒及其策展隱喻以2023年台北信義白晝之夜(2023)和台灣燈會《光源台北》為案例，說明藝術展演活動即使移至室外，仍受困於傳統美術館白盒子(White Cube)的策展思維，並提出以沙盒(Sand Box)為隱喻的戶外策展策略。
