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Reviews
November 89
GAS
Wolfgang Voigt’s 2008 release gets a new vinyl reissue that contextualizes its early archival material as the beginning of the GAS catalog: a prototype for his singularly blank, ominous style.
Role Model Hermit
mary in the junkyard
The London trio updates the naive humanism of 2000s indie-folk with modern dread and restless experimentation on its ambitious full-length debut.
Live at Lavender Country
Ralph Hill
Devotional music is given an ambient spin in these recordings of a 13-year-old Detroit preacher accompanied by atmospheric synths.
False LP A
Topdown Dialectic
The formerly anonymous electronic musician’s latest album is even more cryptic than his previous work: a vaporous blur of ambient dub techno in which all certainties dissolve.
More Reviews
Tranquilizer
Oneohtrix Point NeverBest New AlbumDrawing on a cache of commercial sample CDs, Daniel Lopatin assembles an impossibly dense and transportive electronic album that takes impermanence as its inspiration.
West End Girl
Lily AllenWith an album that doubles as an insider’s account of a tabloid divorce, the singer finds a new evolution of her signature style: Lightness isn’t a foil for irony, but a vehicle for hurt.
Repulsor
ShlohmoThe L.A. beatmaker turns aggressive on his fourth album—dialing up the distortion, flooding his beats with overdriven synths, and pushing anxious moods into the red.
More From Pitchfork
Features
Sunday Reviews
Celebrity Skin
HoleEach Sunday, Pitchfork takes an in-depth look at a significant album from the past, and any record not in our archives is eligible. Today, we look back at Hole’s third album, Hollywood in the late 1990s, and the redemption of Courtney Love.
First Floor
Theo ParrishEach Sunday, Pitchfork takes an in-depth look at a significant album from the past, and any record not in our archives is eligible. Today, we look back at the 1998 debut album from a Chicago-born DJ-producer who heard in house music the spirit of rebellion.
Filles de Kilimanjaro
Miles DavisEach Sunday, Pitchfork takes an in-depth look at a significant album from the past, and any record not in our archives is eligible. Today, we look back at the first real glimpse of electric Miles and the swan song of his brilliant Second Great Quintet.%2520album%2520art.jpg)
New York Tendaberry
Laura NyroEach Sunday, Pitchfork takes an in-depth look at a significant album from the past, and any record not in our archives is eligible. Today, we look back at the New York songwriter’s third LP, an album so painterly and poetic that it formed its own self-contained world.
MTV Unplugged
10,000 ManiacsEach Sunday, Pitchfork takes an in-depth look at a significant album from the past, and any record not in our archives is eligible. Today, we look back at the alt-rock band’s 1993 acoustic set, a swan song for the sensitive bohemians—and the biggest hit they’d ever release.
Caravanserai
SantanaEach Sunday, Pitchfork takes an in-depth look at a significant album from the past, and any record not in our archives is eligible. Today, we look back at Santana’s transitional fourth album, a transcendental convergence of rock, psych, and Afro-Cuban styles that absolutely rips.
Fanny Hill
FannyEach Sunday, Pitchfork takes an in-depth look at a significant album from the past, and any record not in our archives is eligible. Today, we look back at the 1972 album from Fanny, a real rock spectacle laced with tenderness, sisterhood, and impeccable riffs that just never got its due.
Book of Love
Book of LoveEach Sunday, Pitchfork takes an in-depth look at a significant album from the past, and any record not in our archives is eligible. Today, we look back at the beguiling debut album from a quartet of art-school students who brought a slyly subversive touch to club-friendly new wave.
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