may I take your order, please?

Image
photo by salmonus_
THE LANGUAGE OF WAITRESSES, 1979
by Valentina Gnup


I wear a red polyester dress
that laces in front
(think bodice or wench)
with a pair of ruffled underpants,
(think baby doll or can-can dancer).
I’m almost twenty-two and aware of my effect on men.

The bar is down a long hall—
I balance pink ladies and tequila sunrises
on a round cork tray while dodging drunk guests
and other waitresses.
I flirt shamelessly, an autopilot of smiles
and one-line comebacks.
I pretend to listen to every story and dumb joke
as I run through the list of specials in my head.
The manager propositions me,
he says sleeping with one woman
your whole life is like eating only vanilla ice cream.
I kindly decline then serve dinner to his wife and kids.

Tonight the fried chicken is underdone,
the line cook tells me to give the meat
a little radar love.
He tells me to 86 the halibut
and asks me to refill his Coke.
On my break, I eat the same salad from the salad bar
and stop a run in my nylons with clear nail polish
I borrow from Sharon, a woman
who has waited tables for thirty years.
She says you could do something more with your hair,
Sweetheart, and hints at the wisdom of push-up bras.

At the end of my shift,
I spend thirty minutes on side work—
marrying ketchup bottles,
filling salt and peppers, slicing lemons.
The busboy hoses down the rubber floor mats
under the fluorescent light,
the cook blasts Foreigner’s
Feels Like the First Time from the kitchen radio.
I clock out at 11:15 and drive home in my Plymouth Arrow.
I sit alone at the kitchen table,
my hair smells like greasy fish, my feet ache.
I count my tips—
I smooth the short stacks of dirty wrinkled ones,
I build my little coin towers.

~ from Ruined Music (Grayson Books, 2024).

*

Image
Tequila Sunrise photo by Spencer Bergen.

When I was around 10, I told my mother I wanted to be a waitress when I grew up. It looked like fun — talking to customers, describing the specials, bringing out trays of delicious food that made hungry people happy. You got to wear a spiffy uniform, and if you were good at your job, customers even gave you sizable tips!

Continue reading

[royal review] It Started with a P by Brittany Pomales and Andrew Joyner

#65 in an ongoing series of posts celebrating the alphabet.

Image

Has worry or anxiety ever prompted you to overreact and later regret it?

Take a few choice words that begin with the letter Pparty, palace, pandemonium — and you have the perfect formula for the playfully penned picture book, It Started with a P by Brittany Pomales and Andrew Joyner (Flamingo Books, 2025).

Image

The night before his birthday, young King Liam dreams that his special day is ruined. He can’t remember precisely what ruined it, only that it started with the letter P. Patient royal advisor Cedric tries to help pampered Liam jog his memory. Was it a pigeon? Popcorn kernel? Piranha?

No, no, and no! Liam has a monster meltdown, declaring, “Everything that starts with the letter P must go.” Though Cedric has experienced many of these tantrums before, this celebration crisis definitely takes the cake.

“Everything? Even the pepperoni pizzas for tonight’s party?”

Party! How could we possibly have a party at a time like this?”

Image

So placating Cedric sets to work purging the palace of Ps: tosses pepperoni pizzas out the window, donates king’s presents, pops the piñata, shoos pigeons off the parapet, fishes piranhas from the moat. He even gathers all the pants in the kingdom — long, short, old, new, scaredy, smarty, fancy, even his own, which he feeds to the royal goat, Percival.

King Liam is pleased, confident that his nightmare couldn’t possibly come true now — until Cedric mentions that people were invited to the party. People? They must all go too, all except Cedric, who’s an Advisor (begins with A).

Image
Continue reading

just ask the postman

“If you hear a voice within you say ‘you cannot paint,’ then by all means paint, and that voice will be silenced . . . What is done in love is done well.” ~ Vincent van Gogh

Does art really matter? Should we listen to critics? The narrator in this poem has an interesting conversation with a Van Gogh masterpiece.

Image
MY AFTERNOON WITH THE POSTMAN
by Barbara Kingsolver


The day of the cruel review, I fled
to the museum believing beauty
might cotton the clappers of all these
alarm bells in my head. Beauty failed.
I sat on a bench in the corner with The Postman.

Who knows why they put him in that corner?
The proudly functional blue hat. Beard
like a spring flood. Red-rimmed eyes
unnerving. Or no, disarming. Sympathetic.

Critics are asses, I told him. Why make art
for people who never make anything,
who live only to dismember it and send
its creators to sit in the corner like children?

The Postman appeared content with his position.

But artists, I insisted, we who make ourselves
of self-critical bones, self-critical skin! This is not
some business of rapping us on the knuckles.
This is knowing the peanut allergy
and making the peanut butter sandwich.

The Postman wasn't biting.

I tried gossip, thinking surely every postman
has carried a neighborhood story or two around
in his bag: my critic's squalid habits, his vendetta
against my friends -- those nitpickings roused
the interest you'd expect from a dead French mailman.

Fine, then. What kind of mail did you bring Van Gogh?

That did it. Mostly bills. Tabac, le caviste,
the regular gathering storm of the landlady,
he was always short of cash. You know. Artists.


So much for my gloomy party. I'm not starving.
I changed the subject: He gave you the eyes of Christ.

Not really. It's a good likeness. Even my wife
thought so. Augustine, now there was a critic.


Really, those are your eyes?

Must be. He couldn't pay anyone else to sit for him,
the girls who smile for a price. The faces he could
afford were sunflowers. He didn't know a soul
when he came to Arles, asking me every day for news
of the locals, even news of their cats, anything
to keep me there on his porch to light a pipe with him.


He made you look like Socrates.

Lonely men mistake kindness for a philosophy.

People think genius thrives in tortured isolation.

Lonelier ones can mistake contempt for kindness.

You're suggesting I'm lucky to know the difference.

For example, that painter friend of his who kept promising
to visit! Vincent wagged his tail like a dog, for that man.


Gauguin, we've all heard about that. His tormenter.

I was the one to fetch him from the hospital, after
the incident. I took him for a good dinner.


So I'm asking, was it criticism that did him in?

Critics are flies. They buzz. They vanish, unremembered.

But the hate mail. You would know -- did anyone say
he had no business making stars so fierce, or trees
so pointed, the whole thing uncomfortably much
too close to the truth of the mess we're in?

They didn't have to. They just didn't buy his paintings.
No one had to be told not to buy a painting.


It's different now. Critics tell millions of people not
to buy our work, who mostly weren't going to buy it
anyway. The artist risks unending humiliation.

Also unending love, but that is not the point.

I have to ask, then.

Madame, what could I tell you
more than one hundred years after all
the postmen I knew in Arles, all the women,
smiling or otherwise, throwing water on
alley cats, the cats themselves, the stars
and trees such as they wreak havoc and also of course,
the artist: gone entirely.
Look at you looking into the eyes of a stranger
for the consolation of his quiet ear.


~ from How to Fly (In Ten Thousand Easy Lessons) published by HarperCollins, 2020).
Image
“The Postman” by Vincent van Gogh hanging in the left corner of Room 2, North Wall, Barnes Foundation Gallery in Philadelphia.
Continue reading

felicity house: inside and out

Image

There’s nothing like seeing the world through an artist’s eyes, and I love how Felicity House brings it into focus with her beautiful paintings.

Based in Dorset, England, Felicity primarily works in pastels, sometimes incorporating watercolor and oils. Though I was first drawn to her food still life paintings (no surprise), as well as her domestic interiors (mainly the kitchen ones), her landscapes and figuratives are equally stunning. All invite the viewer to engage with the visual narratives they convey while delighting in the energetic lines, appealing compositions, and lush colors.

Image
Image

Isn’t this plate of strawberries scrumptious? Look at the light in this piece, how it reflects off the spoon and the surface of the cream. The plate and tablecloth patterns add texture and soft background colors that set off those plump, fetching berry-reds to perfection. I want to reach in and grab one right now!

Image
Felicity House in her Bournemouth studio.

Felicity was born with the creative gene and has been drawing since childhood. Since paper was often in short supply for the budding artist, she drew on whatever surfaces she could find, from the insides of unfolded food cartons, to the plain endpapers of books, even the walls hidden behind her bedroom curtains.

Continue reading

the sweetest song

“A bird does not sing because it has an answer; it sings because it has a song.”  ~ Maya Angelou

Image
“Evening Grosbeak” by Ashley Wolff (20% of the proceeds from this OOAK gouache will be donated to The Nature Conservancy in Vermont).

With Earth Day coming up on Wednesday and John James Audubon’s birthday on the 26th, I’ve been thinking about wildlife conservation, particularly regarding birds.

Did you know that since 1970, about 30% of the avian population in the U.S. and Canada has disappeared? That tallies up to 2.9 billion adult breeding birds in every biome. This extinction has been driven mainly by human activity: habitat destruction (mainly deforestation), agricultural expansion and pollution (pesticides), and climate change.

Image
“Olive-sided Flycatcher” by John James Audubon.

Sorry to say, common species like Juncos, White-throated Sparrows, Eastern and Western Meadowlarks, and Red-winged Blackbirds have suffered the greatest losses. More reason to be grateful every time I spot or hear a Robin, Bluebird, Nuthatch, Chickadee, Carolina Wren, or Cardinal in our woods. How desolate our world would be without their beauty and songs!

Recently I’ve had “Songbird” by The Lonely Heartstring Band on continuous loop. This beautiful piece of music was written by founding members George Clements and Patrick M’Gonigle. The lilting, plaintive melody, bird’s point of view and exquisite musicianship are moving and impactful. Enjoy this performance filmed at the Stone Mountain Arts Center in Brownfield, Maine. 🙂

Continue reading