Aside from putting down the recipes I want to remember, I’ve hardly written anything at all over the last year. (Can you tell exactly when my 4-year old dropped her nap?) I have, however developed the habit of being a book-squirrel. What is a book squirrel? Much like squirrels cache nuts all around their woods or neighborhood so they can always find some when needed, I have books waiting for me wherever I go. A mystery or light novel next to the bed; a non-fiction book waiting for me in the office, an audiobook on Libby when I get in the car… This has kept me nearly continuously reading, despite the lack of stretches of free time I used to enjoy.
Audiobooks, in particular, are a new habit for me. I have always found that while attempting to listen to an audiobook my mind would wander and suddenly I would be 10 minutes deeper into the book with no awareness of what had passed. Then, I borrowed Patrick Stewart’s memoir (read by himself) on Libby and discovered that listening to him felt almost like having a conversation, and I was able to attend to it and enjoy that conversation. I began borrowing more audio memoirs (always read by the author) from the library, one after another. I had never read more than 1 or 2 memoirs before, but I finished 11 this past year!
This week, I am taking my traditional mid-winter mental health break from work, going out for coffee, hiking in snowy woods, cooking warm food, meeting up with friends, trying to write a little, and – of course – reading. Without further ado, here are my awards for the 2025 Oscars of books, selected from the books I read in the past year:
Actor in a Leading Role (Best Male Main Character): Schmendrick the Magician in The Last Unicorn by Peter S. Beagle. I have watched the 1982 animated film based on the novel several times, but until this year, I hadn’t read the book. I discovered a meditation on the pain of feeling unknown by the people around you, on loneliness, on age, and on the nature of fairy tales. Schmendrick was far more interesting than his movie counterpart, as a would-be sorcerer in search of mortality.
Actor in a Supporting Role (Best Male Side Character): Sam Clay in The Amazing Adventures of Kavalier and Clay by Michael Chabon. I’m not sure what to say about Sam, aside from the fact that I love him dearly. A few months after I had read it, an acquaintance came over and as we were talking about books, he commented on this one from my shelf. He said that this was one of his favorite novels, which he read around the same time that he came out as gay, and that he found Sam’s storyline particularly moving.
Runner Up: Lebannen from The Other Wind by Ursula K. Le Guin.
Actress in a Leading Role (Best Female Main Character): Tenar in The Other Wind by Ursula K. Le Guin. This is Tenar’s second appearance in my book Oscars. In this book, her daughter is grown, she has grandchildren, and her relationship with Ged has deepened. Watching her gently coach the next generation and cope with death and loss of a different kind (and at a different stage in life) touched me in the “mother” part of my heart. I admire her wisdom, her strength, and her capacity for love.
Actress in a Supporting Role (Best Female Side Character): Seserakh in The Other Wind by Ursula K. Le Guin. In Seserakh, LeGuin shows a different kind of bravery from what we may expect in a fantasy adventure, a hidden kind of intelligence, and a surprising growth – from insecure to centered – through the course of the book. Le Guin continues to be the master.
Add a Category! – Best Non-Binary Character: ART in Artificial Condition by Martha Wells. So, I didn’t actually enjoy All Systems Red that much, but then a friend loaned Joe a tall stack of Murderbot novellas and there they were, so I read them. I was tickled by a bot pilot on a research transport vessel teaching Murderbot how to better pass as human, and also! showing Murderbot it’s okay to care.
Animated Feature Film (Best Graphic Novel Romance Novel): Book Lovers by Emily Henry. I actually didn’t read any graphic novels this past year, but I did pick of a handful of romance novels over the summer and fall – a first for me. I found them to be delightfully quick and entertaining reads, and some of them surprisingly thought-provoking about the nature of relationships. Should it be any surprise which my favorite was? Book Lovers has a setting in the publishing world and a strong sub-plot about sisters. I read it on a weekend trip with my extended family. My sister and I shared a room, so I sat on the floor of the closet late at night to finish reading it without the light disturbing her.
Cinematography (Setting): The City in Glass by Nghi Vo. This one was a birthday present from a friend. Vo writes about the City in a way that is somehow very physical – almost tactile. The city of Azril is as much of a character as the demon or angel that fight for control of it.
Costume Design (Best Cover Art): Arboreality by Rebecca Campbell, cover by Rachel Yu Lobbenberg. The cover is dark and subtle, but reflective of the themes of the novella: fire, loss, and the importance of growth.
Directing (Favorite Author): Robin Wall Kimmerer. I can’t say I enjoyed The Serviceberry as much as I did Braiding Sweetgrass, but Kimmerer still takes the cake for author I admire and who’s work and research is vitally important.
Documentary Feature Film (Best Nonfiction Book): Deep: Freediving, Renegade Science, and What the Ocean Tells Us About Ourselves by James Nestor. Perhaps the first book I’ve read that comes with a medical/liability disclaimer in the front cover. I didn’t know anything about the fascinating and terrifying world of freediving before I picked this book up from the library. Deep showed me so many things about the depths of the ocean that I had never fathomed before, some of which impacted my outlook not just on the ocean, but on life itself.
Documentary Short Film (Best Essay or Memoir): Crying in H Mart by Michelle Zauner. I had never actually listened to the indie pop band Japanese Breakfast before reading her memoir about her mom’s death from cancer and navigating the relationship with her Korean heritage, but knowledge of her music is not really needed appreciate this book. While reading, I found myself wondering: how does she create such a beautiful story from such tragic events? How does she paint such beautiful and nuanced portraits of the people around her? It is well-written and insightful… and made me want to learn to cook Korean food.
Film Editing (Editor of a Collection or Magazine Best Audiobook): Kitchen Confidential: Adventures in the Culinary Underbelly by Anthony Bourdain. Read by Bourdain at a rapid pace, hearing this in his own voice transformed the essay collection from an informative (if crass at times) read to an wild time-capsule filled with intensity and joie de vivre that, upon opening, imparts a tinge of sadness and nostalgia to the reader.
International Feature Film (Book in Translation): Drive Your Plow Over the Bones of the Dead by Olga Tokarczuk, translated from Polish by Antonia Lloyd-Jones. Wow. While reading this book, I did not know if I thought it was a social commentary on marginalized people, a mystery, magical realism, thriller, or… something else. I read this one slowly to savor it, and bought a copy for my librarian friend for Christmas.
Makeup and Hairstyling (Best Mystery/Thriller/or Horror Book): Brother Cadfael’s Penance by Ellis Peters. A worthy end to the series. (And I like any part of the Cadfael books that includes Olivier de Bretagne.)
Music (Best Book-Related Social Media): Bodelian Libraries’ instagram. The Bod is the main research library of the University of Oxford, the second-largest library in Britain, and home to many of J.R.R. Tolkien’s manuscripts. On the instagram page, you will find pictures of medieval documents, beautiful architecture, and more.
Best Picture (Best “Literary” Fiction Book): Drive Your Plow Over the Bones of the Dead by Olga Tokarczuk, translated by Antonia Lloyd-Jones. I picked this one up because Tokarczuk won the Nobel prize a few years back. I’m no expert on literature, but I thought this novel was flawless.
Production Design (Best Publisher): American Academy of Pediatrics. Thank you, AAP for Digging Into Nature: Outdoor Adventures for Happier and Healthier Kids, for Caring for Your Baby and Young Child: Birth to Age 5, and for vaccine standards that resist the CDC’s nonsense.
Short Film (Animated) (Best Children’s Book): The Skull by Jon Klassen. This book has been quoted regularly in our house over the last year. Beautiful art; spooky, yet cozy.
Short Film (Live Action) (Best Short Story Collection): The Ladies of Grace Adieu and Other Stories by Susanna Clarke. A collection of short stories in the same setting as Jonathan Strange & Mr Norrell, Clarke’s style and her precision with characterization are excellent.
Sound (Best Poetry): The Odyssey, translated by Robert Fagles. I really don’t read much poetry, so the competition for this category was not steep, but I was impressed by how much of the story was about family, about treating guests well, and about respect. I would like to read another translation soon to compare.
Visual Effects (Best Sci-Fi/Fantasy Novel): Arboreality by Rebecca Campbell. I bought this one because it won the Ursula K. Le Guin Prize for Fiction. Although it paints a bleak future where climate change and forest fires have destroyed much of civilization, it gives me hope to see images of people persevering and finding love, beauty, and happiness – even when it seems all is lost.
Writing (Adapted Screenplay) (Best Book Adaptation): Murderbot Season 1. I didn’t really get why people liked The Murderbot Diaries until I watched the show, which is funny, exciting, filled with interesting characters, and depicts a kind-of-autistic Murderbot trying to function when surrounded by people who keep trying to – ugh – make eye contact and talk about feelings.
Writing (Original Screenplay) (Best Prose): The City in Glass by Nghi Vo. This is the second time I’ve placed Nghi Vo’s work in this category. I recommended this book over and over to friends based on her writing alone. This story is not built by mere words on paper; those words are made of the very dirt, water, salt, and blood that built the City of Azril.





















