Writing Competitions to Enter in January and February

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Jane Austen’s bureau, seen and admired on a visit to Chawton back in 2015.

At the beginning of a new year, here are some suggested writing competitions to inspire you.

Discoveries 2026. The writer development programme from The Women’s Prize Trust is inviting entries from aspiring women novelists. Prizes will be given for novel manuscripts by unpublished unagented writers in any adult genre. Submit the first 10,000 words and a synopsis between 500 and 1,000 words. Novel manuscripts do not have to be completed. The winner will be offered representation by Curtis Brown and £5,000. Shortlisted writers will be offered a mentoring session with a Curtis Brown agent, a free place on a six week Curtis Brown Creative online course and a studio session focussed on writing and recording for audio with Audible. One writer will be named ‘The Discoveries Scholar’ and win a free scholarship to attend a three-month Curtis Brown Creative Writing Your Novel course worth £2,000. Longlisted authors will receive a bespoke two-week online Discoveries Writing Development Course and an annual Audible subscription. Entry is free. Closing date 12 January. Details: https://womensprize.com/writers/discoveries/

Fiction Factory First Chapter & Synopsis Competition 2026. Win £500 and an appraisal from a literary agent in this competition for writers who have completed the first draft of a novel. The winning entry will also be read by Joanna Swainson of Hardman & Swainson Agency. All shortlisted entries will receive a free appraisal. Send a maximum of the first 5,000 words of the first chapter plus a one-page synopsis. If the first chapter is longer, send it in full, but clerly mark the 5,000 word point. Entry if £18. Closing date 31 January. Details: https://fiction-factory.biz/first-chapter-synopsis-competition/

Bristol Short Story Prize for stories up to 4,000 words. Prizes: £1,500, £500 and £250. Entry fee £14. Closing date 31 January. Details: bristolprize.co.uk

New Writers Flash Fiction Competition for up to 300 words. Prizes: £1,100, £300, £200. Entry fee: £10 to £27. Closing date 31 January. Details: newwriters.org.uk

Bath Flash Fiction Award wants up to 300 words, with prizes of £1,000, £300, £100 and two highly commended stories given £30 each. All 50 longlisted stories will be offered publication in an anthology. Deadline 1 February. Details: http://www.bathflashfictionaward.com

W&A Short Story Competition 2026. Win an Arvon Residential Writing Week in the free-entry competitions for stories on the theme of ‘play’. To enter, submit original, unpublished short stories up to 2,000 words on the theme shown on the website. The winner will receive a free Arvon Residential Writing Week. Entry is free, but all entrants must register on the W&A site. Closing date is 13 February. Details: https://www.writersandartists.co.uk/competitions/writers-artists-short-story-competition-2026

Farnham Flash Fiction Competition for up to 500 words. Prizes: £100, £25. Entry £5. Closing date 15 February. Details: farnhamfringefestival.org

The Edinburgh Short Story Award 2026, run by Scottish Arts Trust, is for original, unpublished short fiction under 2,000 words. The prizes are £3,000, £500 and £250. There are also prizes for the Isobel Lodge Award for the best story by and unpublished writer resident in Scotland (£750), the Write Flash Mango Award for stories that are fun, amusing, or bizarre (£300) and the First Write Award for the best story by an unpublished writer (£300). The entry fee is £11 per story. Closing date: 28 February. Details: storyaward.org.

CWA Emerging Author Dagger 2026 is for unpublished and unagented crime writers looking for agent representation and a publishing contract. The winner receives £500. They must never have had a publishing contract for a novel of any kind and must not have self-published their entry or any piece of writing of more than 20,000 words. To enter, submit the first 3,000 words of the crime novel manuscript and a synopsis of up to 1,500 words. Entry is £42. Closing date 28 February. Details: https://thecwa.co.uk/awards-and-competitions/the-daggers/the-entry-process

Exeter Writers Short Story Award for up to 3,000 words, not including the title. Prizes £700, £350, £250. Deadline 28 February. Details: exeterwriters.org.uk/p/competition-2.html

Margery Allingham Short Mystery Competition for mystery stories up to 3,500 words. Prizes: £500. Entry fee £25. Deadline 27 February. Details: thecwa.co.uk

Fish Flash Fiction Contest for stories up to 300 words. Prizes 1,000 euros, 300 euros. Entry fee 16 euros. Closing date 28 February. Details: ww.fishpublishing.com

As ever, please double-check entry details in case we have made an error.

A Barbara Pym-ish story for 2026: Scent in Autumn

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‘Life is cruel and we do terrible things to each other,’ says Ned in Barbara Pym’s novel The Sweet Dove Died published in 1978. They certainly do in this novel, where most of the characters are weak or unlikeable. Ned is the only really nasty character in all of Barbara Pym’s fiction, but the heroine Leonora Eyre is unsympathetic enough, until her fragile life falls apart and we can begin to see how vulnerable she is underneath the artificial face.

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The Sweet Dove Died is still in some ways a sad book. There’s little of the comforting comedy Pym fans delight in. However brilliant the writing, it may not be a favourite for many readers. What are we meant to make of the ending, which seems bleak, as if Leonora is unable to escape from the cage she has created for herself. But perhaps there are clues earlier in the novel that all is not lost. It’s with this hope in mind, that I wrote a short story about what might happen to her afterwards:  Scent in Autumn.

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Writing Competitions to Enter in December

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Christmas is a busy time, but hopefully you might be able to snatch a half-an-hour for your writing. Or perhaps dig something out of that bottom desk drawer to enter into one of these competitions.

250 Flash that tells an entire story in just 250 words. The entry fee covers two pieces of flash fiction. Prizes: £200, £50. Closing date: 15 December. Details: http://www.writers-online.co.uk

Globe Soup Open Short Story Competition 2025 for stories up to 8,000 words in any genre. The winner will receive £2,000 with a runner-up prize of £1,000 and a third prize of £500. Entry is £16 for one story, £24 for two and £30 for three. Closing date 16 December. Details: https://www.globesoup.net/2025-open-short-story-competition


Free Flash Fiction Competition for between 100 and 300 words, on any theme. Prizes: £150. Entry fee: £3.95. Closing date: 23 December. Details: creativewriting.i.e./competitions

Grand Flash 2025 in Writing Magazine’s contest for 500-word stories. Prizes: £1,000. Closing date: 31 December. Details: http://www.writers-online.co.uk

Kemp Town Bookshop is Brighton’s oldest independent bookshop and has launched a competition to celebrate its 50th birthday. The (wonderful!) theme is bookshops. Winners will be included in an anthology. There are three categories: flash up to 250 words; short story up to 3,000 words; poetry of no more than 42 lines. Entry is £10. Deadline: 31 December. Details: online via Mslexia Magazine Writing Opportunities

Not a lot of options, but you only need one to win…! Please remember to check details before entry.

THE VERY HAPPIEST OF CHRISTMASES FROM NINEVOICES

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Creative Writing Competitions to Enter in November

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May the glorious colours of the National Trust gardens at Sheffield Park inspire you to enter something in one of the following competitions.

You’ll need to get your skates on for the Caledonian Novel Award, since the closing date is tomorrow, November lst. They are looking for novels by unpublished writers and offer £2,000 in prizes. Entry fee is £25. Full details: the caledoniannovelaward.com

Scribble Annual Short Story Competition also has a November lst deadline and is looking for stories up to 3,000 words. The prize fund is £100 and entry is £5. Details: http://www.parkpublications.co.uk

Dark Tales are looking for stories from crime to supernatural, horror to noir, and anything that will make readers scared to turn the lights out. Prizes are £200 amd £50. Entry fee: £7. Deadline is 15 November. Details: http://www.writers-online.co.uk

The Betty Trask Prize is for traditional or romantic (not experimental) first novels by authors under the age of 35 on 31 December. Prizes: £10,000. Entry: FREE. Closing date: 30 November. Details: societyofauthors.org

Cinnamon Press Literature Award for 10 poems, 2 short stories or up to 10,000 words of a novel. Prizes: publication. Entry fee: £18. Closing date: 30 November. Details: cinnamonpress.com

Fiction Factory Flash for stories up to 1,000 words. Prizes: £350 and publication. Entry fee: £6. Deadline: 30 November. Details: fiction-factory.biz

Fish Short Story Competition for stories up to 5,000 words. Prizes: 3,000 Euros. Entry fee: 22 Euros. Deadline: 30 November. Details: http://www.fishpublishing.com

Bath Children’s Novel Award for children’s and YA manuscripts. Prizes: £5,000. Entry fee: £29.99. Deadline: 30 November. Details: bathnovelaward.co.uk

Queen’s Knickers Award for an illustrated book for children aged 0-7 published in the last year. Deadline 30 November. Details: http://www.societyofauthors.org.

Details can be changed at short notice, so please remember to check everything before entry.,

Good luck!

Writing Competitions to Enter in October

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Autumn is with us, and what better time to get out your pens or laptops and let your imagination produce something outstanding – like these wondrous vegetable creations from Kent’s Speldhurst Flower Vegetable and Craft Show, back in 2004.

Bath Flash Fiction Award. For fiction up to 300 words. Prizes, £1000, £300, £100 and 2x£30 for commended stories. Entry £9. Deadline: 5 October. Details: bathflashfiction.com

The Bedford Competition 2025. Short story for unpublished short fiction up to 3,000 words. The winner will receive £2,000, with second and third category prizes of £300 and £200. There is also a £100 prize for a local writer and another for the best entry by a writer under 25. Entry is £8.50 or £17 for three stories. The poetry category is for unpublished poems no longer than 40 lines. Prizes are £2,000, £300 and £200, with £100 for the best local writer and £200 for the best writer under 25. Entry is £8.50 or £17 for three. Winning and shortlisted entries will be published in a Bedford Competition anthology. Closing date 31 October. Details: https://bedfordwritingcompetition.co.uk/#

The Caledonia Novel Award 2026 is seeking original novel manuscripts at least 50,000 words long by unpublished or self-published writers. Enter the first 20 pages and a 200-word synopsis. Longlisted writers will be invited to submit their full manuscript by 8 December. First prize is £1,500. There is a second prize of £500 and a special prize of a free place on a creative writing course at Moniack Mhor Creative Writing Centre for the best novel from the UK and Ireland. Entry is £28 per novel manuscript. Closing date: 15 October. Details: https://thecaledoniannovelaward.com/

London Magazine Short Story Competition for stories up to 4,000 words. Prizes: £750, £450 and £300. Entry fee £12 for the first, £6 for subsequent. Closing date 12 October. Details: http://www.thelondonmagazine.org

Flash 500 Novel Opening Competition for the first chapter (up to 3,000 words), plus a synopsis of up to 750 words. Prizes: £500 and £200. Entry fee: £10. Deadline: 31 October. Details: flash500.com

Southport Writers’ Circle International Short Story Competition for stories up to 2,000 words. Prizes, £200, £100, £10. Entry fee: £3. Closing date: 31 October. Details: swconline.co.uk

Competitions sometimes change their entry requirements, deadlines, or even cancel – so please check everything carefully before sending your work off to them.

Best of luck! All writers started somewhere…

Creative Writing Competitions to Enter in September

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The windows behind which Charles Dickens wrote so many of his books… Inspiration for you, perhaps?

Below are a few creative writing competitions to enter in September:

Aesthetica Creative Writing Award 2025. The short fiction writer will receive £2,500 plus a five-day online Arvon course, a six-week Curtis Brown short story course, a consultation with Redhammer Management and a subscription to Granta, Mslexia and membership of Litopia. The poetry winner will receive £2,500, two on-line Arvon poetry masterclasses, a six-week Curtis Brown, full membership of The Poetry Society, a course from the Poetry School and a year’s subscription to Poetry London, plus a year’s subscription to Granta and Mslexia and membership of Litopia. Enter short fiction of up to 2,000 words and poems up to 40 lines. Work may have been previously published. Entry is £18 for one poetry entry and £24 for one fiction. Deadline 8 September. Details: https://aestheticamagazine.com/creative-writing-award/

Mslexia Novel Competition for unpublished female novelists with at least 20,000 words. Enter the first 3,000 words. Longlisted writers will be asked to produce the full manuscript and a synopsis. First prize £5,000 and finalists will receive feedback from The Literary Consultancy and development opportunities via New Writing North. Entry £26. Deadline 22 September. Details: https://mslexia.co.uk/competitions/open-for-entries/

Mslexia Short Story Competition for up to 3,000 words. Top prize is £3,000, with the best 4 entries appearing in Mslexia magazine and the top 12 published in their anthology Best Women’s Short Fiction 2025. Entry £12. Deadline 22 September. Details: as above.

Mslexia Flash Fiction Competition for up to 300 words. Winner receives £500 and publication, with the top 4 being included in their anthology Best Women’s Short Fiction 2025. Entry £6. Deadline 22 September. Details: as above.

The Michael Round Prize 2025 is inviting submissions up to 1,200 words on the theme of “Far and Wide”. Prizes are £100 and £50 and entry is FREE. Closing date is 30 September. Details: https://croydonwriters.co.uk/2025/06/01/our-competition-opens/

The Moth Nature Writing Prize 2025 for prose or poetry exploring the natural world and our relationship to to. Maximum word count of 4,000 words, with all entries original and unpublished. First prize 1,000 euros and a week at The Moth Retreat in Ireland. Second and third prizes of 500 euros and 250 euros. Entry fee: 15 euros. Closing date 30 September. Details: https://www.themothmagazine.com/a1-page.asp?ID=9311&page=54

The Paul Cave Prize for Literature 2025 for poetry up to 30 lines, micro-fiction no longer than 100 words, short stories up to 1,000 words, novelettes no longer than 7,500 words and novellas up to 10,000 words. Prizes are £200 for best novella, £100 for best novelette, £75 for best short story, £35 each for best poetry and flash fiction and £25 for best micro-fiction. Winners and all approved submissions will be included in an anthology. Entry fees are £15 for one short story/£25 for two; £25/£40 novellettes; £30/£5 novella; £15 for up to three poems/flash fictions/microfictions/£25 up to eight. Closing date 30 September. Details: https://tsaunderspubs.weebly.com/the-paul-cave-prize-for-literature.html

2025 Hammond House International Literary Prize on the theme of “Secrets”, sponsored by University Centre Grimsby has four categories. Poetry, up to 40 lines. Prizes £1,000, £100 and £50. Short story, between 1,000 and 5,000 words. Prizes, £1,000, £500 and £50. Scriptwriting. Scripts for film, TV, radio or short film, up to 10 pages. Prizes £100, £50 and £25. Entry fee £10. Closing date 30 September.

Do please remember to check all details are correct before entering anything.

Best of luck!

Creative Writing Competitions to Enter in August

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Let me kick off with an apology for there being no competition information for the month of July. Perhaps I can blame a spell being cast on me by a wicked witch and a naughty black cat …

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Anyway, to compensate here are a few creative writing competitions for the month of August. And remember, winning or being placed in a competition not only gives you tremendous encouragement, but could result in you being published. It has been known to happen…!

Aurora National Short Fiction and Poetry Prize 2025 for up to 60 lines of poetry or an up to 2,000 word short story. Entry fee £9. Prizes: Winner £500 in each category. Second £150. Third,ticket for the 2027 Writers’ Conference, hosted by Writing East Midlands. Deadline 6 August. Details: writingeastmidlands.co.uk/for-writers/aurora-prize-for-writing

The Bournemouth Writing Festival 2026 has partnered with Bournemouth University’s Bournemouth Writing Prize to celebrate its 10th anniversary. Enter original unpublished short stories (up to 3,000 words) and poetry (up to 30 lines). In each category there are prizes of £500, £300 and £200. Winners will be invited to a special celebration at the 2026 Bournemouth Writing Festival and also published in an anthology and in Dorset Magazine. Entry is £10 for one short story or a batch of up to three poems. Closing date 15 August. Details: https://www.bournemouthwritingfestival.co.uk/2026-writing-competition

Ajuda Foundation Creative Writing Competition 2025 is for writing that engages with the theme of mental health and wellbeing. It invites poetry up to 75 lines, short stories up to 2,000 words and autobiographical memoirs up to 2,000 words. All entries must be original and unpublished writing that addresses issues of mental health and wellbeing. Prizes are £100, £50 and £10. Entry fee of £10. Closing date 31 August. Details: https://foundationcreativewriting.my.canva.site/

Edinburgh Award for Flash Fiction 2025 is run by the Scottish Arts Trust. Categories are: The Edinburgh Flash Fiction Award is an international award for stories up to 250 words. Prizes are: £2,000, £500 and £250. The Golden Hare Award for Scottish Flash Fiction is for entrants resident in Scotland. There is one prize of £500. The Write Mango Award is for bizarre, quirky, funny stories. There is a prize of £500. First placed winners in each category receive free membership of Edinburgh Arts Club and there are also five commended prizes of £100. Entry £10 per story. Closing date 31 August. details: https://www.scottishartstrust.org/flash

Green Stories Flash Fiction Competition 2025 for stories under 500 words on the theme of ‘Epiphanies’ – flash fiction involving transformation when a moment of epiphany causes a character or characters to change and become more eco-conscious. Story categories are transport, home and garden, food, nature, consumption/waste, activism and other. The winner will receive £300 and there are seven £100 prizes for runners up. Entry is free. Closing date 27 August. Details: https://www.greenstories.org.uk/flash-fiction-competition-epiphanies-2/

Val Wood Prize for Creative Writing 2025 has a theme of ‘Secrets’. Requiring up to 1,500 words, in any genre, the first prize winner will receive £100 and a signed copy of Val Wood’s forthcoming novel (title to be confirmed). Two runners-up will each received signed copies of the new release, due out in winter 2025. Deadline 31 August. Details http://www.valwood.co.uk.

As ever, things get changed or cancelled at the last minute, so do please double-check details before entering anything.

Some black cat luck for you…

Memoirs of a Giving Kind

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A raw, honest and moving memoir of caring for a baby with a rare and life-threatening illness. 

When Vida is born to Mina and husband Freddie, it is love at first sight. She is perfect. But it is also clear from early on that something is not right.

Words from the front cover flap of Mina Holland’s book Lifeblood, published this year by Daunt Books. 

On the back flap of this beautifully written and produced book is a photo of Mina Holland, a writer based in London, and previously an editor at the Guardian’s ‘Feast’ magazine. This is her third book; it’s not her first about food – though food does come into it…

Baby Vida was diagnosed with Diamond Blackfan Anaemia Syndrome, a rare blood disorder. Lifeblood tells the story of the first few years: the fear, isolation and engulfing life changes in caring for a child with a devastating condition needing constant and harrowing blood transfusions.  

Sharply-observed details of daily routine and telling insights into states of mind bring this memoir so vividly before us, it’s as if we are there with the family, gripped by everything happening to them. Mina Holland doesn’t skate over the reality, the bad days. There’s nothing of cosy triumphalism here, no whiff of self-congratulation. 

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Sometimes we feel a book is ‘sent’ to us when we need it – a book that speaks to us to where we are at a particular time, showing us we are not alone. Many years ago this happened for me with the book Simple Simon, about an autistic boy, written by his mother Ann Lovell, first published under the title In a Summer Garment in 1978. The language and terminology around autism have changed since then, but her story still speaks as strongly as ever, saying something infinitely valuable. 

 Today Mina Holland’s Lifeblood feels like this – a special book sent, likely to be read, and re-read, for the way it gives honestly and generously not only to parents facing a shattering diagnosis for their child, but to all of us.  

Creative Writing Competitions to Enter in June

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VE Day 80

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On this day when Europe remembers the end of fighting in WW2 (the USA fought on in the Pacific till September 1945), we share Tanya’s piece from 2022.

Why read Nevil Shute in 2022?

Nevil Shute (1899-1960) was once a best-selling author, but these days any fans who devoured his novels when young – and who still reach for their favourites in certain moods – are likely to be from the older generation.

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Some Nevil Shute  novels may feel dated, but there are others which speak as strongly today as they did when first published. Younger readers may only be familiar with A Town Like Alice, an enthralling story combining romance with the horrors of the second world war in the Far East. Nevil Shute’s novels often contain strong female characters, but Jean Paget is his most inspirational for her selfless courage and enterprise. It’s no surprise A Town Like Alice remains Nevil Shute’s best-loved and most popular novel.

Nevil Shute was an aeronautical engineer and pilot, and many of his books have an aviation or engineering backdrop. Not exactly tempting if you aren’t particularly interested in these areas and switch off when it comes to technical talk about flying and aeroplanes. But what’s surprising is that you become so gripped by Nevil Shute’s incredible story-telling and knack of creating instant empathy with his characters that what seems alien and uncongenial territory actually becomes quite interesting!

Devotees will have their own favourites, but there are four Nevil Shute novels I have found especially unforgettable. Pied Piper, published in 1942, is one of them.  John Howard, a retired country solicitor, dealing with his own grief, tries to escape from France in 1940 when it’s invaded by the Germans, looking after a collection of children he gathers up along the way.

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There’s no overblown heroism. You might think it an almost prosaic account of the journey and the dangers faced, but small details and incidents concerning the children bring Howard’s journey across France vividly to life. He demonstrates those qualities typical of characters in Nevil Shute’s novels – a sense of duty, doing what needs to be done whatever the risks, facing difficulties and discomfort with calm and patience. An unassuming old man doing something remarkable.

The Chequer Board, published in 1947, is also a story of someone outwardly very ordinary – a terminally-ill man with a less than admirable past determined to make something of himself in the time left to him. He sets out to discover what happened to the three men, each of them with messed-up lives, whom he met in a hospital ward back in 1943. It’s a quest set against the racist and prejudiced attitudes about skin colour and nationality of that time – and we see how friendship can overcome the barriers human beings erect against each other.

These are themes further developed in Round the Bend, published in 1951, the novel that Nevil Shute considered to be his best. The narrator Tom Cutter, a pilot and entrepreneur, starts up an air freight business transporting goods across the Middle East and Far East, employing the Eurasian Connie Shak Lin. Connie is not only a first class engineer but a spiritual leader. He transforms the attitudes of the other workers with his teaching that doing good work with honesty and responsibility is the way to serve God.

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This novel might be seen as being about a spirituality that underlies and unites different religions. God is there for everyone. Significantly, when Tom and Connie were boys and working together for an air circus that travelled all over the British Isles, Connie ‘just went to any old church there was. He went to the nearest, whether it was Anglican or Methodist or Presbyterian or Roman Catholic. He went to a synagogue one time, at Wolverhampton. He collected churches, like another boy might collect cigarette cards or matchbox covers. The gem of his collection was at Woking, where he found a mosque to go to.’ The novel’s ending asks a question that the narrator cannot answer but goes on haunting his mind – and that of the reader.

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Nevil Shute’s 1957 novel On the Beach sears itself into the mind in another way. Radiation is drifting inexorably towards the southern hemisphere, after a nuclear war has destroyed the rest of the world. Soon radiation sickness will kill the earth’s last remaining people still alive in Australia. The novel looks with a matter of fact gaze at the way individuals choose to spend the final months of their lives – and how they will end them. A young couple with a baby make plans to grow trees and vegetables in their garden that they will never see. An American naval officer in Australia with his ship buys presents for his wife and children, as if unable to accept in part of his mind that they are dead.

On the Beach is terrifying and moving all at once. In this and all his novels, Nevil Shute gives us characters who find the courage and integrity to stand up for what matters. They can help and inspire us in our modern world – how to live and do our best wherever we are, in the time that remains to us.

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