My most memorable concert is …

Last month, the local paper issued this challenge:

“You tell us: What’s the most memorable concert you’ve ever been to in Green Bay?”

Challenge accepted.

We’re invited to nominate one memorable concert. We also can list two honorable mentions if so inclined. I’m so inclined.

Since 1979, I’ve seen about 100 shows in the Green Bay area. I made a list of my most memorable concerts. It had 24 shows on it. Now I have to narrow that to three. OK, here goes.

Ticket stub from the Chuck Berry concert at the Oneida Casino Three Clans Ballroom in Green Bay, Wisconsin, on Sunday, May 31, 2009.

Honorable mention No. 2: Chuck Berry at the Oneida Casino ballroom on Sunday, May 31, 2009.

Chuck Berry was 82 when he played here. Never thought I’d have the chance to see him live. After that show, you wondered whether he’d played for roughly an hour, or played roughly for an hour. He read poetry. Which was OK. With Chuck Berry, you never can tell. I’d taken my son, who was 14. Not sure what he made of it all.

At the time, the casino brought in lots of big-name music acts for insanely reasonable prices, a loss leader intended to drive free-spending visitors into the casino. I saw lots of shows there. My friend Todd helped book that show. One good story: Chuck Berry drove home to St. Louis from the show.

(It pains me to put Chuck Berry at No. 2 because it forces me to omit seeing Little Richard — another founding father of rock ‘n roll — at the casino in 2002 and 2007.)

Undated postcard, perhaps from 1974, of the Brown County Veterans Memorial Arena in Green Bay, Wisconsin.

Honorable mention No. 1: Eric Clapton with Muddy Waters at the Brown County Veterans Memorial Arena on Saturday, June 16, 1979.

You never forget your first. That was my first concert in Green Bay. I wasn’t even living here at the time. I went to the show with my girlfriend of three months. It was our first concert, and it was in her hometown. We drove through a fierce thunderstorm to get to the show. Memorable for those reasons.

But I remember almost nothing about the concert, least of all anything Clapton may or may not have played. Others who claim to have been there say Clapton was pretty fried. I can’t confirm or refute that. My lingering memory is of someone sitting up above us, throwing firecrackers down toward the Arena floor.

Ticket stub from the Def Leppard concert at the Brown County Veterans Memorial Arena in Green Bay, Wisconsin, on Wednesday, Dec, 9, 1992.

My most memorable concert in Green Bay: Def Leppard at the Brown County Arena on Wednesday, Dec. 9, 1992.

That night, I accompanied another young lady who wanted to see a concert at the Arena. She was a co-worker going through a separation or a divorce. She wanted to go, but not by herself. I was going, but I’d planned to go by myself. Understandably, there were certain rules for this outing. Everything had to be quite proper. It was.

We saw a tremendous show by a band at the peak of its video-driven popularity. It came roughly halfway through their Adrenalize “Seven-Day Weekend” World Tour, on which Def Leppard played 244 shows over 18 months. Ticket demand was so great that they added a second show in Green Bay, the show we saw. That almost never happens in Green Bay.

Def Leppard played the concert in the round, a setup rarely seen in the Arena. Still not quite sure how the band got on stage without being noticed, but the stage was built up above the Arena floor. Whatever. Everything they played was great, as was their showmanship.

It was an eye-opener for me. I was in my mid-30s, but I hadn’t seen a lot of concerts — maybe 15 shows over 20 years. Oooh, I thought, I gotta do this more often. By the time I reached my 40s, I did. I’d come to the realization that some of my favorite bands were not going to tour forever, and now that I could afford it from time to time, I should get out and see them live.

“That,” my friend Meat said, “is a pretty cool mid-life crisis.” I didn’t agree, but you had to smile at the notion, and it’s always made for a great story.

That oh-so-memorable Def Leppard concert got it all started.

Some background for those not familiar with Green Bay …

About a quarter of a million people live here. Our venues have ranged from Lambeau Field (capacity roughly 50,000 for concerts) to arenas of 10,000 seats (the Resch Center) and 6,000 seats (the old Brown County Arena) to theaters of 1,000 to 2,000 seats to smaller auditoriums, dance halls, nightclubs and bars.

This has historically been a second-tier stop on most concert tours, a place they visit after playing all the big cities, or a place to swoop in and fill a random open date. This also has been a place where bands or performers on the rise play some of their first shows.

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Filed under February 2026, Sounds

Gone in Threes, 2025

Giants: Jimmy Cliff (reggae), Sly Stone (Sly and the Family Stone, funk), Brian Wilson (Beach Boys, pop)

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Filed under January 2026, Sounds

Let’s hope it’s a good one

“Happy Xmas (War Is Over)” isn’t just a Christmas song. It also leans into New Year’s Day.

So this is Christmas
And what have you done?

Another year over
And a new one just begun

“Happy Xmas (War Is Over),” John Lennon and Yoko Ono, the Plastic Ono Band and the Harlem Community Choir, released as an Apple single, 1971.

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I’d long had this song on “Shaved Fish,” the 1975 compilation LP from Lennon and the Plastic Ono Band. Then I found the green vinyl 45 a few years back. Delighted to have it.

A very Merry Christmas
And a happy new year
Let’s hope it’s a good one
Without any fear

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Filed under December 2025, Sounds

Timeless Christmas wishes for us all

In 1966, Motown songwriters Ron Miller and Bryan Wells looked around and wondered just what the hell was going on in this land of ours. A lot of us wonder the same thing today.

A year later, 17-year-old Stevie Wonder voiced these wishes:

Someday at Christmas man will not failHate will be gone and love will prevailSomeday a new world that we can startWith hope in every heart, yeah

Record cover of "Someday At Christmas" LP by Stevie Wonder, 1967.

“Someday at Christmas,” Stevie Wonder, 1967, from the “Someday at Christmas” LP. (I have this cut on “A Motown Christmas,” the essential 1973 holiday comp on the Motown label.)

Maybe not in time for you and meBut someday at Christmastime

20 years later, in 1987, Pat MacDonald and Barbara K — the husband-and-wife duo that performed as Timbuk3 — looked around and wondered just what the hell was going on in this world of ours. A lot of us wonder the same thing today.

Their humble wish:

All I want for Christmas
All I want for Christmas
All I want for Christmas is world peace

Record sleeve for "All I Want For Christmas" by Timbuk3, 1987

“All I Want for Christmas (Is World Peace),” Timbuk3, 1987, from the 45 single.

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Filed under Christmas music, December 2025, Sounds

Christmas Eve with Satchmo and Irma

Please enjoy our traditional Christmas Eve post.

On a winter day now more than 50 years ago, Louis Armstrong went to work in the den at his home at 34-56 107th Street in Corona, Queens, New York.

On that day — Friday, Feb. 26, 1971 — he recorded this:

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“The Night Before Christmas (A Poem),” Louis Armstrong, 1971, from “The Stash Christmas Album,” 1985. That LP is long out of print, but the original 7-inch single (Continental CR 1001) seems to be fairly common.

Louis Armstrong The Night Before Christmas 45 sleeve

(This is the sleeve for that 45. You could have bought it for 25 cents if you also bought a carton of Kent, True, Newport or Old Gold cigarettes.)

There’s no music. Just “Louis Satchmo Armstrong talkin’ to all the kids … from all over the world … at Christmas time,” reading Clement Clarke Moore’s classic poem in a warm, gravelly voice.

“But I heard him exclaim as he drove out of sight, ‘Happy Christmas to all, and to all a good night. A very good night.’

“And that goes for Satchmo, too. (Laughs softly.) Thank you.”

It was the last thing he ever recorded. Satchmo, 69 at the time, died a little over four months later, in July 1971. Satchmo, gone 54 years now.

Rob’s Christmas wish.

Eighteen years ago, when this blog was not even a year old, our new friend Rob in Pennsylvania declared Irma Thomas’ rendition of “O Holy Night” to be “goosebump-inducing stuff.” It still is. Here you go, buddy.

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“O Holy Night,” Irma Thomas, from “A Creole Christmas,” 1990. It’s out of print. It’s also on “MOJO’s Festive Fifteen,” a Christmas comp CD that came with the January 2011 issue of MOJO magazine.

Enjoy your holidays, everyone.

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Filed under Christmas music, December 2025, Sounds