My work is an ongoing record of presence and the inherent instability in perception — where subjects reveal or resist fixed interpretation.
A Face is Not a Surface is an ongoing project examining how identity is constructed and read through images. The face appears not as a fixed surface, but as a shifting archive shaped by memory, context, and power.
A community gathers in a shared ritual shaped by generations of coexistence. People of different ages, genders, and roles move with an instinctive unity—an embodied choreography formed by long familiarity. The scene becomes a living testament to continuity, belonging, and the quiet harmony of lives intertwined over time.
A corridor becomes a space of in-between—a passage suspended between shadow and illumination. The figures at its far end embody the tension of liminality, where movement is both departure and arrival. Here, architecture becomes metaphor, revealing the subtle transformations that occur as one crosses from one state of being to another.
A raised hand interrupts the gaze, blurring the line between self-revelation and self-protection. The gesture becomes a negotiation of visibility—permission and refusal held in the same frame. In this fleeting moment, the image questions what it means to be seen, and how the self chooses its thresholds of exposure.
My work moves between photography, text, and curatorial practice. I am interested in presence—how it is framed, mediated, and understood across different contexts.
I develop long-term projects that explore the relationship between image, ecology, and cultural narrative.
For collaborations, commissions, or print inquiries, please get in touch
Communal Rituals
These works are a record of collective presence—the instinctive choreography of a gathering and the moments where individual lives intersect to create a temporary truth.
Personal Presence
A study of the subjects as they are—stripped of environmental context to focus on the cadence of their own person. These works are a record of presence, where hairstyle, clothing, and posture are not 'details' but the traces of a life lived. I receive these moments as they exist in the instance; an observation of the individual as a complete and solitary truth.
Studies of Form
A study of the objects that shape our daily rituals. By focusing on pure form, I document the tools of our existence with the same curiosity I bring to a portrait.
Architectural Memory
I view architecture as a reservoir of memory. This series examines the symmetry and structure of our built environment to reveal how spaces carry the weight of human history.
Biological Subjects
I am fascinated by the persistence of life in its most intricate forms. These works are a record of my attention—not a mission to explain the natural world, but a witnessed truth of its wilder inhabitants. From the piercing gaze of a primate to the deliberate geometry of a bird in flight, I am drawn to the individual presence of these subjects. This portfolio is a collection of traces, documenting the quiet, steady connections that exist in our shared environment.
