In conversation with James Bloom about Contingent, his release with Gottfried Jäger on objkt.one.

“Every technology carries an aesthetic.” - Tamara Moura

Our team has been hard at work, updating various parts of our core marketplace so that you can focus on what you do best: create and collect. And of course, we’re super excited to share it all with you.

Mario Klingemann on Tezos, the post-artist, and why automation breaks down.

Many artists describe the decision to leave a stable job to pursue a full-time career in art as a difficult turning point. For Goldcat, it was not.

They could easily be read as a deliberate evocation of retro-digital aesthetics—a strategy widely used today to evoke technological nostalgia. And yet, they were produced in 1986, using PC Paintbrush on an IBM personal computer, by an artist born in 1919. 

He is interested in systems — both existing and hypothetical — and has described his practice as a kind of petri dish for testing and tuning them.

An interview with Cris War and Vlad Dita on +/−, their new drop on objkt

Frank’s works cannot just be viewed, they must be experienced.

Colors of Happiness does not operate through opacity or layered metaphor; its language remains legible, even direct.

“Machines are instructed to look at what I want to explore, and that is a crucial part of my artistic gesture.”

Dragons, in folklore, are creatures that exist at the border between the known and the unknown — powerful beings that cannot be fully controlled. In Mapan’s series, the role of the dragon is played by the algorithm.

“Life unfolds through repetition”.

When using a platform to mint, collect, or sell NFTs, it’s easy to assume everything lives “on the platform.” In practice, that’s not how it works, at least not here.

“I’m a romantic at heart.”

The artist can tell you all about his most recognized creation.

In conversation with Frederik De Wilde on data, heat, and the afterlives of computation.

“I think that as we move forward, finding each other in the digital sea is going to be the very best thing we can do for art.”

When his father passed away, Nadler was eighteen. He inherited two passions that would come to structure his life and practice: Japan and wine.

In conversation with Tan-Tan and zofi au gore on games, glitches, and memories.