It’s The Intention That MattersWe ask ourselves: what is the emotion we want to evoke? What information do we want to impart, or what visual do we want to reveal? Put…Apr 10, 2025Apr 10, 2025
The Concept Is KingThis is a concept-driven industry now. For better or for worse. The concept should be unique but just as important: the unique thing should…Mar 27, 2025Mar 27, 2025
It’s your movie. Put the reader in the audienceIf we can get the reader to see the images and feel the emotions, we can transmit our enthusiasm and excitement for the project to them.Mar 13, 2025Mar 13, 2025
Finding The Core Belief: The Impact of the Flat-Arc ProtagonistStories where the protagonist remains steadfast in their beliefs and, in doing so, changes everyone around them. This is called in some…Feb 27, 2025Feb 27, 2025
How To Incorporate Screenplay Notes From Friends, Writers Groups, and Others.This week is a different kind of development challenge. What to do with notes from friends, family, other writers, coverage, contests, and…Feb 14, 2025Feb 14, 2025
Navigating Screenplay Development Without Getting Fired.Early in my screenwriting career, I was insecure, combative, and a pain to work with. Here is how I turned that around.Jan 30, 2025Jan 30, 2025
Exposition: Find The Emotional Connection In Your ScreenwritingThe early challenges of sloppy exposition are due mainly to a lack of confidence and trust. Which is also kind of the bad news. It takes…Jan 16, 2025Jan 16, 2025
Make Your Screenplay More Readable: Write VerticallyPut simply, writing vertically refers to making choices that push the reader’s eyes DOWN the page more often than they go ACROSS the page.Jan 2, 2025Jan 2, 2025
Navigating the Rewrite Process: Finding New PerspectivesThere’s nothing magical about the rewrite.Nov 17, 2024Nov 17, 2024
Five Phases of Feature DevelopmentI left my last agents at Paradigm over a disagreement about two spec scripts.Nov 4, 2024Nov 4, 2024