Music with a beat!

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You see quite a few reprints of old music memorabilia so it’s quite a treat when something turns out to be original, as this flyer issued by Capitol Records turned out to be. What I liked about it was not the cheap design but the context it gives to the early days of Fifties rock and roll. It was printed in 1956 and given out in record shops, aimed at the hep cats of the time, as we can see from the illustration of the jiving couple at the top. Borrowing from Bill Haley’s lyrics, Capitol went with Gene Vincent as their big star, then made an effort to find six more early rock and roll tracks from their catalogue who might appeal to the same audience. Although who on earth Tabby Calvin and his band were I have no idea, and the internet doesn’t help much! Anyhow, once you had “dug the crazy releases” you could turn the leaflet over to get details of the Capitol radio show on Radio Luxembourg.

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The Cramps

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This poster turned up in a sort out recently, from one of many shows I went to at the Academy in Manchester. It’s a confusing venue name as there were four halls under the Academy banner last time I looked! But this was the largest, the 1990 Academy hall built just out from the older Union. The show was in 1991 so this may have been one of the first times I went to the place. It was always a terrible sound in there, no attention had been paid by the developers to the acoustics, so depending on the band it was best to stroll about a bit and find a spot near the mixer (usually housed toward the back of the venue) where it was generally less painful. Despite that it was always a good atmosphere as the die-hards would crowd the front of the stage and you could usually see the band OK as the stage was quite high. I was lucky enough to see the Cramps early days (supporting The Police of all things) and they had an authentic love of all things vintage which really came across on stage and a sound like no other. So we would get to see them most tours, sometimes more than once! As a design the poster isn’t going to win any awards but these cheap mono silkscreen designs always stood out on a wall which was the main idea! These days such posters are seen less and less for name bands as tickets usually get sold out on the web so quickly (though musician’s egos often demand promoters make some sort of an effort!). Many Cramps posters simply used the band’s very familiar logo, but here they nicked a shot of Ivy with her Gretsch, possibly off a record back sleeve. Here is the shot in colour.

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Great Yarmouth graffiti

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Although I snapped this in 2025, it could date from almost any time over the last fifty years. Indeed I do wonder if it has been on the wall for some time, and an aged punk rocker living in the town (or visiting for a punk weekend festival) keeps refreshing it! Across the road on the pier some pub band was going through a medley of chart hits from the 60s and 70s so badly it was huge fun to see how long it took us could recognise what they were trying to cover!

Certainly the town has a rather faded air about it once you get off the council street front refurbishments and the building itself has seen much better days (unless of course you think lapdancing clubs are a way to encourage families to visit). And whoever did the brick replacements here (to a listed building) needs a good kick.

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DIY

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The magazine cover is rather beaten up but shows American DJ Martin Block (credited with inventing the DJ on radio in 1935) tinkering with his home made hi-fi system in 1956, with a slew of vintage 12″ vinyl LPs from his record collection of course. The hi-fi system was made by adapting a retro cabinet, and installing a record turntable in the top, plus a radio receiver and also a reel to reel tape which slides out to make access to the controls easier. You’ll be pleased to know there is “nothing to stand in the way of anyone putting together” a similar system according to his article. But then this is a magazine where they show you how to make your own capacitors. 15″ speakers were sited in stand alone cabinets. Disc wise I can only identify the early Oklahoma Soundtrack which he is holding.

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Super self service

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HMV managed to reopen it’s flagship London store in 2023, in the very building they were in back in 1921. They lose just a few housepoints for covering the amazing black art deco facade in tacky banners! Nearby M&S are preparing to smash their 1920s bespoke store to pieces, vandals.

Anyway, this came to mind when I was scanning this smart vintage mono HMV trade advert which dates from 1962. They were clearly proud of their new browserie area, which sold the chart titles and the like, and offer 32 listening booths ( I still bet there was a queue!). Be nice to have a time machine to go back for a look…

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Images

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Here is that Walker Brothers sleeve spotted on the wall of the record shop below. It was the last of the vocal trio’s three Sixties records and the best of the sleeves, although musically it is regarded as patchy today. Issued in 1967 for once they ignored the boring colour photo on the front and tried something a little more adventurous, using lith prints off three photographs and tinting each a different colour, allowing them to overlap. There are no credits for the cover. By this time the group were huge in the UK thanks to some powerful orchestrated ballads, and somehow persuaded Philips to leave their name off the front cover. Other countries were nervous and added it anyway! It was just a single sleeve, with one colour back (see below).

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Over in New Zealand they really messed it up, using different colours on a black background, and printing one as a negative (above). I guess it’s possible they were sent the separated filmwork without proper colour references, or someone screwed up (I have seen that happen with a few other covers in New Zealand).

My sister in law was a huge fan of the trio and saw them live; we still have her teenage scrapbooks on the group which I will snap some time. We do have her singles but she couldn’t afford the albums! I had to source the images off the web.

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Helen Shapiro

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This Helen Shapiro concert programme passed turned up in our office recently. I picked it up some time ago when working on a Helen Shapiro CD package and sleeve for RPM Records, after which it got filed away. It dates from 1962 when Helen was first making waves on the pop scene here and set out on a headlining package tour around the UK. It would probably not attract much attention, except that The Beatles were one of the supporting acts!

I really like the programme cover, which is quite unusual for the time. Mostly back then they slapped a grainy monochrome publicity photograph on, the headline act’s name in bold type, a second colour block and left it at that (many didn’t even have a photo on the front). Here, somebody at the tour agency has had a bit of fun using a shot of a Columbia vinyl disc (maybe an EP from the size of the label) and overlaid a nice colour publicity photo of Helen in a great early Sixties frock.
Probably they figured anyone going to the show didn’t need to be told who it was!

Inside is a full page advert for her debut album and an EP, which was clearly done in more of a hurry (see image below). ALL the lettering except the EMI address is hand done, to which were added coarse half-tones of the two records, and it was ready for the printers. I’m guessing this was done for the music papers at the time, which struggled to reproduce photographs. Note that the album is in mono and stereo editions, EMI were really pushing the boat out. I do like the moody cover shot for her blues EP too.

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Interferon

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Sadly never issued on vinyl, but this is a great CD cover image. I’ve always been a sucker for out of register images either accidental or done on purpose, so this caught my eye while looking for something on the web. Transonic is a Japanese label which seems to exist now only to reissue back catalogue items from the 1990s, this being a deluxe double edition from 2023 of a 1994 CD by Interferon (with remixes etc added). Artwork was by TTJA who I can find nothing about. They did several of the covers for the label, but this is by far the best. Needless to say you then get curious to hear what it is like, and there is an official audio video of one track on YouTube.

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Generic

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I do like a lot of the Czech label Supraphon’s album covers, but they also put a lot of effort into their generic single sleeves as well. There are an awful lot of them and they are often quite hard to date unless you are lucky enough to find them with the original 45. I have tried contacting the label as they are still going and claim to have archives, but they could not be bothered to reply.

I suggest this example which I found lately might date from the Seventies, with the label name rendered in various plain and decorative fonts, predating those often overused word cloud concept of recent times.

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The Adverts

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Another from the ST33 poster archive. This is the original in-store UK poster for release of single Gary Gilmore’s Eyes, “available now”, issued by Anchor Records sometime in August 1977. As you can see it was very simple – and cheap, with the single cover art but in monochrome. The single design was by Nicholas De Ville who is better known today for his work with Roxy Music, but this was a really good cover which managed to capture a lot of the spirit of punk without looking too trendy (see below). I found a few of these in the collection so have put spares on ebay! There are lots of reprints out there too.

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