How DC Comics Has Ruined The Joker

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The Joker. The Clown Prince Of Crime. That playing card that seems to get little attention outside of building a game show around it, but the villain styled on it gets all the attention. Some would even say too much, but we’ll get into that. The Joker is arguably Batman’s most popular arch enemy, though the Ridder is still my favorite. He’s really popular with the writers and the higher-ups at DC Comics. So you wouldn’t think they’d screw up such an important character.

You really don’t understand the corporate mindset.

They never look to see WHY a character is popular. They just see that he is and want to capitalize on him. That makes the Joker more exciting to writers, who see doing a Joker story as some kind of right of passage even if they aren’t doing a Batman story. Superman’s dealt with him solo. So has Wonder Woman, the Flash, Spider-Man even though he’s not IN the DC universe, and I’m pretty sure that this point Sugar and Spike have run into him, though I could be wrong on that point. Wouldn’t be surprised to see him in Gemworld or some Sonic Disruptors story. I didn’t have to look that last one up. I saw the ad so often I’m surprised I never read it.

The problem is that the main DC Comics have so screwed up the idea of the Joker that fans are calling for him to die…or at least for Batman to do so, because heaven forbid a judge, a cop in the paddy wagon willing to deal with punishment, someone at Arkham, or an army of Gothamites don’t try to do it. Nope, has to be Batman, or at least have Batman allow Red Hood to finish him off. In truth, fans would hate that because at some point want a Joker story. It’s the idea that Batman hasn’t killed the Joker yet to save Gotham, thus violating Batman’s “no kill” policy like he needs to be the Punisher now (though the DC universe has at least two would-be Punishers in Vigilante and Wild Dog), that has actually damaged Batman as a character in some of these fans’ perspective.

However, let’s focus on how the Joker has been depicted in recent years, how DC comic writers (and some movie writers) have damaged the character, and how DC editorial let it happen if not called for it with trade writing and Eventitis.

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“Yesterday’s” Comic> Fathom: Blue Descent #0

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I know my collection is spotty, but when did Aspen get the Witchblade?

Michael Turner’s Fathom:  Blue Descent #0

(Does Turner even write his own comic anymore?)

Aspen Comics (digital copy: September, 2012)

CREATORS: Michael Turner & Peter Steigerwald (the latter creating the lore of the Black and Turner the Blue and the franchise)

WRITER: David Schwartz

PENCILER: Scott Clark (no inker listed)

COLORIST: Jeff Chang

LETTERER/EDITORIAL ASSISTANT: Josh Reed

EDITOR: Vince Hernandez

DESIGN/PRODUCTION: Mark Roslan & Peter Steigerwald

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BW’s Daily Video> The Red Flags Of Netflix Narnia

NOTE: Bad language incoming…Gary’s a potty mouth!

Catch more from Nerdrotic and Nerdrotic Daily on YouTube

 

[VIDEO] Nerdrotic Re-Examines Star Wars: The Force Awakens

 

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I’m trying to hold on to a filler posting for more than a few days. The point of having a buffer is to actually buffer. Trying to get my schedule on track without taking a week off (which hasn’t worked as I’ll get sick or otherwise distracted) has not been successful. So let’s see how long this one, typed up on Feb 4, lasts. I’m betting you’re seeing this on Feb 5 given my luck.  (Nope. Made it to February 11.) I hope I at least got to work on something.

So…Star Wars: The Force Awakens. The first story in the Disney era of Star Wars is not exactly looked back upon as favorably as when it first came out. From JJ Abrams rehashing the same story beats in an attempt to prove they were moving away from the political climate of the prequels to questions without answers (aka Abrams’ beloved “mystery box”), there were a lot of problems with the movie. My own initial review was fairly positive, but that’s before the problems of the two sequels and all of the live-action and animated shows pointed out more of the flaws that we didn’t think about at the time. Like with The Phantom Menace we were just happy to see Star Wars back with new official stories, as the canon of the novels, comics, and games were up for debate.

We would soon realize that the people involve really weren’t interested in the saga. They liked the Brand, because it was popular and they assumed they could remake it in their image and still make tons of money, ego trumping the desires of the fans. Subverting expectations is fine if done right, but subverting fan desire for the long-awaited return of the franchise will hurt you every time.

For the anniversary of The Force Awakens, Gary Buchler of Nerdrotic finally did a review of a movie he wasn’t able to when it came out. Turns out I’ve been doing this longer than he has. In the following video he goes over why the movie actually should have been a prediction of what was to come. Then I’ll have a few thoughts of my own.

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“Yesterday’s” Comic> Sonic The Hedgehog #204

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Sadly this seems to be how Sonic gets along with most of his friends.

Sonic The Hedgehog #204

Archie Comic Publications (November, 2009)

WRITER: Ian Flynn

INKER: Terry Austin

COLORIST: Matt Herms

COVER ART: Patrick “Spaz” Spaziante

LETTERER: John Workman

ASSISTANT EDITOR: Paul Kaminski

EDITOR: Mike Pellerito

“Heavy Is The Head” part 2: “Iron Khan”

PENCILER: Steven Butler

“A Friend In Need” Part 2

PENCILER: Jamal Peppers Continue reading

BW’s Daily Video> Starfleet Academy & The X-Men Have Changed

Catch more from JesterBell on YouTube

 

New Masters Of The Universe Movie Director On Skeletor

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Why the hell is Skeletor so hard to write for?

Skeletor is one of, if not the easiest villains in fiction to get right. He’s evil. That’s it. His original toy’s card lists him as “lord of destruction”. He wants to conquer Eternia. He’s a jerk to everybody. He’s a villain from a kids show based on a kids toyline. Nobody needed to give him any further backstory like being Randor’s brother (which goes against the original lore seen above from the old illustrated booklets the minicomics supposedly were based on), he doesn’t need to be Loki with a racism twist, and we don’t need to know about his skull-shaped family back home. Other villains evolved with stronger histories. Even Cobra Commander did back in the 1980s with his origin story in G.I. Joe: The Movie because I’m ignoring the “used car salesman” backstory from the comics. Skeletor does not need it.

The original cartoon bible suggested that Skeletor was one of the other astronauts with Marlena from Earth that crashed on Eternia. This would not be used in the final product and we’re better off for it. 2003’s reimagine just had Keldor as someone who wanted the power of the Elders, got acid on his face that he meant for Randor, went to Hordak and became the Skeletor we know…and he still wasn’t sympathetic. (That version of Evil-Lyn was because she loved Keldor while Skeletor was kind of nuts.) He brought it upon himself and suffered for it. Easy, simple, done, now let’s watch him scheme to take over Castle Grayskull. Between DC Comics and Netflix this wasn’t enough, even though it was just fine for decades. It seems every writer these days needs every minor detail explained. Why is Skeletor evil? Why does he hate Randor? What is his favorite brand of toothpaste? Who cares?

So now we have a new live-action movie that is partly set on Eternia (ugh) and will bring back Skeletor. The movie is directed by Travis Knight, who made the GOOD Transformers live-action movie, Bumblebee. Of course, that’s good by comparison. The movie still had flaws, like playing up how The 80s it was. Still, I want to trust him after seeing the end result. In a recent interview with Empire, of which a snippet is available online, Knight discusses his approach to Skeletor and the Masters Of The Universe movie in general. There are some good things and one line that in our modern times has fans understandably concerned.

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