Image
 

Just chilling with: Evolutionary25, and David Johnson

•March 19, 2026 • Leave a Comment
Image
Processed with Snapseed.

A couple of chilled study beats track this evening from Evolutionary25, and David Johnson.

Evolutionary25 is from Canada and returns after featuring here less than a month ago. He’s back with Monochrome from the forthcoming album Take A Break.

Monochrome is anything but. It’s a lovely laid back affair. Chilled and set to stun.

Clocking in at only two minutes it wastes no time. The beats have a bit of a hip hop kick. But the melody is a blend of guitar and snazzy brass.

The effect is perfectly soporific but in a good way. It’s that lovely late night nightcap drink vibe whilst the barman polishes a glass. Mines a Calvados if you please.

Moving south of the border we have David Johnson, who may be from Texas judging by the hat in his bio, and the instrumental version of his new single As Long As I’m Alive.

As Long As I’m Alive has some lovely rolling beats which really make it for me. But otherwise the music is an unusual blend of almost R&B smoothness, almost rock guitar and seductive string sweeps.

The beats have a perky thud that’s interwoven with some quiet rock sounding electric guitar. But no so much that it detracts from the track.

There’s some strings which regular sweep over and keep things interesting. There are what sound like backwards elements to the guitar which stops it doing quite what you always expect.

It really works as an instrumental rather than showing the gaps where the vocals should sit.

Proper rocking chair in the porch with a shotgun across your knees kinda track.

Techno three ways with: numeral, Vadim Ketsky, and 187rec

•March 17, 2026 • Leave a Comment
Image

A triple bill of techno today spanning something experimental to something more melodic with numeral, Vadim Ketsky, and 187rec.

Numeral is Swiss producer Philippe Adam. His work is described as “a sonic universe of rumbling sub-basses, clever audio design and, at times, gloomy and dystopian landscapes. Meticulous electronic music that draws on beat-driven electronica and vibrant ambient.”

Lots of gloomily thrilling techno on new track Bohei, taken from forthcoming Palimpsest EP.

Bohei is a bit of electronic wood block against some dark bass drums. It’s all very evocative of a dystopian future (or present).

The main keyboard hook provides a bit of melody and light. But it’s the darkness that’s winning.

There’s a sort of pause in the centre of the track as if unsure which way to go. And it just about goes the way of the light. But the dark heart of the track never quite disappears. A bit like IRL I guess.

Vadim Ketsky is an electronic musician from Chisinau, Moldova. His work is mostly prog house or melodic techno.

Here’s Angelic Storm from his Neon Haze EP. This is more towards the melodic techno end of things.

Angelic Storm has quite a crunch almost IDM opening. But soon enough the uplifting keyboards arrive to whisk the track off to somewhere more melodic techno focused and joyous.

This track is all about the lift from the central hook which swells larger and larger as the beats feel swatted aside. T

There’s nothing too complicated here. This is music as pleasure. This is wave your hands in the air in the darkness time.

187rec describes themself as “an electronic techno artist working at the intersection of deep and hypnotic techno. His sound is built on dense grooves, dark textures, and precisely crafted rhythms.”

Here’s Uralis from the just released compilation Vibrant Vibeland #27. It’s a curious beast since it’s techno with a light touch and a dash of IDM.

Uralis starts off quietly in an almost Ambient IDM vein as chimes mix with electronic whirrs. It’s all quite Warp 1995.

But gradually things pick up a bit of pace and the track enters more melodic techno territory as the beats come more to the fore and rhythms get more funky.

In the end, it lurches into something darker and wonderful. It’s a clever shift in a track that always keeps you guessing about which way it’s going to go.

Spaghetti Western boom bap: Lullabies – Left In The Dust

•March 17, 2026 • Leave a Comment
Image

From the album Distilled from Lullabies take a listen to Left In The Dust, an album highlight. Giving you boom bap with a sun drenched twang.

Left In The Dust has that cinematic edge to the guitar and a sense of blinding sunlight against which you have to narrow your eyes.

Beats are phat and lazy in the heat. A little Mexican edge to the guitar gives it that desolate frontier town vibe. This track rocks a shootout.

Buy the album here:

Ambient Sunday with: The Electrician – Ocean of Tears

•March 15, 2026 • Leave a Comment
Image

Ambient Sunday is back with a new artist, The Electrician, who claims to be 16 years old. Who knows? But with Max Dowman the flavour of the moment, perhaps he is.

The Electrician is from New England. He says “I’m from Connecticut and am a 16 year old electronic musician and vocalist who has been writing music for about 3 years. I really enjoy incorporating ethnic sounds and instruments into electronic, ambient soundscapes.”

Here’s recent single Ocean of Tears. A simple but affecting track. It’s built round a tumble of funeral drums. The slight martial air is perhaps fitting given the current Iran war.

The Electrician says of the track “I slowly worked on Ocean of Tears, wanting to write an uplifting, track that had a somber undertone and subtly incorporated electronic elements along with the pluck lead.”

The pluck lead gives the track a unique and different sound in among the melancholic tones. Everything feels kinda downbeat and exhausted. And that’s despite The Electrician saying “The song is meant to feel provocative and deep, but also hopeful and bright despite the melancholy undertone.”

A track for the times we’re in. Introspective and affecting.

Downtempo from: Ari Politi – The Answer

•March 14, 2026 • Leave a Comment
Image

Here’s a track that’s in touch with our mortality from Ari Politi.

Ari Politi aka The Desperate Artist is a Singer/Songwriter/Composer/Producer based in London, UK. He describes himself as a “Composer, Multi-Instrumentalist, and a Producer. He’s also the founder and manager of the record label ‘The Desperate Artist’.”

Here’s his latest single The Answer. Ari describes it as “A tribute to a dear friend who left us. This was his last message…”

I’ve no idea about the background here. But Ari delivers a lovely mix between the spoken word vocal and the music.

Musically, this sometimes soars and reaches for the epic. At others it dials back. The electronic keyboard offers the centre of the track with its constant strive to ascend.

The beats are generally big and punchy. For a track about death there’s a complete lack of mawkishness only a sense of celebration.

Midweek chill with: Eric Hilton – Akasha

•March 11, 2026 • Leave a Comment
Image

Back to something more chilled. A track from Eric Hilton’s new album A Sky So Close.

Eric Hilton was of course half of legendary 18th Street Lounge duo Thievery Corporation. And there’s a bunch of the elements that made them great in evidence here.

A Sky So Close was released at the end of last month. Eric says of the album “This record is an atmosphere, a state of mind. I indulge myself by making music that I want to listen to,” And. “It’s a more solitary record than some of my other work, there is not a big list of guest performers on this one. It’s really like my stream of consciousness.”

Here’s the opening track Akasha. This follow a well worn template but does it so lightly that it’s hard not to sit back and nod along.

There’s a bit of light dub, some slow beats with a touch of heft. There’s a bit of tabla and some reverbed keyboards.

This is a brilliantly soporific groove. It casually lulls you in and then keeps you in place without ever doing anything dramatic. Perfectly in line with Thievery Moments but without ever quite delivering the killer hook that Thievery did on a regular basis.

Pour a cocktail and sit back in your hammock.

A Sky So Close:

Acid Techno with: Alynment – Dr. Seuss (Original Mix)

•March 10, 2026 • Leave a Comment
Image

Following yesterday’s Detroit techno track we have some Acid Techno for you from Alynment.

Alynment is from Pittsburgh in the USA. They mostly do House and DnB but on Dr. Seuss they’ve gone full acid techno.

Dr. Seuss is part of a four artist release on Deep Acid Records entitled Acid Circuit Volume 1.

The track opens with the necessary kick drum. But instead of adding to the intensity it’s lifted with a rather deep house stance to the synths. This gives the track a slightly dreamy stance in which the 303 acid sounds burble away.

Make no mistake, this isn’t a chilled track. The acid and the drums kick plenty hard enough. But the lighter synths give it a looser, more relaxed, feel than you usually associate with acid tracks.

A classy way to bring acid into a fresh space.

Full release

Detroit techno interlude with: P0lyRhythm – Soul Circuit Memory

•March 9, 2026 • Leave a Comment
Image

A banger to start the week from P0lyRhythm giving it a full on Detroit techno experience.

P0lyRhythm is a techno artist from Finland. His biog offers that he delivers “moody and mellow Detroit techno vibes from dark and snowy forests of Finland.” And “High tech soul.”

The track is taken from the State of Minds compilation album released by Meltdowns Deejays Recordings. This is an electronic music DJ-collective and record label from Helsinki, Finland, Est.1993.

P0lyRhythm’s track is Soul Circuit Memory. This is firmly rooted in the second wave of Detroit. But it’s delivered with swaggering self-confidence and flair.

The beats are light. As they should be. The main strain is taken by the tumbling bubbling synth work. A proper toe tapper.

The bass takes things a bit deeper and offers you spaces and places in which to get lost. Handclap beats locate this track firmly on the dance floor.

This would stand up proud against anything by the maestro Carl Craig. Top stuff.

Ambient Sunday supplemental: Atkal Atkala – Aftur

•March 8, 2026 • Leave a Comment
Image

I know we’ve already had an Ambient Sunday post but I’m spoiling you with another one from Atkal Atkala.

Atkal Atkala is from Riga, Latvia. Here’s his recent release Aftur.

I think the track title translates as ‘again’. This is a lovely mix of sawed strings and droning tones. A blend of Ambient and IDM.

This has the same sense of the great outdoors as Joel Tammik’s wonderful album Kriiva from Estonia. There’s a majestic use of space between the sounds.

Aftur has a sense of breathing in and a tranquility in its first half before more elemental things come forward to acknowledge not everything is without a sense of danger.

The final section settles again to a warm throb of beats and blips of electronics.

Beautiful stuff.

Ambient Sunday: Yuriko Imaoka – Warm, Soft

•March 8, 2026 • Leave a Comment
Image

Some delicate Ambient for this Sunday from Yuriko Imaoka.

Yuriko Imaoka is from Japan and has been active since 2019. She says “synthesizer, experimental and noisy sounds are the core of my work.”

Warm, Soft is from the album 愛を教えてくれた (Lessons from a cat). It’s a mix of acoustic and fragmentary electronics.

The album was “composed [as] the background music for Yasuko Momose’s solo exhibition Moonlight Nocturne, held at Gallery Hydrangea from January 22 to 26, 2026.”

Warm, Soft inevitability evokes comparisons with people like Ryuichi Sakamoto. It has that graceful sense of space and meditative strings quality.

But it’s also more consciously electronic and offers a little background vocal. There’s a more obviously experimental soundscape that manages to be both calming and edgy simultaneously.

A track filled with feline grace but also a bit of aloofness and unknowability.

 
Design a site like this with WordPress.com
Get started