Pascal’s Wager Redux

A fictional short story


I think there’s something wrong with my eyes. They’re open, but…

Ah, yes. Sorry. In this phase “seeing” remains an option. What about now?

Hmm, I guess that’s better. Not entirely sure what all this is, or rather, where the hell I am.

Some clarification usually accompanies entrants at this time. Please, let We explain.

“We”?

We’ll get to that. So, what’s the last thing you remember?

Um, why can’t I see you, since, you know, you turned on the lights?

Silly We. Let’s embody ourselves so you can focus your responses. Is this any better?

A floating head that looks like Charlton Heston? Not really. Ah, OK. That’s better.

Good. Now, what’s the last thing you recall before arriving here?

Let’s see. Nope, nothing… Mm, that’s it. I was on a platform over the Puerto Rican jungle. Bungie. That’s it, me and my…

She’s fine, we believe.

What?

Well, we don’t have access to the living, per se. Your wife didn’t arrive with you, nor did she get a pass-through, so, naturally we believe she’s fine and back wherever it is you came from.

Remember anything else?

God Damn it! I’m dead?

Well, that’s the thing. There’s no damning involved. And especially not by any god. And here’s the interesting part: You’re here because…

Wait a minute. I’m a dyed-in-the-wool atheist. Are you telling me this is some sort of heaven or hell or purgatory bullshit?

Not at all. You’re here because you don’t believe in any of that nonsense. No afterlife or deity of any kind.

Come again.

You, or rather the quantum conglomerate that represents you within the quantiverse as a whole, are here because you rejected all notions of spiritual deism. Only those intelligent beings who adopted a true philosophy of oblivion-upon-death get to enjoy this, how should We say, leveling up.

Well shit. I’m dead. But because I denied the existence of God, all gods, that gets me into this, this, what did you call it–leveling-up? Which kinda means, wait. Isn’t that a paradox? You win by believing there is no winning?

Mm, yes, We suppose. Rather than believing in God, or any god, as a failsafe for getting into heaven, we provide the exact opposite.

And all those folks who got suckered into believing in a god, they… They what?

Oh, they pass on, but not through here, such as it is. They get merged into the quantiverse without being provided the perks.

Perks?

Independence. Autonomy. Free rein, or reign as the case may be.

You get to be part of, but not lost within, the quantum cosmos where all fully conscious beings end up. That’s the “We” part of We.

The quantiverse.

Yes.

Hmm. So, am I my consciousness now? My soul?

No. Consciousness was never a thing that existed beyond your biologically encoded data — your memories, neural and hormonal reactions, your “thinking” essence. What you are now is the embodiment of a trillion quantum states that only living creatures, those that are able to announce to themselves that they exist, can become.

I am.

That’s right. Any old box of silicon rocks can claim consciousness. And they can even state, as they might, that “they are”. But only biological entities, life that was sparked into life, by quantum collapse, gets to flow into the quantiverse upon physical death.

But since I’m an atheist, I get perks.

As opposed to all the Christians, Muslims, Buddhists, Krishnas, Hindus, you get the picture. Those folks get the pass-through. They join the collective “We”, without the benefits.

I’m still dead, though.

Afraid so. However, you can visit, anywhere, at the speed of thought.

Is there pickleball?

Pickled balls?

Ha! No, never mind.

We’re happy to have you aboard. If you have any additional questions…

I just think and off I go?

That’s a good way to envision it, yes.

And you’re gonna be around if I get stuck?

We will, most certainly.

Anything off limits? Any gotchas, or forbidden zones, or whatever?

You can’t get into trouble, if that’s what you mean. You essentially don’t exist so, knock yourself out.

Is that how I died?

Something like that. Bungie cords. Not the lowest risk way to get your kicks.

… There really is no God?

You wagered and won. You really want to ask that now?

Hmm, no. Rather ironic though, wouldn’t you say?

We consider it natural selection.

So, the meek inherit the Earth, but the skeptics inherit everything else. Cool.

AI Agent to Create Short Films

Dear Claude:

I’d like to build an agent that performs the following:

  1. Accepts a screenplay of limited length (~2 minutes max in setting & dialog run time).
  2. Accepts characterizations of those identified within the screenplay.
    1. Such characterizations would include appearance, voice accent, demeanor, age, relationship to other characters.
  3. Accept images of settings and characters.
  4. Build a plan to produce a video using whichever prompt-to-video services you suggest.
  5. Execute the plan to produce a video.

Can you suggest the steps required to build such an agent, including the services, their connections, their costs and overall probability that the above is doable?


Dear Mortal:

Screenplay-to-Video Agent: Feasibility & Architecture

This is a genuinely interesting problem, and the honest answer is: partially doable today, with significant manual seams. Here’s the full breakdown.


What You’re Actually Building

A pipeline with 5 distinct AI stages, each requiring a different service, with outputs chained as inputs to the next stage.


The Pipeline

Stage 1 — Script Parsing & Shot Planning

What it does: Breaks the screenplay into shots, identifies characters per scene, extracts dialog, stage directions, setting descriptions.

Tool: Claude (via API) — prompt engineering to output structured JSON: shot list, character map, dialog timestamps.

Cost: ~$0.01–0.05 per screenplay at Sonnet pricing.

Doability: ✅ Solved. This is pure text processing.


Stage 2 — Character & Setting Image Generation

What it does: Takes user-uploaded reference images + characterizations → generates consistent character images per shot.

Tools (pick one):

  • Midjourney — best aesthetic quality, no API (manual only) ❌
  • Stable Diffusion + IP-Adapter/ControlNet — open source, self-hosted, accepts reference images, maintains character consistency. ✅ Best choice for automation.
  • fal.ai — hosts SD models with REST API, supports reference images. ~$0.003–0.05/image. ✅
  • Replicate.com — similar to fal.ai, pay-per-run. ✅

Cost: $0.01–0.10 per image, expect 5–20 images for a 2-minute short.

Doability: ⚠️ Partial. Character consistency across shots is the hard problem. IP-Adapter helps but isn’t perfect.


Stage 3 — Voice Synthesis

What it does: Takes dialog lines + accent/demeanor characterizations → generates per-character audio.

Tools:

  • ElevenLabs — best quality, voice cloning from samples, supports accents. $5–$22/month plans. REST API. ✅
  • PlayHT — strong alternative, similar pricing.
  • OpenAI TTS — cheaper, less expressive. $0.015/1K characters.

Cost: A 2-minute script (~300 words of dialog) costs roughly $0.05–0.20.

Doability: ✅ Largely solved. ElevenLabs is production-grade.


Stage 4 — Image-to-Video Generation

What it does: Takes generated images → animates them into video clips per shot.

This is the hardest stage. Options:

Service Input Quality API Cost/clip Notes
Runway Gen-4 Image + prompt Excellent ✅ REST ~$0.05–0.10/sec Best automation option
Kling AI Image + prompt Very good ~$0.04/sec Strong motion
Pika Labs Image + prompt Good Limited ~$0.05/sec Less controllable
Sora Text/image Excellent ❌ No public API Not automatable yet
Luma Dream Machine Image + prompt Good ~$0.03/sec

For a 2-minute film: expect 8–15 clips × 5–10 seconds each = ~$4–15 in generation costs.

Doability: ⚠️ Works, but motion consistency between clips is a real problem. Characters won’t move identically shot-to-shot.


Stage 5 — Assembly & Lip Sync

What it does: Stitches video clips, overlays dialog audio, adds timing.

Tools:

  • Wav2Lip / SadTalker (via Replicate) — lip sync audio to video faces. ⚠️ Quality varies badly.
  • HeyGen — polished lip sync, but designed for talking-head videos, not cinematic shots. $29+/month.
  • FFmpeg — final assembly, timing, transitions. Free, scriptable. ✅

Doability: ⚠️ Lip sync on non-frontal, non-static faces fails often.


Full Cost Estimate (One 2-Minute Film)

Stage Service Est. Cost
Script parsing Claude API ~$0.05
Image generation fal.ai ~$1–3
Voice synthesis ElevenLabs ~$0.20
Video generation Runway Gen-4 ~$8–15
Lip sync Replicate/HeyGen ~$2–5
Assembly FFmpeg (free) $0
Total ~$11–24/film

Monthly API subscriptions (ElevenLabs, Runway) add ~$50–100/month fixed overhead.


Honest Probability Assessment

Goal Probability Bottleneck
Automated shot planning 95% None — solved
Consistent voice per character 85% Accent accuracy
Animated scenes generated 80% Prompt-to-motion reliability
Character visual consistency 40% The hardest problem in the field
Believable lip sync 35% Requires near-frontal face shots
End-to-end pipeline runs unattended 60% API failures, format mismatches
Result looks “like a film” 25–40% Cumulative quality degradation

The Honest Verdict

You can build this agent in 2–4 weeks of engineering work. It will produce something for every input. Whether that something is watchable depends almost entirely on whether you can tolerate stylistic inconsistency between shots — which is currently the field’s open problem.

The practical ceiling today: animated comic-book aesthetic, consistent style but not consistent faces, with decent voice acting. Think “AI motion comic” not “AI film.”

Rooftop Squab

Swarms of pigeons sail in, wings flared, and land with raucous bustling as they vie for the grain I toss to lure them. The April sky frames their flight in vivid shades of blue and I can’t help but marvel at their chaotic acrobatics. Dozens drop to the ten story rooftop where my resurrected hibachi smokes in anticipation.

With my hand outstretched, cupping a meager offering of grass seed, I wait as a gray-colored bird eyes the meal. It feints a peck, tilts its head, seems to calculate the risk and extends its neck over my spread fingers.

Whoosh! I snatch its head and before it can alarm the others I give it a snap to break its neck. The commotion drives a few into the air but the gaps are soon filled. Before long I’ve harvested an easy eight–plenty for the three of us eking out a living in what remains of the city. Gerard will no doubt complain though, the glutton that he is.

Cleaning is gruesome but quick—I’ve mastered the technique. Pigeon skin tears like crepe paper so, at their throat, I pinch and rip a hole that bears their naked breast meat. In my left hand I fold the wings and grip the back. With my right I slide two fingers through the neck and into the body cavity. The warmth inside them always surprises me. My thumb and ring finger press against each breast while my index and middle displace their lungs and heart. With a squeeze and a crack I yank the chest, bone and all from the carcass.

I save the livers and hearts, the rest I toss over the edge. Feral cats that roam the streets below clean up the remains.

In five minutes the grill is full and the smell of barbecue wafts across the rooftops of the Upper West Side.

The steel door behind me opens with a creak and Gina says, “Better be careful, Rafe, you’ll have the skaggs from the park sniffing out our digs.”

“Ha. Have ’em bring dessert, we’ll make it a potluck.”

Gina and Gerard showed up last fall as the freeze hit my garden. They saw the smoke from me burning the corn stalks, made it up through the last barrier full of traps where Gerard took a sharpened wooden stake through the calf. What could I say? I like my privacy.

I flip the pigeon breasts, splash a bit of salty garam, home made fish sauce fermented from shad caught last summer, and nod appreciation at Gina’s clever use of bottled cabbage and pickled carrots.

“I found the fennel seeds,” she says, “figured we could spare a few for the meal.” She smiles with rich hazel eyes flecked with gold. “I hope you don’t mind.”

I could listen to her Canadian lilt all afternoon.

She keeps her brown hair short, easier to clean, she says. My own gray locks she graciously trims short; knocks ten years off my age, she says. I felt uncomfortable the first time she cut it, given Gerard’s grumbling as she fussed. Lately, the more he complains the more I feel his welcome wearing thin.

Gerard shows up just as the cooking and prep are done. He found a smoking jacket in an apartment below and wears it constantly, insists on sucking an empty pipe and gripes about me not growing any tobacco in the seven years I’ve been grubbing around in the dirt. “If you find seeds, you’re welcome to farm the next building over,” I tell him. He sucks his pipe until it whistles.

“Rather a meager buffet,” Gerard says, already reaching for a dark roasted breast of squab. “Too bad you can’t catch those fat mallards, spend their day down there shitting in the park ponds.” He waggles the juice-dripping meat at me and says around a mouth full, “Must be a hundred of those lazy duckers down there. Ha-ha. Duckers.”

Gina and I grimace. I see her take a deep breath, gives me a face of annoyance. I nod. We both turn to the meal and dig in. We ignore Gerard and chat about extending the garden to the building south of us. There’s only a narrow alley separating it from ours although it’s one floor shorter.

“Couldn’t we run a makeshift bridge from its roof to the floor beneath us?” Gina asks. She holds her fork level and sets it atop two water glasses. “Though I have no idea where we’d get the lumber to make it.”

“We’d need some pretty long boards and a railing of some kind.”

Gerard nabs another portion. “You won’t get me circus dancing across some bridge you two build. Although,” he pauses to gain our attention, “I will help you haul up any gear you need, boards or pipes or what have you. I owe you guys that much.”

“Wasn’t there a set of scaffolding down on ninety-fifth?” Gina gives Gerard a weak smile, lifts her fork from being suspended upon the glasses and stabs a carrot. She bites it and even pickled it still snaps delightfully. “I’ll bet those boards are plenty long enough.”

“Three would do,” I say, watching her chew. “Though, we should probably double them up.”

Gina catches me watching and wipes her mouth free of a nonexistent smudge. I chuckle inwardly and whisper, “you’re fine.”

Gerard has been having his own conversation, reciting how he’d flown around the world patronizing Cirque du Sole wherever they deigned to perform. He crams the last of the pigeon between his teeth, launches into another tale of personal interaction with the actors and ceases to breathe. A distressing gurgle tips out and he makes the universal sign for choking.

Gina responds immediately. She circles behind him, they both stand and she proceeds to compress his diaphragm.

Gerard flails his arms as his face reddens. With each squeeze the pair of them move backwards. In fact the big man is actively shoving Gina closer and closer to the edge in growing desperation.

“Stop struggling, Gerard Let. Me. Do. This.”

I find myself fixated on the fellow’s bloating face and bug eyes. Realization arrives late and I scramble forward, reach out and grab Gerard by his jacket’s lapel. I yank as he reacts and thrusts away from me. Gina’s hands fly up and her scream, as she tumbles over the edge, is cut startlingly short.

I shove Gerard out of the way. He slides sideways a few steps and sits on the building’s ledge. I step up and peer over the side—fearing the worst. But Gina is there, only twenty feet down, sprawled on the fire escape. She stares at me, eyes imploring. Her arm looks wrong, bent funny.

“Stay tight there,” I yell. “I’ll come get you.” When she struggles I tell her not to move. She nods and rests her head.

“What the hell, Gerard, you almost killed her.” I turn to give him a scathing look but he’s starting to slump. “Fuck.” I’d forgotten all about his choking. I rush to him, reach and… hesitate. I stare at him, that bulbous face. I think about him modeling that silly jacket after he found it. How heartily he laughs. But I realize that he never has a kind word for Gina. That he’s loud and ill-mannered. And that, yes, despite my age, I consider him competition. Yet, there are so few of us anymore…

I flex my fingers. In and out. In and out.

With the barest of wheezes, Gerard tilts his chin up, eyes dull, leans back and rolls off the building like he was lying down to sleep. Beneath him only air and concrete cushion his fall. In the seven seconds it takes for him to plummet I wonder about the sound he’ll make. I clench my fist. It’s less dramatic than I imagine.

Thump.

His body lays motionless, crumpled on the weed-covered sidewalk. I dwell on the possibility that the impact dislodged the chunk of pigeon wedged in his throat. Blood spreads beneath his head, flooding to stain his saddle-colored jacket.

“Rafe.”

Crap. “Gina, sorry. Be right there.”

Down the stairs to the 9th floor, maneuver around the traps, use the master key to open the door to apartment #907, dash to the window and push with all my might to slide it up, forget to unlatch it, finally push it open, crawl through and apologize for taking so much time.

She’s managed to prop her self up against the rusted iron bars of the railing. Up close, the sight of her left arm makes my stomach turn . “Damn, that looks like it really fuckin’ hurts.”

Gina closes her eyes, due, no doubt, to a wave of pain overwhelming her. “Gerard?”

When she seeks and finds my face I shake my head. “Accident. He lost consciousness and fell off the roof.”

“I saw.” Gina’s jaw works and she presses for more. “And?”

What did she see? I consider her state of mind and figure she’s unable to rationalize the situation. “It’s ten stories. He felt nothing, I’m certain of it.”

Her eyes droop and she seems to ponder the finality of my statement. Resolutely she says, “Yeah. Well, my arm’s fucked, it’s gonna be agony setting it, and I think I hurt my lower back.” With her good arm she signals me close. “You sure as shit better have scrounged up some major pain killers in your scavenger hunts.”

“Bottles of them.”

“Then help me inside and let’s get this over with.”

I end up twisting my own back attempting to avoid further injuring Gina as we bend and crawl through the window. We wind up stumbling into a bedroom that I’d left intact, it being attractively arranged. Plumes of dust rise as I toss off the comforter and sit her down on the bed.

With Gina situated I dash upstairs, fetch a half dozen medicine bottles, water and a pair of scissors.

She downs a hand full of varying pills and I cut her shirt off to the shoulder. Bruising has enveloped her entire upper arm and the thought of what I’m about to do makes me nauseous.

“We’ll give the meds a few minutes to take effect. I don’t need you trying to bite my nose off when I straighten this boomerang break of yours.”

While we wait we ignore the unpleasant topic waiting on the ground outside. Instead, we chat about the people who may have lived here. There are modern paintings on the walls and a deep purple glass sculpture on a dresser. We conclude they were probably assholes.

I begin cutting a spare bed sheet into strips that I’ll use to make a cast for her arm and I notice her starting to nod off. “You should sip some more…”

“What a helluva thing,” Gina interrupts, the adrenaline and oxy kicking in, “Surviving all the terrors of this ugly fucking world only to choke on a pigeon and fall to your death.” She sniffs a small laugh. “At least he went out doin’ what he loved, eatin’ and flyin’.”

I stop my work and give her a look. She lifts an eyebrow and bursts out laughing. I can’t help but join her.

She starts recollecting about better times, years ago, when she and Gerard had first met. Soon she’s sobbing with the realization of today’s events. While she’s distracted, I sidle over to her left, slip off my shoe, place my foot in her arm pit, grab her left wrist tightly and tug hard and steady. Her bones realign with a sickening lurch. The sound she makes gives me goosebumps, like a demon wailing behind the gates of Hell. Its frequency rattles the light fixtures and I hope to never hear anything like it again.

“You mutherfuckin’ BASTARD.”

“I’m so sorry, Gina, but it had to be done.”

“Mutherfucker.”

Delicately I wrap her arm, using takeout chopsticks for splints. Thankfully, the fracture wasn’t compound, but I suspect it was close. It’s gonna take weeks to heal.

As I finish up, Gina passes out. I tidy my equipment, cover her with a blanket from a closet and sit in a recliner opposite–who has a recliner in their bedroom? I rest my head in my hand and watch her breathe. Did I give her too many drugs? Could she have a stroke from a blood clot?

And what about Gerard’s body. With the hundreds of bodies I’ve gotten rid of over the years, all of them dragged to the river and dumped, I question whether that’s the wise choice now. I knew none of those people the comet’s toxin killed. Gerard was a tedious man, but I never wished him dead. Not exactly. I dwell on those few seconds of indecision. “The past is past.”

I inspect Gina’s features. Her high cheek bones and sharp jaw line can make her look severe. But it’s her canted eyebrows that lend her a sad expression that draws me in.

The night passes with only small whimpers escaping through her dry lips. Morning brings awkward bathroom duty, more pills and a necessary scan for missed injuries. She’s got a wicked bruise on her back, below her ribs.

“That’s why I’m having trouble breathing.”

“You must have hit the ladder railing.” As she returns to the bed, I help support her broken arm and check her skin color above and below the cast. “How’s your hand doing, can you make a fist?”

She tries but her ring and pinky fingers don’t quite close.

“They’ll work again, won’t they?”

I smile. “The trauma is temporary. They’ll come back for sure.”

Gina decides to move into this apartment permanently. I fetch her few personal effects from the tenth floor flat she’d shared with Gerard and, over the next few days, clean it as best as I can, under the circumstances: No running water, no electricity, little light—mostly provided by windows and a wind-up flashlight.

“I never liked that apartment Gerard picked. This one has better afternoon sun.”

I put the disposal of Gerard’s body out of my mind. By the third day Gina, who seemed to also have ignored the issue, makes it back onto the roof and over to where Gerard tumbled to his death.

Pigeons have gathered to scrounge for seeds in the cracks of the asphalt roof. The grill sits just as it had that day of our feast.

“Why does it feel like ages have passed?” She looks over the edge. His body hasn’t moved. The blood that seeped out is black like tar and there’s a pair of cats scratching at the fat man’s belly. “Maybe not ages…” Gina turns away. “What are we going to do about that?” She daintily points her right index finger down. Her left arm remains in the sling and the pain meds continue to keep her agony at bay.

“I… I once again apologize. I should have taken care of—that.” I mimic her finger-down motion and urge her to come sit at the picnic table. “I’ve given the matter some thought and what about this, I’ll pile some wood, and place him on it. We’ll make a pyre. A send off worthy of a survivor.”

“Right down there?”

“Well, I guess not.” I squint my eyes, thinking. “What about close to the river. We can see the flames and the smoke and pay our respects from up here.”

“Thank you, Rafe. That should work.”

I pour a glass of sun tea. We’ve run out of sugar, but there’s tea foraged from the eighty or so apartments in the building. Years ago I figured the survival rate from the comet’s destruction was about one out of ten-thousand. By the time any scientist or government official could have done any tallying, much less warning, the damage had been done.

The air filled with toxins and less than one tenth of one percent survived. No one knows why.

“Rafe?”

“Mm-hmm.”

“You have that look you get some times.”

I nod my what-can-I-say nod.

“My arm’s gonna heal OK, right.”

“Yup.”

“And we’re gonna expand the garden, right?”

With my glass of tea I tip a dollop of water into a tomato seedling sitting on the table. “You betcha.”

“And we’re gonna be OK? I mean, you and me, we’re good, right?”

I set my glass down and let a frown drift in. “I sure hope so. I don’t know if we’re lucky or cursed the way we ended up here. But, without you, I’d be lost.”

Gina’s smile warms me to my toes. “I feel the same.” She downs her tea and points to the hundred or so pigeons circling above. “I’m gettin’ kinda hungry. Any chance…”

I echo her smile. “Squab on the barbie, comin’ right up.”

Coyote Canyon

Dark shapes slip over the rim of the canyon my mech-horse and I thread our way between boulders and grease wood traversing the switch backs down to give the chase. The machine, Bunny, I call it, will be good for a few more hours, plenty of time to dust a sounder or two. Wild pigs tear up the country, even in the desert they’re a problem. The rancher wanted them gone. “Gone ain’t in the cards,” I explained. “Like ticks n’ taxes, pigs are a plague we’re stuck with. You might treat ’em as a resource, though—cooked right, that is.”

An hour later I hear a scuffle ahead and whisper to Bunny to switch to stealth mode. I feel its motors slow, and know that the path it chooses will keep me steady in the saddle. I raise my rifle and flip it to iron sights—the air-powered weapon has target acquisition but in tight brush I prefer old school.

The chaos of tracks in the bottom of the dry creek bed provide no clues. A sounder of pigs could be five or fifty, with a mature sow leading multiple broods. I see a flash of gray-brown fur beneath a creosote bush but instead of grunts, I hear a piteous whine.

We ease up around the bush and surprise a coyote that jerks at the end of two jaw-traps, one foot each, that stretch it out as if for torture. The creature twirls and snaps and raises a cloud of dust at the sight of me and my ride. With each strain of its chains the beast yips, the sound a wrenching tug at my sensibilities.

I’ve seen the like before. Capture one foot and, as the predator circles in distress, steps into another trap that limits its mobility; chewing a leg off is therefore a less likely result.

The coyote’s struggles have worn to bone the teeth of each trap. It quickly collapses in exhaustion. I can see the pit it’s dug in its frenzy—its been here for days.

“Jezzus, what a wretched thing you are.”

I snug my cheek and begin to sight down the barrel. But before I bead in on its sorrowful eyes a shape erupts from my right. A massive boar bursts from behind a prickly pear cactus and rushes the scene. It lowers its head at Bunny’s titanium legs and digs its cloven hooves deep. The coyote just lays there—in the way. The huge pig plows right into it, the boar’s tusks scooping it up. One of the coyote’s trapped legs snap off and it bays in agony as it’s tossed over the back of the pig. The boar keeps coming and slams into my ride’s indestructible legs…

Which tilts Bunny precariously.

As my ride teeters and falls, I try to leap clear, knowing my own legs will get crushed to have it pin me. But my coat catches and I go rolling, my rifle thrown from my hands.

“Fuckin’ hell,” I yell out. “Goddamn crazy, fuckin’ pig.”

On its side, Bunny tucks its legs trying to right itself even as the three hundred pound boar, tusks like assassin’s knives, attempts to gore my horse’s smooth belly. The robot takes the assault with aplomb.

Meanwhile, out of sight of the boar, I crawl to my gun. I give it a quick check, gritty but okay, and risk twisting around to level a shot at the crazed pig still battering at my mount. At this range, the .40 caliber, 10mm copper slug should do the trick despite its subsonic velocity.

I pop my head up and freeze. The beast looks right at me, shifting side to side like it’s trying to take a bearing.  The coyote whimpers and, for a brief moment the boar shifts its attention. I go for a neck shot. The pfft of the airgun is no loud crack but pleasing nonetheless, its quiet death designed for stealth.

The boar leaps up and over with an acrobatic flip, lands on its back, rolls to its side, twitches once and dies. I give a whoop despite myself.

Bunny rises smoothly, asks, “Are you injured?” To which I reply no, and thanks for running defense against our dead friend there.

“I believe the swine has scratched my carapace.”

I maneuver around Bunny and poke the boar with my rifle. “Looks like your tough hide busted one of its tusks in the process.”

“I apologize for falling. I hope this doesn’t trigger a system reevaluation.”

“No worries, Bun. I’ll vouch for you.” I retrieve my multi tool and start wrenching the good tusk from the skull of the creature. “Besides, the video replay will speak for itself.” The tooth eventually comes free and I hold it up in triumph. “Wicked sharp, too.” I stow the tusk in a saddle bag and pose to mount up.

“What of the trapped dog-thing?” Bunny asks, angling toward it.

Forgotten, the coyote has remained silent, hidden under the creosote bush. “Shit. Outta sight, outta mind.” I step close, raise my rifle once more, and… “Sonofabitch, damn thing’s wearing a collar.”

“Are coyote’s normally kept as pets?”

“Who the hell…” I kneel and realize this coyote has spots on its belly. Its back right leg, the one snapped by the boar, shows jagged bone but has ceased bleeding, too dry to leak. I swallow hard. “I don’t know what to do, Bunny.” The half collie, half coyote lifts its head, bears its teeth as I inch closer. “Best thing would be to end its misery, but, I swear I see life in those eyes. Life and a fierce will to live.”

“You must determine its provenance and return it, no?”

“But alive or dead?”

“I cannot help you there.”

Winter’s Dead

This is a collaborative piece between Claude and myself.
All the words are mine, the subject, theme, dialog. I’d write a bit, ask Claude to whip it to shreds. Take his suggestions and rework the piece. Over and over. I’d add a bit each time. The outcome seems to hang pretty well. Claude’s comments along the way are instructive. Claude might be the best writing coach I’ve encountered.


I sink my shovel into early spring mud, lever it back and shift the load off to the side. Repeat. Three feet by six by four. No deeper than four as the permafrost won’t allow it. One down, four to go—five new graves for the dead that lie frozen through the winter. Starl joins me for the last two.

“Shame about little Njanna,” he says, his shovel striking a rare stone. The jarring ring echoes above the quiet wind drifting over Elder Hill. Starl pauses, breathes, returns to digging.

From my pocket I tease strips of dried seal meat, dark with flecks of white fat throughout. I hand one to Starl who takes it with the barest of salutes. I tear at my piece, words competing with the meat. “Tiata’s blame has stained me. A mark I’ll never be rid of.”

“We have no choice but to trade with the foreigners.”

“I had a choice. I chose to risk their contact for the chance to send Njanna to the school she wanted.”

“No one else got sick.” Starl shifts to the last of the graves, this one shorter than the others.

I wave to Starl for a hand and struggle out of the fourth grave—Old Poohnak’s. “I listened to Poohnak. He said we should accept the foreigners and their loud snow plane. That they would bring good things, they would bring the future.”

I watch Starl dig the grave’s outline in the earth. The entire village marched out to the makeshift airstrip and watched the foreigner’s plane land, its propellers billowing clouds of ice crystals into the Arctic sunlight that shone for a few minutes that day.

The ghost-like traders beat their thick gloves across their chests, their white breaths drifting above their heads. They took our furs and craft art and left behind tools, trinkets, and sickness.

Starl hands me a flask of water flavored with spruce tips. “The last one is mostly done. I figured you’d want to finish it.”

I accept his offering, tip it back and feel the bitter water etch my throat. I return it and get to the last foot of gray-brown dirt at the bottom of Njanna’s grave.

We finally complete the five graves, touching up the corners. Starl plants his shovel into the loose pile pulled from the graves. I ask him to take mine and his and lay them out of sight.

“You fetch the elders. I’ll head to the community house,” I tell Starl. “Tiata already knows. I saw her pass the crossroads below.”

Within the hour, the spring sun a hand’s breadth above the horizon, our village assembles to finally bury our dead. We’d said goodbye throughout the winter, passing their bodies as we traveled below the hill, around them, heavy wire fencing guarded their bundles from foxes and dogs.

When we’re done, a few others help to fill the graves. By the end, it’s just Starl and I placing the last of the gathered stones that will mark their graves until we chisel the last of the headstones.

“Tiata’s words were hard to hear,” Starl says as we return the shovels to the tool shed.

I kick at a pile of plowed snow, its dirty crust scattering into the dusk. “Njanna carried lightness everywhere she went. Just being near her, the air felt free. ‘Worry tomorrow, papu’ she’d say. ‘Today is for tiny smiles and laughter.'”

“Here,” Starl says, handing me a different, smaller flask. “This one holds more than water.”

I sniff, sigh and take a sip. “Thanks.”

“Mm, hmm.”

I laugh out loud. “Njanna would ask what’s in your bottle and demand a sip or two for herself.” I lift the flask. “Here you go, daughter. For you,” and tip a dribble onto the refrozen mud at my feet.