Dear Writers and Creatives, Are you stuck, wondering where your your WIP will go next with? Sitting there, staring off into space with no ideas? When stories stall, I’ve found that research jump starts them.
As an example, my latest novel, Euclid’s Children, had me racing from one fascinating topic to another. I got to see images of Titan’s methane seas, learn about the plausibility of long-term settlements in space, the effects of gravity on anatomy, and how the Golden Ratio is manifested in nature. I delved into astrophysics, climate change, and Saturn’s structure. I also got to envisage how war with an alien species might impact society.
Along the way I read books like Astrophysics for People in a Hurry, Simply Physics, Nemesis, Space Opera, The Dispossessed, Beautyland, Slaughterhouse-Five, Ender’s Game, and To Infinity and Beyond.
What I love about research is that it goes beyond fact-checking, it fuels the imagination. And supports other creatives along the way.
What discoveries or books have helped guide your own creative projects?
About Laurie: “Fantastically original concept,” reviewers say. “An art-born world full of prophecies, enchanted creatures, and wishes that come true.”
Laurie Woodward is a multi-award-winning writer whose Artania screenplay was optioned in 2025. Her published works include Time Murmurations, Finding Joy, The Artania Chronicles series, and Forest Secrets. Each project champions hope, resilience, and empowerment—encouraging children to stay authentic, whether facing bullies in real life or dark forces in fantasy.
Her honors include recognition from the Writers of the Future Contest and publication in A Hudson View Poetry Digest, and many anti-bullying grants. She also co-wrote the memoir Dean and JoJo: The Dolphin Legacy, featured in the IMAX film Dolphins, Robin Williams’ In the Wild, and Animal Planet.
A former bilingual teacher and peace consultant, Laurie’s lifelong mission is to nurture creativity, believing that artistic expression can spark extraordinary change.
The premise has real festival appeal. It’s weird without being inaccessible.” “Market-wise, this sits comfortably in the Sundance / SXSW / Tribeca short film space.”
“That’s a calling-card short. Producers and reps watch this and think, ‘This writer can do high-concept on a low budget and make it feel earned.’”
These were just a few of the notes I recently received from the judges at the Santa Barbara International Screenplay Awards for my short screenplay Celestial Pirouette. They also noted that the dance sequences “earn emotional weight,” highlighting the script’s blend of visual storytelling, emotion, and speculative elements.
I was both thrilled and humbled to receive such thoughtful feedback. Professional analysis like this is invaluable to writers and filmmakers, offering both encouragement and insight as a project continues to evolve.
Celestial Pirouette actually began its life as an award-winning science fiction short story. Over time, the concept expanded in my imagination and eventually evolved into a screenplay that explores grief, connection, and transformation through dance and cosmic mystery.
Now the story is taking its next step.
I am currently preparing to move Celestial Pirouette into pre-production, with the goal of producing the short film in the coming months. My hope is that the film will capture the same emotional resonance and visual magic that readers have responded to in the script.
It’s an exciting moment in the life of this project, and I’m grateful for the encouragement that helps propel creative work forward.
About Laurie: “Fantastically original concept,” reviewers say. “An art-born world full of prophecies, enchanted creatures, and wishes that come true.”
Laurie Woodward is a multi-award-winning writer whose Artania screenplay was optioned in 2025. Her published works include Time Murmurations, Finding Joy, The Artania Chronicles series, and Forest Secrets. Each project champions hope, resilience, and empowerment—encouraging children to stay authentic, whether facing bullies in real life or dark forces in fantasy.
Her honors include recognition from the Writers of the Future Contest and publication in A Hudson View Poetry Digest, and many anti-bullying grants. She also co-wrote the memoir Dean and JoJo: The Dolphin Legacy, featured in the IMAX film Dolphins, Robin Williams’ In the Wild, and Animal Planet.
A former bilingual teacher and peace consultant, Laurie’s lifelong mission is to nurture creativity, believing that artistic expression can spark extraordinary change.
Just when I was getting some good news about my huge uterine mass likely not being cancer and could exhale a peaceful breath, our world erupts in fire. Yesterday over 500 strikes hit Iran, and now they have retaliated unlike anything I have ever seen. Strikes have hit or been intercepted from Kuwait, Bahrain, Qatar, Jordan, and the United Arab Emirates, to Dubai, and Oman.
All of those children. Mothers. Fathers. Families. With no clear plan. No congressional approval. Why?
I just want to get ready for my upcoming surgery. Take care of my home. My dogs. Love my children. Write. It’s only two weeks away.
My tumor may weigh seven pounds, but right now it feels astronomically heavier.
Now that they have vowed vengeance I fear for our world.
And wonder. What will happen now?
About Laurie: “Fantastically original concept,” reviewers say. “An art-born world full of prophecies, enchanted creatures, and wishes that come true.”
Laurie Woodward is a multi-award-winning writer whose Artania screenplay was optioned in 2025. Her published works include Time Murmurations, Finding Joy, The Artania Chronicles series, and Forest Secrets. Each project champions hope, resilience, and empowerment—encouraging children to stay authentic, whether facing bullies in real life or dark forces in fantasy.
Her honors include recognition from the Writers of the Future Contest and publication in A Hudson View Poetry Digest, and many anti-bullying grants. She also co-wrote the memoir Dean and JoJo: The Dolphin Legacy, featured in the IMAX film Dolphins, Robin Williams’ In the Wild, and Animal Planet.
A former bilingual teacher and peace consultant, Laurie’s lifelong mission is to nurture creativity, believing that artistic expression can spark extraordinary change.
Long ago, when I was too young to have the life’s experiences I do now, I thought of Friday the 13th as just another day.
I was so naive.
Friday the 13th is a harbinger for the supernatural. A day when the doorways between death and life swing perilously.
I was a young mother raising two kids the best I could. It was a Saturday and I had promised to take them to see The Incredibles matinee. But as usual, I tried to do too much and was running late. I strapped both of them into their seats, revved up the old Volvo, and stepped on the gas.
We were halfway down the long drive when, boom. Thud.
I slammed on the brakes.
“What was that, Mommy?” Jess asked.
Heart pounding, I got out of the car and looked under. There lay our black cat, Cuzie, matted fur around her sweet head.
I started to tear up.
“Do something,” Nick, who had jumped out of the car, ordered, a desperate plea in his voice.
Gently I scooped up the gentlest cat we’d ever had, placed her in Jess’s lap and started racing for the local vet. Both kids crooned to Cuzie telling her it would be okay in one breath, chastising my stupid driving with the next.
With shaking hands I carried her into the office calling, “I hit my cat! She’s hurt. Help me.”
The receptionist immediately ushered us into an exam room and within seconds the vet was there. He placed Cuzie on the table, and began to probe gently with his fingers. The kids and I stood by, stiff bodied, barely breathing.
After about five minutes he declared that Cuzie was fine, but should have a quiet place to rest. “And keep an eye out. If you notice any change, call me,” he said caressing Cuzie’s ears.
Back home we placed her bed in a little nook near the back door, gave her water and a soft blanket, and stroked her back.
She mewed and snuggled down to go to sleep.
It was still early so we headed to the theater. Even got there on time.
To this day, my question remains. Was Friday the 13th bad luck for us because we hit Cuzie? Or did a black cat crossing our path on that fateful day counteract bad fortune, saving her life?
You decide.
About Laurie: “Fantastically original concept,” reviewers say. “An art-born world full of prophecies, enchanted creatures, and wishes that come true.”
Laurie Woodward is a multi-award-winning writer whose Artania screenplay was optioned in 2025. Her published works include Time Murmurations, Finding Joy, The Artania Chronicles series, and Forest Secrets. Each project champions hope, resilience, and empowerment—encouraging children to stay authentic, whether facing bullies in real life or dark forces in fantasy.
Her honors include recognition from the Writers of the Future Contest and publication in A Hudson View Poetry Digest, and many anti-bullying grants. She also co-wrote the memoir Dean and JoJo: The Dolphin Legacy, featured in the IMAX film Dolphins, Robin Williams’ In the Wild, and Animal Planet.
A former bilingual teacher and peace consultant, Laurie’s lifelong mission is to nurture creativity, believing that artistic expression can spark extraordinary change.
I recently was diagnosed with a huge mass in my abdomen that is either uterine cancer or a benign tumor. I have been seeing a gynecological oncologist and am so thankful for his experience, knowledge, and wisdom. When he saw imaging on my MRI and realized that the mass was taking up most of my abdominal space and close to vital organs he sat me down and said that operating locally was not prudent because I would need a team to safely remove it. He has now referred me to Stanford so that I can get the care I need. It is a wise man that puts all ego aside for the safety of his patient. I gave him a signed copy of Time Murmurations with the poem above to say thank you sir.
About Laurie: “Fantastically original concept,” reviewers say. “An art-born world full of prophecies, enchanted creatures, and wishes that come true.”
Laurie Woodward is a multi-award-winning writer whose Artania screenplay was optioned in 2025. Her published works include Time Murmurations, Finding Joy, The Artania Chronicles series, and Forest Secrets. Each project champions hope, resilience, and empowerment—encouraging children to stay authentic, whether facing bullies in real life or dark forces in fantasy.
Her honors include recognition from the Writers of the Future Contest and publication in A Hudson View Poetry Digest, and many anti-bullying grants. She also co-wrote the memoir Dean and JoJo: The Dolphin Legacy, featured in the IMAX film Dolphins, Robin Williams’ In the Wild, and Animal Planet.
A former bilingual teacher and peace consultant, Laurie’s lifelong mission is to nurture creativity, believing that artistic expression can spark extraordinary change.
The heart doesn’t want the future. Not at first. It wants redos. The kind you can’t ask for in real life.
One more moment. One more conversation. One more chance to say what mattered.
That’s why time travel stories have always moved me. Not because of the science, or the spectacle, or the paradoxes (though I love all of that too). But because time travel gives a character something we all secretly want when we’re hurting: the illusion that we can go back and fix what we didn’t know how to hold at the time.
When I wrote Time Murmurations, I didn’t set out to write a “grief story.” I wanted an adventure. I wanted danger, wonder, and urgency. A thrill ride across history with a heroine brave enough to keep going.
But somewhere along the way, I realized that’s what the book was becoming.
A love letter to that ache.
And to the courage it takes to keep going anyway.
Lately, with my health compromised, I’ve found myself thinking about the tiny moments that shape a life. The decisions we didn’t think twice about. The days we assumed would always be there. The things we wish we could redo.
It’s made me want to fight through this season with as much grace as I can.
And it’s reminded me why stories matter.
Stories don’t give us literal redos. But they do give us something real: perspective. Meaning. Connection. A sense that even when the world feels fragile, we’re not alone inside it.
If you’re in a hard season too, I’m sending you love. 💛 And I hope the stories you find, whether they’re mine or someone else’s, help you keep going.
Photo by David Stroup
About Laurie: “Fantastically original concept,” reviewers say. “An art-born world full of prophecies, enchanted creatures, and wishes that come true.”
Laurie Woodward is a multi-award-winning writer whose Artania screenplay was optioned in 2025. Her published works include Time Murmurations, Finding Joy, The Artania Chronicles series, and Forest Secrets. Each project champions hope, resilience, and empowerment—encouraging children to stay authentic, whether facing bullies in real life or dark forces in fantasy.
Her honors include recognition from the Writers of the Future Contest and publication in A Hudson View Poetry Digest, and many anti-bullying grants. She also co-wrote the memoir Dean and JoJo: The Dolphin Legacy, featured in the IMAX film Dolphins, Robin Williams’ In the Wild, and Animal Planet.
A former bilingual teacher and peace consultant, Laurie’s lifelong mission is to nurture creativity, believing that artistic expression can spark extraordinary change.
As the heckler’s rock struck Dr. King in the head, he fell to one knee. Staring at the ground, the crowd waited. What would their leader do? Give in to fear? Or rise up and continue?
He stood tall and continued to lead the march. It was August 5, 1966 and Martin was in an all-white neighborhood of Chicago protesting housing discrimination.
Now, when he was struck he could have retaliated with anger. He could have flung that stone right back. But Martin Luther King Jr. was a man of peace. Of God. And he had a wisdom so often lacking today.
He knew.
We teach by example.
Just a few days later he withstood blistering summer heat to speak at a rally in the city’s football stadium. There in Soldier Field he spoke of how tired African-Americans were often living in rat-infested slums, and being lynched physically in Mississippi, and spiritually and economically in the North.
No hatred in his words. No vitriol. No dividing lines.
But he did draw lines in the sand. On one side was the dream of equality and justice. The other side racism, malevolence, and suffering.
Today we have lines blurred in doublespeak where justice is mocked and equality banned. The result is more suffering, pain, and horrific loss. But for those, like me, who choose to exercise their First Amendment right to protest, there is hope. As we join together saying, “No! I draw a line in the sand,” we rise up in our hearts feeling them beat to the words of the man we honor today.
Rise up America. Continue to do so in peace.
We will overcome.
About Laurie: “Fantastically original concept,” reviewers say. “An art-born world full of prophecies, enchanted creatures, and wishes that come true.”
Laurie Woodward is a multi-award-winning writer whose Artania screenplay was optioned in 2025. Her published works include Time Murmurations, Finding Joy, The Artania Chronicles series, and Forest Secrets. Each project champions hope, resilience, and empowerment—encouraging children to stay authentic, whether facing bullies in real life or dark forces in fantasy.
Her honors include recognition from the Writers of the Future Contest and publication in A Hudson View Poetry Digest, and many anti-bullying grants. She also co-wrote the memoir Dean and JoJo: The Dolphin Legacy, featured in the IMAX film Dolphins, Robin Williams’ In the Wild, and Animal Planet.
A former bilingual teacher and peace consultant, Laurie’s lifelong mission is to nurture creativity, believing that artistic expression can spark extraordinary change.
I’m in the final revision stretch of my dystopian science-fiction novel, and I’ve reached the stage every writer both loves and dreads: choosing the title. Synopsis? In a post–alien invasion future where physical perfection is humanity’s only defense, a young soldier starts to question everything she’s been trained to believe.Right now I’m torn between two finalists: 1) Divine Proportion 2) Euclid’s Children Divine Proportion highlights the ideology at the heart of the story: the belief that mathematical perfection is protection. Euclid’s Children highlights the people shaped by that belief and the generations trained to uphold it.
I’d love your gut reaction. Which title would make you pick up this book first, and why?
Laurie Woodward is a multi-award-winning writer whose Artania screenplay was optioned in 2025. Her published works include Time Murmurations, Finding Joy, The Artania Chronicles series, and Forest Secrets. Each project champions hope, resilience, and empowerment—encouraging children to stay authentic, whether facing bullies in real life or dark forces in fantasy.
Her honors include recognition from the Writers of the Future Contest and publication in A Hudson View Poetry Digest, and many anti-bullying grants. She also co-wrote the memoir Dean and JoJo: The Dolphin Legacy, featured in the IMAX film Dolphins, Robin Williams’ In the Wild, and Animal Planet.
A former bilingual teacher and peace consultant, Laurie’s lifelong mission is to nurture creativity, believing that artistic expression can spark extraordinary change.
There are seasons in a creative life when the noise falls away.
The urgency to produce, to promote, to keep up with the world’s pace softens, and what remains is a quieter question: Why do I make stories at all? What am I really trying to leave behind?
I’ve been thinking about how stories like this tend to surface during quieter parts of the year, when readers and writers alike seem more open to complexity and reflection. December has always felt like a threshold to me. Not an ending, but a pause. A space between what has been and what might still be possible.
It’s in those pauses that purpose becomes clearer.
Across my life as a writer, I’ve worked in different genres and for different audiences, but the heart of my work has remained surprisingly consistent. Again and again, my stories return to the idea that creativity is not a luxury. Wonder is not escapism. Care for one another and for the living world is not optional. These are forces that shape who we become.
Artania: When Creation Is Magic
Artania began with a belief I hold deeply: that when children create, they are not wasting time. They are learning how to shape reality.
In Artania, art quite literally comes alive. Drawings move. Sculptures protect. Paintings carry courage. The message is simple but radical: creativity is power. Especially for children who feel small, overlooked, or bullied, the act of making something becomes a way to claim agency in a world that often tells them they have none.
Artania is my love letter to imagination and my refusal to accept a world that teaches children to abandon it.
Forest Secrets: Standing With the Living World
Forest Secrets grew out of grief and hope braided together.
It tells young readers that friendship matters, that loyalty matters, and that the natural world is not a backdrop for human stories, but a living presence deserving of protection. The forest in that story is not a metaphor. It is a being.
I wanted children to feel that standing up for a forest, or a friend, or something fragile is not naïve. It is brave.
Finding Joy: Even When the World Is Cruel
Finding Joy came from a harder place.
That book says something I wish more people had told me earlier in life: that even when abuse, cruelty, or chaos surround you, there is still something inside you that can express joy. Not forced happiness. Not denial. But a quiet, stubborn joy that refuses to be erased.
It’s a book about survival, yes, but also about dignity. About reclaiming the right to feel alive.
Time Murmurations: Protecting What We Love
Time Murmurations follows Renata Aguillon, a grieving ornithologist who is pulled through time by living starling murmurations. Her journey is not about mastering time, but about learning how to move within it without being destroyed by loss. Writing Renata’s story helped me sit with uncertainty and remember that even in disordered systems, patterns of meaning still emerge.
Murmurations are not controlled by a single bird. They arise from attention, responsiveness, and care. Each bird adjusts to the others. Each movement shapes the whole. Renata comes to understand that survival, whether personal or planetary, depends on the same principles. No one moves alone. No moment exists in isolation.
That felt important to write into the world.
At its heart, Time Murmurations is a story about protecting the Earth, about fighting for those we love, and about understanding that time itself is not something we conquer. It is something we move through together.
Celestial Pirouette: Transformation Through Wonder
Celestial Pirouette is perhaps my most intimate work.
It says that metamorphosis is possible, not through force or perfection, but through surrender to wonder. Through music. Through dance. Through allowing ourselves to be changed by beauty.
It’s about grief, yes, but more than that, it’s about permission. Permission to feel. Permission to move. Permission to become someone new.
Divine Proportion: Rejecting the Lie of Perfection
Most recently, Divine Proportion asks a question I think our culture urgently needs to face: What happens when safety becomes ideology?
In that world, human worth is measured. Bodies are ranked. Perfection is enforced. And the cost is profound.
At its core, Divine Proportion says this: we are not valuable because we conform. We are valuable because we are human. Wondrous, flawed, unique, and alive.
It is a rejection of the lie that we must earn our right to exist.
What I Hope to Leave Behind
When I look across these stories now, what I see is not a career so much as a conversation.
A conversation with children about imagination. With readers about grief. With communities about responsibility. With the future about what we choose to value.
If there is a legacy in my work, I hope it is this: that someone, somewhere, feels a little braver for having encountered these stories. That they create when they’re told not to. That they protect what is fragile. That they dance when the world tells them to stand still. That they refuse to reduce themselves or others to numbers, categories, or rules.
Stories do not save the world on their own.
But they shape the people who do.
And sometimes, in quieter seasons, that feels like enough.
About Laurie: “Fantastically original concept,” reviewers say. “An art-born world full of prophecies, enchanted creatures, and wishes that come true.”
Laurie Woodward is a multi-award-winning writer whose Artania screenplay was optioned in 2025. Her published works include Time Murmurations, Finding Joy, The Artania Chronicles series, and Forest Secrets. Each project champions hope, resilience, and empowerment—encouraging children to stay authentic, whether facing bullies in real life or dark forces in fantasy.
Her honors include recognition from the Writers of the Future Contest and publication in A Hudson View Poetry Digest, and many anti-bullying grants. She also co-wrote the memoir Dean and JoJo: The Dolphin Legacy, featured in the IMAX film Dolphins, Robin Williams’ In the Wild, and Animal Planet.
A former bilingual teacher and peace consultant, Laurie’s lifelong mission is to nurture creativity, believing that artistic expression can spark extraordinary change.
Why is it that everytime I turn on a show with a woman over fifty she has to be drunk and making out in the corner? Does meaningless sex make her somewhat more relevant? Why are older women portrayed as drunken, promiscuous caricatures that curse like rebellious teenagers?
You’d think they’d learned nothing in all their years.
No wisdom. No service to community. No looking back over the years with a soft smile.
Just cursing like a kid who just learned the f-word and is shouting it in the fields to show off.
But I say, that we women are so much more than that. As I age, I think ever more of my legacy. Of what sort of a difference I can make with my remaining years. Of what I will leave behind in this world.
And believe me, it has nothing to do with how many drunken gropings I’ve experienced.
Because a life well lived is what makes me relevant.
Not sex.
About Laurie: “Fantastically original concept,” reviewers say. “An art-born world full of prophecies, enchanted creatures, and wishes that come true.”
Laurie Woodward is a multi-award-winning writer whose Artania screenplay was optioned in 2025. Her published works include Time Murmurations, Finding Joy, The Artania Chronicles series, and Forest Secrets. Each project champions hope, resilience, and empowerment—encouraging children to stay authentic, whether facing bullies in real life or dark forces in fantasy.
Her honors include recognition from the Writers of the Future Contest and publication in A Hudson View Poetry Digest, and many anti-bullying grants. She also co-wrote the memoir Dean and JoJo: The Dolphin Legacy, featured in the IMAX film Dolphins, Robin Williams’ In the Wild, and Animal Planet.
A former bilingual teacher and peace consultant, Laurie’s lifelong mission is to nurture creativity, believing that artistic expression can spark extraordinary change.