With apologies to the classic rock band based in New Jersey, and the notable children’s book by Jenny McCarthy, I’ll name this post the “The Stone Birds”. You might think I’m going to expound on the overlooked beauty of our Rock Doves, usually and ignominiously referred to as common pigeons, or the Rock-thrush I saw in India, or the equally beautiful Ruddy Turnstones, when in their breeding plumage. But I have more concrete birds in mind.
For the last two years I have been a rookie participant in an actual stone sculpture class at “Arts Bonita” in Bonita Springs, Florida. It’s appropriately called “Romancing the Stone”, since one does develop a true love hate relationship with one’s rock over the many weeks of chiseling, grinding, sanding, and polishing.
Since I am a birder and this is a birding blog, my first project was an owl, and the second, a duck. I think these were good choices as the perching owls generally assume a simple shape, as does a sleeping duck, with its head tucked back into the wing feathers. I’ll leave the more ambitious shapes for another year.
I first became aware of this creative class from Bill, a talented neighbor and friend who has been romancing stones for thirteen years, and has created some impressive works of art. He owns all the sculptor’s tools that would make Michelangelo jealous. I’m still borrowing my implements from the school. The classes are skillfully taught by Terrie Mertens, a former high school art teacher and accomplished artist and sculptor, and Doug Corsini, also a noteworthy sculptor and teacher who studied domestically and abroad, including at the Vatican. His commissioned works, including bird sculptures, are scattered around the country.
I was in good hands learning the art, and carefully taught how to avoid inhaling too much stone dust, and how to protect my fingers from the hazards of grinders, saws, and chisels. They coached me into choosing my first rock. It was a large piece of whitish alabaster, one of the largest unclaimed rocks on the shelf. I didn’t realize that they charged by weight, and that the vast majority of the stone would end up as dust or gravel on the floor. Doug cut my rock in half with the band saw, one side being my future owl, and the other saved for a later duck. It took some imagination and a leap of faith to envision either.
Alabaster is a soft stone, recommended to us rookies, leaving the harder marble and the Statue of David to later. I had several photos of owl carvings in wood and stone, and chose to create a “stylized” owl, hoping that the purist birders out there would forgive any anatomic blunders. Initially I set out to imitate a Snowy Owl, given my white rock, but later decided to add a sunken face to add some interest, more like a Barn Owl. It is a hybrid owl; we artists have a license to play with Mother Nature.
The other part of the rock was destined to be a sleeping Ruddy Duck. I thought that the upright tail of this duck would add some interest to the project. But Doug warned me about making the tail too thin, and sure enough, minutes later the tail fell off. No biggie, they said. We’ll just glue it back on, and with hours of careful sanding you may never notice it.
So now, after two years, I have added burgeoning bird sculptor to the many facets of the larger universe of birding. The others include photography, travel to some scenic domestic and international hotspots, and just being outside and enjoying the exercise with birding pals. I’m not sure what my next stone project will entail. I’m considering a sculpture of our Milky Way spiral galaxy, but Terrie just rolled her eyes when I mentioned that last week. We’ll see.
































































































