Colette Copeland speaks with independent curator and longtime Glasstire contributor Leslie Moody Castro about her approach to writing and how travel shapes her work.
Matthew Bourbon writes about the visceral, layered work of Æmen Ededéen, on view at Cris Worley Fine Arts in Dallas.
Mo Eldridge on the act of wincing as an aesthetic strategy in life and art.
Glasstire announces details of its Talking Texas Art panel discussion in Lubbock, hosted at the Louise Hopkins Underwood Center for the Arts Firehouse Theatre.
Lawndale in Houston has announced an open call for “The Big Show” 2026 and named noted curator Valerie Cassel Oliver as its juror.
The On & Off Fred self-guided studio tour, situated along the Fredericksburg Road corridor in San Antonio, will take place March 20-22.
Keith House has announced both the retirement of its founding director, Janelle Montgomery, and a search for her successor.
Alyssa Taylor Wendt escribe sobre los triunfos y las fallas de la exposición “Surrealismo internacional” en el Dallas Museum of Art.
Matthew Bourbon writes about the visceral, layered work of Æmen Ededéen, on view at Cris Worley Fine Arts in Dallas.
Brandon Zech and Jessica Fuentes ruminate on all things Texas as they try to pin down a Texas aesthetic.
Nicholas Frank and William Sarradet discuss recent books and publications about art, made by artists, or unexpectedly connected to art.
A video tour of “The 35th Anniversary Show,” featuring 28 artists, at Gallery Sonja Roesch in Houston.
A video tour of “Heather L. Johnson and Henry G. Sanchez: norMAL and unreMARKable” at Throughline in Houston.
A video tour of “Jeff Jennings: Bloom St. Series” at Andrew Durham Gallery in Houston.
Colette Copeland speaks with independent curator and longtime Glasstire contributor Leslie Moody Castro about her approach to writing and how travel shapes her work.
Alyssa Taylor Wendt escribe sobre los triunfos y las fallas de la exposición “Surrealismo internacional” en el Dallas Museum of Art.
Chinelo Ikejimba studied dance and interns at Houston's Contemporary Arts Museum.
Brandon Zech and Christina Rees discuss their favorite Texas art exhibitions of the past decade.
What I admire most about Meow Wolf is that they explicitly want out of the art world. They want their freedom, and they figured out how to get it.
