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After that we drove to Sedona, AZ which quickly became one of my favorite places in the US. It's an enchanted canyon carved by a river into the red and gold rock mountains, lushly forested and wrapped around hidden ruins of the wild, wild west and even older ruins of ancient Indians. Leon said the red rock has ores which give off magnetic energy. I felt the pull. We camped for 4 nights next to the river and took freezing baths in a deep lagoon. Every morning we crawled out of the tent before dawn to catch the morning light, then painted, picnic'd and hiked until the sun went down. We'd get back to camp in the dark, build a fire & chill out drinking wine while grilling dinner.
We set up camp a second time at the Grand Canyon for another 5 days of painting. It was
hard. Like painting all of the New York City from above while the sun plays tricks on you. The colors were incredible, if fleeting. Wild life seemed undisturbed by the thousands of tourists around them. A herd of Elk passed through the parking lot and held up traffic, and we saw wild pigs, all kinds of birds, plenty of deer, and just missed a big horn sheep. Next time Trey and I want to back pack down into the canyon with quick-drying media and big sketchbooks.
The final, farthest stop was San Diego to drop Leon off and say hi to my old teachers at Watts Atelier, and Ron and Vanessa Lemen. We got to see a collection of Russian student work that Leon brought to America for a show, which was really incredible. Blows the pants off anything done at Ringling. Really gorgeous drawing, but also wonderful compositions and color pallets.
After we said goodbye, a 12 hour drive took us along the Mexican border, through Yuma, up through Phoenix and finally back to Santa Fe. This time we also got to visit with Kyler Dannels and McClean Kendree, who just moved out there.
About 5,000 miles and 60 paintings later, we arrived back in Kansas City. Check out Trey's blog in the next couple of days for some of his favorite paintings from the trip.