Academy Awards 2026

March 16, 2026

I have a lot of memories growing up of watching the Academy Awards growing up. My folks would allow my brothers and me to stay up and watch the ultimate celebration of film. I was thinking today about film. I really like movies and I have liked movies since I can remember. I tend to give a lot of movies the benefit of the doubt and I more easily find the positive when others cannot. Of course, that has limits and I end up shaking my head at certain movies but I even relish in “bad” movies. This is probably why I listen to three different movie podcasts currently. Those are Dead Meat, How Did This Get Made, and Blank Check. I got together last night with my friends for a thrown-together Oscar Party (after a rousing game of Dungeons and Dragons). I had a lot of fun and I just felt a lot of positive vibes.

Conan O’Brien

I only discovered that Conan was going to be the host a few days before the event. When I discovered this, I was excited. Awards shows are a peculiar animal and they can live and die based on who the host is. Conan O’Brien has an impressive pedigree as a host and a comedian. He had a trial by fire when Late Night with Conan O’Brien was not well-received at first. He persevered and honed his self-deprecating and slightly surreal humor through the years. It did not hurt that he wrote for The Simpsons at its height. He easily works with just about anybody. (This is also why I love his podcast and all three of his late-night shows.)

Conan was in peak form last night. The cold open had my friends and me rolling with laughter from the first moment until the last. Again, a lot of his humor works for me because he either punches up or makes himself the main target of his jokes. None of his jokes throughout the night felt mean. He did make Timothee Chalomet his own personal punching bag but Chalomet had just recently put his foot in his mouth. The skits very sharply criticized those who might not appreciate movies as they are intended, without coming off as too mean-spirited. He also brought his trademark bad special effects with him. Prop humor has been a welcome part of his schtick since the Late Night days.

Horror Wins The Night

While One Battle After Another won the most awards, the horror genre was the real winner. Three horror movies (Sinners, Weapons, and Frankenstein) cleaned up in the awards and horror-adjacent movie K-Pop Demon Hunters also won. When I saw Weapons in theaters last year, I instantly loved it and felt that it should win a ton of awards. Little did I know that this brilliant movie would soon be overshadowed with movies that earned even more acclaim. Amy Madigan’s win was definitely deserved as she birthed a new horror villain icon that will be remembered for a long, long time. To think that Zach Cregger was working on a sketch comedy show 14 years ago and is now quickly becoming a horror juggernaut. His trajectory is similar but distinct from Jordan Peele’s. Amy had a personal hand in fleshing out her character in Weapons and she earned her nomination and win.

I have not yet watched Frankenstein (2025) but I have been a huge fan of Guillermo Del Toro’s since Hellboy (2005). The man is a brilliant filmmaker who brings well-rounded and fantastic worlds to life. I said it last night and I stand by it, I could listen to Del Toro talk about film for ages. He is so knowledgeable and while he did not personally win last night, a lot of the people he employed and nurtured won. I look forward even more to watching Frankenstein.

I loved Sinners so much. I first watched it with my friends on the same television that I watched the Oscars on last night. We watched it because I mentioned off-hand that I had not seen it yet and they were excited to show it to me. I was instantly hooked and I believed that it would have to win all of the awards. When it failed to clean up at the Golden Globes (which I did not watch), it dredged up memories of years when the movies that I loved did not win. Liking movies is a subjective endeavor, and I know that now, but emotionally, I was still that young kid who was mad. Sinners was nominated for 16 awards but only won three. There is a lot to explore there in why that is sociologically, with the Oscars historically being against genre films (obviously changing) and black-led films (we have a lot of work to do still). But it also made me really interested in watching other movies like One Battle After Another and Hamnet. 

Michael B. Jordan

Watching him win was an amazing moment. He seemed to be absolutely rocked by the moment as if he never really considered that he won. We are all our own worst critics, and historically, he would be correct in assuming that a white man would win Best Actor. His acceptance speech felt like a very grounded and relatable moment. He believably played two different characters in the same movie in a technical achievement that will be hard to top in the future. One thing I noticed that he was able to list all of the black men who have won the award in one breath. There have only been six now. I also found it interesting that he name-dropped Will Smith, who absolutely earned his award, even though later events marred his win. I’m sure the Academy was not exactly thrilled that he mentioned somebody banned from the ceremony.

Positivity

I really liked the air of positivity of the night. Nominees seemed to genuinely be rooting for each other instead of scheming and hoping for the downfall of their peers. Thank yous to other nominees in acceptance speeches never felt hollow or disingenuous. A lot is apparently being made of Teyana Taylor leaping to her feet to cheer for Amy Madigan. She absolutely saw no point in being a sore loser and felt like cheering on a peer’s success even as she was hit with the realization that she did not win the award. The crowd seemed rolicking in general with everybody happily playing along and looking overjoyed for each other.

Politics

I was really proud of the other tone that the night struck, walking a thin line of acknowledging the current state of the world and also celebrating escape. None of the political jokes or digs were unearned. They were all subtle enough to let the viewer connect the dots. They made a point of saying that they cannot ignore the world as it is but that banding together as an industry can hopefully make the world a better place. The message was hope and that certain pedophiles and crooked politicians should be brought to justice. The only real unsubtle moment was actually really powerful and I appreciated it. Javier Bardem was able to say “No to War” and “Free Palestine” just before he presented. Unlike the BAFTAs, it was not censored. He also wore a very prominent anti-war pin. We need to say these things out loud until things change.

Media Update 3/12/26

March 12, 2026

Jessica Vanel

I just thought I should spotlight some of the YouTube channels I follow this week. I first got into this channel because of her stories about her time working for Disney and also her time working as a Disney Princess at parties. These days, her channel is primarily about hospitality. Jessica has worked in the hotel industry for a while now and she puts on skits about customer service issues in the hospitality industry. Like the rest of the channels on this list, she plays all of the roles in her skits with different costumes and makeup. It is easy to root for her characters as they deal with the worst hotel guests life can throw at them. Going back in her archive provides great stories about dealing with kids, parents, and Disney in general. She also takes a break from skits every so often to do a vlog on an issue in the industry. I recommend this channel.

Claire Hawkins

I cannot remember when this first popped up on my feed but I love it. Claire is also a one-woman cast of hundreds. I first encountered her through her skits on what it is like to be a gymnastics coach. She made something that I know nothing about so entertaining and really captured how weird kids are. As I watched more, I realized she is also a master at bewildering and surreal sketches. She can do existential philosophy, nostalgia, horror, and so much comedy. I often have no idea what to expect from her but I am never disappointed. I recommend this channel.

Burnt-out Teachers

This is a channel I discovered more recently. This is a series of sketches and skits about teachers dealing with students, parents, and administrators. Ms. Lowder (her first name does not seem to be readily available) plays all of the roles. Her two main characters are two teachers who work together to teach a classroom of little ones. Ms. Lowder is named after herself and she uses a filter on her face to portray Ms. Bunker. She also portrays a lot of the precocious kids and troublesome parents as well. A lot of the skits seem to follow original storylines based in the world. The other skits are ripped from true stories of teaching. All of it is interesting. I recommend this channel.


Weekly Update: 

  • This week’s theme is “Female Skits on YouTube”
  • I watched a ton of YouTube
  • I watched more High Potential Season 2
  • I watched more Fallout Season 2
  • I watched more Hunting Party Season 2
  • I watched more Law and Order SVU Season 27
  • I watched more Sheriff Country Season 1
  • I watched more NCIS Season 23
  • I watched more Matlock Season 2

Day’s End

March 7, 2026

Alexis Erica Hawkwind bid her advisors a good night and headed upstairs to the castle’s residence. She moved to the den and poured herself a glass of brandy. She reached up and let her hair down, shaking it out a little. She took a sip and then a deep breath after swallowing. The affairs of Riverkeep could be trying and a day’s work was rewarding yet tiring. She could only imagine what this would be like when her father fully passed on all of his duties and obligations. She would have to be ready and she did think she was improving. She heard a noise behind her and turned to see her younger sisters, the twins, enter the room.

Cassie and Nicola looked just as tired as Alexis felt. Nobody in the Hawkwind family could ever be accused of shirking their duties. Everybody lent a hand and went to bed tired but satisfied. Alexis poured two more glasses of brandy and set them out for the twins with a smile. They both drank without uttering a word first.

“Well met, sister,” Nicola said. “How are the affairs of state going?”

“Well enough,” Alexis said. “With father, mother, and Robin on their mission of diplomacy, it feels a little empty here and like I’m picking up a lot of slack.”

“You must pace yourself, dear Alexis,” Cassie said. “The land and people are counting on you.”

“I’m doing my best,” Alexis said. “But you two should talk. I’m guilty of working too hard but so are the two of you.”

“We have many irons in the fire,” Nicola said. “Since you and father put us in charge of the mages and education of Riverkeep.”

“And that’s not even mentioning our personal projects,” Cassie said.

“I’m nervous to aks about one particular project,” Alexis said. “I suppose if there was any real progress, you would have informed the family already.”

“You are correct,” Nicola said. “There is no measurable progress toward our goal.”

“That’s not completely true,” Cassie said. “We’ve figured out a lot of the elements of the problem and we know far more now than we did at the start.”

“Yes, Cassie,” Nicola said. “We have mastered a lot of new magicks and made incredible advances but the final truth is incontrovertible; we do not have the wherewithal to build a bridge to another world. Nor do we have the ability to locate the world where our brother was spirited away to. We could barely discern that he disappeared and was not killed.”

“When you put it that way, it sounds pessimistic,” Cassie said. “We might someday travel to other worlds.”

“Someday,” Nicola said. “Not anytime soon.”

“Peace, sisters,” Alexis said. “I have no doubt that you have done your best in this endeavor. I think we just have to continue to have faith that our brother is in a better place. You said that you had discovered a lot in service of the task, though?”

“We have discovered a lot more about the magical transportation from one place to another,” Nicola said. “Some of it has moved beyond the theoretical.”

“We think that it will revolutionize the movement of not only people but cargo as well,” Cassie said. “If we’re right, things will be very different in the kingdom.”

Alexis blinked. “I can think of many uses for such high-level teleportation,” she said. “Trade, humanitarian efforts, and military would all be changed. Our kingdom would have a great advantage over surrounding kingdoms.”

“We’ll have something to report soon,” Cassie said. “If nothing else, it would make our father’s diplomatic journeys far safer and shorter.”

“We have tests to run before anybody gets too excited,” Nicola said. “We must make sure that it is safe. Those first tests will be on things rather than people.”

“Agreed,” Cassie said. “Safety first.”

“For now, let’s all get some sleep,” Alexis said. “We all need it.”

The Smithy

February 28, 2026

Maia walked out of the heat of the smithy and tried ot wipe some of the soot off of her face. Working with a phoenix feather forge was very specialized and very hot work and she felt like had sweated through her clothes several times over. She shrugged off the heavy protective coat that she wore to keep from getting burned. Her bare shoulders clearly showed the tattoos of a royal artisan. She had gone through years of apprenticeship so that she could use the exotic tools of her trade. She had left the service of Smith Pyredust to start her own commission under the son of Duke Dreambough. She was working hard to prove herself and spread word of her skill at the craft.

She heard footsteps behind her and she brushed her thumb over the runes on the palm of her glove, activating the studs on her knuckles. Magic flowed through her glove and imbued them with ice magic. She spun around and readied her fist to deliver a blow. She stopped herself when she saw that it was Caniqas the Shining standing there. She deactivated her glove with a clean gesture.

Caniqas was standing there silently and watching Maia. The man always wore a combination of wig, porcelain mask, and heavy makeup which made him hard to read. It also made it so nobody alive knew what he really looked like underneath it all. Rumors about who he was varied wildly. He was also hard to pin down. He was both a renowned musician and a renowned assassin. He was known in the lowest taverns and the highest courts. He did exactly what he wanted to do and only what he wanted. So Maia had stayed her attack not because she trusted his motives but because she knew it would be foolish to take him on directly.

“Can I help you Shining?” Maia asked. “It is late and I was not expecting you.”

“Nobody expects me,” Caniqas said softly. “I don’t even know what I’m going to do sometimes.” He smiled brightly, a little unnerving.

Maia smiled back, trying to play nice. “I  have a somewhat regular schedule myself,” she said. “Although you have caught me late at night working without my staff.”

“By design, my dear,” Caniqas said casually as if that admission was not potentially terrifying. “I wanted to catch you alone.”

“My curiosity is skyrocketing,” Maia said. “Please elaborate on why you have sought me out one-on-one.”

“I mean you know harm,” Caniqas said. “If I did, myself or one of my compatriots would have already taken care of you. I have need of your particular skills.”

“My skills?” Maia asked. “I’m flattered. Please tell me how I can help you.”

“I know that you are an expert at infusing your metalworks with magical energies,” Caniqas said. “I also know that, like many expert blacksmiths, you are knowledgeable about the various material and structural properties of metal. You know how to identify metals and you also know the strengths and weaknesses of those same metals.”

“My education in those areas was thorough and my experience has allowed me to learn even more,” Maia said. “What am I making for you?”

“Oh so many things that I have dreamed up,” Caniqas said with a smile. “But I don’t want to just bring your toys with me, I want to borrow you as well.”

“Borrow me?” Maia asked. “I hope that you asked my employer.”

“I have,” Caniqas said. “I need your help in breaking into a particularly hard-to-access location. You’re only my first stop on this recruitment drive. I have others to collect.”

“And what if I say that I’m comfortable here where I am?” Maia asked. 

“Do you expect me to threaten you, I wonder?” Caniqas said with a smile. “No, I would go on to ask a different smith instead. You’re my first choice, though. I promise to protect you.”

“Your protection is legendary,” Maia said.

“You mean tales of my capacity for violence are legendary,” Caniqas said. “Semantics. I will give you some time to think it over.”

“How long?” Maia asked.

“Not long,” Caniqas said as he started to back away from her, gracefully walking backwards so he never stopped watching her.

Media Update 2/26/26

February 26, 2026

Sheriff Country (2025 – 2026)

Yet another show that I was introduced to by my mother during the holidays. In the small county of Edgewater, a sheriff balances her personal life with keeping the community safe. Morena Baccarin plays the lead character, a recently promoted deputy with a great blend of compassion and toughness. W. Earl Brown plays her father, a marijuana grower with a criminal past. Amanda Arcuri plays her daughter, a recovering addict with a big heart. Christopher Gorham plays her ex-husband, a defense attorney with a lot of hustle. Matt Lauria plays her former partner who is now her deputy, a more hard-nosed cop. Michele Weaver plays her deputy and protege of sorts who uses her own broken past to help her connect to people compassionately on the job. The characters are instantly likable and interesting to me. Things are tricky and dangerous without being too dark. It is also neat to see a small community shift from illegal marijuana growing to legal growing and the struggles that come with it. I recommend this show.

Mayor of Kingstown (2021 – 2026)

I have seen ads for this show since it premiered and I like the star. One man carries onthe family business of acting like a fixer who negotiates between the small town he lives in, the sprawling prison, the police, and the politicians to keep the peace. Jeremy Renner plays the main character and he is really compelling as a very troubled but good-hearted man. Dianne Wiest plays his mother, a woman who works in the prison and disapproves of his rule-bending and dangerous job. Hugh Dillon plays a police detective who is corrupt yet funny. Tobi Bamtefa plays a Crip leader and drug dealer who is very likable and funny. Taylor Handley plays Renner’s brother, a cop who struggles with getting dragged into corruption. The show is very well-written and well-acted with Renner in particular knocking it out of the park. For me, the show is too dark and there is not much calling me back to it. I have heard later seasons are better but I do not know if I want to get there. I do not recommend this show.

Tin Star (2017 – 2020)

I looked for shows similar to Sheriff Country. A London cop transplants his family to a small oil town in the Canadian Rockies and struggles with the oil company and his own dangerous past catching up to him. Tim Roth plays the main character, a struggling alcoholic cop and father who is trying to stay afloat. Christina Hendricks plays an oil company executive who is straightforward and feels dangerous. Abigail Lawrie plays his daughter, an environmentalist who wants to fight the oil company. There are more characters but none of them really stood out in the first two episodes. This show was way too dark for me. This just felt like despair distilled into a show. I really love Tim Roth as a character and he is likable here but it is not enough for me. I do not recommend this show.


Weekly Update: 

This week’s theme is “Small Town Justice”

I watched a ton of YouTube

I watched more High Potential Season 2

I started Fallout Season 2

I watched more Hunting Party Season 2

Newcomer

February 21, 2026

Geraint walked into the magician Hester’s laboratory as the wizard stood up from his desk and then also walked in from the miniature library. The two copies of Hester looked startled and the one at the desk evaporated suddenly. Hester blinked as if waking up from a daydream and then smiled and pushed her glasses back up on her nose.

“Hello inspector Geraint,” Hester said. “I’ve been expecting you but truth be told, I expected you to drop by later. What a pleasant surprise.”

“You’re just going to gloss over what I just saw?” Geraint asked, glancing back at the now vacant desk. He pointed at the space where that copy had been sitting.  “What was that?”

“Just a little spell that I’ve been researching off the tablet recovered on the Clover Run expedition a few weeks ago,” Hester said. “It seems to make research go a little faster. I’m still exploring the benefits.”

“And the downsides, I’m sure,” Geraint said. “Magic often has hidden risks.”

“You know, magic is not the big, bad boogeyman that you think it is,” Hester said. “I would have thought that you would be all in on a spell that creates instant twins.”

“You need to stop reading my mind,” Geraint said. 

“No need to read your mind when I can read your face so easily,” Hester said with a smirk. “But this is not why I called you down here. I wanted you to meet somebody who came back from the Goblin Depths expedition.”

“Somebody who was on the expedition?” Geraint asked. “Did they see something?”

The Spyglass Expedition company was always at the forefront of exploration and that meant entering locations where treasure recovery was likely. There were plenty of times when the presence of treasure attracted the criminal elements. This was often where Inspector Geraint got involved. Nabbing the crooks got them out of the way for the company and eliminated them as a danger to the public good. Everybody won except for the dangerous criminals.

“It’s not somebody who left for the expedition,” Hester said. “She’s locked in one of the isolation chambers.”

“You’ve successfully given me goosebumps,” Geraint said. “It’s not like your company to keep prisoners.”

“She’s not a prisoner, she’s a stowaway,” Hester said. “Look, it’s complicated. I’m finding the situation intriguing but I don’t want to rush in blindly. You have a better read on people, so I wanted to get your opinion.”

“That sounds serious,” Geraint said. “I’m here to help.”

“This way,” Hester said as she walked over to a door and unlocked it with an iron key inlaid with pearl and silver. She opened the door and beckoned Geraint inside. He followed her inside and she shut the door behind them. She turned toward another door and pulled out a gemstone.

“Two doors?” Geraint asked. “This really is serious.”

“That’s what I’ve been trying to tell you,” Hester said. “I’ve been afraid of escape.”

“Is there a master thief in there?” Geraint asked, reaching for his sword.

“Not exactly,” Hester said and touched the stone to the door and it opened with a hissing sound. Hester stepped aside and gestured for Geraint to enter the room. 

Geraint stepped into the room and saw only a large bucket sitting on the floor. He glanced back at Hester and she mouthed “inside the bucket”. Inside the bucket was nothing but a green liquid. As Geraint watched, the green slime started to rise up out of the bucket. It grew up to five feet tall and then formed a decidedly female face and then winked with a smile. Geraint stepped back in shock.

“Greetings!” the slime girl said. “My self-designation is Myra. It is nice to meet you.”

“Self-designation?” Geraint asked. “You named yourself?”

“I never had a need for a name before but now that I am here, I will need one,” Myra said. “I want one.”

“My name is Inspector Geraint,” he said. “Why did you not need a name before?”

“When I was part of the mould, none of us had names,” Myra said. “But I didn’t want to stay in the dark in the mould. I wanted to see something else.”

“So you broke away?” Geraint asked.

“I separated myself with great effort,” Myra said. “When I did, the voices of my people were silenced. I stuck myself inside of a scrap of metal that the people were taking from the cave.”

“A helmet,” Hester said softly.

Geraint nodded. “Myra, our people don’t regularly talk to slime,” he said. “That doesn’t mean that I’m not open to the idea. I would like to have a series of chats with you to determine your place in all of this, if you don’t mind.”

“I look forward to those talks,” Myra said. “Can I talk to Hester in the meantime?”

“I don’t see why not,” Geraint said. “She can advise me of your talks. Is this acceptable?”

“Very acceptable,” Myra said.

Media Update 2/19/26

February 19, 2026

Matlock (Revival – 2024 to Present)

This was a show that I had hesitated to watch until my mother was watching it during last Thanksgiving. A high-powered, retired lawyer returns to the law under an assumed name to investigate a law firm for wrongdoing. Kathy Bates plays the titular character, an undercover lawyer with a righteous mission. She plays the almost dual role so well and her grief and determination are so believable and palpable. Skye P. Marshall plays the other main lead of the show, the Junior Partner to whom Bates’ character is assigned to. She is such an interestingly complex character who battles with how to do good things in a large law firm. Leah Lewis plays the motor-mouthed, driven associate who works with Bates’ character. David Del Rio plays another associate, a more relaxed individual who hesitates to commit. Beau Bridges plays the firm’s managing partner who is a snake hiding in plain sight. Jason Ritter plays another junior partner who struggles with ethical issues. The show has a lot of interesting twists and turns and I like how it depicts the grind of working in a law firm. I recommend this show.

Franklin and Bash (2011–2014)

This is a show that I have been meaning to check out but I finally found it on streaming. Two inventive lawyers impress the head of a large firm and are hired to shake things up with their unique approach to litigation. Breckin Meyer plays one of the title characters, a party-boy who decided not to join his famous father’s law firm. Mark-Paul Gosselaar plays the other title character, slightly more mature but also ready for shenanigans. Malcolm McDowell plays the controlling partner of the firm, an eccentric billionaire who has a lust for life and the law. Reed Diamond plays an uptight lawyer who is at the firm due to nepotism. Kumail Nanjiani plays an agoraphobic attorney who assists the title characters on their cases with research. Dana Davis is an ex-convict who is the pair’s investigator. This show feels very much of its time and a little bit like Boston Legal mixed with Judd Apatow and Caddyshack. The title characters are able to take any kind of case that they want which leads to a very eclectic law show. The show grates on my nerves a little but it seems to start to smooth out a little as it goes along. I do not recommend this show. (But thank you for bringing Kumail Nanjiani to the mainstream)

The Firm (1993)

I had never seen this one and it has a stellar cast (with one exception), and I work in the legal field now. A lawyer graduates from Harvard Law School and is hired by a prosperous firm but something may be wrong. Jeanne Triplehorne plays his sassy wife. The movie stars noted cult leader Tom Cruise as the young attorney in question. Hal Holbrook plays the personable senior partner of the titular firm. Gene Hackman plays the mentor, a playful yet formidable heavy legal gun.  David Strathairn plays Cruise’s brother, a rapscallion. Ed Harris plays a very charismatic FBI agent. Terry Kinney and Barbara Garrick play friends and colleagues of the leading couple. Gary Busey and Holly Hunter play a private detective and his secretary. They are, hands down, the best characters in the movie. Wilford Brimley plays a gruff head of security. There are smaller parts for great actors like Dean Norris, Margo Martindale, Paul Sorvino, Tobin Bell, and veteran mobster actor Joe Viterelli. The movie has an odd, dreamy quality to it that I found strange. The editing makes it hard to determine how much time is passing. I think this is actually by design as being suddenly pulled into a big firm must be disorienting. I really love the original piano score of the movie. The titular firm feels like a cult, as most law firms do. The movie is interesting but it felt like the pacing majorly dragged until the third act. I still recommend this movie.


Weekly Update: 

This week’s theme is “Big Law”

I watched a ton of YouTube

I started High Potential Season 2

I finished The Diplomat Season 3

I finished Fallout Season 1

Thoughts on Book Adaptation Pt. 1 – The World of Oz

February 16, 2026

I was listening to the recent episode of the How Did This Get Made? podcast on Return to Oz, and it stirred up a lot of thoughts about the adaptation of books into movies or television shows. I have historically been a reader in my life, and I support other readers, but some book fans want adaptations to be exactly like the book. I felt this way at one point, but I have changed my mind. Exact adherence to the source material is not always the best way to adapt something. To me, it is not a binary choice. Sometimes, sticking closer to the source material is better, but sometimes changing elements is better. I often appreciate deviations, especially if I have already read the book, because I get a product that is similar but excitingly different. Let’s look at a few examples.

Image

The Oz Book Series (1900 – 1907), The Wizard of Oz (1939), and Return to Oz (1985)

The Wizard of Oz is one of my all-time favorite movies since I saw it as a small child. It is a musical romp through a fantasy land that is mostly benign, with only a few scarier moments. The visuals are iconic and impressive for a movie of its time period. The music and acting especially hold up.

I later read the books in my twenties and realized how different the first movie is as an adaptation. It certainly covers a lot of major points, but it is not a faithful adaptation.  

Return to Oz came out when I was two years old, so I could have seen it, but it was not nearly as popular as The Wizard of Oz. I did not watch it until 2020, well after I watched the books. As such, I could more directly compare the books with this movie in real time. 

Kansas

The books are set in the early 1900s and do not focus much on Dorothy’s home life except as a setup for her multiple journeys to Oz..

The Wizard of Oz is set in the late 30s  but it does not authentically show the hardships of depression era living at the time. I think this was a good choice. Audiences in the late 1930s were just coming out of the depression and did not necessarily want to relive any of those moments on screen. Fantasy movies are meant to be an escape, and that meant that Dorothy’s farm life was relatively happy, even though they were probably struggling. Also, (spoiler) the movie was going to end with Dorothy being returned to Kansas, so it could not be portrayed too badly or else it would have made for a downer ending. (By the way, I still see the ending of this movie as a cop out).  Dorothy’s problems needed to be enough to be troubling but not enough to actually despair over. The movie needs her to want to return to Kansas, and a more realistic and grounded portrayal of Dust Bowl Kansas is not something that somebody in lush Oz would want to return to.

Return to Oz depicts Dorothy’s farm life more accurately to the 1930s. Her distraction and obsession with the world of Oz is keeping her from her chores on the farm. She is brought to an accurate 1930s mental institution to cure her of her fantasies. Her pet chicken is in danger of becoming dinner if it does not start producing eggs. I feel that this sad beginning was a mistake, as we do not need to pity Dorothy when she returns to her hardships. She does escape the institution, and the corrupt staff is arrested or kille,d so there is that. This was during the tail end of the Dark Age of Disney, when they wanted to put out more experimental kids’ movies with a darker edge. This version of Kansas felt too real and too scary for what they were going for. It was entirely invented as it was not in the books. This was part of trying to haphazardly bridge the two movies, which was a mistake. 

Oz

The original movie had a lot of the fantasy and foreign nature of Oz as a land, but it also lacked a lot of the really weird and quirky elements from the books. It felt like a more streamlined version than what was written in the first book. They cut a lot of lore out and minimized certain roles to clean things up and make room for the songs. Oz feels less like an alien world and more like another version of our world with a few strange elements. Almost all characters are humanoid and easy to understand. Of course, the first book is the most straightforward of the series so that helped.

Return to Oz strived to make Oz as weird as it was in the books. It was a mashup of the second and third book so they had plenty of stranger characters to choose from while also touching on characters from the first book. They were put into a rough spot when it came to portraying The Tin Man and The Scarecrow. The original film had portrayed those (and other characters) with just the use of heavy makeup but their human facial features could still be seen and moved like flesh moves. Because of rights issues, Return to Oz portrayed the two characters more like their illustrations in the books. This was jarring to fans of the original movie, even if it was technically “more accurate”. They portrayed a lot of other characters with more inhumanity because of advances in puppetry and animatronics. Tik-Tok, Jack Pumpkinhead, and The Gump are decidedly less human than Dorothy’s original companions.

Return to Oz also decided to make Oz scarier, an element that was not really in the books. The books did not shy away from violence, what with the Tin Man’s origin, the Scarecrow snapping the necks of crows, and the Tin Man’s murder of 40 wolves. However, there was not as much of a pervasive feeling of horror in the books. There was a lot of whimsy but not as much horror. For example, the Wheelers are more annoying and silly in the books than the frightening freaks they are in the movie. The movie also makes Oz post-apocalyptic, an element that is definitely not in the books. This partially comes from mashing the lands of Ev (the setting of the second book) and Oz together. The visuals are very much in line with movies like Labyrinth and Dark Crystal. It makes sense that both Brian Henson and Henry Selick were involved with this movie.

The mashup of two books made Return to Oz have two villains. The first villain encountered is Princess Mombi, a sorceress who is vain. In the books, Mombi is a recurring villain who is a hag who knows magic. Stealing her magic and escaping from her starts Tip’s story. In the movie, she is combined with Princess Langwidere from the third book, who is able to switch out her head for other heads in her collection. Much later, we are introduced to The Nome King, who is depicted largely as a face on a rock wall. In the books, he is part rock but not to the level in the movie. I feel like both of these adaptations are fine with just a few tweaks. The part of the adaptation that I do not like is that these two roles are played by the same actors who portray the staff of the sanitarium back in Kansas. If Oz is real, why do these characters look the same? Only because the first movie did it.

Which brings me to the one part of The Wizard of Oz that I do not like. In the books, Oz is real, and Dorothy’s journeys to and from actually happen. Eventually, Dorothy’s family members also visit or live permanently in Oz. For that reason, I hate that the original movies have it all being a coma dream. It feels like it negates a lot of the movie.

Dorothy

In books, Dorothy’s age is not stated outright, but the understanding is that she is somewhere around the range of 10 and 12. Most likely, she is eleven years old. 

In The Wizard of Oz, Dorothy is supposed to be twelve years old, but the actress (Judy Garland) was sixtee,n going on seventeen. While Garland did her best to portray the character with wide-eyed wonder and more youthful energy, she is definitely visually almost an adult. Obviously, her talent (especially her singing talent) led people to overlook this and embrace her in the role over time. This was the way that Hollywood cast a lot of younger roles for a long time. People watching expected this. 

In Return to Oz, Dorothy is supposed to be eleven years old, but the actress (Fairuza Balk) was only ten. This was a more accurate portrayal as Balk looked a lot like the original book illustrations and was a better fit for Baum’s descriptions of her. However, putting a tiny girl in such scary conditions did not feel great. Being more book-accurate did not serve the story here. Also, having such a small child being institutionalized for her imagination (even though Oz is real in the movie) is a pretty dark idea. 

Somewhat related is the loss of the character of Tip, who is possibly the first trans character in children’s literature. A lot of Tip’s role is given to Dorothy in Return to Oz. While I do not like this change, I can understand it. Audiences may not have been ready for a trans character in 1985, but studios were definitely not ready to portray one. Instead, Princess Ozma becomes more of a cameo than the important character she was in the books.

Conclusion

I feel like The Wizard of Oz benefits from its changes from the source material, while Return to Oz suffers from its deviations from the source material. Both movies mostly benefit in the places where they follow the source material. Both movies feel like they were playing to the audiences of their time. The Wizard of Oz was playing to an audience that just wanted to go to the theater and be happy. Return to Oz was a reflection of a desire for darker tales. Both movies actually did not do well at the box office. The Wizard of Oz became more popular and iconic by becoming a yearly tradition, while Return to Oz has become more of a cult classic, beloved by fewer people because of its darkness. As a side note, I feel like Return to Oz was harmed by trying to be a sequel to The Wizard of Oz. I still love both movies.

Thoughts on Batman Forever (1995) Pt. 2

February 2, 2026

4. Commissioner Gordon

Commissioner Gordon is a well-known part of the Batman mythos as one of his greatest allies and sometimes they butt heads. In all four original blockbuster Batman adaptations, Gordon is played by Pat Hingle, the only actor to be in all four movies. Gordon is lovable and instantly likable as a cop who cares about Gotham. Hingle’s trademark raspy voice is a welcome presence in these movies even as the movies have diminishing returns. He has a sort of warmness and hopefulness that stands out against the darkness of Gotham. (Not literally dark, as there are neon lights everywhere)

So what is wrong?

The character is barely in the movie and when he is, he is treated as comic relief. This is partially due to how he was depicted in the comics at the time and the Batman ‘66 television show. He was just a plot device used to call Batman and introduce some of the exposition of whatever crime was in progress. However, in Batman ‘89, he is not the bumbling fool that he is here in Batman Forever. His first major scene is showing up at Axis Chemicals to root out Eckhardt’s corruption and take control of the situation. He is proactive. This is where he first sees Batman, realizing that he is not just an urban myth. 

In Forever, he literally shows up on the roof of the GCPD, rubbing his eyes from sleep after discovering that the Batsignal has been activated. While he is a shadow of the modern interpretation of James Gordon, this one should still have some operational security. The other main scene he is in is when he and his officers light the bat signal. As the Batwing flies by, he pumps his fist and cheers as Batman gives him a thumbs up. Why is a police officer acting like a nineties kid who just pranked a corpo movie villain? He is a peace officer and one of the few good ones in Gotham.

So how would I fix it?

We are never getting the James Gordon from modern interpretations of the character who is fighting against corruption and is only one step behind Batman instead of twenty. That said, he could have been restored to the good cop and politician (that doesn’t exist in real life) that he was in Batman ‘89 and Batman Returns. Like I said in the Chase Meridian section, have him show up on the roof with Chase and help talk out how to pursue Harvey Dent. He is the police commissioner and should have some insight on the city’s former District Attorney. You do not even need to have him add any useful insight. He could be the fountain of exposition in that scene. Have him show some remorse and concern for what a former colleague has become. 

Have him chase but not catch Two-Face during the crime spree. Have him frustrated so that moment of triumph seeing Batman fly by is more earned. Also, have him just smile and nod as he watches the Batwing fly by. It’s already triumphant; you don’t have to put a bow on a bow. Just smarten him up a bit, returning him to what he was. I didn’t need him to be Gary Oldman in this adaptation.

https://youtu.be/aBHAAiQbj8E

5. Two-Face

Two-Face aka Harvey Dent is an iconic member of Batman’s Rogues Gallery, an Attorney General who is tragically scarred physically and mentally which leads to a conflicted life of crime. Here the role is played by Tommy Lee Jones who has a lot of potential from the very first scene he shows up in. He has a really striking appearance and Jones’ voice and charisma shine through in ever scene. He ends up being the secondary villain, a thug with an obsession with ending Batman. They clearly lay out his motivations in a flashback where we learn that he blames Batman for his accident. Clearly their continued clashes have deepened his obsession.

So what is wrong?

Because of the creative direction to emulate the Batman ‘66 television show, the role is played way over the top. Two-Face ends up being far too similar to the Joker rather than being his own thing. Because he is paired with Riddler, he is treated and portrayed more as a mad dog killer with very little intelligence. The man was an attorney with a high conviction record which is why the mob attacked him in the first place. He enjoys killing and violence and cackles and shouts with glee as he fights Batman. He is also killed pretty directly by Batman at the end of the movie. He had to die because he learned the secret identity of Batman along with the Riddler.

So how would I fix it?

I would somehow get Tommy Lee Jones to tone down his performance. Maybe one could have played on his very well-known feud with co-star Jim Carrey. Tell him that he is just acting like Carrey instead of the seasoned actor he was and Carrey was not (yet). Tell him he needs to be more William Strannix from Under Siege but with a law degree. You can still have the big rage-filled reactions to his failure to kill Batman but also have scenes where he is more quiet and simmering. There needs to be two sides to him. He needs to portray that killer but also portray some remorse. When he flips a coin and it shows mercy, have him be relieved once or twice.

Keep his two girlfriends/henchwomen. They’re just too fun.

Do not have Two-Face discover Batman’s secret identity. Have Riddler keep that to himself and let that be a source of friction between them. It gives Two-Face another reason not to kill the Riddler, as that information is still being dangled just out of reach. The attack on the Batcave is more of an infiltration by just The Riddler with a promise that Batman will come to them on their terms. Have Robin still save him from falling but also have Batman and Robin capture him. This could have led to a scene where Gordon meets Robin as they turn Two-Face in.

6. The Riddler

The Riddler is another iconic member of Batman’s Rogues Gallery, an intellectual foil for a hero often labeled The World’s Greatest Detective. The Riddler’s incredible intelligence is often balanced out by his arrogance and desire to be seen as clever. Jim Carrey portrays The Riddler as an inventor who is too caught up in how to do things without pondering if he should do those things at all. His desire for fame, fortune, and intellectual satisfaction overpowers his sense of ethics. This is a great take on the character as he is more obsessed with Bruce Wayne than he is with Batman. This furthers the central theme of the division and synergy of Bruce Wayne and Batman. His plan is the central driving force of the movie and it makes a sort of sense how he could get uncommonly smart over time.

So what is wrong?

Jim Carrey was actually an interesting choice for the role, but at this point, he did not really know how to do subtle. He was fresh off of nothing but comedy movies and a comedy sketch show. Subtle was not in his vocabulary and it showed. There were few moments where it seemed like anything really mattered to him as everything was puns, pop culture references, and clown behavior. Again, he felt like another version of The Joker. He also teams up with Two-Face and the two go on a crime spree while Riddler is trying to be a businessman in his civilian identity. It is strange to threaten your big plan by exposing yourself so much.

So how would I fix it?

I actually no longer see a lot of his over-the-top behavior as a problem. It does feel like his attempting to act like Frank Gorshin’s version of The Riddler which is not a real problem in itself. Instead of completely reigning it in, I would have him pull back only in big moments. Some of his lines would be more impactful if he delivered them with a cold-blooded air instead of in a funny voice. Keep the arrogance as motivation but have a cold, sociopathic core just hiding beneath the surface. Sometimes the manic smile drops and he has a dead-eyed smile instead as he almost disassociates.

Do not have him robbing banks and jewelry stores with Two-Face. Have him proud to be the brains of the outfit as he hangs back, causing more interesting friction with Two-Face. It looks ridiculous that Batman has not figured out that the manic man dressed in green robbing banks is the same guy who suddenly has a lot of capital to launch a business and happens to be named E. Nigma. Have him really struggling to keep it together when he throws his gala for all of Gotham’s elite. Have him trying and barely succeed to be normal as he oozes arrogance over Wayne’s continued popularity. Have him dismiss Batman as Two-Face’s plaything but slowly become aggravated that his true nemesis (Wayne) is also Batman. Why does Wayne always get to be everything?

The Campsite

January 31, 2026

Tove and Rendra ran through the woods as fast as they could, starting to get out of breath. They had weapons with them but they were outnumbered by the pack of shadow wolves that were practically at their heels. They had been foraging in the woods but they had not expected to find a random patch of dark magic under the trees. The corruption was getting bad lately. Just as the two of them were about to think about making a stand, they saw their campsite ahead. An arrow flew close by Tove’s cheek and elicited a yelp from one of the wolves. Neither of the two dared to turn to see but they could thankfully see Fallon and Rafwin ahead of them. Fallon was knocking another arrow in their bow.

Rendra picked up a shovel sticking out of the ground and turned and swung it one fluid motion. The strike beheaded one of the wolves and the shadow creature dissipated. Tove turned and focused and directed the energy within and his fist began to glow. Tove punched one of the wolves and the light cut through the darkness of one of the wolves with no resistance. The four adventurers stood their ground against the rest of the wolves, who began to circle the campsite. Fallon fired another arrow but it barely missed its target, the wolf hopping to the side at the last moment.

“Can’t you two manage a little firewood collection without getting into trouble?” Rafwin asked. 

“Yeah, thanks for bringing them back to camp,” Fallon said. “Can’t you make nicer friends?”

Rendra tossed the shovel aside and drew their sword. She quickly and almost absently brushed the hair from her face as she tried to keep as many wolves as possible in her field of view. The four of them slowly went back to back, each viewing a quadrant of the surrounding wolves. They were a practiced team and a lot of their actions did not need to be communicated verbally.

“Very funny,” Rendra said. “Can we maybe defend ourselves and then make with the jokes?”

“I suppose,” Fallon said, shooting an arrow at one of the wolves. 

The shot was more meant to shake the wolves from their pattern. The shadow beings moved almost like they were one creature. Shaking them from their tactics could be the difference between survival and death. In response, one of the wolves lay on the grass, and its body shook as its shadowy energy exploded outwards. The wolf exploded into a half a dozen crows that immediately took to the air. 

I’ve got the air, you guys get the ground,” Fallon said and he raised the aim of his bow above their heads at the menacing crows. 

He took aim and fired, the arrow slicing into the crow and causing it to evaporate. This is when the melee began. The wolves and crows moved in from several directions, forcing the four adventurers to dodge and maneuver as they fought. Rendra said a little prayer and her sword lit up, holy runes shining along its length. She began to swipe at the wolves. When her sword hit a wolf, it flew apart violently. If she missed, the light of the sword seemed to ward off any counterattack. Tove’s limbs became a blur as they struck out with brutal and proficient martial arts. They dodged attacks with fantastic acrobatics. Fallon continued to shoot down crows, scanning the skies for any sign of movement.

The last three wolves moved close to each other and then suddenly slammed into each other violently. Their bodies contorted and merged and suddenly took the form of large bear. The bear roared at the heavens and then bore down on the adventurers. It looked substantial and there seemed little hope of avoiding its massive claws as they began to swing.

Just as the bear seemed to have the upper hand, a sword suddenly poked out through its chest. Rafwin had snuck around and stabbed it in the back. Rendra beheaded the bear as it was immobilized by the backstab and it disappeared. All of the shadowy creatures had disappeared. 

“Pretty sneaky, Rafwin,” Tove said with a smile. “I didn’t even see you move.”

“Yeah, that’s the point,” Rafwin said, tossing her hair in a cocky little motion. She smiled brightly. “I’d be really disappointed if anybody saw me.”

“I have to go back and bless the shadow patch,” Rendra said. “We can’t sleep with that thing ready to spawn something else nasty in the night.”

“We all need to go with you then,” Rendra said. “This has got to stop.”

“Yeah, that’s what we’re trying to make happen, remember?” Rafwin asked. “Of course, we’re never going to reach the temple at Bridgewater if we keep running into distractions.”

“Better us finding this ‘distraction’ than some ordinary merchant,” Rendra said. “But I also tire of these sorts of fights.”

“Then let’s get with the blessing so we can get to sleep,” Tove said. “Leave in the morning and try to get to the temple.”

“As much as I want to object to the cavalier manner in which you refer to prayer and ritual, I have to agree with your sentiment at least,” Rendra said.

“Let’s go,” Rafwin said. “I’m getting hungry and cranky.”

“How is that different from always?” Fallon asked.

They all chuckled.


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