Phil: In my job, I thrive at exhibitions. Being on a stand talking to people brings me alive, so why shouldn’t this work just as well for plugging our books?
Spotting an advert for a Book Extravaganza taking place in Coventry, and promising local authors, I hopped on a train (driving in Coventry scares me) and headed that direction.
Inside, there were a couple of rooms full of authors with piles of books in front of them, a few second-hand books stalls, and some book-related merchandise. Plenty to see, and free to get in. As a book lover, how can you go wrong?
I’ll be honest, I got there a few minutes after the doors opened, and the atmosphere was a little strained. Like some sort of dating event, people were a little awkward. Browsing a pile of books on a table, with the author sitting behind them, is a little difficult. You are making a judgment on their hard work! But, you can’t (or at least I can’t) buy all of them just to cover your awkwardness.
Now, I’m not into fantasy books, or crime dramas, so they were easy to discount. Mind you, I enjoyed a long chat with someone about to release crime novels set in Coventry. It’s important not to use real places, just nearly real places. Likewise, I’m not the market for “adult lady fiction”, and there’s no way I want any books with a bloke bursting out of his royal robes in my rucksack, never mind on my shelves!
Obviously, you can’t come to a book event, and not buy books, so I settled on:
Emett the Empathy Man by Lindsay Woodward – which won me over with the cover design. Looking on the back, we are in the world of comic books. Being a little nerdy (stop rolling your eyes Candice) myself, I can relate to that.
Laughs in space edited by Donna Scott – I like a bit of sci-fi, and you don’t get much funny stuff. As an anthology, there should be something to like.
Like our printed books, both appear to have come from the Amazon print works, but that’s fine. These are independent authors selling their work. It’s nicely printed, and feels like a book. What more does anyone need?
What there wasn’t, was much chick-lit, unless you count the grown-up stuff for ladies. Is this a good, or bad, thing for us? Also, the authors will change depending on the location of the event. Would a couple of fresh-faced authors do any good? And what counts as good? Sales, obviously, but also having a fun day I’d say. Lots of chat, perhaps a few connections along the way. Networking and sales combined.
Anyway, I can’t be left near a second-hand bookshop.
Warwick and Leamington by George Morley jumped out at me thanks to the beautiful cover. It’s once of those books that finds it’s way on to the shelf because it looks so lovely. Written in 1913, it describes where I live, and is illustrated with colour plates of paintings by Ernest Haslehurst. The text is very much of it’s time, and fascinating because of this. Obviously it describes a world long gone, but the illustrations show a world not changed that much. And every one is a joy.
From the same stand, there was a lucky dip. A quid a book, with every one wrapped in brown paper. I have no idea what Titanic..And the strange case of Great Uncle Bertie is like, but it will be fun to find out. The reviews on Amazon sound promising, and even though I’m not a Titanic aficionado (there was room on that door Rose), it’s good to read outside your normal areas of interest. Not to “bloke bursting out of his royal robes” though. There are limits.
Finally, a bit more vintage.
Some real pulp fiction! Now, I’ve heard of Sexton Blake, but never read any. Well for no money, I have the chance. I don’t expect works of art, just satisfying my curiosity.
All-in-all, a fun visit. If you fancy looking into one of these events, check out the website. I’ll certainly be back.







Phil: While normally, team NolanParker chats are amicable, sometimes we do disagree. The latest animated discussion concerned a book.
Phil: Another Mike Gayle book, this time picked up from a charity table at Waitrose on a motorway service station. Can’t remember which one, as there have been a lot recently, but it doesn’t matter.
Phil: Are you a different person at work, to the one you are at home?
Phil: Post-pandemic fiction is going to be a thing. We all lived through two of the strangest years anyone can remember with the exception of those who can recall the early 1940s.